Creative Practice as Research
... The chordal language of Movement Three encompasses the dichotomy between classical and jazz interpretations of harmony. The string quintet sections of minuet and trio display classically voiced harmonisations of thematic material. The minuet is set in the key of D major with the trio modulating to t ...
... The chordal language of Movement Three encompasses the dichotomy between classical and jazz interpretations of harmony. The string quintet sections of minuet and trio display classically voiced harmonisations of thematic material. The minuet is set in the key of D major with the trio modulating to t ...
bebop
... improvisation, the only threads holding the work together being the underlying harmonies played by the rhythm section. Sometimes improvisation included references to the original melody or to other well-known melodic lines ("allusions," or "riffs"). Sometimes they were entirely original, spontaneous ...
... improvisation, the only threads holding the work together being the underlying harmonies played by the rhythm section. Sometimes improvisation included references to the original melody or to other well-known melodic lines ("allusions," or "riffs"). Sometimes they were entirely original, spontaneous ...
A Statistical Analysis of Raga Ahir Bhairav
... terms Aurabh, Sarabh and Sampoorna refers to five, six and seven notes being used respectively. For example, Ahir Bhairav in our case is a Sampoorna-Sampoorna raga as it allows seven notes in ascent and seven in descent (detailed later). The pakad (catch) is a defining phrase or a characteristic pat ...
... terms Aurabh, Sarabh and Sampoorna refers to five, six and seven notes being used respectively. For example, Ahir Bhairav in our case is a Sampoorna-Sampoorna raga as it allows seven notes in ascent and seven in descent (detailed later). The pakad (catch) is a defining phrase or a characteristic pat ...
Raga and rasa - samuelmcclelland.com
... eg. Bring rain to enhance crops. To expand, Raga Shri is performed during the harvest season, Panchama indicates the smell of spring in the air, Vasant means spring and Megh is performed during the monsoon. The megh raga is from the Mallar raga family, which were performed to bring the rain immediat ...
... eg. Bring rain to enhance crops. To expand, Raga Shri is performed during the harvest season, Panchama indicates the smell of spring in the air, Vasant means spring and Megh is performed during the monsoon. The megh raga is from the Mallar raga family, which were performed to bring the rain immediat ...
John Cage and Improvisation – An Unresolved
... After 1935 he began to conceptualize the four main aspects of his newly acquired compositional processes: material, structure, method and form. According to Cage, musical material consists of sounds (including noises) and silences. Structure is no longer based on functional harmony, but on temporal ...
... After 1935 he began to conceptualize the four main aspects of his newly acquired compositional processes: material, structure, method and form. According to Cage, musical material consists of sounds (including noises) and silences. Structure is no longer based on functional harmony, but on temporal ...
Music unit of work: an example of a completed medium
... some – show appropriate combination of effects, background moods and motifs for specific advert; some motif development; few – can exploit one of these techniques well to promote ‘selling point’ of product with advanced manipulation of motif. ...
... some – show appropriate combination of effects, background moods and motifs for specific advert; some motif development; few – can exploit one of these techniques well to promote ‘selling point’ of product with advanced manipulation of motif. ...
Listening Guide
... Unique timbre of bowed erhu supported by hammered yangqin. Exploration of varied articulations and registers of solo erhu; reaches a climax in highest range. ...
... Unique timbre of bowed erhu supported by hammered yangqin. Exploration of varied articulations and registers of solo erhu; reaches a climax in highest range. ...
Archiving Hindustani music at the Samvaad Foundation Hindustani
... improvisation, the devising of an avartan, the aesthetics of a raga – all of this in the presence of other musicians and students of music. The archive, which can now boast of about 10,000 hours of recorded audio, likens itself to a palette, the colours of which represent the myriad traditions of ou ...
... improvisation, the devising of an avartan, the aesthetics of a raga – all of this in the presence of other musicians and students of music. The archive, which can now boast of about 10,000 hours of recorded audio, likens itself to a palette, the colours of which represent the myriad traditions of ou ...
Jazz Improvisation for Classical Musicians
... along”. His concept of improvising was somehow different from his concept of “making it up as I go along”, but of course they are essentially one and the same. In order to improvise proficiently, however, it is necessary to be equipped with certain skills and an appropriate knowledge base. I guess t ...
