urn_nbn_fi_jyu-20
... character. Both concepts may pertain during the audition of a modal work, depending on the work's nature and origins. The 20th concept of mode perhaps originates in the use of folk music material, but it is in no way confined to it. Diatonic modality refers to the use of the seven diatonic modes tha ...
... character. Both concepts may pertain during the audition of a modal work, depending on the work's nature and origins. The 20th concept of mode perhaps originates in the use of folk music material, but it is in no way confined to it. Diatonic modality refers to the use of the seven diatonic modes tha ...
doc
... (c) Subtract (a) from (b) to get the # of cents between A4# and B on an A-major tuning for the Pythagorean system. ...
... (c) Subtract (a) from (b) to get the # of cents between A4# and B on an A-major tuning for the Pythagorean system. ...
View printable PDF of 1.Appendix.1 Solfège
... Do-based: Do Re Me Fa Sol La Ti Do Do Te Le Sol Fa Me Re Do La-based: La Ti Do Re Mi Fi Si La La Sol Fa Mi Re Do Ti La ...
... Do-based: Do Re Me Fa Sol La Ti Do Do Te Le Sol Fa Me Re Do La-based: La Ti Do Re Mi Fi Si La La Sol Fa Mi Re Do Ti La ...
Lewin, David “A Formal Theory of Generalized Tonal Functions”
... normally best known for his work on Arnold Schoenberg. He has however dealt intensively with Romantic Harmony having published a thorough book and a highly interesting article on the subject.2 What we here will look at is the way he notates third relations. It is actually very simple. If , for examp ...
... normally best known for his work on Arnold Schoenberg. He has however dealt intensively with Romantic Harmony having published a thorough book and a highly interesting article on the subject.2 What we here will look at is the way he notates third relations. It is actually very simple. If , for examp ...
Music Theory Unplugged Functional Harmony
... series mentioned in Chapter 1. In order to assess each interval, the measurement of distance has to involve two pitches or tones (di a = dual and tonas = tone). In the frame work described above diatonic analysis simply means the ability to analyse chordal and melodic structures that normally occur ...
... series mentioned in Chapter 1. In order to assess each interval, the measurement of distance has to involve two pitches or tones (di a = dual and tonas = tone). In the frame work described above diatonic analysis simply means the ability to analyse chordal and melodic structures that normally occur ...
Definition - Murphy Junior High Music
... A dot after a note takes half the note’s value and adds it to the original note, making it that much longer. ...
... A dot after a note takes half the note’s value and adds it to the original note, making it that much longer. ...
Non-Chord Tones
... by step in the same direction. • Neighboring tone (n)- Approached by step and left by step in the opposite direction. • Suspension (s)- Approached by same tone and left by a step down. • Retardation (r)- Approached by the same tone and left by a step up. ...
... by step in the same direction. • Neighboring tone (n)- Approached by step and left by step in the opposite direction. • Suspension (s)- Approached by same tone and left by a step down. • Retardation (r)- Approached by the same tone and left by a step up. ...
Mozart PowerPoint
... The idea is passed from clarinet to bassoon. During this passage, the upper strings (violins) have just the first two notes of this idea in minims (doubling or more the original note values is called augmentation) in canon with the lower strings (violas, cellos and basses). Following a perfect caden ...
... The idea is passed from clarinet to bassoon. During this passage, the upper strings (violins) have just the first two notes of this idea in minims (doubling or more the original note values is called augmentation) in canon with the lower strings (violas, cellos and basses). Following a perfect caden ...
Word Format - Years 11 and 12 - School Curriculum and Standards
... add minor pentatonic scale add major and minor 6ths 2–4 bar melodic dictations, treble and bass clef, given the first note and some rhythm and pitch pitch discrepancies: identify and correct 1–2 pitch errors in a short excerpt Chords simple chord progressions in C, F and G major, root posi ...
... add minor pentatonic scale add major and minor 6ths 2–4 bar melodic dictations, treble and bass clef, given the first note and some rhythm and pitch pitch discrepancies: identify and correct 1–2 pitch errors in a short excerpt Chords simple chord progressions in C, F and G major, root posi ...
Quia Tier 4 powerpoint from class
... Dotted Quarter Note Note Name: Dotted Quarter Note Note Duration: 1 ½ Counts ...
