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Contemporary Architecture in Egypt
Contemporary Architecture in Egypt

... trend is reflected in some office buildings, shopping malls and second houses for the rich. The third trend applied by few architects who search for the revival of local and historical values in contemporary forms through the genuine understanding of historical heritage. This ...
1. Hi everyone, today I will present you `the new brutalism` by Reyner
1. Hi everyone, today I will present you `the new brutalism` by Reyner

... in particular his Unité d'Habitation. Corbusier created his own modular inspired from the human proportions and the golden section and the concept fromed the basis of several housing developments designed by him throughout Europe with this name, and to create a whole neighborhood in one building. He ...
Chapter 16 - High School of Art and Design
Chapter 16 - High School of Art and Design

... openess to these otherwise massive structures. ...
HISTORY OF MODERN ARCHITECTURE
HISTORY OF MODERN ARCHITECTURE

... a glass walled podium with roof garden, raised on pilotis and enclosing a garden atrium. The sleek 20 storey tower and podium was completely covered in a thin curtain wall of stainless steel and glass. The proportion and detailing was exceptional. By the 1960s skyscrapers became taller and bigger. ...
Architecture of the 19th century
Architecture of the 19th century

... New generation of architects began to lead building industries with new visions separated from the religious ideals of the church and the monarchy. Industrial development paved the way for great inventions in building materials and construction systems supported by the scientific developments in ma ...
programme
programme

... Does Richard Rorty have a Design for Architecture? The Pragmatic Liberal, the Ethic and the Architect Bernard H. Brown The Spectacle of De-Nazification in Postwar German Architecture Greg Castillo Outside Post-Colonial Interiorities: Complex Bodies of Suzann Victor and the Singapore Art Museum Patri ...
/10 Modern Architecture
/10 Modern Architecture

... structural principles most clearly when we use glass in place of the outer walls, which is feasible today since in a skeleton building these outer walls do not carry weight. The use of glass imposes new solutions." Mies Van Der Rohe, Seagram Building, L. & Philip Johnson, New York City, 1958. ...
THE MODERN ERA IN ARCHITECTURE Between two centuries
THE MODERN ERA IN ARCHITECTURE Between two centuries

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History of Architecture

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20th Century Architecture New materials in use permitted larger

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history of architecture : modern architecture
history of architecture : modern architecture

... design.  When Louis Sullivan, the mentor of Frank Lloyd Wright, made this statement, he was saying that the function of the building determines the form of the building.  So the principle states that the shape of a building or object should be predicated or based on its intended function or purpos ...
userfiles/1013/my files/architecture pp aa 2016?id=53154
userfiles/1013/my files/architecture pp aa 2016?id=53154

... Prairie Style architects were the most deliberate in creating and building homes that were entirely different from the popular Victorian design. Prairie homes have low, horizontal lines and large open spaces compared to the Victorian’s tall, narrow space with closed-in rooms. Rooms in the Prairie St ...
20th & 21st Century Architecture
20th & 21st Century Architecture

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Modern Architecture
Modern Architecture

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International Style (architecture)

The International Style is the name of a major architectural style that is said to have emerged in the 1920s and 1930s, the formative decades of modern architecture, as first defined by Americans Henry-Russell Hitchcock and Philip Johnson in 1932, with an emphasis more on architectural style, form and aesthetics than the social aspects of the modern movement as emphasised in Europe. The term ""International Style"" first came into use via a 1932 exhibition curated by Hitchcock and Johnson, Modern Architecture - International Exhibition, which declared and labelled the architecture of the early 20th century as the “International Style”. The most common characteristics of International Style buildings are said to be: i. rectilinear forms; ii. light, taut plane surfaces that have been completely stripped of applied ornamentation and decoration; iii. open interior spaces; iv. a visually weightless quality engendered by the use of cantilever construction. Glass and steel, in combination with usually less visible reinforced concrete, are the characteristic materials of the construction.With the surge in the growth in cities in the first half of the twentieth century, particularly after World War II, the International Style provided an easily achievable style option for vast-scale urban development projects, ""cities within cities"", intended to maximise the amount of floor space for a given site, while attempting to convince local planners, politicians and the general public that the development would bring much-needed wealth to the city while, on the other hand, rejecting the proposal would lead to the development being taken to a different, competing city.
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