![all these exemplars and commentary](http://s1.studyres.com/store/data/017637013_1-ab2b135f9d74ff16f7363a3b6da22361-300x300.png)
all these exemplars and commentary
... At bars 249-308, we enter the development phase where there is instability in tonality. This also creates contrast. Beethoven moves through several relative keys: D major, G minor, F minor, Db major and G major. The piece modulates in bar 249 to D major (the major dominant of the dominant of C minor ...
... At bars 249-308, we enter the development phase where there is instability in tonality. This also creates contrast. Beethoven moves through several relative keys: D major, G minor, F minor, Db major and G major. The piece modulates in bar 249 to D major (the major dominant of the dominant of C minor ...
FLAUTI SENZA BASSO
... artful compositions to talented amateurs. The transverse flute is both simple and extremely refined in its expressive possibilities; it can evoke tenderness, grace, and natural simplicity, qualities that were well suited to the emotional climate of the Enlightenment. Most Baroque music uses a basso ...
... artful compositions to talented amateurs. The transverse flute is both simple and extremely refined in its expressive possibilities; it can evoke tenderness, grace, and natural simplicity, qualities that were well suited to the emotional climate of the Enlightenment. Most Baroque music uses a basso ...
Document
... Literature Burns, E. M., & Ward, W. D. (1978). Categorical perception - phenomenon or epiphenomenon: evidence from experiments in the perception of melodic musical intervals. Journal of the Acoustical Society of America, 63, 456-468. ...
... Literature Burns, E. M., & Ward, W. D. (1978). Categorical perception - phenomenon or epiphenomenon: evidence from experiments in the perception of melodic musical intervals. Journal of the Acoustical Society of America, 63, 456-468. ...
teacher`s guide
... The baroque oboe is the common name for the version of the oboe in use from about 1690 until about 1760. Double-reed instruments had been in use for several centuries and this new version probably began life in France around 1670 and then quickly found its way to the rest of Europe. The baroque oboe ...
... The baroque oboe is the common name for the version of the oboe in use from about 1690 until about 1760. Double-reed instruments had been in use for several centuries and this new version probably began life in France around 1670 and then quickly found its way to the rest of Europe. The baroque oboe ...
Elements of Music
... Often, a musical work is performed once its structure and instrumentation are satisfactory to its creators; however, as it gets performed, it can evolve and change. Aural tradition - Many types of music, such as traditional blues and folk music were originally preserved in the memory of performers ...
... Often, a musical work is performed once its structure and instrumentation are satisfactory to its creators; however, as it gets performed, it can evolve and change. Aural tradition - Many types of music, such as traditional blues and folk music were originally preserved in the memory of performers ...
Here is a Research paper
... Ibid., p.13. Walter Kaufmann, “India,” Harvard Dictionary of Music, (Cambridge, Mass.: Harvard University Press, Belknap Press, 1969), p. 408. ...
... Ibid., p.13. Walter Kaufmann, “India,” Harvard Dictionary of Music, (Cambridge, Mass.: Harvard University Press, Belknap Press, 1969), p. 408. ...
Baltic-Balkan Postmodern Connections: The Music of Bronius
... Organ, 1993), with the quotation of the choral theme: in his handwritten score, the composer inserts the image of the original choral notation (Example 1). A close graphic relationship between music and its notation is also typical of the two pages at the climax of Lebič’s piece Tangram (1977) for c ...
... Organ, 1993), with the quotation of the choral theme: in his handwritten score, the composer inserts the image of the original choral notation (Example 1). A close graphic relationship between music and its notation is also typical of the two pages at the climax of Lebič’s piece Tangram (1977) for c ...
Miranda Cuckson`s Melting the Darkness (review)
... The rest of the disc's pieces have much shorter performance histories than Mikka «S», although several have been performed on multiple occasions in the US and internationally. Georg Friedrich Haas contributes de terrae finae to the disc; an initial listen through the almost-twenty-minute work seemed ...
... The rest of the disc's pieces have much shorter performance histories than Mikka «S», although several have been performed on multiple occasions in the US and internationally. Georg Friedrich Haas contributes de terrae finae to the disc; an initial listen through the almost-twenty-minute work seemed ...
