The Chorus - Cambrian School District
... Where was the chorus located? The chorus was in the center of the theatre. True or False: Only the rich were could afford to see the plays. False. There were discounts for the poor. How were the names of the choruses decided for each play? The names were based on the type of play. ...
... Where was the chorus located? The chorus was in the center of the theatre. True or False: Only the rich were could afford to see the plays. False. There were discounts for the poor. How were the names of the choruses decided for each play? The names were based on the type of play. ...
6. architecture of ancient greek theatres
... When Aeschylus first began writing, the theatre had only just begun to evolve. Plays were little more than animated oratorios or choral poetry supplemented with expressive dance. A chorus danced and exchanged dialogue with a single actor who portrayed one or more characters primarily by the use of m ...
... When Aeschylus first began writing, the theatre had only just begun to evolve. Plays were little more than animated oratorios or choral poetry supplemented with expressive dance. A chorus danced and exchanged dialogue with a single actor who portrayed one or more characters primarily by the use of m ...
GREEK THEATRE
... happened off stage, they would bring in a cart with the bodies or reveal the bodies after it happened. • Actors were not full time actors, they performed for the festivals and that was it. • Emphasis for acting was on the voice, vocal beauty was very important to the Greeks. • All of the actors and ...
... happened off stage, they would bring in a cart with the bodies or reveal the bodies after it happened. • Actors were not full time actors, they performed for the festivals and that was it. • Emphasis for acting was on the voice, vocal beauty was very important to the Greeks. • All of the actors and ...
Greek Theatre Powerpoint - Learning Management Systems
... microphones. All violence and death happened offstage! ...
... microphones. All violence and death happened offstage! ...
TRAGEDY - Centre College
... – cf sculpture—less focus on the abstractly human, more emphasis on the natural, real human. – Not an everyday human, an ideal type, a hero, larger than life, who will define central values and truths. ...
... – cf sculpture—less focus on the abstractly human, more emphasis on the natural, real human. – Not an everyday human, an ideal type, a hero, larger than life, who will define central values and truths. ...
Classical Rome
... late 15th century Church weakened by internal conflict Rise of Universities When Elizabeth I came to the throne she forbade all religious plays • Religion was too controversial ...
... late 15th century Church weakened by internal conflict Rise of Universities When Elizabeth I came to the throne she forbade all religious plays • Religion was too controversial ...
Warm Up - Greek Theatre Day 1
... happened off stage, they would bring in a cart with the bodies or reveal the bodies after it happened. • Actors were not full time actors, they performed for the festivals and that was it. • Emphasis for acting was on the voice, vocal beauty was very important to the Greeks. • All of the actors and ...
... happened off stage, they would bring in a cart with the bodies or reveal the bodies after it happened. • Actors were not full time actors, they performed for the festivals and that was it. • Emphasis for acting was on the voice, vocal beauty was very important to the Greeks. • All of the actors and ...
Origins of Theater - Dramatics
... (sung by a choral leader) and a traditional refrain (sung by a chorus) At the early Greek festivals, the actors, directors, and dramatists were all the same person. Later, only three actors could be used in each play. After some time, non-speaking roles were allowed to perform on-stage. Because ...
... (sung by a choral leader) and a traditional refrain (sung by a chorus) At the early Greek festivals, the actors, directors, and dramatists were all the same person. Later, only three actors could be used in each play. After some time, non-speaking roles were allowed to perform on-stage. Because ...
A Very Brief History of Theatre
... The “Golden Age” of Theatre (400-500 B.C.) Origins in rites paying homage to Dionysus, the god of wine and fertility ...
... The “Golden Age” of Theatre (400-500 B.C.) Origins in rites paying homage to Dionysus, the god of wine and fertility ...
Greek Drama - WordPress.com
... audience in between choral dances - Thespis • One actor became two and then three allowing for more complicated stories • The chorus leader often conversed with the actors while moralizing on the story separately • Sophocles added scenery and scenes ...
... audience in between choral dances - Thespis • One actor became two and then three allowing for more complicated stories • The chorus leader often conversed with the actors while moralizing on the story separately • Sophocles added scenery and scenes ...
Macbeth Notes
... Tragic Flaw - The character defect that causes the downfall of the protagonist of a tragedy ...
... Tragic Flaw - The character defect that causes the downfall of the protagonist of a tragedy ...
File
... was called ______________ _______________. During this event men dressed up in rough goat skins and would sing songs. Eventually this changed into a competition between different tribes for the best play. In the play there would be 3 men and a chorus (dancers) would fill in the rest of the play. The ...
... was called ______________ _______________. During this event men dressed up in rough goat skins and would sing songs. Eventually this changed into a competition between different tribes for the best play. In the play there would be 3 men and a chorus (dancers) would fill in the rest of the play. The ...
Introduction to Drama
... reading them than never to know them at all Reading allows fuller use of the imagination It allows one to study at leisure It allows for review It permits one to see the original intent of the author without intervention by a director ...
... reading them than never to know them at all Reading allows fuller use of the imagination It allows one to study at leisure It allows for review It permits one to see the original intent of the author without intervention by a director ...
