![Greek Theater](http://s1.studyres.com/store/data/004359024_1-31f7dcfdfbb6e22691cc70d94cfaac7e-300x300.png)
Greek Theater
... must have consisted of only the most basic elements. All that was required was a circular dancing area for the chorus (orchestra) at the base of a gently sloping hill, on which spectators could sit and watch the performance (for drawing of theatre click on the following: theatre). On the other side ...
... must have consisted of only the most basic elements. All that was required was a circular dancing area for the chorus (orchestra) at the base of a gently sloping hill, on which spectators could sit and watch the performance (for drawing of theatre click on the following: theatre). On the other side ...
DRAMATIC GENRES Tragedy—Classical Greek Deals with the
... Deals with common people, must end happily ...
... Deals with common people, must end happily ...
History of Western Theatre
... the 16th century Based on set pieces, lazzi, that are improvised with stock characters A distinct group of actors gave birth to the first nucleus of companies, and started doing their acts on simple stages set outdoors The mix of popular themes, complex stories, acrobatic jumps and mellow love s ...
... the 16th century Based on set pieces, lazzi, that are improvised with stock characters A distinct group of actors gave birth to the first nucleus of companies, and started doing their acts on simple stages set outdoors The mix of popular themes, complex stories, acrobatic jumps and mellow love s ...
Theatre History
... Dionysia was the major religious festival. An actor by the name of Thespis was said to be the first winner of the contest. (also a playwright) During one of these festivals, Thespis created and used a prologue and lines-drama was born. FIRST ACTOR ...
... Dionysia was the major religious festival. An actor by the name of Thespis was said to be the first winner of the contest. (also a playwright) During one of these festivals, Thespis created and used a prologue and lines-drama was born. FIRST ACTOR ...
Document
... restrictions; ends in Nora walking out on her family. Social problems depicted “realistically” - no easy solutions or deus ex macchina Well-made play, intensive structure Middle classes, everyday diction Focus on individuals, but in their social environment Rights of individual over group, religion, ...
... restrictions; ends in Nora walking out on her family. Social problems depicted “realistically” - no easy solutions or deus ex macchina Well-made play, intensive structure Middle classes, everyday diction Focus on individuals, but in their social environment Rights of individual over group, religion, ...
Sophocles-Greek Playwright
... • At age 28, one of his plays won a contest • Sophocles won most often in Greek playwright contests, over 20 times. 2. Tragedy • Tragic plays involve the downfall of the _____________ and usually end with his or her _____________. ...
... • At age 28, one of his plays won a contest • Sophocles won most often in Greek playwright contests, over 20 times. 2. Tragedy • Tragic plays involve the downfall of the _____________ and usually end with his or her _____________. ...
Document
... restrictions; ends in Nora walking out on her family. Social problems depicted “realistically” - no easy solutions or deus ex macchina Well-made play, intensive structure Middle classes, everyday diction Focus on individuals, but in their social environment Rights of individual over group, religion, ...
... restrictions; ends in Nora walking out on her family. Social problems depicted “realistically” - no easy solutions or deus ex macchina Well-made play, intensive structure Middle classes, everyday diction Focus on individuals, but in their social environment Rights of individual over group, religion, ...
Antigone - TeacherWeb
... mythic theme) written by one of three pre-selected tragedians, as well as one comedy by a comedic playwright. The trilogies did not have to be an extended drama dealing with the same story, although often they were. At the end of the festival, the tragedians were awarded first, second, and third ...
... mythic theme) written by one of three pre-selected tragedians, as well as one comedy by a comedic playwright. The trilogies did not have to be an extended drama dealing with the same story, although often they were. At the end of the festival, the tragedians were awarded first, second, and third ...
Greek Theatre
... Wrote about 90 plays, 18 survived including Medea, The Trojan Women, and Orestes Popular in later cultures but not during his lifetime because his plays were thought unsuitable for the stage & too undignified for ...
... Wrote about 90 plays, 18 survived including Medea, The Trojan Women, and Orestes Popular in later cultures but not during his lifetime because his plays were thought unsuitable for the stage & too undignified for ...
Ancient Greek Theater
... THE GREEK ACTOR Participation is a civic duty; many volunteered for the chorus. ...
