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Music Study List
... Schubert or Loewe; (3) song of narrative, explanatory type characteristically found in French opera and also, e.g., in Wagner's The Flying Dutchman (Senta's Ballad); so Stravinsky called his narrative cantata on Abraham and Isaac a "sacred ballad"; (4) sentimental English song of 19th-century "drawi ...
... Schubert or Loewe; (3) song of narrative, explanatory type characteristically found in French opera and also, e.g., in Wagner's The Flying Dutchman (Senta's Ballad); so Stravinsky called his narrative cantata on Abraham and Isaac a "sacred ballad"; (4) sentimental English song of 19th-century "drawi ...
PhD Degree ABSTRACT and commentary
... closing bars of the symphony are quoted literatim. The key is F sharp major, and the first challenge was to undermine the security of this tonality. The ethereal G from the orchestra's first violins (fig 2) is both a flattened supertonic, and a tentative step in the direction of diametrically oppose ...
... closing bars of the symphony are quoted literatim. The key is F sharp major, and the first challenge was to undermine the security of this tonality. The ethereal G from the orchestra's first violins (fig 2) is both a flattened supertonic, and a tentative step in the direction of diametrically oppose ...
What is music? most basically, music is “organized” sound. Any
... o The horizontal and vertical aspects (melody and harmony) cannot be completely isolated from each other in most music that is not monophonic! However, we can detect a predominant interest that helps determine if the music is polyphonic or homophonic. For visual examples see supplementary material “ ...
... o The horizontal and vertical aspects (melody and harmony) cannot be completely isolated from each other in most music that is not monophonic! However, we can detect a predominant interest that helps determine if the music is polyphonic or homophonic. For visual examples see supplementary material “ ...
Postmodern Concepts of Musical Time Jonathan D. Kramer
... counterpoint with one another, creating-at least for this particular postmodern listener-a richly multiple time sense. ...
... counterpoint with one another, creating-at least for this particular postmodern listener-a richly multiple time sense. ...
The Four Main Musical Style Periods
... individualism – each composer has a “style” that is more uniquely his/her own. Also, there was a great emphasis on the performer, composer, etc. as an individual – each musician wanted to be unique more than ever before. Virtuoso – there is a great importance placed on “virtuosos” and virtuoso music ...
... individualism – each composer has a “style” that is more uniquely his/her own. Also, there was a great emphasis on the performer, composer, etc. as an individual – each musician wanted to be unique more than ever before. Virtuoso – there is a great importance placed on “virtuosos” and virtuoso music ...
Terms cont`d. - La Salle University
... • Homophonic - one melody with some type of accompaniment (most common texture) • Polyphonic - two or more melodies at the same time.May be with or without accompaniment. This is "the crowning achievement of Western Music". ...
... • Homophonic - one melody with some type of accompaniment (most common texture) • Polyphonic - two or more melodies at the same time.May be with or without accompaniment. This is "the crowning achievement of Western Music". ...
PART FIVE
... called __________ in style. a. Impressionistic b. minimalist c. expressionistic d. indeterminate [b] ...
... called __________ in style. a. Impressionistic b. minimalist c. expressionistic d. indeterminate [b] ...
Music of the Baroque Period
... Instruments and orchestras in the baroque period. As mentioned before the orchestras were not as large in this era and some instruments were just being introduced. The percussion section was much smaller and the timpani were the main instruments in this section. ...
... Instruments and orchestras in the baroque period. As mentioned before the orchestras were not as large in this era and some instruments were just being introduced. The percussion section was much smaller and the timpani were the main instruments in this section. ...
12-13 A S05 rubric
... the blues, and create a short blues melody with lyrics. TSW6 define and recognize consonance and dissonance. TSW7 listen to samples of music from each of the Renaissance, Baroque, Classical and Romantic periods, identifying and comparing their general musical characteristics. TSW8 listen to samples ...
... the blues, and create a short blues melody with lyrics. TSW6 define and recognize consonance and dissonance. TSW7 listen to samples of music from each of the Renaissance, Baroque, Classical and Romantic periods, identifying and comparing their general musical characteristics. TSW8 listen to samples ...
