• Study Resource
  • Explore Categories
    • Arts & Humanities
    • Business
    • Engineering & Technology
    • Foreign Language
    • History
    • Math
    • Science
    • Social Science

    Top subcategories

    • Advanced Math
    • Algebra
    • Basic Math
    • Calculus
    • Geometry
    • Linear Algebra
    • Pre-Algebra
    • Pre-Calculus
    • Statistics And Probability
    • Trigonometry
    • other →

    Top subcategories

    • Astronomy
    • Astrophysics
    • Biology
    • Chemistry
    • Earth Science
    • Environmental Science
    • Health Science
    • Physics
    • other →

    Top subcategories

    • Anthropology
    • Law
    • Political Science
    • Psychology
    • Sociology
    • other →

    Top subcategories

    • Accounting
    • Economics
    • Finance
    • Management
    • other →

    Top subcategories

    • Aerospace Engineering
    • Bioengineering
    • Chemical Engineering
    • Civil Engineering
    • Computer Science
    • Electrical Engineering
    • Industrial Engineering
    • Mechanical Engineering
    • Web Design
    • other →

    Top subcategories

    • Architecture
    • Communications
    • English
    • Gender Studies
    • Music
    • Performing Arts
    • Philosophy
    • Religious Studies
    • Writing
    • other →

    Top subcategories

    • Ancient History
    • European History
    • US History
    • World History
    • other →

    Top subcategories

    • Croatian
    • Czech
    • Finnish
    • Greek
    • Hindi
    • Japanese
    • Korean
    • Persian
    • Swedish
    • Turkish
    • other →
 
Profile Documents Logout
Upload
Between Byzantium and Venice Western Music in Crete
Between Byzantium and Venice Western Music in Crete

... instruments taught on the island were the trumpet, the flute, the lute, the guitar, etc., which explains why, beginning with the second half of the 15th century and till the year of its conquest by the Ottomans (1669), most instrument players (piffari) in Crete were Greek orthodox [22]. It seems tha ...
Music of Buddha, Brahma, and Allah
Music of Buddha, Brahma, and Allah

... SATB, guitar & percussion (also available in TTBB) Earthsongs, www.earthsongschoralmusic.com Medium “While the text of ZIKR is religious, the piece is not intended for a worship ceremony . . . This arrangement begins with the chant melody sung monophonically, alternating with other sections of the c ...
Church Windows - New York Philharmonic
Church Windows - New York Philharmonic

... original order, and added a fourth piece to conclude the suite. His friend Claudio Guastalla, an editor and professor of literature, recounted: What were these four symphonic impressions to be called? Respighi thought of four church doorways.… I objected that it was too colorless. Why not Vetrate di ...
Debate on the Fourth Crusade - Royal Holloway, University of London
Debate on the Fourth Crusade - Royal Holloway, University of London

... Norden’s ideas proved immensely influential, with subsequent commentators emphasising different aspects of his analysis. Following his placing of the Fourth Crusade in the wider context of East-West relations, many authors saw its outcome as the culmination of mounting incomprehension, intolerance a ...
Gothic Period Music - 59-208-201-f10
Gothic Period Music - 59-208-201-f10

... massive expansion of music creationwe often forget where contemporary music derives from- not from the church but from the individual ...
Singing the Psalms: A Brief History of Psalmody
Singing the Psalms: A Brief History of Psalmody

... sounded, though recent research has confirmed the similarity between Hebraic music and ancient forms of Christian chant. (See the article on Music and Worship in the Bible on this web site.) The psalms formed part of the developing liturgy of the Eastern and Western churches, along with Greek and La ...
gregorian chant as a compositional element
gregorian chant as a compositional element

... know which 3 or 4 notes played in unison could make an ordinary piano sound like an 60 piece orchestra? The book written by, Sister M. John Bosco Connor is excellent beyond words, it was part of her doctoral thesis. To expound upon the greatness of J. S. Bach would be both redundant and pointless, w ...
The_Renaissance_Era
The_Renaissance_Era

... • Sanctus (and Benedictus) • Agnus Dei ...
5 Erik Satie
5 Erik Satie

... do with chant? Well according to Hungarian musicologist András Wilheim perhaps more then may at first seem apparent. Surprising as the parallel may seem, there has been wide discussion in print of a supposed relationship between Satie’s music and Gregorian chant or plainsong. In one study a Gregoria ...
Byzantium and the Pechenegs, 9
Byzantium and the Pechenegs, 9

... sources) but the critical examination of their content still entails several difficulties. The designation of the Pechenegs is a frequent problem that occurs in many Byzantine sources of this time and gives rise to some problems with correctly identifying the mentioned northeastern people as the mem ...
59 The Origins of the Byzantine Empire: Anachronism and
59 The Origins of the Byzantine Empire: Anachronism and

... existed or that their empire occupied a place in the pantheon of world power. The issue under consideration is not so much when the Byzantine Empire began, but rather when this evolution of the Roman Empire first took place and how modern scholars view Byzantine origins. The term never existed. Rath ...
The Survival of the Eastern Empire
The Survival of the Eastern Empire

... After this revolt destroyed much of the city, Justinian launched a grand rebuilding program. The greatest of the new buildings was a church called the Hagia Sophia (HAY jee uh soh FEE uh), or Holy Wisdom, which still stands today. It is regarded as one of the world’s most beautiful buildings. (See p ...
Liturgical Function and Gregorian Chant in the Music of Paulus
Liturgical Function and Gregorian Chant in the Music of Paulus