... THE GREEK ACTOR Participation is a civic duty; many volunteered for the chorus. ...
Greek Theater PPT
... conversed with the leader of the chorus A second actor was provided by playwright Aeschylus A third actor was provided by Sophocles Now drama could show and develop a human situation in all its aspects ...
... conversed with the leader of the chorus A second actor was provided by playwright Aeschylus A third actor was provided by Sophocles Now drama could show and develop a human situation in all its aspects ...
Othello Scavenger Hunt
... Define the term “Jacobean.” Shakespeare Background: Birth Death Birthplace Education Marriage Children Renaissance Theatre: Reasearch The Globe Theater. Who built it? Where was it constructed? How was the theater constructed to reflect social status? Why were the Puritans against theatrical ...
... Define the term “Jacobean.” Shakespeare Background: Birth Death Birthplace Education Marriage Children Renaissance Theatre: Reasearch The Globe Theater. Who built it? Where was it constructed? How was the theater constructed to reflect social status? Why were the Puritans against theatrical ...
Ancient Greek Theater
... The tragedies and comedies of the fifth and fourth centuries BCE that remain to us today were almost all written for performance in the Theatre of Dionysus at Athens. The Theatre of Dionysus was first dug out of the slope beneath the south side of the Acropolis in the late 6th century BCE, possibly ...
... The tragedies and comedies of the fifth and fourth centuries BCE that remain to us today were almost all written for performance in the Theatre of Dionysus at Athens. The Theatre of Dionysus was first dug out of the slope beneath the south side of the Acropolis in the late 6th century BCE, possibly ...
Ancient Greek Theater
... The tragedies and comedies of the fifth and fourth centuries BCE that remain to us today were almost all written for performance in the Theatre of Dionysus at Athens. The Theatre of Dionysus was first dug out of the slope beneath the south side of the Acropolis in the late 6th century BCE, possibly ...
... The tragedies and comedies of the fifth and fourth centuries BCE that remain to us today were almost all written for performance in the Theatre of Dionysus at Athens. The Theatre of Dionysus was first dug out of the slope beneath the south side of the Acropolis in the late 6th century BCE, possibly ...
Brandon Jensen Drama Project I, Sophocles, having been born 495
... Another masterpiece, Antigone, is the story of a passionate young woman who refuses to submit to earthly authority when it forbids a proper burial for her brother, Polyneices. Illustrating the rival claims of the state and the individual conscience, Antigone is an excellent example for the modern so ...
... Another masterpiece, Antigone, is the story of a passionate young woman who refuses to submit to earthly authority when it forbids a proper burial for her brother, Polyneices. Illustrating the rival claims of the state and the individual conscience, Antigone is an excellent example for the modern so ...
Origins of theatre
... • The Greek tragedy started in the form of dithyrambs. • Dithyrambs: choral hymns to the god Dionysus • Thespis is thought to be the playwright that moved theatre from this form of poetry to the classical form of Greek tragedy. • Did this by allowing actors to speak as individuals in their own voice ...
... • The Greek tragedy started in the form of dithyrambs. • Dithyrambs: choral hymns to the god Dionysus • Thespis is thought to be the playwright that moved theatre from this form of poetry to the classical form of Greek tragedy. • Did this by allowing actors to speak as individuals in their own voice ...
ANCIENT GREEK/ROMAN DRAMA
... A six day religious festival that commemorated the god Bacchus/Dionysus in order to please him for a successful spring harvest. What began as a purely religious event transformed into a massive social spectacle over six days that culminated in the presentation of theatre. ...
... A six day religious festival that commemorated the god Bacchus/Dionysus in order to please him for a successful spring harvest. What began as a purely religious event transformed into a massive social spectacle over six days that culminated in the presentation of theatre. ...
Greek Theatre
... They often made fun of the characters in tragedies. They used mythical half human,half goat figures. Few examples of these plays still exist and are often characterised under comedy drama ...
... They often made fun of the characters in tragedies. They used mythical half human,half goat figures. Few examples of these plays still exist and are often characterised under comedy drama ...
The History of Theatre
... structures was used as an acting area for the gods. • If the gods needed to fly, a crane-like device called a machina would hoist them into the air. ...
