Download lhs music theory homework 5b.389-446

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Music Theory I, 5b 389-446
6 points each
1.
Date/period
__________________
6
Write the alto and tenor voices for each triad.
6
#
3.
__________________
When a major or minor triad is in first inversion, double the soprano. Write the alto and tenor voices
for each triad.
6
2.
Name
6
When moving from a triad in first inversion to one in root position, do the following.
a. Move the doubled tones in contrary, oblique, or (rarely) similar motion to the nearest chord tones
possible.
b. Move the remaining voice to the tone which will complete the triad or which provides correct
doubling.
c. Check for incorrect parallel intervals.
Part-write the second chord applying the above method.
6
1
4.
Part-write the second chord.
6
5.
Part-write the second chord.
6
6.
7.
When moving from a triad in root position to one in first inversion, do the following.
d. Move INTO the doubled tones in contrary, oblique, or (rarely) similar motion to the nearest chord
tones possible. Move all voices by the smallest possible intervals
e. Move the remaining voice to the tone which will complete the triad or which provides correct
doubling.
f. Errors will be avoided if the doubled tones are written first.
Part-write the second chord applying the above method.
6
6Part-write the second chord.
2
6
8.
6
Write the alto and tenor voices. (Use normal double in all chords; check carefully for incorrect parallel
motion.)
6
9.
10.
11.
Write the alto and tenor voices. (There should be irregular doubling at the asterisk.)
*
6
#
Diminished triads are usually in first inversion with the third (the bass) doubled.
Write the alto and tenor voices for each of the chords below. (Be sure to double the BASS.)
a.
6
6
#6
b
When a major or minor triad is root position, double the bass.
3
b.
When a major or minor triad is in first inversion, double the soprano.
c.
Diminished triads should be used in first inversion with the bass doubled.
Write the alto and tenor voices (write the doubled tones first.)
12.
6
6
The raised 6th degree of the melodic minor scale is used primarily to avoid the melodic interval of the
A2 that occurs in the __________________ minor scale.
13.
Write the alto and tenor voices and supply the Roman numeral analysis. The last soprano note of
measure one should be E not F# as written and the C in the bass should have its stem down. (Be sure the
type of Roman numeral reflects the quality of each triad.)
6
a:
14.
_____
#
_____
#6
_____
_____
#
_____
Write the alto and tenor voices and supply the Roman numeral analysis. (Be sure the type of Roman
numeral reflects the quality of each triad.)
Stems should be up indicating soprano.
6
e:
_____
_____
#6
_____
_____
4
15.
Write the alto and tenor voices and supply the Roman numeral analysis. (Be sure the type of Roman
numeral reflects the quality of each triad.)
C:
_____
6
6
_____
_____
6
_____
_____
5