Symbolic Music Representations
... excerpt (typically a measure) by inferring, using various rules of harmony, what theoretical chord would sound “good” with the underlying music material. The basis of the western classical and pop music chord system is the triad consisting of three notes. Different naming schemes are used for chords ...
... excerpt (typically a measure) by inferring, using various rules of harmony, what theoretical chord would sound “good” with the underlying music material. The basis of the western classical and pop music chord system is the triad consisting of three notes. Different naming schemes are used for chords ...
PHYSICAL THEORY OF MUSIC
... It is widely known that when either a string or a membrane or the air inside a pipe pulses, standing waves are created and sound is produced. Sound is periodical motion which has a fundamental frequency along with many multiple motions, known as harmonics. We confirmed that the length of a string or ...
... It is widely known that when either a string or a membrane or the air inside a pipe pulses, standing waves are created and sound is produced. Sound is periodical motion which has a fundamental frequency along with many multiple motions, known as harmonics. We confirmed that the length of a string or ...
Terms and Definitions – Jan
... Characteristics of Romantic Music (Lecture 9) Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a s ...
... Characteristics of Romantic Music (Lecture 9) Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a s ...
1 Terms and Definitions Characteristics of Romantic Music (Lecture 9)
... Characteristics of Romantic Music (Lecture 9) Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a s ...
... Characteristics of Romantic Music (Lecture 9) Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a s ...
Document
... Microtonal scales • >12 pitch categories per octave • perceptually analogous to 12ET ...
... Microtonal scales • >12 pitch categories per octave • perceptually analogous to 12ET ...
Slightly Out of Tune: The Story of Musical Temperament
... to them, you might think you are perceiving two reflections of a single object, or two points along the same straight line. Do reaches to do like an image meeting its reflection; together they define the edges of the musical world.” The fifth The second of these proportions, 3:2, produced the fifth, ...
... to them, you might think you are perceiving two reflections of a single object, or two points along the same straight line. Do reaches to do like an image meeting its reflection; together they define the edges of the musical world.” The fifth The second of these proportions, 3:2, produced the fifth, ...
Chapters 5-7 Power Point
... Example: sing My Country ‘Tis of Thee but don’t sing the last note. How is it that it makes you uneasy? ...
... Example: sing My Country ‘Tis of Thee but don’t sing the last note. How is it that it makes you uneasy? ...
Handout on Set Theory: Intervals and Atonality
... allows chords to be expressed compactly. For instance the C-major triad (C-E-G) can be called (047) — go ahead and verify this labeling from the chart above. The D♯-minor triad (D♯-F♯-A♯) could be called (36T). These labels might not seem much of a shorthand so far, since we already have good names ...
... allows chords to be expressed compactly. For instance the C-major triad (C-E-G) can be called (047) — go ahead and verify this labeling from the chart above. The D♯-minor triad (D♯-F♯-A♯) could be called (36T). These labels might not seem much of a shorthand so far, since we already have good names ...
11 – Music temperament and pitch
... requiring that both intervals F3C4 and C4G4 are perfect fifths and using the ear. Tuning is not very difficult since the perfect fifth is the second-simplest interval (after the octave) with the frequency ratio 3:2. Moving in this way up and down from C4, one can tune all 12 semitons, however within ...
... requiring that both intervals F3C4 and C4G4 are perfect fifths and using the ear. Tuning is not very difficult since the perfect fifth is the second-simplest interval (after the octave) with the frequency ratio 3:2. Moving in this way up and down from C4, one can tune all 12 semitons, however within ...
Musicianship notes - University High School 2014
... x double sharp- raises pitch two half steps, or one full step b flat- lowers pitch one half step bb double flat- lowers pitch two half steps, or one full step natural- cancels out all sharps and flats, including key signature Enharmonic Equivalence Two pitches that sound the same, but are notated di ...