Classifying Musical Scores by Composer - CS 229
... as compared to pitch-count is the number of notes being played at once. This information is likely key to success- 6.1 Principal Component Analysis ful differentiation between string quartets and keyboard Our first approach to estimating the degree of overlap pieces, something which our KNN algorith ...
... as compared to pitch-count is the number of notes being played at once. This information is likely key to success- 6.1 Principal Component Analysis ful differentiation between string quartets and keyboard Our first approach to estimating the degree of overlap pieces, something which our KNN algorith ...
91242 Sample Assessment Schedule
... symphony has only two. The first movement (allegro moderato) is perhaps slightly slower than is usual, and also unusual is that the movement is in triple rather than quadruple time. (2) The Unfinished Symphony is typical of other symphonies of the period with the first movement being in sonata form. ...
... symphony has only two. The first movement (allegro moderato) is perhaps slightly slower than is usual, and also unusual is that the movement is in triple rather than quadruple time. (2) The Unfinished Symphony is typical of other symphonies of the period with the first movement being in sonata form. ...
Musical Terms and Concepts
... Generally capital letters are used to distinguish different sections of a composition. A capital refers to an exact repetition. A lowercase letter refers to the same music but new text. A prime number after the capital refers to a variation of the music from the original section. Repetitive forms: s ...
... Generally capital letters are used to distinguish different sections of a composition. A capital refers to an exact repetition. A lowercase letter refers to the same music but new text. A prime number after the capital refers to a variation of the music from the original section. Repetitive forms: s ...
John Knowles Paine: Selected Piano Works
... expected), or in a group of preludes and fugues (which do not survive complete), but even in some of his piano works in the mid-century romantic style. Because compositions for a solo instrument can be performed privately or semiprivately, unlike orchestral compositions, it is hard to track their pe ...
... expected), or in a group of preludes and fugues (which do not survive complete), but even in some of his piano works in the mid-century romantic style. Because compositions for a solo instrument can be performed privately or semiprivately, unlike orchestral compositions, it is hard to track their pe ...
The Classical Period - University of St. Thomas
... works for instrumental ensembles, and operas. In addition, new performing options, like the piano and string quartets, drove the development of musical forms. Likewise, the “classical” desire for simple, non-emotional music resulted in equally straightforward titles, like “symphony” and “sonata” and ...
... works for instrumental ensembles, and operas. In addition, new performing options, like the piano and string quartets, drove the development of musical forms. Likewise, the “classical” desire for simple, non-emotional music resulted in equally straightforward titles, like “symphony” and “sonata” and ...
Music - tl594
... Tempo-the pace at which a piece of music is performed Rhythm-the way a pattern of sound moves through time Pitch-the highness or lowness of a tone or sound Melody-a series of musical notes arranged one after another Harmony-sounding two or more tones at the same time Texture – the character of music ...
... Tempo-the pace at which a piece of music is performed Rhythm-the way a pattern of sound moves through time Pitch-the highness or lowness of a tone or sound Melody-a series of musical notes arranged one after another Harmony-sounding two or more tones at the same time Texture – the character of music ...
15th-century music,p. 1/5
... • The largest number of pieces are settings from the Mass Ordinary • It also includes motets, hymns, and sequences ...
... • The largest number of pieces are settings from the Mass Ordinary • It also includes motets, hymns, and sequences ...
johannes brahms (1833-1897) - Singapore Symphony Orchestra
... expressive range and noble character. Indeed, these qualities were exploited in countless works written throughout the nineteenth century, the era we call the “romantic” period in music history. Yet, surprisingly enough, no concerto for this instrument was created by an important composer since Moza ...
... expressive range and noble character. Indeed, these qualities were exploited in countless works written throughout the nineteenth century, the era we call the “romantic” period in music history. Yet, surprisingly enough, no concerto for this instrument was created by an important composer since Moza ...
The Renaissance Period
... The Renaissance Period The Renaissance, which literally means “rebirth” in French, saw movement and change in many different spheres of cultural activity as Europe began to rediscover and identify with its Greco-Roman heritage. The natural sciences (in particular astronomy) began advancing at a rapi ...
