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David Chisholm Composer
Born 11 July, 1970
www.davidchisholm.com
David has an international practice defined through diverse and hybrid collaboration for which he has won three Green Room Awards, a French Australian Chamber of Commerce and Industry Award, a Highly Commended Paul Lowin Prize, a Mention at 36th Bourges International competition of electroacoustic music and electronic art, a Special mention in the X Media Forum, 31st International Film Festival, Moscow, the Medibank Private State and National Arts Awards and The Channel Ten National Young Achiever of the Year. David’s work has been appeared at Venice Biennale, Villa Medici Roma, Edinburgh and Melbourne Festivals, Moscow Museum of Art, ISCM World New Music Days, MONA FOMA, Danscenen Copenhagen, Monaco Dance Forum, Australian Centre for Photography and he has been performed and recorded by International Contemporary Ensemble, Swedish Radio Symphony Orchestra, Argonaut Ensemble, Arcko Symphonic Project, Melbourne Youth Orchestra, Tasmanian and Melbourne Symphony Orchestras, Golden Fur, Aria Co, Latitude 37 with Ashley Smith, Silo String Quartet, Atticus String Quartet, The Australian Ballet/Sonic Art Ensemble, and virtuosic soloists including Tristram Williams, Jessica Aszodi, Phoebe Green, Mauricio Carrasco and Eric Lamb. Key collaborators include poets Yves Bonnefoy, Anzhelina Polonskaya and Elizabeth Campbell, cross-­‐media artists Emmanuel Bernardoux, Boris Eldagsen, Natascha Stellmach, and Sharon Huebner, director Matthew Lutton, conductors Maxime Pascal, Eric Dudley and Timothy Phillips, choreographer Phillip Adams, choreovideographer Cazerine Barry, designers Studio Periscope, sound artists Myles Mumford and Jethro Woodward and producer Sarah Greentree. David was Chair of Melbourne Fringe from 2003 to 2005, and acting Chair of Strange Fruit in early 2011. He has fulfilled a variety of curatorial and policy development roles for bodies such as the Music Council of Australia, Arts Victoria, City of Melbourne, Next Wave Festival, Melbourne Festival, Chamber Music Australia, Brisbane Festival and The Australian Opera. He is a graduate of the Cranlana Program Colloquia and from 2003 to 2006 he taught genre theory at Centre for Ideas, Victorian College of the Arts. He has presented seminars on his music in Melbourne, Marseilles, Belfast and Maccagno, Italy. With BalletLab David was part of the inaugural company in residence programme at EMPAC, New York and he is the first and only Australian composer to have been accepted in the Camargo Foundation residency progamme, Cassis, and the only composer twice in residence at Centre Intermondes, La Rochelle. His 2015 adaptation of Mark Ravenhill’s The Experiment began with a group residence at the Bundanon Trust in Australia which followed the triumph of his collaboration with Russian poet Anzhelina Polonskaya, KURSK: An Oratorio Requiem at the 2011 Melbourne Festival. KURSK was a finalist for Best New Australian Work and Best Chamber or Instrumental Ensemble Concert for the 2012 Helpmann Awards. He was in 2012 the recipient of an Australia Council Project Fellowship to complete the composition of REVIVAL, a vaudeville grotesque. David was composer on the Malthouse adaptation of Angela Carter’s ‘The Bloody Chamber” receiving unanimous praise for his innovative score for three live harps and electronics. In January 2014 he was appointed as an Artistic Associate for Malthouse Theatre, Melbourne. David Chisholm graduated from University of Wollongong in 1992 with a Distinction in Musical Composition. David has studied under Dr. Andrew Schultz, Andrew Ford, Nicola LeFanu, and David Lumsdaine. ACOF tutors were Andrew Schultz and Brenton Broadstock and his Honours year at Monash University was supervised by Dr Thomas Reiner. He is currently an Australian Post Graduate Research Scholarship PhD candidate at Melbourne University Conservatorium supervised by Dr Elliot Gyger. In 2014 he will tutor and lecture in Music Composition at Monash University. David is founder and director of the Bendigo International Festival of Exploratory Music. Launched in September 2013, the successful new event returns for a second edition in 2014 with David as its helm. David provides free access to his music @ http://soundcloud.com/davidchisholm Bendigo International Festival of Exploratory Music www.bifem.com.au Malthouse Theatre www.malthousetheatre.com.au 1