Download Middle Ages and Renaissance Review

A.
B.
C.
D.
Guido de Arezzo
Hildegard von Bingen
Pope Gregory
The Roman emperor
A.
B.
C.
D.
is monophonic in texture
is polyphonic in texture
is homophonic in texture
has no texture
A.
B.
C.
D.
Performed music and acrobatics in castles,
taverns, and town squares
Lived on the lowest level of society
Played instrumental dances on harps, fiddles,
and lutes
All of the above
A.
B.
C.
D.
Bagpipe
Lute
Flute
Drum
A.
B.
C.
D.
Rhythm
Pitch
Rests
Any of the above
A.
B.
C.
D.
A legendary female singer
A patroness of troubadours
A nun, church composer, natural historian,
poet, & recipient of divine visions
The mother of King Richard the Lion-Hearted
A.
B.
C.
D.
Musicians composed new music to accompany
dance
The French nobles began to sing hunting songs
together
Monks in monastery choirs began to add a
second melodic line to Gregorian chant
All of the above
A.
B.
C.
D.
Was the official music of the Roman Catholic
church for more than 1,000 years
Was used in the Mass
Is set to sacred Latin texts
All of the above
A.
B.
C.
D.
Became more important than sacred music
Was not based on Gregorian chant
Included drinking songs and pieces using bird
calls and barks of dogs
All of the above
A.
B.
C.
D.
Religion
Friendship
Courtly love
All of the above
A.
B.
C.
D.
Monophonic
Homophonic
Polyphonic
Heterophonic
A.
B.
C.
D.
The concert hall
Religious worship
Dancing
The piano
A.
B.
C.
D.
Feudalism
Humanism
Classicism
Paganism
A.
B.
C.
D.
Unaccompanied vocal music
Men taking their hats off in church
Singing in a hushed manner because one is in
church
Any form of music that is appropriate for
church use
A.
B.
C.
D.
Word Painting
Completely homophonic texture
Instrumental accompaniment
Monophonic texture
A.
B.
C.
D.
The Pope
King Henry VIII
Martin Luther
John Calvin
A.
B.
C.
D.
Martin Luther
John Calvin
The Pope
Zwingli
A.
B.
C.
D.
All sacred music should be in English
Sacred music should consist solely of
unaccompanied Biblical texts
Sacred music should not use text at all
All sacred music should be in Latin
A.
B.
C.
D.
Was a former Catholic priest
Translated the Bible from Latin into German
Wrote the hymn “A Mighty Fortress is Our
God”
All of the above
A.
B.
C.
D.
Harpsichord
Virginal
Piano
Organ
A.
B.
C.
D.
Madrigals
Dance Music
Organ Music
Instrumental music to accompany vocal works
a.
b.
c.
d.
Secular Renaissance songs
Forms of the mass
Renaissance dances
None of the above
A.
B.
C.
D.
Cheerful, happy texts
Melancholy songs
Sacred music
All of the above
A.
B.
C.
D.
Wheel
Telephone
Sword
Printing Press
A.
B.
C.
D.
In lines or circles
With partners
Both A & B
None of the above
A.
B.
C.
D.
100-450
450-1450
1450-1600
1600-1750
A.
B.
C.
D.
100-450
450-1450
1450-1600
1600-1750
Monks in monasteries were primarily responsible
for preserving knowledge during the Middle
Ages.
During the Renaissance, educated people were
often trained in music, literature, theatre, and art.
Renaissance madrigals often had erotic double
meanings.
Guido de Arezzo was responsible for developing
the musical staff and solfege.
Catholic church music during the Renaissance
often borrowed melodies from secular songs.
A.
B.
C.
D.
Kyrie
Sanctus
Ave Maria
Gloria
A. Madrigal
B. Motet
C. Ballet (Fa-La song)
D. Pavane
A.
B.
C.
D.
Thomas Morley
John Dowland
Giovanni Palestrina
Thomas Weekles
A.
B.
C.
D.
Josquin Desprez
Giovanni Palestrina
Claudio Monteverdi
Giovanni Gabrieli
A.
B.
C.
D.
Claudio Monteverdi
Giovanni Palestrina
Giovanni Gabrieli
Josquin Desprez
A.
B.
C.
D.
Claudio Monteverdi
Giovanni Palestrina
Giovanni Gabrieli
Josquin Desprez
What is a polychoral motet?