American dominance in the West End by Michael Billington C Does
... Does it matter? Isn't this merely a symptom of the new globalised era in which we all live? Without descending into little-Englandism, I think it matters deeply, because we are increasingly cutting ourselves off from other sources of supply and neglecting our native strengths. In purely theatrical t ...
... Does it matter? Isn't this merely a symptom of the new globalised era in which we all live? Without descending into little-Englandism, I think it matters deeply, because we are increasingly cutting ourselves off from other sources of supply and neglecting our native strengths. In purely theatrical t ...
Contemporary American Opera: An Exploration of American Operas
... What truly defines American opera is the very diversity that doesn’t allow it to be defined. There is no single school of American opera composition and no dominant style. While there are prevalent themes, there are many operas whose stories don’t fall into those categories. Elise Kirk writes: “Amer ...
... What truly defines American opera is the very diversity that doesn’t allow it to be defined. There is no single school of American opera composition and no dominant style. While there are prevalent themes, there are many operas whose stories don’t fall into those categories. Elise Kirk writes: “Amer ...
Word® file
... "You?" said Mr. Lee. "You will be a servant." "A servant!" I said. So much for my debut. I considered pulling out of the show or striking for a better role among the actors. But then only they knew how to remove my make-up. And I certainly didn't want to walk the streets like this. I consoled myself ...
... "You?" said Mr. Lee. "You will be a servant." "A servant!" I said. So much for my debut. I considered pulling out of the show or striking for a better role among the actors. But then only they knew how to remove my make-up. And I certainly didn't want to walk the streets like this. I consoled myself ...
Performing Arts in Italia - Elmwood Park Memorial High School
... Performing Arts – L’Arto Dello Spettacolo ...
... Performing Arts – L’Arto Dello Spettacolo ...
File
... Actors were made up of all men - it was illegal to have a woman on stage Actors wore masks to represent different characters and different emotions Hypocrite - “to speak from behind a mask” Catharsis - “purging of emotions” Festivals were day-long events, plays went from sun up to sun set The Polis ...
... Actors were made up of all men - it was illegal to have a woman on stage Actors wore masks to represent different characters and different emotions Hypocrite - “to speak from behind a mask” Catharsis - “purging of emotions” Festivals were day-long events, plays went from sun up to sun set The Polis ...
Restoration Comedy
... regarded as a misfortune. To lose both looks like carelessness.” “The only way to behave to a woman is to make love to her if she is pretty and to someone else if she is plain.” “35 is a very attractive age. London society is full of women of the very highest birth who have, of their own free choice ...
... regarded as a misfortune. To lose both looks like carelessness.” “The only way to behave to a woman is to make love to her if she is pretty and to someone else if she is plain.” “35 is a very attractive age. London society is full of women of the very highest birth who have, of their own free choice ...
Elizabethan Theatre In the late 16th century all classes of society
... Masques were often used to celebrate royal occasions such as a wedding or birth. Design and visual symbols played an important role in masques which called for lavish costumes and sets. Nobles and royalty would take part, often playing gods or heroes while the other roles were played by professional ...
... Masques were often used to celebrate royal occasions such as a wedding or birth. Design and visual symbols played an important role in masques which called for lavish costumes and sets. Nobles and royalty would take part, often playing gods or heroes while the other roles were played by professional ...
Drama and Theatre presentation
... early days of the theatre. The boundary line tended to run, rather, between the site of the action and the backdrop, that is, within the stage itself, while the audience’s spatial relation to the perfomance space couldl vary. ...
... early days of the theatre. The boundary line tended to run, rather, between the site of the action and the backdrop, that is, within the stage itself, while the audience’s spatial relation to the perfomance space couldl vary. ...
Fundamentals of Theatre Arts - EnglishLiteratureII-Hood
... the norm with gladiators, races, sea battles, public killings. ...
... the norm with gladiators, races, sea battles, public killings. ...
WILLIAM SHAKESPEARE
... 154 sonnets (a special type of poem with 14 lines), and some other poems. He is best 7______________ (know) for his plays, which have been 8______________________ (translate) into every major language and are performed more than those of any other playwright in the world. When William Shakespeare wa ...
... 154 sonnets (a special type of poem with 14 lines), and some other poems. He is best 7______________ (know) for his plays, which have been 8______________________ (translate) into every major language and are performed more than those of any other playwright in the world. When William Shakespeare wa ...
Simon Barker and Hilary Kinds, eds
... subtlety and nuance is bound to occur. The Chronology throws up debatable assertions, such as attributing the date of Women Beware Women to 1625, basing the dating on ‘the first known performance or, where there is some doubt about this, the date the critics agree is the most likely’, neither of whi ...
... subtlety and nuance is bound to occur. The Chronology throws up debatable assertions, such as attributing the date of Women Beware Women to 1625, basing the dating on ‘the first known performance or, where there is some doubt about this, the date the critics agree is the most likely’, neither of whi ...
Theatre History - Harrisonville Schools
... • Plays: Court plays- came after Shakespeare. They were more sophisticated and serious. Shakespeare’s plays were ...
... • Plays: Court plays- came after Shakespeare. They were more sophisticated and serious. Shakespeare’s plays were ...
