william shakespeare
... the house. There was no front curtain. On the stage there were very few props, but the actors always had very elaborate costumes. There were no actresses so women’s parts were played by boys. There were no microphones either, and as the crowds shouted and drank, it became very noisy. The actors had ...
... the house. There was no front curtain. On the stage there were very few props, but the actors always had very elaborate costumes. There were no actresses so women’s parts were played by boys. There were no microphones either, and as the crowds shouted and drank, it became very noisy. The actors had ...
opera – week 2. handel in london
... fashionable set. The elaborate settings, public spectacle and famous and novel singers produced enormous interest. Opera seen as a challenge to the spoken word. Some like Addison, Steele and Hogarth attacked opera as foreign, extravagant, absurd and silly, etc. John Dennis wrote An Essay on the Oper ...
... fashionable set. The elaborate settings, public spectacle and famous and novel singers produced enormous interest. Opera seen as a challenge to the spoken word. Some like Addison, Steele and Hogarth attacked opera as foreign, extravagant, absurd and silly, etc. John Dennis wrote An Essay on the Oper ...
Drama
... by players on a stage before an audience. – This definition may be applied to motion picture drama as well as to the traditional stage. ...
... by players on a stage before an audience. – This definition may be applied to motion picture drama as well as to the traditional stage. ...
Chapter 1: The Nature of Theatre
... been to a play, or maybe even a person who hasn't been in a long time, I think a money back promotion is a great way to bring in an audience. I do believe that a money back guarantee would be a good idea for plays. I feel that with the dwindling audience or lack of support for local art, we should d ...
... been to a play, or maybe even a person who hasn't been in a long time, I think a money back promotion is a great way to bring in an audience. I do believe that a money back guarantee would be a good idea for plays. I feel that with the dwindling audience or lack of support for local art, we should d ...
Chapter 4 2oth Century Drama
... heads emerging from urns, each responding to a light that flashes from one face to the other; each recounts his part in a domestic drama where a man is trapped between his wife and his mistress. In Krapp’s Last Tape (1958), the playwright achieved something close to autobiography. ...
... heads emerging from urns, each responding to a light that flashes from one face to the other; each recounts his part in a domestic drama where a man is trapped between his wife and his mistress. In Krapp’s Last Tape (1958), the playwright achieved something close to autobiography. ...
The Elizabethan Age and Shakespeare
... more on humanism than religion as the subject of their writing. The arts became incredibly important at this time. ...
... more on humanism than religion as the subject of their writing. The arts became incredibly important at this time. ...
Restoration Theatre to 18th Century
... – According to Neoclassical ideals this is NOT a good play: Unities are observed (takes place in a single play) and there is Unity of Action (no subplots) BUT while Unity of Time is observed, Verisimilitude is stretched (too much happens in 24 hours), Decorum is violated (the heronine agrees to marr ...
... – According to Neoclassical ideals this is NOT a good play: Unities are observed (takes place in a single play) and there is Unity of Action (no subplots) BUT while Unity of Time is observed, Verisimilitude is stretched (too much happens in 24 hours), Decorum is violated (the heronine agrees to marr ...
Medieval Theatre • Called the Dark Ages because little or no cultural
... New theatres were built----proscenium stages/archs---not thrust stages. Audience was sophisticated and aristocratic: very witty, insincere, immoral, and dissipated. Primarily comedies were performed. ...
... New theatres were built----proscenium stages/archs---not thrust stages. Audience was sophisticated and aristocratic: very witty, insincere, immoral, and dissipated. Primarily comedies were performed. ...
Eric Fraad
... A native of New York City, Eric Fraad is one of the most original and provocative opera and theatre directors of his generation. He is also known as an innovative artistic director and producer having led ground-breaking arts organizations in Europe and America. His most recent productions have been ...
... A native of New York City, Eric Fraad is one of the most original and provocative opera and theatre directors of his generation. He is also known as an innovative artistic director and producer having led ground-breaking arts organizations in Europe and America. His most recent productions have been ...
renegade now 2017 - Renegade Theatre Festival
... Plays should be sent electronically to: [email protected] All scripts should be submitted electronically. Only under certain circumstances will hard copies of scripts be accepted through the mail. Please feel free to email with any questions at the above email address. Please include your name, a ...