... x double sharp- raises pitch two half steps, or one full step b flat- lowers pitch one half step bb double flat- lowers pitch two half steps, or one full step natural- cancels out all sharps and flats, including key signature Enharmonic Equivalence Two pitches that sound the same, but are notated di ...
Musical Terms: Musicians use certain words and phrases (that may
... Music is made of pitches (notes or tones) that can be altered to be higher or lower. Pitches can also be altered by duration; the length of time a pitch lasts. Pitch can also be altered in terms of dynamics and tone quality (timbre). Scales and Intervals are the building blocks of musical language. ...
... Music is made of pitches (notes or tones) that can be altered to be higher or lower. Pitches can also be altered by duration; the length of time a pitch lasts. Pitch can also be altered in terms of dynamics and tone quality (timbre). Scales and Intervals are the building blocks of musical language. ...
Document
... harmony – two or more notes played or sung at the same time leading tone – the seventh note of a scale (“TI”) octave – the 8th note above or below a given pitch; it is the same letter of the music alphabet subdominant – the fourth note of a scale (“FA”) tonic – the first note of a scale (“DO”) ...
... harmony – two or more notes played or sung at the same time leading tone – the seventh note of a scale (“TI”) octave – the 8th note above or below a given pitch; it is the same letter of the music alphabet subdominant – the fourth note of a scale (“FA”) tonic – the first note of a scale (“DO”) ...
Lecture Series 1 Exam Review
... 11-The distance between two pitches that seem to duplicate each other and blend very well together is called: 12-The set of seven pitches used in Western music is called a(n): 13-What is an interval? 14-Most tunes have a highest point. What is the tem used to name that high point? 15-An organized se ...
... 11-The distance between two pitches that seem to duplicate each other and blend very well together is called: 12-The set of seven pitches used in Western music is called a(n): 13-What is an interval? 14-Most tunes have a highest point. What is the tem used to name that high point? 15-An organized se ...
The demise of number ratios in music theory
... there are still musicians, theorists, historians, composers, and psychologists out there who theorize with number ratios. But most intervals have two ratios (Pythagorean and just) that lie within a continuous range of acceptable tunings, so neither is “correct”. Ratios only make psychological sense ...
... there are still musicians, theorists, historians, composers, and psychologists out there who theorize with number ratios. But most intervals have two ratios (Pythagorean and just) that lie within a continuous range of acceptable tunings, so neither is “correct”. Ratios only make psychological sense ...
Glossary of Terms
... Pentatonic scale: scales containing five pitches per octave Chromatic scale: a scale containing all twelve possible pitches within the octave Whole tone scale: divides the octave into six consecutive whole steps Sharp: to raise a pitch a half step Flat: to lower a pitch a half step Staff: five lines ...
... Pentatonic scale: scales containing five pitches per octave Chromatic scale: a scale containing all twelve possible pitches within the octave Whole tone scale: divides the octave into six consecutive whole steps Sharp: to raise a pitch a half step Flat: to lower a pitch a half step Staff: five lines ...
Iteractive Music - University of South Carolina
... popular among students. It provides immediate access to other high-quality information sources in related fields such as math, general science and physics. Recent innovations in digital audio/video compression and streaming technology have made the dissemination of the high-quality audio required by ...
... popular among students. It provides immediate access to other high-quality information sources in related fields such as math, general science and physics. Recent innovations in digital audio/video compression and streaming technology have made the dissemination of the high-quality audio required by ...
Music Theory Terms
... major and C minor), or relative (having the same key signature, e.g., C major and A minor). Most works of music between the Baroque and Romantic periods end in the same key as they begin, with the exception that works in minor may end in the parallel major. A work’s key is often used as a descriptor ...
... major and C minor), or relative (having the same key signature, e.g., C major and A minor). Most works of music between the Baroque and Romantic periods end in the same key as they begin, with the exception that works in minor may end in the parallel major. A work’s key is often used as a descriptor ...