Theatre / Performance – Origins and Development PRIMITIVE
... old plays, creates Shakespeare worship. THEATRES are purpose built places for entertainment, but the SHARE process of the elizabethan process begins to be replaced by actor/ writer managers (Sheridan) – only 2 theatres have patents to do ‘straight plays’ – others produce a more mixed programme to ge ...
... old plays, creates Shakespeare worship. THEATRES are purpose built places for entertainment, but the SHARE process of the elizabethan process begins to be replaced by actor/ writer managers (Sheridan) – only 2 theatres have patents to do ‘straight plays’ – others produce a more mixed programme to ge ...
Shakespeare`s Globe Theatre
... • Everybody entered at the same place regardless of where you paid to sit or stand. • The stage juts out onto the floor, so some people would view from the side. ...
... • Everybody entered at the same place regardless of where you paid to sit or stand. • The stage juts out onto the floor, so some people would view from the side. ...
London and Shakespeare
... • A golden age in English history. • height of the English Renaissance, and the growing of English literature and poetry. • Elizabethan theatre grew and William Shakespeare, among others, composed plays that broke away from England's past style of plays. • More people were educated during this time ...
... • A golden age in English history. • height of the English Renaissance, and the growing of English literature and poetry. • Elizabethan theatre grew and William Shakespeare, among others, composed plays that broke away from England's past style of plays. • More people were educated during this time ...
19th Century Melodrama: Notes. File
... exotic; therefore, authentic folk dances and costumes and picturesque settings became to be on stage. Charles Kemble’s production of Shakespeare’s King John (London, 1823) was the first to claim complete historical accuracy. By 1850, it was important everywhere. Realism of spectacle led to the elimi ...
... exotic; therefore, authentic folk dances and costumes and picturesque settings became to be on stage. Charles Kemble’s production of Shakespeare’s King John (London, 1823) was the first to claim complete historical accuracy. By 1850, it was important everywhere. Realism of spectacle led to the elimi ...
Introduction to Drama
... Themes: the dominant ideas of the play. Diction: the language used to show the characters contact or conflict. It would be in the form of a dialogue or monologue. ...
... Themes: the dominant ideas of the play. Diction: the language used to show the characters contact or conflict. It would be in the form of a dialogue or monologue. ...
the three penny opera - St. Thomas University
... technique to create some distance between the audience and the plot. In his stage instructions, he insists that the actors retain some of their distance by coming across not as their characters but as actors playing characters. Many of the songs in The Threepenny Opera create additional alienation b ...
... technique to create some distance between the audience and the plot. In his stage instructions, he insists that the actors retain some of their distance by coming across not as their characters but as actors playing characters. Many of the songs in The Threepenny Opera create additional alienation b ...
Roman Theatre
... Setting usually outdoors Since Roman plays were about Greeks there was always an alter on stage ...
... Setting usually outdoors Since Roman plays were about Greeks there was always an alter on stage ...
Globe Theatre Notes
... NO female actresses Apprentice actors (young males) played female parts Announcement of Plays Playbills were posted in the city Flag was raised atop the theatre Different color flag for different type of play (new play, comedy, tragedy, etc.) Props Death / stabbing scenes – used pigs bladders filled ...
... NO female actresses Apprentice actors (young males) played female parts Announcement of Plays Playbills were posted in the city Flag was raised atop the theatre Different color flag for different type of play (new play, comedy, tragedy, etc.) Props Death / stabbing scenes – used pigs bladders filled ...
William Shakespeare
... Very elaborate costumes Male actors only – even for female roles Audience members were active – yelling, throwing food on stage, etc. ...
... Very elaborate costumes Male actors only – even for female roles Audience members were active – yelling, throwing food on stage, etc. ...
Viewing Guide Key
... also had lots of other lovers) and the dark lady and he seemed to have a volatile ...
... also had lots of other lovers) and the dark lady and he seemed to have a volatile ...
Augustan drama
Augustan drama can refer to the dramas of Ancient Rome during the reign of Caesar Augustus, but it most commonly refers to the plays of Great Britain in the early 18th century, a subset of 18th-century Augustan literature. King George I referred to himself as ""Augustus,"" and the poets of the era took this reference as apropos, as the literature of Rome during Augustus moved from historical and didactic poetry to the poetry of highly finished and sophisticated epics and satire.In poetry, the early 18th century was an age of satire and public verse, and in prose, it was an age of the developing novel. In drama, by contrast, it was an age in transition between the highly witty and sexually playful Restoration comedy, the pathetic she-tragedy of the turn of the 18th century, and any later plots of middle-class anxiety. The Augustan stage retreated from the Restoration's focus on cuckoldry, marriage for fortune, and a life of leisure. Instead, Augustan drama reflected questions the mercantile class had about itself and what it meant to be gentry: what it meant to be a good merchant, how to achieve wealth with morality, and the proper role of those who serve.Augustan drama has a reputation as an era of decline. One reason for this is that there were few dominant figures of the Augustan stage. Instead of a single genius, a number of playwrights worked steadily to find subject matter that would appeal to a new audience. In addition to this, playhouses began to dispense with playwrights altogether or to hire playwrights to match assigned subjects, and this made the producer the master of the script. When the public did tire of anonymously authored, low-content plays and a new generation of wits made the stage political and aggressive again, the Whig ministry stepped in and began official censorship that put an end to daring and innovative content. This conspired with the public's taste for special effects to reduce theatrical output and promote the novel.