... Plays should be sent electronically to: [email protected] All scripts should be submitted electronically. Only under certain circumstances will hard copies of scripts be accepted through the mail. Please feel free to email with any questions at the above email address. Please include your name, a ...
Slide 1 - SchoolRack
... represents or symbolizes an idea or principle (good, evil, death, fortune, etc.). • Interludes: plays performed in between other forms of entertainment (feasts, dancing). These plays were often comedic in nature. ...
... represents or symbolizes an idea or principle (good, evil, death, fortune, etc.). • Interludes: plays performed in between other forms of entertainment (feasts, dancing). These plays were often comedic in nature. ...
Introduction to Shakespeare
... His first play was performed in the year __________. When he died in the year ________, he had written ___ plays, several poems and many s_________. Shakespeare lived in a time called the E_________ Age. This was a time when _______ _________ ruled England. The fashions of the E_____________ times w ...
... His first play was performed in the year __________. When he died in the year ________, he had written ___ plays, several poems and many s_________. Shakespeare lived in a time called the E_________ Age. This was a time when _______ _________ ruled England. The fashions of the E_____________ times w ...
File
... types of non human characters, such as fairies Even when actors were playing characters from another time in past history they wore the clothes of the current period Costumes were beautiful, detailed and expensive ...
... types of non human characters, such as fairies Even when actors were playing characters from another time in past history they wore the clothes of the current period Costumes were beautiful, detailed and expensive ...
Themes
... Romans, particularly writers such as Plutarch and Seneca. • These plays were not as entertaining as the Tudor morality plays, often having little action and dominated by long soliloquies. More important than entertainment in these plays was a focus on poetic style and correctness. ...
... Romans, particularly writers such as Plutarch and Seneca. • These plays were not as entertaining as the Tudor morality plays, often having little action and dominated by long soliloquies. More important than entertainment in these plays was a focus on poetic style and correctness. ...
Greek Drama - WordPress.com
... audience in between choral dances - Thespis • One actor became two and then three allowing for more complicated stories • The chorus leader often conversed with the actors while moralizing on the story separately • Sophocles added scenery and scenes ...
... audience in between choral dances - Thespis • One actor became two and then three allowing for more complicated stories • The chorus leader often conversed with the actors while moralizing on the story separately • Sophocles added scenery and scenes ...
RESTORATION THEATRE
... Stories revolving around rival claims of love Drums and trumpets, rant and extravagance, stage battles, rich costumes Thomas Hobbes, an English philosopher of the time, defined the purpose of this genre: “The work of an heroic poem is to raise admiration, principally for three virtues: valor, beau ...
... Stories revolving around rival claims of love Drums and trumpets, rant and extravagance, stage battles, rich costumes Thomas Hobbes, an English philosopher of the time, defined the purpose of this genre: “The work of an heroic poem is to raise admiration, principally for three virtues: valor, beau ...
Questions Globe Virtual Tour
... 2. The ___________ was the smelly, noisy, and crowded place where the common people stood to watch the play. These people were known as the ________________. 3. The yard was surrounded by covered ______________, where rich people could sit in comfort, away from the weather. 4. If the audience didn't ...
... 2. The ___________ was the smelly, noisy, and crowded place where the common people stood to watch the play. These people were known as the ________________. 3. The yard was surrounded by covered ______________, where rich people could sit in comfort, away from the weather. 4. If the audience didn't ...
Shakespeare: A Man Not of an Age, but of all Time
... and candles were expensive to buy on his own. • Before Elizabethan players had a permanent home, they would give performances an play they could erect a stage ...
... and candles were expensive to buy on his own. • Before Elizabethan players had a permanent home, they would give performances an play they could erect a stage ...
The Globe Theatre - MendenhallEnglish
... straw cushion for the seat you paid 3 pennies • The stage was a _______ stage • All parts were played by _______ • A woman acting in a play would have been shameless and a serious breach of social custom ...
... straw cushion for the seat you paid 3 pennies • The stage was a _______ stage • All parts were played by _______ • A woman acting in a play would have been shameless and a serious breach of social custom ...