... along”. His concept of improvising was somehow different from his concept of “making it up as I go along”, but of course they are essentially one and the same. In order to improvise proficiently, however, it is necessary to be equipped with certain skills and an appropriate knowledge base. I guess t ...
Dhrupad - Dagarvani.org
... attributed to the legendary Tan Sen, royal court musician of the Mughal emperor Akbar (1542-1605). Dhrupad was the dominant form of classical vocal music in North India until the eighteen century when khayal (thought, imagination), a lighter, faster and more florid form gained wider acceptance. A dh ...
... attributed to the legendary Tan Sen, royal court musician of the Mughal emperor Akbar (1542-1605). Dhrupad was the dominant form of classical vocal music in North India until the eighteen century when khayal (thought, imagination), a lighter, faster and more florid form gained wider acceptance. A dh ...
The Voice In (And Of) Indian Classical Music: Carving Out a Tradition
... Broadly defined, a gharana is a musical family or lineage with its own set of stylistic features. While historically, a gharana was exclusively a "lineage of hereditary musicians [and] their disciples (Neuman, 1990, p. 146)," today, membership is not dependant as much on bloodlines as it is on ones ...
... Broadly defined, a gharana is a musical family or lineage with its own set of stylistic features. While historically, a gharana was exclusively a "lineage of hereditary musicians [and] their disciples (Neuman, 1990, p. 146)," today, membership is not dependant as much on bloodlines as it is on ones ...
Rag Desh
... • Rags have roots from ancient times (may date as far back as 200BC). • They are deeply linked to the Hindu religion. • Rags were used in folk, classical & now popular Indian music. • Today, Indian classical music is used in Hindi films, Bollywood films, Hindu worship, concerts & we often associate ...
... • Rags have roots from ancient times (may date as far back as 200BC). • They are deeply linked to the Hindu religion. • Rags were used in folk, classical & now popular Indian music. • Today, Indian classical music is used in Hindi films, Bollywood films, Hindu worship, concerts & we often associate ...
The Baroque 1/4
... The birth of many vocal and instrumental forms (e.g., opera, oratorio, cantata, concerto and suite). This stemmed from the development of instruments, especially the violin, and the consequent expansion of available instrumentalists The early Baroque reverted to a simple style, melody-dominated, and ...
... The birth of many vocal and instrumental forms (e.g., opera, oratorio, cantata, concerto and suite). This stemmed from the development of instruments, especially the violin, and the consequent expansion of available instrumentalists The early Baroque reverted to a simple style, melody-dominated, and ...
Antecedent-Consequent Phrases», Part 1
... «changes». That is, the ability to effectively delineate chords during a solo improvisation. Chord arpeggiation or change running, as it is sometimes called, is a fundamental technique required from every jazz improvisor. Once this skill has been internalized one must then learn to gracefully connec ...
... «changes». That is, the ability to effectively delineate chords during a solo improvisation. Chord arpeggiation or change running, as it is sometimes called, is a fundamental technique required from every jazz improvisor. Once this skill has been internalized one must then learn to gracefully connec ...
From Voice to Keyboard - Pavia University Press
... Peter Schubert is a professor at McGill University's Schulich School of Music. He has published two textbooks on counterpoint and numerous articles on Renaissance music. He conducts VivaVoce, an ensemble that has recently released several CDs. He has posted videos onYouTube illustrating the use of i ...
... Peter Schubert is a professor at McGill University's Schulich School of Music. He has published two textbooks on counterpoint and numerous articles on Renaissance music. He conducts VivaVoce, an ensemble that has recently released several CDs. He has posted videos onYouTube illustrating the use of i ...
Comparative (Ethno)Musicology. - Institut 13: Ethnomusikologie
... more interpretative parameters such as tempo, phrasing, accentuation, timbre, etc. the extent to which such decisions may be made by some members of a gamelan ensemble, and thus the issue of their would-be “improvisatory” nature, can best be understood by comparing it to another musical system where ...
... more interpretative parameters such as tempo, phrasing, accentuation, timbre, etc. the extent to which such decisions may be made by some members of a gamelan ensemble, and thus the issue of their would-be “improvisatory” nature, can best be understood by comparing it to another musical system where ...
Area of Study 4
... It keeps a sense of tuning/ intonation as a reference point for the melodic parts. ...
... It keeps a sense of tuning/ intonation as a reference point for the melodic parts. ...