... by Catholics or by Protestants during his youth.8 It is not until 1574 that the local Kirchenordnung provides a clear indication that the city had a Lutheran character. According to its instructions, local liturgy continued to use Latin on feast days and on Fridays, but services held on other days g ...
2016 New Publications Descriptions
2016 New Publications Descriptions

... Composed in 1909, Paliashvili’s choral setting of the Liturgy of St. John Chrysostom is based on transcriptions of traditional Georgian chant used for the Orthodox liturgy in Eastern Georgia. Georgian chant is a unique form of multi-part singing that has existed for one thousand years, possibly pred ...
Late Medieval Music
Late Medieval Music

... the point of view of Medieval theology • Rhythm was still not precisely notated, but was indicated by the grouping of neumes and applying the proper Rhythmic Mode (next slide) • This period of evolution (1100-1250) culminated in the notation of rhythm that is used today ...
Late Medieval (Gothic) Music Gothic Era
Late Medieval (Gothic) Music Gothic Era

... the point of view of Medieval theology • Rhythm was still not precisely notated, but was indicated by the grouping of neumes and applying the proper Rhythmic Mode (next slide) • This period of evolution (1100-1250) culminated in the notation of rhythm that is used today ...
Relationship between the Byzantine-Christians and Arab
Relationship between the Byzantine-Christians and Arab

... Vasiliev, then, the origin of Islam and the expansion of Arabia into what was previously Byzantine territory are not coincidental. These two historical phenomena are related and, as such, the history of Islam is related to, and has significance for, the way Byzantium progressed (or declined). The fo ...
Early Medieval Music - Nutley Public Schools
Early Medieval Music - Nutley Public Schools

... ending with a cadence. • It contained a polyphonic section for two or more voices sung in discant style (note against note) over a “cantus firmus” (chant melody) • Composers composed many "substitute" clausulae that were designed to fit within the organum as a subsitute for the original. ...
Medieval Terms
Medieval Terms

... prayers: The "Ordinary" (5 everyday prayers--Kyrie, Gloria, Credo, Sanctus, Agnus Dei) and The "Proper" (20 prayers that are appropriate only for a certain day, such as Easter or Christmas, according to the liturgical calendar of saints and holy days). A "musical Mass" often refers to a musical sett ...
Defenders of the Empire: The Byzantine State Intelligence
Defenders of the Empire: The Byzantine State Intelligence

... The praetorian prefect was a multifaceted role that included command of the Imperial Guard and administration of justice. The position was created as part of the Augustinian reforms and remained in use through at least the seventh century CE although the importance of the praetorian prefect position ...
View content and liner notes,
View content and liner notes,

... continued to be inspired by religious texts, and nearly every composer used the text of the Mass as a vehicle for his creative genius; however, these masterpieces found their way more often into the concert hall than the church. Composed with elaborate instrumentation and extremely challenging vocal ...
GAPPLE GATE - Modern Music Reviews
GAPPLE GATE - Modern Music Reviews

Read an Excerpt - Paraclete Press
Read an Excerpt - Paraclete Press

... times throughout the day to assemble for prayer. This was one way of following the New Testament injunction to “pray continually ” (1 Thessalonians 5:17). During the following centuries, the practice of gathering for prayer several times a day continued—at first secretly during the periods of persec ...
Early Polyphony - Scott Foglesong
Early Polyphony - Scott Foglesong

... • Probably somewhat later style than parallel • Melisma: passages with many notes set to a single syllable of text. Plural melismata; adjective melismatic. ...
Unit 3 Musical Life
Unit 3 Musical Life

... presented in this chapter. • First example = an antiphon (a type of ...
< 1 2 3 4 5 6 ... 11 >

Byzantine music

Byzantine music (Modern Greek: Βυζαντινή μουσική), in a narrow sense, is the music of the Byzantine Empire. Originally it consisted of songs and hymns composed to Greek texts used for courtly ceremonials, during festivals, or as paraliturgical and liturgical music. The ecclesiastical forms of Byzantine music are the best known forms today, because different Orthodox traditions still identify with the heritage of Byzantine music, when their cantors sing monodic chant out of the traditional chant books like sticherarion which in fact consisted of five books, and the heirmologion. Byzantine music did not disappear after the fall of Constantinople. Its traditions continued under the Patriarchate of Constantinople which was annexed by the Islamic Ottoman ruler Sultan Mehmed II in 1454, and granted administrative responsibilities over all Orthodox Christians. During the decline of the Ottoman Empire in the 19th century, burgeoning splinter nations in the Balkans declared autonomy or ""autocephaly"" against the Ecumenical Patriarchate. The new self-declared patriarchates were independent nations defined by their religion. In this context, Christian religious chant practiced in the Ottoman empire, Bulgaria and Greece among other nations, was based on the historical roots of the art tracing back to the Byzantine Empire, while the music of the Patriarchate created during the Ottoman period was often regarded as ""post-Byzantine."" This explains why Byzantine music refers to several Orthodox Christian chant traditions of the Mediterranean and of the Caucasus practiced in recent history and even today, and this article cannot be limited to the music culture of the Byzantine past.
  • studyres.com © 2025
  • DMCA
  • Privacy
  • Terms
  • Report