Greek Theatre
... Many cultures made use of choral hymns and dances in their worship. This practice parallels what we commonly see in musicals that are performed in today’s society. Classical forms of tragedy and comedy are said to have sprung from these folk celebrations. Today’s drama is the direct descendant o ...
... Many cultures made use of choral hymns and dances in their worship. This practice parallels what we commonly see in musicals that are performed in today’s society. Classical forms of tragedy and comedy are said to have sprung from these folk celebrations. Today’s drama is the direct descendant o ...
Medieval Theatre - GHS Foothiller Players
... Rebirth of Theatre in the Middle Ages The church shut down all theatrical activities for 200-300 years, but jugglers, minstrels, and mimes still traveled from town to town. Theatre was (ironically) reborn in the church in the form of liturgical dramas In a liturgical drama, priests or members of ...
... Rebirth of Theatre in the Middle Ages The church shut down all theatrical activities for 200-300 years, but jugglers, minstrels, and mimes still traveled from town to town. Theatre was (ironically) reborn in the church in the form of liturgical dramas In a liturgical drama, priests or members of ...
Mystery and Miracle Plays began some 300 years ago as religious
... allegorical pieces where personified virtues and vices grapple for the soul of man. The main attraction of the new “Moralities” is the depiction of the vices, where a lot of farce and broad comedy has been carried over from the Mysteries. Since the fervently Protestant Queen Elizabeth came to the th ...
... allegorical pieces where personified virtues and vices grapple for the soul of man. The main attraction of the new “Moralities” is the depiction of the vices, where a lot of farce and broad comedy has been carried over from the Mysteries. Since the fervently Protestant Queen Elizabeth came to the th ...
here [5] - University of Kent
... impacted on the theatre, and considers what the drama written and performed during the war can tell us about attitudes towards, and experiences of the war. Including discussion of J.M. Barrie’s thoughtful 1918 play A Well Remembered Voice and talks from leading academics, and culminating in an eveni ...
... impacted on the theatre, and considers what the drama written and performed during the war can tell us about attitudes towards, and experiences of the war. Including discussion of J.M. Barrie’s thoughtful 1918 play A Well Remembered Voice and talks from leading academics, and culminating in an eveni ...
Features of Elizabethan theatre
... the attention of the audience, therefore their actions and gestures needed to be a lot larger than what we see today. The audience was also very close to the actors on the stage - this was particularly the case at The Globe theatre, where ‘the groundlings’ were directly in front of the stage. ...
... the attention of the audience, therefore their actions and gestures needed to be a lot larger than what we see today. The audience was also very close to the actors on the stage - this was particularly the case at The Globe theatre, where ‘the groundlings’ were directly in front of the stage. ...
Augustan drama
Augustan drama can refer to the dramas of Ancient Rome during the reign of Caesar Augustus, but it most commonly refers to the plays of Great Britain in the early 18th century, a subset of 18th-century Augustan literature. King George I referred to himself as ""Augustus,"" and the poets of the era took this reference as apropos, as the literature of Rome during Augustus moved from historical and didactic poetry to the poetry of highly finished and sophisticated epics and satire.In poetry, the early 18th century was an age of satire and public verse, and in prose, it was an age of the developing novel. In drama, by contrast, it was an age in transition between the highly witty and sexually playful Restoration comedy, the pathetic she-tragedy of the turn of the 18th century, and any later plots of middle-class anxiety. The Augustan stage retreated from the Restoration's focus on cuckoldry, marriage for fortune, and a life of leisure. Instead, Augustan drama reflected questions the mercantile class had about itself and what it meant to be gentry: what it meant to be a good merchant, how to achieve wealth with morality, and the proper role of those who serve.Augustan drama has a reputation as an era of decline. One reason for this is that there were few dominant figures of the Augustan stage. Instead of a single genius, a number of playwrights worked steadily to find subject matter that would appeal to a new audience. In addition to this, playhouses began to dispense with playwrights altogether or to hire playwrights to match assigned subjects, and this made the producer the master of the script. When the public did tire of anonymously authored, low-content plays and a new generation of wits made the stage political and aggressive again, the Whig ministry stepped in and began official censorship that put an end to daring and innovative content. This conspired with the public's taste for special effects to reduce theatrical output and promote the novel.