... Dotted Quarter Note Note Name: Dotted Quarter Note Note Duration: 1 ½ Counts ...
Octaves and the Major-Minor Tonal System
... You may be thinking "OK, that's twelve notes; that still has nothing to do with the number eight", but out of those twelve notes, only seven are used in any particular major14 or minor15 scale. Add the rst note of the next octave, so that you have that a "complete"-sounding scale ("do-re-mi-fa-so-l ...
... You may be thinking "OK, that's twelve notes; that still has nothing to do with the number eight", but out of those twelve notes, only seven are used in any particular major14 or minor15 scale. Add the rst note of the next octave, so that you have that a "complete"-sounding scale ("do-re-mi-fa-so-l ...
Modern harmony, its explanation and application - DMU
... and it is curious to find people asserting that therefore the notation is all right and the music all wrong. How much of composers' messages has been lost in such a cumbersome and unscientific transmission will never be known. The four widest divergencies from the old practices found in modem music ...
... and it is curious to find people asserting that therefore the notation is all right and the music all wrong. How much of composers' messages has been lost in such a cumbersome and unscientific transmission will never be known. The four widest divergencies from the old practices found in modem music ...
How Music Works
... Early Western music used a tuning system called Pythagorean intonation, in which only the intervals of the octave and fifth were perfectly in tune. In this system an octave is equal to the numerical ratio 2:1, while a fifth is equal to 3:2. The fourth is equal to an octave minus a fifth, and therefo ...
... Early Western music used a tuning system called Pythagorean intonation, in which only the intervals of the octave and fifth were perfectly in tune. In this system an octave is equal to the numerical ratio 2:1, while a fifth is equal to 3:2. The fourth is equal to an octave minus a fifth, and therefo ...
The Structure of Plato`s Dialogues and Greek Music Theory: A
... But suppose we accept this very uneven set of twelve ratios as a potential “scale.” Even if we ignore the great variation in musical interval size, mapping this scale onto an equal twelve-fold division of dialogues, with each section being “harmonious” or “disharmonious” is still not straightforward ...
... But suppose we accept this very uneven set of twelve ratios as a potential “scale.” Even if we ignore the great variation in musical interval size, mapping this scale onto an equal twelve-fold division of dialogues, with each section being “harmonious” or “disharmonious” is still not straightforward ...
The Structure of Plato`s Dialogues and Greek Music Theory: A
... But suppose we accept this very uneven set of twelve ratios as a potential “scale.” Even if we ignore the great variation in musical interval size, mapping this scale onto an equal twelve-fold division of dialogues, with each section being “harmonious” or “disharmonious” is still not straightforward ...
... But suppose we accept this very uneven set of twelve ratios as a potential “scale.” Even if we ignore the great variation in musical interval size, mapping this scale onto an equal twelve-fold division of dialogues, with each section being “harmonious” or “disharmonious” is still not straightforward ...
Movable do solfège
... One particularly important variant of movable do, but differing in some respects from the system here described, was invented in the nineteenth century by John Curwen, and is known as tonic sol-fa. In Italy, in 1972, Roberto Goitre wrote the famous method "Cantar leggendo", which has come to be used ...
... One particularly important variant of movable do, but differing in some respects from the system here described, was invented in the nineteenth century by John Curwen, and is known as tonic sol-fa. In Italy, in 1972, Roberto Goitre wrote the famous method "Cantar leggendo", which has come to be used ...
Generalizing Messiaen`s Modes of Limited Transposition to a n
... The algorithm can be decomposed into 3 steps: 1. Calculating all the integer divisors of the global interval. The key requirement by Messiaen is covering such an interval through a number k > 1 of occurrences of the same pattern. This implies that each group is made of an equal (integer) number of s ...
... The algorithm can be decomposed into 3 steps: 1. Calculating all the integer divisors of the global interval. The key requirement by Messiaen is covering such an interval through a number k > 1 of occurrences of the same pattern. This implies that each group is made of an equal (integer) number of s ...
Generalizing Messiaen`s Modes of Limited Transposition to
... the only required input is the number of steps we want to consider, i.e. the minimum granularity to build aggregations. If we need an audio rendering too, two more inputs are necessary, namely the frequencies of the pitches that delimit the global interval to be divided. The algorithm can be decompo ...