Serial Music - Toot Hill School
... Transposed. The Prime Order would sound the same, but it would start on a different note ie. all notes would be moved up or down by the same interval / distance. Vertically. Notes of the tone row are played at the same time. Chords formed in this way are called chord clusters as the notes are often ...
... Transposed. The Prime Order would sound the same, but it would start on a different note ie. all notes would be moved up or down by the same interval / distance. Vertically. Notes of the tone row are played at the same time. Chords formed in this way are called chord clusters as the notes are often ...
Elements of Music (Word Examples)
... Compositional technique in which a melodic idea is presented in one voice (or part), then restated in another while the first voice continues with new material. In this example, the voice parts build from lowest to highest (basses, tenors, altos, sopranos), each imitating the first melodic statement ...
... Compositional technique in which a melodic idea is presented in one voice (or part), then restated in another while the first voice continues with new material. In this example, the voice parts build from lowest to highest (basses, tenors, altos, sopranos), each imitating the first melodic statement ...
here - Chicago Symphony Orchestra
... when Belgoskino told Prokofiev that Lieutenant Kijé was likely to get international distribution, he was effectively hooked. Prokofiev also was attracted by its satirical story, especially written for film by the Soviet historical novelist Yuri Tinyanov. The plot hinges on a clerk’s slip of the pen ...
... when Belgoskino told Prokofiev that Lieutenant Kijé was likely to get international distribution, he was effectively hooked. Prokofiev also was attracted by its satirical story, especially written for film by the Soviet historical novelist Yuri Tinyanov. The plot hinges on a clerk’s slip of the pen ...
File
... Ars nova: Latin for "New Art", now used as a synonym for French 14th-century polyphony. The term comes from Phillippe de Virty's title of his treatise, Ars nova Musical themes of the ars nova period became increasingly freer, and less religious. [JW] Avignon Ballade: in fourteenth- and fifteenth-cen ...
... Ars nova: Latin for "New Art", now used as a synonym for French 14th-century polyphony. The term comes from Phillippe de Virty's title of his treatise, Ars nova Musical themes of the ars nova period became increasingly freer, and less religious. [JW] Avignon Ballade: in fourteenth- and fifteenth-cen ...
- Chapman University Digital Commons
... Zita Carno joined the Los Angeles Philharmonic in 1975 and has received critical acclaim in her post as the Orchestra's keyboard player as well as for her many solo performances on both piano and harpsichord. A native of New York City, Ms. Carno received bachelor's and master's degrees from the Man ...
... Zita Carno joined the Los Angeles Philharmonic in 1975 and has received critical acclaim in her post as the Orchestra's keyboard player as well as for her many solo performances on both piano and harpsichord. A native of New York City, Ms. Carno received bachelor's and master's degrees from the Man ...
SYMPHONY NO.5 Anton Bruckner was fated never to hear at all his
... The Trio is in the main key of the Symphony, and is quite whimsical in expression . The woodwinds make several attempts at a naIve melody in B-flat major (2 14 time), while a one-note horn signal keeps insisting on G flat. Then, under soft string chords, the string bass stealthily plays the melody u ...
... The Trio is in the main key of the Symphony, and is quite whimsical in expression . The woodwinds make several attempts at a naIve melody in B-flat major (2 14 time), while a one-note horn signal keeps insisting on G flat. Then, under soft string chords, the string bass stealthily plays the melody u ...
There are three basic musical textures: monophony, polyphony, and
... Considered one of the greatest exponents of polyphonic writing, Bach was a master of changing musical textures to help communicate the message of the text. ...
... Considered one of the greatest exponents of polyphonic writing, Bach was a master of changing musical textures to help communicate the message of the text. ...
Festival Program - Electronic Music Midwest
... is a blurring of the boundaries between things organic and things electronic, between the actual and the imagined, and between the real and the hyperreal. Current research interests include computer-based improvisational systems and the aesthetics, history, and theory of electroacoustic music. Dr. G ...
... is a blurring of the boundaries between things organic and things electronic, between the actual and the imagined, and between the real and the hyperreal. Current research interests include computer-based improvisational systems and the aesthetics, history, and theory of electroacoustic music. Dr. G ...
