Test Review - The OCD Musician
... 37. These notes are part of what scale? G A Bb C# Eb harmonic minor Bb harmonic minor D harmonic minor Db major ...
... 37. These notes are part of what scale? G A Bb C# Eb harmonic minor Bb harmonic minor D harmonic minor Db major ...
The Octave - Bill Troxler
... The human mind interprets both notes in the octave as being essentially the same. That’s because the overtones of both notes are nearly identical. (More about overtones and harmonics later). Because tones that are an octave apart seem more or less identical, they bear the same name. The octave tone ...
... The human mind interprets both notes in the octave as being essentially the same. That’s because the overtones of both notes are nearly identical. (More about overtones and harmonics later). Because tones that are an octave apart seem more or less identical, they bear the same name. The octave tone ...
a PDF version of this work.
... compositional techniques characteristic of the Romantic era is revealed. Techniques such as blurring of harmonies, chromaticism, directed motion, mode mixture, increased use of dissonance, and rhythmic offsetting are some key components of the Romantic era that are incorporated into Chopin’s work. C ...
... compositional techniques characteristic of the Romantic era is revealed. Techniques such as blurring of harmonies, chromaticism, directed motion, mode mixture, increased use of dissonance, and rhythmic offsetting are some key components of the Romantic era that are incorporated into Chopin’s work. C ...
Why are pianos out of tune?
... notes are. This relates to melody - the horizontal structure of the music. The third feature, harmony, which relates to the vertical structure of the music, we won't look at today. The connections between musical pitch and mathematics have been recognized for at least 2500 years. There's a story (pr ...
... notes are. This relates to melody - the horizontal structure of the music. The third feature, harmony, which relates to the vertical structure of the music, we won't look at today. The connections between musical pitch and mathematics have been recognized for at least 2500 years. There's a story (pr ...
1 Basic Tuning for the Autoharp Introduction Setting The Foundation
... Chromatic - a scale having all twelve semitones in an octave, comparable to an octave of both white and black keys on piano. Diatonic - a scale having seven irregular steps in an octave, comparable to an octave of all the white keys on a piano for the key of C. The familiar dore-mi-fa-sol-la-ti prog ...
... Chromatic - a scale having all twelve semitones in an octave, comparable to an octave of both white and black keys on piano. Diatonic - a scale having seven irregular steps in an octave, comparable to an octave of all the white keys on a piano for the key of C. The familiar dore-mi-fa-sol-la-ti prog ...
The Mathematics of Musical Instruments
... section, we use the willow flute as the jumping-off point for a discussion of scale construction. The willow flute’s playing scale is appealing mathematically because each ratio of frequencies within the scale can be expressed as a ratio of small integers. And, since the music traditionally played o ...
... section, we use the willow flute as the jumping-off point for a discussion of scale construction. The willow flute’s playing scale is appealing mathematically because each ratio of frequencies within the scale can be expressed as a ratio of small integers. And, since the music traditionally played o ...
Notes - Andre Mount
... Augmented 6th chords are called that because they’re characterized by an augmented 6th The interval expands outward to an octave o Part of a V chord “To generalize, the bass of an augmented 6th chord is a half step above 5 (6 in minor or b6 in major), one of the upper voices is a half step bel ...
... Augmented 6th chords are called that because they’re characterized by an augmented 6th The interval expands outward to an octave o Part of a V chord “To generalize, the bass of an augmented 6th chord is a half step above 5 (6 in minor or b6 in major), one of the upper voices is a half step bel ...
COURSE TITLE - Metropolitan Community College
... C. Define the octave as an interval composed of half steps. D. Locate whole and half steps at the piano. ...
... C. Define the octave as an interval composed of half steps. D. Locate whole and half steps at the piano. ...
Movable do solfège
... Movable do is frequently employed in Australia, China and Japan (with 7th being si), Ireland, the United Kingdom, the United States, Hong Kong and English-speaking Canada (although a few American conservatories use French-style fixed do). In the movable do system, each solfège syllable corresponds n ...