Intervals Perfect Intervals
... Intervals An Interval is the distance between two notes. In level one we learned to name intervals by number: ...
... Intervals An Interval is the distance between two notes. In level one we learned to name intervals by number: ...
The Birth of - Early Music America
... There are advantages to oblique space and to equal-tempered instruments, however (provided the instruments can accommodate the roughness or “grit” inherent in this tuning – and not all can). As Jean-Philippe Rameau suggested in arguing for its adoption, equal temperament achieves its incredible util ...
... There are advantages to oblique space and to equal-tempered instruments, however (provided the instruments can accommodate the roughness or “grit” inherent in this tuning – and not all can). As Jean-Philippe Rameau suggested in arguing for its adoption, equal temperament achieves its incredible util ...
Defintions - WordPress.com
... Defintions Music 100 A capella- choral music without instrumental accompaniment Accents- emphasis on a note (either louder, longer, higher) compared to notes around it Arpeggio (Broken Chord) - sounding of the individual tones of a chord in sequence rather than simultaneously Bar/Measure- a group se ...
... Defintions Music 100 A capella- choral music without instrumental accompaniment Accents- emphasis on a note (either louder, longer, higher) compared to notes around it Arpeggio (Broken Chord) - sounding of the individual tones of a chord in sequence rather than simultaneously Bar/Measure- a group se ...
Document
... C, C#, D, D#, E, F, F#, G, G#, A, A#, B Note that C7dim is the same as D#7dim, F#7dim and A7dim. This is an ambiguous chord and can resolve into many possible chords. There are only 4 diminished 7th chords. ...
... C, C#, D, D#, E, F, F#, G, G#, A, A#, B Note that C7dim is the same as D#7dim, F#7dim and A7dim. This is an ambiguous chord and can resolve into many possible chords. There are only 4 diminished 7th chords. ...
Name: Nyocca Anderson Teacher: Mrs Chavannes Date: May 18
... is a group of 8 notes arranged in a particular order. A scale gets its name from the first note. There are different types of scales. One of which is the Major Scale.The Major Scale is very important for us to understand because we will use it as the basic element in understanding all scales, interv ...
... is a group of 8 notes arranged in a particular order. A scale gets its name from the first note. There are different types of scales. One of which is the Major Scale.The Major Scale is very important for us to understand because we will use it as the basic element in understanding all scales, interv ...
Just intonation
In music, just intonation (sometimes abbreviated as JI) or pure intonation is any musical tuning in which the frequencies of notes are related by ratios of small whole numbers. Any interval tuned in this way is called a pure or just interval. The two notes in any just interval are members of the same harmonic series. Frequency ratios involving large integers such as 1024:927 are not generally said to be justly tuned. ""Just intonation is the tuning system of the later ancient Greek modes as codified by Ptolemy; it was the aesthetic ideal of the Renaissance theorists; and it is the tuning practice of a great many musical cultures worldwide, both ancient and modern.""Just intonation can be contrasted and compared with equal temperament, which dominates Western instruments of fixed pitch (e.g., piano or organ) and default MIDI tuning on electronic keyboards. In equal temperament, all intervals are defined as multiples of the same basic interval, or more precisely, the intervals are ratios which are integer powers of the smallest step ratio, so two notes separated by the same number of steps always have exactly the same frequency ratio. However, except for doubling of frequencies (one or more octaves), no other intervals are exact ratios of small integers. Each just interval differs a different amount from its analogous, equally tempered interval.Justly tuned intervals can be written as either ratios, with a colon (for example, 3:2), or as fractions, with a solidus (3 ⁄ 2). For example, two tones, one at 300 Hertz (cycles per second), and the other at 200 hertz are both multiples of 100 Hz and as such members of the harmonic series built on 100 Hz. Thus 3/2, known as a perfect fifth, may be defined as the musical interval (the ratio) between the second and third harmonics of any fundamental pitch.