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decorated) page facilitated my own Hebrew studies. A thousand years ago, I thought, a Jewish child in Cairo sat down at a table to begin learning Hebrew vowels—“Ah, ah, eh, ay, ee.” A few dozen years ago, another Jewish child (yours truly) sat at a table in suburban Chicago and began learning Hebrew in much the same way. Eight years ago, yet another child— my son Jacob—sat at his table and forged one more link in the ancient chain of study. Could the child in Cairo ever have imagined that, a millennium later, a father and son would be looking at his schoolbook in a distant northern land? Dr. Outhwaite then showed us a torn section of another primer filled with children’s writing exercises. “Look,” he said, “this kid did a sloppy job with his letters, and then began to doodle.” Jacob and I looked at each other and laughed. In elementary school, Jacob was notorious for zipping through his work so that he could use the extra time for reading. The kid who wrote these letters during the Middle Ages whizzed through his writing exercises to get to the fun stuff, just as Jacob had. Some things never change. Dr. Outhwaite placed an archival box on his conference table. “Here’s one of the other documents you requested,” he said. It was Ben Sirah—the very same page that Solomon Schechter had seen at Agnes Lewis’ home in 1896! And next to it appeared the note that Schechter had written to Lewis later that day confirming the significance of the find—which would eventually bring the Cairo Genizah to the attention of the Western world. What a moment, I thought. I’m holding a 114-yearold note, handwritten by Solomon Schechter in the very institution where we now sit, which references reform judaism Treasure_w10_Design2_be1.indd 40 ***** the Cambridge University Library is still in the process of conserving Genizah documents. What was once a matter of sliding old documents into plastic sleeves has become a painstakingly elaborate and high-tech process, allowing for the conservation of only about four documents a day. Lucy Cheng, one of the project’s conservators, explained that her work consists of three basic steps: cleaning the documents, flattening them, and repairing them. The cleaning process poses risks. Paper tends to be highly absorbent, soaking up mud and other gunk which becomes irreversibly mixed with the ink of the text. Cheng gently employs scrapers and brushes to remove whatever dirt she can. If she decides that removing the mud might result in deleting the text, she leaves the mud undisturbed. Conservators hope that future technologies will allow it to be removed while keeping the ink in place. Many Genizah documents are crumbling or torn. To patch them, conservators use “Japanese paper,” a strong, lightweight, translucent film with adhesive on one side and wheat paste on the other. Cheng traces the shape she 40 Photos by Jacob Glickman The stunning interior of the Ben Ezra Synagogue, Cairo. a 10th-century manuscript sitting right next to it on the table, which is itself a transcription of a text originally written 1,200 years before that! One by one, the remaining boxes and albums came to the table, each bearing treasures: an early copy of one of the Dead Sea Scrolls; the world’s oldest known piece of Jewish sheet music (Mi al Har Chorev, a eulogy for Moses written by a former Catholic priest from Italy who converted to Judaism during the Crusades); the last letter Maimonides received from his younger brother, David, who died in a shipwreck shortly after sending it. “Be steadfast,” David had written, “for God will [soon] restore your losses and bring me back to you.” There are large holes in the letter, I wondered. Were they from age, or from the tears of a grieving brother? Next we visited the large Manuscript Storage Room, which houses some of the greatest literary treasures in the world. Near the main Genizah section is the Darwin aisle—the shelves storing Darwin’s papers, including the original diaries from his voyage on the Beagle. Isaac Newton’s papers are just a few rows away. The Genizah documents are mostly housed in two 60-foot aisles packed floor to ceiling with shelves of boxes and albums—an agglomeration of literary material so massive and so rich that it holds many secrets of our past yet to be revealed. winter 2010 9/29/10 5:52 AM