Download “No `Persuasion` needed to see this Chicago treat...Chamber Opera

“No 'Persuasion' needed to see this Chicago treat...Chamber Opera Chicago's production was a
treat for the eyes and ears...astounding!” (Emily Scotcher, Isle of Wight County Press)
“There were flashes of humour, plenty of over-acting and some great dancing (the two Irish
dancing lads were definitely scene-stealers, and rightly so), all held together by a multi-talented
group of musicians in the small but perfect orchestra…I’ve not even mentioned the costumes, the
choreography, the clever scene changes - mainly with very well done projections onto
translucent curtains – and the cast of over 30 all playing their roles to perfection. In case you
haven’t yet got the message – I was totally blown away by one of the best evening’s
entertainment I’ve had at the beautifully restored Regency Theatre Royal.” (John Bottle, Bury
Free Press)
“The vocal performances were so powerful they pushed you backwards into your seat while
successfully able to convey the romance that you always seem to find in Jane Austen’s novels.”
(Suzanne Day, In Suffolk)
“…In the hands of the Chamber Opera of Chicago, this was a refined proposition. Adapted by
company director Barbara Landis, this version of Persuasion takes melodies from Jane Austen’s
own collection of manuscripts, combined with lyrics from her letters, poetry and novels, to create
songs that fit seamlessly into the narrative…amazingly effective.” (Sally Godfrey, NOW Bath)
“The intriguing narrative is driven by an excellent supporting ensemble that delivers a powerful
performance as well as the highlight of the show. Their portrayal of Irish sailors, featuring
dancers from the Trinity Irish Dance Company, is superbly executed and moved the audience to
an extra-long applause. Credit must also be paid to the orchestra who were fantastic, filling the
Thames Street theatre with the music of Beethoven, Handel and Haydn.” (Sam Murray, The
Royal Burrough Observer, Windsor)
“A very real affection for Jane lies at the heart of Barbara Landis’ adaptation…Rousing sailors’
chorus and quicksilver Irish dancers were wonderful - all the ensemble moved with grace and
skill.” (Louise Schweitzer, Brighton Argus)
“Landis's touring production by Chamber Opera Chicago takes music from Austen's own
collections as well as by many other composers to create an operetta version of the story. It's
very faithful to the novel… Overall the acting as well as the singing is of a high standard.”
(Anne Morley-Priestman, WhatsOnStage.com)
"This production features some marvelous Irish dance numbers (Trinity Irish Dance Company)
that would make The Riverdance folks proud as punch.” (Alan Bresloff, Around the Town
Chicago)
“This story of Anne Elliot’s second chance at love is told with such wit and life that I predict that
this diamond will be remounted for years to come.” (Lori Davis, Chicago Stage Style)