Program Notes - Michael Gandolfi
... graduation from the Juilliard School. Heidi’s extraordinary gifts as a musician and a harpist were ever-present while I composed this piece. I met Heidi during her 2008 fellowship-summer of studies at the Tanglewood Music Center. I was immediately struck by the strength and grace of her playing. Amo ...
... graduation from the Juilliard School. Heidi’s extraordinary gifts as a musician and a harpist were ever-present while I composed this piece. I met Heidi during her 2008 fellowship-summer of studies at the Tanglewood Music Center. I was immediately struck by the strength and grace of her playing. Amo ...
Ultimate Sub`s Guide
... Instruments with keys or buttons that are pushed to make a sound (Ex. piano, accordion). ...
... Instruments with keys or buttons that are pushed to make a sound (Ex. piano, accordion). ...
Rule Britannia Booklet
... found inspiration was folk music. The traditional songs and dances of Britain, sprung, as it were, from the very soil of the nation, had an integrity which made them fascinating to many composers, including Ralph Vaughan Williams. His English Folk Song Suite was written in 1923 for military band, an ...
... found inspiration was folk music. The traditional songs and dances of Britain, sprung, as it were, from the very soil of the nation, had an integrity which made them fascinating to many composers, including Ralph Vaughan Williams. His English Folk Song Suite was written in 1923 for military band, an ...
The Understanding of Music - Cuyahoga Falls City School District
... That’s because we learned this tune as a piece in a major key. play Frere Jacques opening in major Since we are not going to learn to construct major and minor scales, how do you explain that difference in sound? Almost impossible, but some authors have indicated that a major keys sounds happier and ...
... That’s because we learned this tune as a piece in a major key. play Frere Jacques opening in major Since we are not going to learn to construct major and minor scales, how do you explain that difference in sound? Almost impossible, but some authors have indicated that a major keys sounds happier and ...
THE KEYBOARD MUSIC OF JEAN-PHILIPPE RAMEAU: IS THIS
... instrument, pianists had felt free to programme everything and anything that appealed to them, and they played with a sense of style from their imaginations rather than scholarly texts. Nowadays, attitudes seem to have relaxed again, and we hear the keyboard works of Bach, Scarlatti, Handel and othe ...
... instrument, pianists had felt free to programme everything and anything that appealed to them, and they played with a sense of style from their imaginations rather than scholarly texts. Nowadays, attitudes seem to have relaxed again, and we hear the keyboard works of Bach, Scarlatti, Handel and othe ...
Music 160A class notes Dr. Rothfarb November 7, 2007 Binary vs
... • This is not to imply, however, that ternary form is entirely devoid of unity and continuity. These are the elements that make for good composition. The difference here is that they are not as prominently featured in the form. The key of the ternary B section: • The B section of a ternary form is n ...
... • This is not to imply, however, that ternary form is entirely devoid of unity and continuity. These are the elements that make for good composition. The difference here is that they are not as prominently featured in the form. The key of the ternary B section: • The B section of a ternary form is n ...
Jennifer Lancaster
... memory for different pitch heights/levels, or from some other quality in pitches that helps you differentiate between them? ...
... memory for different pitch heights/levels, or from some other quality in pitches that helps you differentiate between them? ...
Teacher`s Notes - TI Education
... example, if a note has a frequency of 440 Hz, the note an octave above it is 880 Hz, and the note an octave below is 220 Hz. The human ear tends to hear both notes an octave apart as being essentially "the same", due to closely related harmonics. For this reason, notes an octave apart are given the ...
... example, if a note has a frequency of 440 Hz, the note an octave above it is 880 Hz, and the note an octave below is 220 Hz. The human ear tends to hear both notes an octave apart as being essentially "the same", due to closely related harmonics. For this reason, notes an octave apart are given the ...
the big picture: the late middle ages and early
... the notes of the Mass could fall into any mode by changing the accidentals, which means that the same score could sound completely different depending upon which mode the singers chose for that service. Despite these esoteric compositional puzzles, Ockeghem’s music is more than some sort of musical ...
... the notes of the Mass could fall into any mode by changing the accidentals, which means that the same score could sound completely different depending upon which mode the singers chose for that service. Despite these esoteric compositional puzzles, Ockeghem’s music is more than some sort of musical ...