Blues 1 Blues is the name given to both a musical form and a music
... lost.[35] Other recordings that are still available were made in 1924 by Lawrence Gellert. Later, several recordings were made by Robert W. Gordon, who became head of the Archive of American Folk Songs of the Library of Congress. Gordon's successor at the Library was John Lomax. In the 1930s, togeth ...
... lost.[35] Other recordings that are still available were made in 1924 by Lawrence Gellert. Later, several recordings were made by Robert W. Gordon, who became head of the Archive of American Folk Songs of the Library of Congress. Gordon's successor at the Library was John Lomax. In the 1930s, togeth ...
The Blues in Wes Montgomery`s Compositional and Improvisational
... As mentioned earlier, in the early vocal blues a true blue note was not a simple flatting or sharping of a pitch from the diatonic scale. It was a separate pitch with its own particular location in the scale.24 To bring about the specific vocal effect of the blue notes, Montgomery will frequently fo ...
... As mentioned earlier, in the early vocal blues a true blue note was not a simple flatting or sharping of a pitch from the diatonic scale. It was a separate pitch with its own particular location in the scale.24 To bring about the specific vocal effect of the blue notes, Montgomery will frequently fo ...
music
... I can play an altered 12-bar chord sequence. I can improvise a 12 bar melody using the C blues scale. EXTENSION: I can improvise and play the chord sequence using both hands. I can locate and name the blue notes in the blues scale on C. I can accurately play the blues scale on C. I can compose a 12- ...
... I can play an altered 12-bar chord sequence. I can improvise a 12 bar melody using the C blues scale. EXTENSION: I can improvise and play the chord sequence using both hands. I can locate and name the blue notes in the blues scale on C. I can accurately play the blues scale on C. I can compose a 12- ...
Blues theory - Virtual Music School
... Just like major and minor scales, each major pentatonic scale has its relative minor penta, since they are just inversions of each other. C-major penta has the same notes as A-minor penta. In fact, a pentatonic scale is the same as a ‘normal’ diatonic scale, with two omissions: the 4th and 7th note ...
... Just like major and minor scales, each major pentatonic scale has its relative minor penta, since they are just inversions of each other. C-major penta has the same notes as A-minor penta. In fact, a pentatonic scale is the same as a ‘normal’ diatonic scale, with two omissions: the 4th and 7th note ...
Impact of the Blues on Other Forms of Popular Music
... Me Someone to Love”, and even in orchestral works such as George Gershwin’s “Rhapsody in Blue” and “Concerto in F”. Gershwin's second “Prelude” for solo piano is an interesting example of a classical blues, maintaining the form with academic strictness. The blues scale is ubiquitous in modern popula ...
... Me Someone to Love”, and even in orchestral works such as George Gershwin’s “Rhapsody in Blue” and “Concerto in F”. Gershwin's second “Prelude” for solo piano is an interesting example of a classical blues, maintaining the form with academic strictness. The blues scale is ubiquitous in modern popula ...