... Movable do is frequently employed in Australia, China and Japan (with 7th being si), Ireland, the United Kingdom, the United States, Hong Kong and English-speaking Canada (although a few American conservatories use French-style fixed do). In the movable do system, each solfège syllable corresponds n ...
Chords and Ragas based on the Melodic minor scale
... This scale is similar to the Lydian mode (Raga Kalyani). The Lydian mode has a 5th note, while this mode has a #5th note – the minor 6th interval. This mode, the 3rd mode of the Melodic minor scale can be called the Lydian augmented scale because it has the notes of the Lydian scale, with the 5th no ...
... This scale is similar to the Lydian mode (Raga Kalyani). The Lydian mode has a 5th note, while this mode has a #5th note – the minor 6th interval. This mode, the 3rd mode of the Melodic minor scale can be called the Lydian augmented scale because it has the notes of the Lydian scale, with the 5th no ...
CHAPTER 1 TONAL MODULATION WITH JUST
... conceptual metaphor, in my way of thinking, would be to describe it as a field of points in pitch class3 space that can be selectively chosen to map a desired melodic or harmonic structure. As Partch cautioned in his book Genesis of a Music, “music is not a fantasy of chromaticism. A scale is a sour ...
... conceptual metaphor, in my way of thinking, would be to describe it as a field of points in pitch class3 space that can be selectively chosen to map a desired melodic or harmonic structure. As Partch cautioned in his book Genesis of a Music, “music is not a fantasy of chromaticism. A scale is a sour ...
Blues theory - Virtual Music School
... The blues, originating from slavery, is usually about suffering. This can be found on three different levels: • The lyrics: they generally cover sad subjects. • The harmony: strangely enough the Tonic function is represented by a Dominant 7th chord. This way the tension is never completely resolved; ...
... The blues, originating from slavery, is usually about suffering. This can be found on three different levels: • The lyrics: they generally cover sad subjects. • The harmony: strangely enough the Tonic function is represented by a Dominant 7th chord. This way the tension is never completely resolved; ...
EKU Music Theory Study Guide - Music Theory And Composition
... whatever clef is requested as follows: E, F, G, A, B, C, D, E. 2) Apply (plug in) all the sharps or flats of the requested scale in front of all notes that apply. Since there are 4 sharps in the key of E major (F#, C#, G#, D#), place these four sharps in front of the corresponding pitches as follows ...
... whatever clef is requested as follows: E, F, G, A, B, C, D, E. 2) Apply (plug in) all the sharps or flats of the requested scale in front of all notes that apply. Since there are 4 sharps in the key of E major (F#, C#, G#, D#), place these four sharps in front of the corresponding pitches as follows ...
EKU Music Theory Study Guide with PAGE NUMBERS
... whatever clef is requested as follows: E, F, G, A, B, C, D, E. 2) Apply (plug in) all the sharps or flats of the requested scale in front of all notes that apply. Since there are 4 sharps in the key of E major (F#, C#, G#, D#), place these four sharps in front of the corresponding pitches as follows ...
... whatever clef is requested as follows: E, F, G, A, B, C, D, E. 2) Apply (plug in) all the sharps or flats of the requested scale in front of all notes that apply. Since there are 4 sharps in the key of E major (F#, C#, G#, D#), place these four sharps in front of the corresponding pitches as follows ...
The Functional Tonal Musical System and its Mathematical
... The relationships between chordal functions will in fact create the musical discourse, being essential in the configuration of the tonal schematic of the sound.2 “The term (author’s note harmonic relationships) implies not only the fact that a chord is followed by another but also that the successio ...
... The relationships between chordal functions will in fact create the musical discourse, being essential in the configuration of the tonal schematic of the sound.2 “The term (author’s note harmonic relationships) implies not only the fact that a chord is followed by another but also that the successio ...
what is harmony
... The reason for the name “dominant” is that the notes of a major scale are all given names as well as Roman numerals. The first note (I) (also known as the “home” or “keynote”) is, as mentioned above, called the “tonic”. The second (II) is called the super-tonic (because it’s “above” the tonic); the ...