Varieties of Drama
... audience that include pity and compassion for the tragic protagonist. The inevitable outcome creates this feeling Audiences’ emotions intensify the impact of the events because they can relate to the human quality ...
... audience that include pity and compassion for the tragic protagonist. The inevitable outcome creates this feeling Audiences’ emotions intensify the impact of the events because they can relate to the human quality ...
Introduction to Greek Drama
... Consequently, all scenes took place in daylight settings, all scene changes had to be built into the actor’s dialogue, and the chorus and actors had to have strong voices. ...
... Consequently, all scenes took place in daylight settings, all scene changes had to be built into the actor’s dialogue, and the chorus and actors had to have strong voices. ...
Theater
... The orchestra was the site the choral performances, the religious rites, and, possibly, the acting. Behind the orchestra was a large rectangular building called the skene. It was used as a "backstage" area where actors could change their costumes and masks, but also served to represent the location ...
... The orchestra was the site the choral performances, the religious rites, and, possibly, the acting. Behind the orchestra was a large rectangular building called the skene. It was used as a "backstage" area where actors could change their costumes and masks, but also served to represent the location ...
PDF version
... its genres and central authors, as well as of a selection of plays that will be discussed in the course to reconstruct the performance of Classical plays in accordance with the physical conditions and theatrical conventions of their time to discuss, analyze and compare plays from the point of vi ...
... its genres and central authors, as well as of a selection of plays that will be discussed in the course to reconstruct the performance of Classical plays in accordance with the physical conditions and theatrical conventions of their time to discuss, analyze and compare plays from the point of vi ...
Ancient Greek Theatre
... (in the earliest theaters these were wooden; they were later built of stone). The Greeks often built these in a natural hollow (a koilon), though the sides were increasingly reinforced with stone ...
... (in the earliest theaters these were wooden; they were later built of stone). The Greeks often built these in a natural hollow (a koilon), though the sides were increasingly reinforced with stone ...
Greek Theatre
... first play of the Oresteia trilogy, Agamemnon returns home from ten years of war, commits the Sin of Hubris, and is killed by his wife Clytemnestra, who has never forgiven him for sacrificing their eldest daughter to the gods. In Libation Bearers, Electra, the remaining daughter of Agamemnon, talks ...
... first play of the Oresteia trilogy, Agamemnon returns home from ten years of war, commits the Sin of Hubris, and is killed by his wife Clytemnestra, who has never forgiven him for sacrificing their eldest daughter to the gods. In Libation Bearers, Electra, the remaining daughter of Agamemnon, talks ...
Chapter 5 - School of the Performing Arts
... – Asserts will and intellect against imperfect world • Tragic realization: – Usually takes two forms: • Despite suffering and calamity, order exists. • In a random and indifferent universe, the hero’s struggle is admirable. ...
... – Asserts will and intellect against imperfect world • Tragic realization: – Usually takes two forms: • Despite suffering and calamity, order exists. • In a random and indifferent universe, the hero’s struggle is admirable. ...
Greek Tragedy
... noon, and on three legs in the evening? Oedipus solved the riddle, and the Sphinx destroyed herself. The solution: A man, who crawls on all fours as a baby, walks on two legs as an adult, and walks with a cane in old age. Of course morning, noon, and night are metaphors for the times in a man's (per ...
... noon, and on three legs in the evening? Oedipus solved the riddle, and the Sphinx destroyed herself. The solution: A man, who crawls on all fours as a baby, walks on two legs as an adult, and walks with a cane in old age. Of course morning, noon, and night are metaphors for the times in a man's (per ...
greek theater
... It had at least one set of doors, and actors could make entrances and exits through them. The parodoi (literally, "passageways") are the paths by which the chorus and some actors (such as those representing messengers or people returning from abroad) made their entrances and exits. The audience al ...
... It had at least one set of doors, and actors could make entrances and exits through them. The parodoi (literally, "passageways") are the paths by which the chorus and some actors (such as those representing messengers or people returning from abroad) made their entrances and exits. The audience al ...
Tragedy
Tragedy (from the Greek: τραγῳδία, tragōidia) is a form of drama based on human suffering that invokes in its audience an accompanying catharsis or pleasure in the viewing. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—""the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity,"" as Raymond Williams puts it.From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction of the work of Aeschylus, Sophocles and Euripides, through its singular articulations in the works of Shakespeare, Lope de Vega, Racine, and Schiller, to the more recent naturalistic tragedy of Strindberg, Beckett's modernist meditations on death, loss and suffering, Müller's postmodernist reworkings of the tragic canon, and Joshua Oppenheimer's incorporation of tragic pathos in his nonfiction film, The Act of Killing, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers—which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze—have analysed, speculated upon, and criticised the tragic form.In the wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at the scale of poetry in general (where the tragic divides against epic and lyric) or at the scale of the drama (where tragedy is opposed to comedy). In the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre. Drama, in the narrow sense, cuts across the traditional division between comedy and tragedy in an anti- or a-generic deterritorialization from the mid-19th century onwards. Both Bertolt Brecht and Augusto Boal define their epic theatre projects (non-Aristotelian drama and Theatre of the Oppressed respectively) against models of tragedy. Taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation.