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Semantic manual - Semantic Daniélou
Semantic manual - Semantic Daniélou

... On the "Hal" keyboard (with piano keys), the default tuning spans the 53 degrees of the Semantic scale starting from C2 and extends them by octaves, in their pitch order. Alternatively, the tuning "Semantic-45" reiterates the note 1/1 with every C key in order to make it easier for first encounters ...
Characterisation of composer style using high
Characterisation of composer style using high

... important books in the literature are those written by Alfred Mann [6, 7] whose writing is based directly upon studies of the 1725 publication ‘Gradus ad Parnassum’, an influential pedagogic study written by Johann Joseph Fux. The term counterpoint denotes music of two or more voices or parts which ...
Bemidji Public Schools Course Map—Music Grades 9
Bemidji Public Schools Course Map—Music Grades 9

... 1. Solfege is correct 2. Pitch is correct ...
Theory Exercise 1.1
Theory Exercise 1.1

... A A# (or Bb) B C C# (or Db) D D# (or Eb) E F F# (or Gb) G G# (or Ab) A This may seem like a very confusing series of letters and symbols so we will simplify things for the time being by removing those letters which have a ‘#’ or ‘b’ attached to them. We are left with this: A B C D E F G A These are ...
A Periodicity-Based Approach on Harmony Perception Including
A Periodicity-Based Approach on Harmony Perception Including

... ranking among the top 5% in their respective tone multiplicity category. Furthermore, according to their average harmonicity value, all church modes rank among the top 11 of 462 theoretically possible scales with 7 tones. Therefore, the periodicity-based approach can contribute to the discussion abo ...
Benward Chapter 6
Benward Chapter 6

... creating the feeling of a tonal center by using all the twelve chromatic tones in a prearranged order that does not lay particular emphasis on any one pitch in the composition as a whole. This method of composing is based on a twelvetone row rather than on a scale. Music that avoids the feelings of ...
The Emergence of the Idea of Irrationality In Renaissance
The Emergence of the Idea of Irrationality In Renaissance

... fifth, the fourth and the unison or any compound of one of these intervals. The beginning of the Ars Nova in the fourteenth century brought about a change in musical attention from melody to counterpoint and harmony, as a consequence the introduction of imperfect consonances of thirds and sixths in ...
Stiff-string theory: Richard Feynman on piano tuning
Stiff-string theory: Richard Feynman on piano tuning

... piano. One simply plays octaves and adjusts the tension in the untuned note until there are no beats. If the process is carried out carefully, the piano will sound good. In the end, tuning a piano is an art as well as a science. ...
Benward Chapter 2
Benward Chapter 2

... Chapter Two The Notation of Musical Sounds: Pitch ...
Dan`s Music Theory 101 Cheat Sheet
Dan`s Music Theory 101 Cheat Sheet

... Root- The note in which a chord is based on. ex.- C is the root of a Cm7. Scale- Subset of notes in order, usually consisting of whole and half steps over the course of an octave. Sharp- Raises the note a half step. Whole Step- Two notches on the wheel. Also called a Tone. 1-4-5 - Since the 3 major ...
Dan`s Music Theory 101 Cheat Sheet []
Dan`s Music Theory 101 Cheat Sheet []

... Root- The note in which a chord is based on. ex.- C is the root of a Cm7. Scale- Subset of notes in order, usually consisting of whole and half steps over the course of an octave. Sharp- Raises the note a half step. Whole Step- Two notches on the wheel. Also called a Tone. 1-4-5 - Since the 3 major ...
The Lydian Mode Part 2 Licks, Intervals and Triads
The Lydian Mode Part 2 Licks, Intervals and Triads

... As discussed, we can isolate the individual triads that are built on each degree of the Lydian mode. By soloing with specific triads we can target or isolate particular scale tones while avoiding others. This creates a focused, angular melody that highlights the unique tonality of each mode. The tri ...
Scales and temperaments: the fivefold way
Scales and temperaments: the fivefold way

... major triad in some form. In western music it is regarded as the fundamental building block on which chords and scales are built. Scales in which the frequency ratio 5:4 are included were rst developed by Didymus in the rst century b.c. and Ptolemy in the second century a.d. The di erence between ...
Scales - MUS 231: Music in Western Civ
Scales - MUS 231: Music in Western Civ

... central pitch (the tonic) – Modulation: a musical move to a different tonal center ...
PPT
PPT

... Emilios Cambouropoulos completed his PhD thesis on Music and Artificial Intelligence at the University of Edinburgh. Till February 1999, he worked as a research associate at King's College London on a musical data-retrieval project: Musical Similarity and Melodic Recognition. Currently, he is workin ...
The Great Highland Bagpipe Plays in WHAT Key?
The Great Highland Bagpipe Plays in WHAT Key?

... • If the interval between two notes is a ratio of small integers, such as 2/1, 3/2, or 4/3, they sound good together — they are consonant rather than dissonant • The twelve-tone equal-tempered scale is the smallest equal-tempered scale that contains all seven of the basic consonant intervals to a go ...
ROOTS LEVEL - Youth Music Project
ROOTS LEVEL - Youth Music Project

... …… Understand how to build a Major Scale (Whole-Whole-Half-Whole-Whole-Whole-Half) …… 5 finger scales (D, A, Bb, dm, em, bm) (left and right hand) …… Build and play Major Scales with right hand (C, G, D) …… Understand the difference between whole and half steps PLAYING/TECHNIQUE: ...
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File

... Head voice: A vocal resonance area that feels to the singer as if the tone is resonating in his or her head (rather than primarily in the chest or throat). Intonation: A musician's realization of pitch accuracy, or the pitch accuracy of a musical instrument. Intonation may be flat, sharp, or both, s ...
Major (our most common scale)
Major (our most common scale)

... sound. Simply put, certain frequencies (resulting in an audible pitch) resonate clearer than other pitches. ...
Semitones - funmusiccoimages.com
Semitones - funmusiccoimages.com

... What note is a tone higher than A? ______ What note is a tone lower than E? ______ What note is a tone higher than B? ______ What note is a tone lower than G sharp? ______ Circle the tones in this melody: ...
Music Theory Essay. - Guitar Master Class
Music Theory Essay. - Guitar Master Class

... There are many elements to what we call music, including pitch, rhythm, melody, harmony, tempo, and so on. The pitch of a musical note is linked directly to the frequency of the sound wave that is produced. Sound waves are a succession of vibrations and the number of vibrations per second is referre ...
music 1010 - BEHS Choirbuzz
music 1010 - BEHS Choirbuzz

... 35. The piano has _______ keys, spanning more than 7 octaves. A. 47 C. 56 B. 66 D. 88 36. Various sets of pipes on a pipe organ are brought into play by pulling knobs called A. keys B. pedals C. stops D. valves 37. The ________ is a regular, recurrent pulsation that divides music into equal units of ...
Chapter 3 - SCHOOLinSITES
Chapter 3 - SCHOOLinSITES

... Teen years are when musician goes from beginners to experts Some may become professionals or virtuosos Band, Orchestra, Choir, Musical Theatre, etc. ...
Elementary Harmony
Elementary Harmony

... By Ann Kim ...
Chapter 3
Chapter 3

...  Question: A triad is a chord, but is a chord always a triad? ...
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Microtonal music



Microtonal music or microtonality is the use in music of microtones—intervals smaller than a semitone, which are also called ""microintervals"". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
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