Level 9 - The Music Makers
... Be able to sight-read LevelT music. All skills from previous levels may be included, with the addition of triplets, melody shifting between clefs, and finger pedaling. Students will have 45 seconds to preview the ...
... Be able to sight-read LevelT music. All skills from previous levels may be included, with the addition of triplets, melody shifting between clefs, and finger pedaling. Students will have 45 seconds to preview the ...
Indian Classical Music
... bit like the right hand in a piano piece (the tune) and the tambura’s job is like the left hand (the accompaniment/chords etc) • The tambura’s part is described as a drone. It is very repetitive. The tambura plays a simple rhythmic pattern based on just two notes from the raga all the way through th ...
... bit like the right hand in a piano piece (the tune) and the tambura’s job is like the left hand (the accompaniment/chords etc) • The tambura’s part is described as a drone. It is very repetitive. The tambura plays a simple rhythmic pattern based on just two notes from the raga all the way through th ...
Music
... New instruments and the sounds of popular music have changed the soundscape of the twentieth century. Rhythmic language can be enormously complex. Melodies can be long and abstract or reduced to small gestures. Any harmonic combination is possible. Composers have made use of extreme dissonance as we ...
... New instruments and the sounds of popular music have changed the soundscape of the twentieth century. Rhythmic language can be enormously complex. Melodies can be long and abstract or reduced to small gestures. Any harmonic combination is possible. Composers have made use of extreme dissonance as we ...
01_front - Massey Research Online
... topics of scales, melody, voicings, harmony and rhythm are examined in separate chapters with over two hundred notated musical examples used to demonstrate the materials in their context. This thesis also seeks to explain the relationships between these elements and presents the material in a fonn a ...
... topics of scales, melody, voicings, harmony and rhythm are examined in separate chapters with over two hundred notated musical examples used to demonstrate the materials in their context. This thesis also seeks to explain the relationships between these elements and presents the material in a fonn a ...
Hindustani Classical Music
... Unlike Western music, ragas also dictate the hierarchy of strong and weak notes, sets of typical melodic figures and a set of extramusical associations with things such as moods, times of the day etc. Sometimes, ragas are represented pictorially as individual human beings. ...
... Unlike Western music, ragas also dictate the hierarchy of strong and weak notes, sets of typical melodic figures and a set of extramusical associations with things such as moods, times of the day etc. Sometimes, ragas are represented pictorially as individual human beings. ...
Pedagogical strategies for free improvisation - Stoa
... relationship between melody and harmony as a mean to reinforce harmonic tonal goals. Yet, as opposed to gesture, texture itself doesn’t evoke specific cultural territories. Its quality produces a kind of primordial sensation that lies before that identification of a specific territory. When we speak ...
... relationship between melody and harmony as a mean to reinforce harmonic tonal goals. Yet, as opposed to gesture, texture itself doesn’t evoke specific cultural territories. Its quality produces a kind of primordial sensation that lies before that identification of a specific territory. When we speak ...
Musical improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate (""in the moment"") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music, and many other kinds of music. One definition is a ""performance given extempore without planning or preparation."" Another definition is to ""play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies.""Encyclopædia Britannica defines it as ""the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text. Music originated as improvisation and is still extensively improvised in Eastern traditions and in the modern Western tradition of jazz.""Throughout the Medieval, Renaissance, Baroque, Classical, and Romantic periods, improvisation was a highly valued skill. J.S. Bach, Handel, Mozart, Beethoven, Chopin, Liszt, and many other famous composers and musicians were known especially for their improvisational skills. Improvisation might have played an important role in the monophonic period. The earliest treatises on polyphony, such as the Musica enchiriadis (ninth century), make plain that added parts were improvised for centuries before the first notated examples. However, it was only in the fifteenth century that theorists began making a hard distinction between improvised and written music. Many classical forms contained sections for improvisation, such as the cadenza in concertos, or the preludes to some keyboard suites by Bach and Handel, which consist of elaborations of a progression of chords, which performers are to use as the basis for their improvisation. Handel, Scarlatti, and Bach all belonged to a tradition of solo keyboard improvisation.In Indian, Pakistani, and Bangladeshi classical music, raga is the ""tonal framework for composition and improvisation."" The Encyclopædia Britannica defines a raga as ""a melodic framework for improvisation and composition.