... the only required input is the number of steps we want to consider, i.e. the minimum granularity to build aggregations. If we need an audio rendering too, two more inputs are necessary, namely the frequencies of the pitches that delimit the global interval to be divided. The algorithm can be decompo ...
Intervals
... Spelling Intervals with Accidentals If the new intervals is one half step smaller than the natural ...
... Spelling Intervals with Accidentals If the new intervals is one half step smaller than the natural ...
A major triad (C or CM) uses the first (root), 3rd, and 5th of a major
... A major 9th chord (C9) is made up of a major 7th chord plus the interval of a 9th. The 9th tone is one whole step above the octave and is the same as the 2nd scale degree. (In the C major scale, the 9th is D.) Note: the root is often not played in a Major 9th chord. (1)-3-5-7-9 A minor 9th chord (C ...
... A major 9th chord (C9) is made up of a major 7th chord plus the interval of a 9th. The 9th tone is one whole step above the octave and is the same as the 2nd scale degree. (In the C major scale, the 9th is D.) Note: the root is often not played in a Major 9th chord. (1)-3-5-7-9 A minor 9th chord (C ...
Linear Chromatic Flyer - James Jones Instruments
... The Diatonic hammer dulcimer is built with a series of major scales up the bridge, with half of each scale on either side of the bridge. Each key is diatonic, meaning it has only the 8 notes of that scale. The missing four notes needed to make the major scale chromatic can often be found in other ke ...
... The Diatonic hammer dulcimer is built with a series of major scales up the bridge, with half of each scale on either side of the bridge. Each key is diatonic, meaning it has only the 8 notes of that scale. The missing four notes needed to make the major scale chromatic can often be found in other ke ...
Predicting the root of a musical chord
... untenable, as we see in Figure 8. Here are shown two possibilities to represent the harddiminished chord – in the first case the root is {F#3}, in the second case {C2}, but both can be assigned without any difficulty to the root position of F-major (here however in different layers) – the resulting ...
... untenable, as we see in Figure 8. Here are shown two possibilities to represent the harddiminished chord – in the first case the root is {F#3}, in the second case {C2}, but both can be assigned without any difficulty to the root position of F-major (here however in different layers) – the resulting ...
Before You Read Sheet Music - Jess Bradshaw`s ePortfolio
... first let us look at what music is defined as. Music is the art of creating a harmonic sound through the use of different rhythms, pitches and tones. The use of music can cause an emotional response from the audience but its purpose is to express one’s emotions. In this manual you will find the basi ...
... first let us look at what music is defined as. Music is the art of creating a harmonic sound through the use of different rhythms, pitches and tones. The use of music can cause an emotional response from the audience but its purpose is to express one’s emotions. In this manual you will find the basi ...
Pythagorean tuning
... In the formulas, the ratios 3:2 or 2:3 represent an ascending or descending perfect fifth (i.e. an increase or decrease in frequency by a perfect fifth), while 2:1 or 1:2 represent an ascending or descending octave. The major scale based on C, obtained from this tuning is:[5] In equal temperament, pai ...
... In the formulas, the ratios 3:2 or 2:3 represent an ascending or descending perfect fifth (i.e. an increase or decrease in frequency by a perfect fifth), while 2:1 or 1:2 represent an ascending or descending octave. The major scale based on C, obtained from this tuning is:[5] In equal temperament, pai ...
Nonchord tone - Chord Melody
... Passing tones allow smooth, scale-wise motion in tonal music by "filling-in" the space between two primary notes. These primary notes are usually a third apart, with the passing tone being the diatonic scale degree in between. However, other intervals may also have passing tones between them. Two o ...
... Passing tones allow smooth, scale-wise motion in tonal music by "filling-in" the space between two primary notes. These primary notes are usually a third apart, with the passing tone being the diatonic scale degree in between. However, other intervals may also have passing tones between them. Two o ...
Circle of fifths
In music theory, the circle of fifths (or circle of fourths) is a visual representation of the relationships among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys. More specifically, it is a geometrical representation of relationships among the 12 pitch classes of the chromatic scale in pitch class space.