... The reason for the name “dominant” is that the notes of a major scale are all given names as well as Roman numerals. The first note (I) (also known as the “home” or “keynote”) is, as mentioned above, called the “tonic”. The second (II) is called the super-tonic (because it’s “above” the tonic); the ...
Intervals
... changed P5 + P4 = P8; the total number of half steps they contain is 12. If the classes of two intervals add up to 9 (or an octave) they are inversions of each other The inversion of a perfect interval is a perfect interval The inversion of a major interval is a minor interval, and vice ...
... changed P5 + P4 = P8; the total number of half steps they contain is 12. If the classes of two intervals add up to 9 (or an octave) they are inversions of each other The inversion of a perfect interval is a perfect interval The inversion of a major interval is a minor interval, and vice ...
Music Ecademy Music Theory Curriculum CONTENTS
... ✓ Recognising and writing C, D, F or G pentatonic major scales, A, B, D or E pentatonic minor and A, B, D or E blues scales ✓ Understanding the concept of modes and identifying music written using the Aeolian mode (natural minor) Intervals ✓ Recognition of all intervals including compound intervals ...
... ✓ Recognising and writing C, D, F or G pentatonic major scales, A, B, D or E pentatonic minor and A, B, D or E blues scales ✓ Understanding the concept of modes and identifying music written using the Aeolian mode (natural minor) Intervals ✓ Recognition of all intervals including compound intervals ...
Music Theory Review Guide - Guitar
... whatever clef is requested as follows: E, F, G, A, B, C, D, E. 2) Apply (plug in) all the sharps or flats of the requested scale in front of all notes that apply. Since there are 4 sharps in the key of E major (F#, C#, G#, D#), place these four sharps in front of the corresponding pitches as follows ...
... whatever clef is requested as follows: E, F, G, A, B, C, D, E. 2) Apply (plug in) all the sharps or flats of the requested scale in front of all notes that apply. Since there are 4 sharps in the key of E major (F#, C#, G#, D#), place these four sharps in front of the corresponding pitches as follows ...
Musicals
... • What makes a musical different from a play? • A musical uses songs to tell a story. There can be dialogue by the actors; however, songs are included in a musical. • Musical score - a collection of the songs used in the musical. ...
... • What makes a musical different from a play? • A musical uses songs to tell a story. There can be dialogue by the actors; however, songs are included in a musical. • Musical score - a collection of the songs used in the musical. ...
Semantic manual - Semantic Daniélou
... an extremely minor harmony. In Marva it is, on the contrary, extremely major, and yet the difference of pitch is negligible in common musical practice. Two notes differing by one schisma are considered by Indians as the same shruti and are played by the same key in the Semantic. Actually, in the 5-l ...
... an extremely minor harmony. In Marva it is, on the contrary, extremely major, and yet the difference of pitch is negligible in common musical practice. Two notes differing by one schisma are considered by Indians as the same shruti and are played by the same key in the Semantic. Actually, in the 5-l ...
to read it in Microsoft Word
... Pre-determine the available notes for improvising over a given chord and chord sequence so that I could focus more on other musical aspects such as motivic development, phrasing, rhythm, dynamics, technique, and interaction with other players. ...
... Pre-determine the available notes for improvising over a given chord and chord sequence so that I could focus more on other musical aspects such as motivic development, phrasing, rhythm, dynamics, technique, and interaction with other players. ...
Mode (music)
In the theory of Western music, mode (from Latin modus, ""measure, standard, manner, way, size, limit of quantity, method"") (Powers 2001, Introduction; OED) generally refers to a type of scale, coupled with a set of characteristic melodic behaviours. This use, still the most common in recent years, reflects a tradition dating to the Middle Ages, itself inspired by the theory of ancient Greek music.