... The Renaissance Period The Renaissance, which literally means “rebirth” in French, saw movement and change in many different spheres of cultural activity as Europe began to rediscover and identify with its Greco-Roman heritage. The natural sciences (in particular astronomy) began advancing at a rapi ...
Program Notes - Michael Harrison, composer and pianist
... Wagner’s Tristan chord, Debussy’s Prelude to the Afternoon of a Faun, Schoenberg’s Op. 23 Piano Pieces, or Cage’s Sonatas and Interludes for Prepared Piano. Each created new sound possibilities for their day, transforming the musical soundscape far beyond its traditional boundaries. The same can be ...
... Wagner’s Tristan chord, Debussy’s Prelude to the Afternoon of a Faun, Schoenberg’s Op. 23 Piano Pieces, or Cage’s Sonatas and Interludes for Prepared Piano. Each created new sound possibilities for their day, transforming the musical soundscape far beyond its traditional boundaries. The same can be ...
Russians in Paris
... Russians in Paris: Alexander Scriabin (1872‐1915) Scriabin was a musical descendent of the “Russian Five” (Rimsky‐Korsakov, Mussorgsky, Borodin, Balakirev, Cui), especially Balakirev. He wrote mostly piano or orchestral works; early piano works show influence of Chopin. He was very interested i ...
... Russians in Paris: Alexander Scriabin (1872‐1915) Scriabin was a musical descendent of the “Russian Five” (Rimsky‐Korsakov, Mussorgsky, Borodin, Balakirev, Cui), especially Balakirev. He wrote mostly piano or orchestral works; early piano works show influence of Chopin. He was very interested i ...
What to Listen For
... Here’s what to listen for in the first movement of Wachet auf (Sleepers, Awake!), Cantata No. 140 by J. S. Bach. ...
... Here’s what to listen for in the first movement of Wachet auf (Sleepers, Awake!), Cantata No. 140 by J. S. Bach. ...
Minimalism and Post-rock in the music of Godspeed You
... have lost its way to the desperate escape from its tradition, which suffocates any new music being born, perhaps rock is the only musical form that can save it? After all, Beethoven, Mozart and other composers can be said to have lived and died like rock stars do. In the era in which classical music ...
... have lost its way to the desperate escape from its tradition, which suffocates any new music being born, perhaps rock is the only musical form that can save it? After all, Beethoven, Mozart and other composers can be said to have lived and died like rock stars do. In the era in which classical music ...
program - Ensemble for the Romantic Century
... I humbly think that in popular song the spirit is more important than the letter. Rhythm, modality and melodic intervals that determine their cadences and undulations are the very essence of these songs; the rhythmic and harmonic accompaniment of a popular song is as important as the song itself. Th ...
... I humbly think that in popular song the spirit is more important than the letter. Rhythm, modality and melodic intervals that determine their cadences and undulations are the very essence of these songs; the rhythmic and harmonic accompaniment of a popular song is as important as the song itself. Th ...
Album Booklet - Resonus Classics
... However there are also works obviously written for professional musicians that demand a great deal of expertise in performance. There is virtuosic vocal writing in his motets for solo voice and in the Six Sonates pour une flûte traversiere et un violon par accords (Op. 51) the violin part employs ma ...
... However there are also works obviously written for professional musicians that demand a great deal of expertise in performance. There is virtuosic vocal writing in his motets for solo voice and in the Six Sonates pour une flûte traversiere et un violon par accords (Op. 51) the violin part employs ma ...
The Opera Industry
... Beethoven’s quartets ever near his bedside. Quite what he did with them is not specified, but those of you who have visited the Verdi bedchamber in his villa-cum-shrine at Sant’Agata, near Parma, will know that those scores do indeed grace the Verdian bedchamber to this very day. My guess, though, i ...
... Beethoven’s quartets ever near his bedside. Quite what he did with them is not specified, but those of you who have visited the Verdi bedchamber in his villa-cum-shrine at Sant’Agata, near Parma, will know that those scores do indeed grace the Verdian bedchamber to this very day. My guess, though, i ...