... structures was used as an acting area for the gods. • If the gods needed to fly, a crane-like device called a machina would hoist them into the air. ...
Elizabethan Drama Terms
... ecclesiastical stories Mixed both comic and serious Many bloody plots were used during this time King Henry VIII created the Church of England and the secular writing was more common ...
... ecclesiastical stories Mixed both comic and serious Many bloody plots were used during this time King Henry VIII created the Church of England and the secular writing was more common ...
File
... playwright, is a verse drama written in elevated language in which a noble protagonist falls to ruin during a struggle caused by a flaw (hamartia) in his character, such as pride (hubris), or an error in his rulings or judgments. A Greek tragedy has the following characteristics: • It is based on ev ...
... playwright, is a verse drama written in elevated language in which a noble protagonist falls to ruin during a struggle caused by a flaw (hamartia) in his character, such as pride (hubris), or an error in his rulings or judgments. A Greek tragedy has the following characteristics: • It is based on ev ...
History of the Theatre
... From this comes the term deus ex machina, meaning “god from the machine.” This term is still used to refer to an artificial plot device introduced by an author late in a play to resolve difficulties. ...
... From this comes the term deus ex machina, meaning “god from the machine.” This term is still used to refer to an artificial plot device introduced by an author late in a play to resolve difficulties. ...
NAME: Oedipus the King and Introduction to Greek Theatre The
... Thespis is considered to be the first Greek "actor" and originator of tragedy (which means "goat song", perhaps referring to goats sacrificed to Dionysus before performances, or to goat-skins worn by the performers.) However, his importance is disputed, and Thespis is sometimes listed as late as six ...
... Thespis is considered to be the first Greek "actor" and originator of tragedy (which means "goat song", perhaps referring to goats sacrificed to Dionysus before performances, or to goat-skins worn by the performers.) However, his importance is disputed, and Thespis is sometimes listed as late as six ...
File
... Oedipus the King and Introduction to Greek Theatre The Greek theatre history began with festivals honoring their gods. A god, Dionysus, was honored with a festival called by "City Dionysia". In Athens, during this festival, men used to perform songs to welcome Dionysus. Plays were only presented at ...
... Oedipus the King and Introduction to Greek Theatre The Greek theatre history began with festivals honoring their gods. A god, Dionysus, was honored with a festival called by "City Dionysia". In Athens, during this festival, men used to perform songs to welcome Dionysus. Plays were only presented at ...
Introduction to Greek Drama Guided Notes [Blank]
... Theater was first officially recognized in ____________ when the Athenian Government began to subsidize drama. Some of the first accounts of Greek Drama are documented by _____________________________________________________________. The Greeks created the first permanent theatre structure cal ...
... Theater was first officially recognized in ____________ when the Athenian Government began to subsidize drama. Some of the first accounts of Greek Drama are documented by _____________________________________________________________. The Greeks created the first permanent theatre structure cal ...
Tragedy
![](https://commons.wikimedia.org/wiki/Special:FilePath/Dionysos_mask_Louvre_Myr347.jpg?width=300)
Tragedy (from the Greek: τραγῳδία, tragōidia) is a form of drama based on human suffering that invokes in its audience an accompanying catharsis or pleasure in the viewing. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—""the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity,"" as Raymond Williams puts it.From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction of the work of Aeschylus, Sophocles and Euripides, through its singular articulations in the works of Shakespeare, Lope de Vega, Racine, and Schiller, to the more recent naturalistic tragedy of Strindberg, Beckett's modernist meditations on death, loss and suffering, Müller's postmodernist reworkings of the tragic canon, and Joshua Oppenheimer's incorporation of tragic pathos in his nonfiction film, The Act of Killing, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers—which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze—have analysed, speculated upon, and criticised the tragic form.In the wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at the scale of poetry in general (where the tragic divides against epic and lyric) or at the scale of the drama (where tragedy is opposed to comedy). In the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre. Drama, in the narrow sense, cuts across the traditional division between comedy and tragedy in an anti- or a-generic deterritorialization from the mid-19th century onwards. Both Bertolt Brecht and Augusto Boal define their epic theatre projects (non-Aristotelian drama and Theatre of the Oppressed respectively) against models of tragedy. Taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation.