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presentation source
presentation source

... 1. Use just major third, divided into two equal intervals 2. This defines a wholetone interval - how many cents? (answer: 193.2 cents) ...
Time Signatures and Intervals
Time Signatures and Intervals

... on the left - does it affect the notes in the interval. Look left. ...
Scales, Voice
Scales, Voice

... Just Diatonic Scale To get perfect triads, must sacrifice: There are two different size whole tones 9/8 (1.125) and 10/9 (1.111). ...
hw3
hw3

... b. Which interval is worst approximated (in cents) by an equally tempered interval? Other than the octave, which is best approximated? c. How many pure fifths are there in this scale? Draw lines on the template and identify them by letter names. (There is more than one.) d. How many pure major third ...
Theory 9-26 - Introduction to Music Theory
Theory 9-26 - Introduction to Music Theory

... When the tonic and the upper note of an interval are from the same major scale, it is called a diatonic interval. All diatonic intervals in the major scale are either perfect (P) or major (M). This is true for ALL major scales. P1 = perfect unison P8 = perfect octave P1, M2, M3, P4, P5, M6, M7, P8 ...
MSP_lecture3
MSP_lecture3

...  The next unique interval in the harmonic series after 3/2 is 5/4  This step in our modern scale is known as the “major third” (E in a C scale which we will see more of later).  Closest interval in Pythag’s scale is “Unstable” interval of 81/64  Slightly higher than the closest interval of 5/4 i ...
Intervals
Intervals

...  P5 + P4 = P8; the total number of half steps they contain is 12.  If the classes of two intervals add up to 9 (or an octave) they are inversions of each other  The inversion of a perfect interval is a perfect interval  The inversion of a major interval is a minor interval, and vice versa  The ...
Musical Interval and Ratio
Musical Interval and Ratio

... 5/3 - the major sixth (the harmonic inverse of 6/5) 8/5 - the minor sixth (the harmonic inverse of 5/4) The octave is divided into twelve exactly equal intervals. In this system, the smallest interval, the semitone, is not a simple integer ratio, but is the twelfth root of two (21/l2) or approximate ...
Music 11, 7/10/06 Scales/Intervals We already know half steps and
Music 11, 7/10/06 Scales/Intervals We already know half steps and

... We already know half steps and whole steps (semitones and tones). We call these “seconds.” Adjacent pitch names are always called seconds, but because the space between adjacent pitch names can vary, there are different types of second: Major second (M2) = whole step = whole tone Minor second (m2) = ...
The Musical Intervals Tutor
The Musical Intervals Tutor

... You can also listen to the different sequences of intervals that make up various scales and modes by clicking Listen to Modes and Scales. And if you would like to test your knowledge of those sequences, click Take Test 3. ...
Intervals Perfect Intervals
Intervals Perfect Intervals

... Intervals An Interval is the distance between two notes. In level one we learned to name intervals by number: ...
Music 170 Homework problem set 6 (due Nov. 3) 1. Two pipes, both
Music 170 Homework problem set 6 (due Nov. 3) 1. Two pipes, both

... 2. Three alpenhorns are tuned so that the second one is a perfect fifth above the first, and the third one is a perfect fifth above the second one. If the first one sounds at 100 Hz, at what frequency does the third, highest, one sound? 3. The harmonic overtone series (the ratios 1:2:3:...) defines ...
MSP_lecture10
MSP_lecture10

...  Transitional attempt to create a transposable scale based on simple integer ratios ...
w - Music at Hopkins
w - Music at Hopkins

... In music, an interval is the distance between two notes. A melodic interval is the distance between two notes shich are played one at a time. A harmonic interval is the distance between two notes which are played at the same time. Melodic Intervals ...
Perfect Intervals
Perfect Intervals

... different? ...
Music 181: Inversions of Intervals, Compound Intervals
Music 181: Inversions of Intervals, Compound Intervals

... II. Compound intervals Any interval larger than an octave (8va) is a compound interval; intervals smaller than an octave are called simple intervals. Any compound interval can be reduced to a simple interval; in most musical contexts the compound interval and its simple counterpart are functionally ...
Music Fundamentals – Quiz 1 Review Pitch and Intervals Identify the
Music Fundamentals – Quiz 1 Review Pitch and Intervals Identify the

... Identify each diatonic interval with its proper abbreviation and indicate the number of half steps it contains. The first group of simple intervals includes only 2nds, 3rds, perfect 4ths and 5ths, and tritones; be sure to distinguish between the two sizes of intervals, i.e., m2 and M2 or a P4 versus ...
Higher Music Literacy Unit 4 – Intervals
Higher Music Literacy Unit 4 – Intervals

... Higher Music Literacy Unit 4 – Intervals ...
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Interval (music)



In music theory, an interval is the difference between two pitches. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord.In Western music, intervals are most commonly differences between notes of a diatonic scale. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C♯ and D♭. Intervals can be arbitrarily small, and even imperceptible to the human ear.In physical terms, an interval is the ratio between two sonic frequencies. For example, any two notes an octave apart have a frequency ratio of 2:1. This means that successive increments of pitch by the same interval result in an exponential increase of frequency, even though the human ear perceives this as a linear increase in pitch. For this reason, intervals are often measured in cents, a unit derived from the logarithm of the frequency ratio.In Western music theory, the most common naming scheme for intervals describes two properties of the interval: the quality (perfect, major, minor, augmented, diminished) and number (unison, second, third, etc.). Examples include the minor third or perfect fifth. These names describe not only the difference in semitones between the upper and lower notes, but also how the interval is spelled. The importance of spelling stems from the historical practice of differentiating the frequency ratios of enharmonic intervals such as G–G♯ and G–A♭.
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