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Shakespeare
Theatre Company
2012|2013 Annual Report
MK Photo
Cover photo: The cast of A Midsummer Night’s Dream . Photo by Scott Suchman. Photo of Michael Kahn by Kevin Allen.
Dear Friend,
I am pleased to present
the 2012–2013 Season of the Shakespeare Theatre
Company. As I look back on STC’s history, I am humbled
by the breadth of achievements made by this Company.
We have so many reasons to be proud. Our 2012–2013
Season was truly remarkable for us as we pushed the
boundaries of our prior artistic achievement.
We began with our beloved Washington tradition, the
annual Free For All. Now in Sidney Harman Hall for
its fourth season, the season’s Free For All featured
a remount of All’s Well That Ends Well. It was such a
pleasure to see a play I originally directed in 2010 take
on new life under the direction of Jenny Lord.
Our Mainstage season began at the Lansburgh with the
production of our first Russian play, Nikolai Gogol’s The
Government Inspector. This delightfully funny story is
a classic of the Russian stage that first found its home
in our ReDiscovery Series. Following The Government
Inspector, we opened A Midsummer Night’s Dream,
expertly directed by Ethan McSweeny. We were also
fortunate to have Richard Schiff, a terrific actor known
for his work on the television show The West Wing, join
us as the star of Eugene O’Neill’s Hughie. In the spring,
we produced two plays in repertory: Shakespeare’s
Coriolanus, directed by David Muse and Friedrich
Schiller’s Wallenstein, which I was honored to direct.
Wallenstein was the third product of our ReDiscovery
program. I had the pleasure of working with renowned
poet Robert Pinsky on a new adaptation of this
incredible portrayal of both man and country in crisis
and at war. By pairing Wallenstein with Coriolanus we
examined the shared issues of loyalty during wartime
and linked them with contemporary themes for our
21st century audiences. The ability to produce shows
in repertory is vitally important and yet increasingly
rare in American theatre as it draws upon the full
artistic, technical and financial resources of the theatre.
Thanks to the generosity of the Robert H. Smith Family
Foundation, we are fortunate to be able to establish the
Clarice Smith Repertory Series, which ensures repertory
programming in coming seasons.
Rebecca Taichman’s stunning production of The Winter’s
Tale was the perfect close to our Mainstage season.
Her direction allowed the play to effortlessly slide from
tragedy to comedy and invoke a masque style
of entertainment that accurately revealed the play’s
transformative themes.
In addition to our Mainstage season, our international
Presentation Series brought groundbreaking and
thought-provoking theatre to American audiences.
Along with the return of Black Watch and FELA!, we
presented the National Theatre of Scotland’s unique,
experiential production The Strange Undoing of
Prudencia Hart off-site at the Bier Baron Tavern. It was
also a pleasure to present to D.C. audiences Théâtre
de l’Atelier‘s production of Les Liaisons Dangereuses
directed by John Malkovich.
This season I am also proud to announce that STC added
a new education initiative called Young Company. This
demanding, year-long classical acting program for teens
will help us to achieve our vision of being a training
ground for the next generation of theatre artists. In just
their first year, Young Company was invited to attend the
International Youth Theatre Festival in Parla, Spain where
they performed Romeo and Juliet for sold-out houses.
The Shakespeare Theatre Company owes our success
to the support of our exceptional Board of Trustees,
brilliant artists, diligent staff and volunteers, and our
tremendous family of patrons, ticket-buyers and
donors who made the many accomplishments of the
2012–2013 Season possible. I am filled with gratitude
to the thousands of supporters of the Harman Center
for the Arts and all those who made the future of this
company possible. It is only because of your support
and commitment to the Shakespeare Theatre Company
that we can produce timeless classics and present
important international work. Thank you for making
these achievements possible. I look forward to seeing
you again at the theatre.
Warmly,
Michael Kahn
Artistic Director
3
TABLE OF CONTENTS
6Our Mission, Our Vision and Our Values
9
Board of Trustees
12 The Season
24Rentals
26 Figures and Statistics
28
Community
38Education Programs
52
Special Events
62
Financial Report
65
Support
74
Staff
Photo of the cast of The Government Inspector by Scott Suchman.
Our Mission
The mission of the Shakespeare Theatre Company is to present classic
theatre of scope and size in an imaginative, skillful and accessible
American style that honors the playwrights’ language and intentions while
viewing their work through a 21st-century lens.
Our Vision
The Shakespeare Theatre Company endeavors to be an important
resource to an expanded national and international community—as the
nation’s premier destination for classic theatre, as a training ground for
the next generation of theatre artists and as a model provider of highquality educational content for students and scholars.
Our Values
We believe:
• that through the power of their language and the timelessness of their themes,
classic plays reflect on the human experience in ways that transcend the
period in which they were conceived and remain relevant in our time.
• that the timelessness of classic plays provides infinite opportunities for
contemporary theatre artists to re-interpret them.
• in staging classic plays with world-class production values.
• in discovering and re-introducing great plays into the classic repertory and
commissioning new translations or adaptations.
• in building a more diverse audience for our theatre.
• in fostering an appreciation for classic theatre through our education
programs.
• in using cutting-edge technology to share our work with people around the
world.
• in supporting and developing actors, directors, designers and artisans who will
make major contributions to the world of theatre for years to come.
• in encouraging a synergy of arts and ideas by developing collaborative
programming with other institutions.
• in bringing the best of the performing arts to our audience by hosting a broad
spectrum of local, national and international arts companies.
• in being responsible stewards of our resources.
Photo of Chairman Michael R. Klein by Kevin Allen.
THE BOARD
OF TRUSTEES
(as of 7/31/13)
Officers
Trustees
Michael R. Klein,
Chair
Robert E. Falb,
Vice Chair
John Hill,
Treasurer
Pauline Schneider,
Secretary
Michael Kahn,
Artistic Director
Nicholas W. Allard
Ashley M. Allen
Stephen E. Allis
Anita M. Antenucci
Jeffrey D. Bauman
Afsaneh Beschloss
Landon Butler
Dr. Paul Carter
Chelsea Clinton
Dr. Mark Epstein
Andrew C. Florance
Miles Gilburne
Barbara Harman
John R. Hauge
Ex-Officio Trustee
Stephen A. Hopkins
W. Mike House
Jerry J. Jasinowski
Norman D. Jemal
Scott Kaufmann
Abbe David Lowell
Eleanor Merrill
Melissa A. Moss
Robert S. Osborne
Stephen M. Ryan
George Stamas
Lady Westmacott
Rob Wilder
Suzanne S. Youngkin
Chris Jennings,
Managing Director
Emeritus Trustees
R. Robert Linowes*,
Founding Chairman
James B. Adler
Heidi L. Berry*
David A. Brody*
Melvin S. Cohen*
Ralph P. Davidson
James F. Fitzpatrick
Dr. Sidney Harman*
Lady Manning
Kathleen Matthews
William F. McSweeny
V. Sue Molina
Walter Pincus
Eden Rafshoon
Emily Malino Scheuer*
Lady Sheinwald
Mrs. Louis Sullivan
Daniel W. Toohey
Sarah Valente
Lady Wright
*Deceased
WE CREATE
AND PERFORM
Artistry
is at the core of all our productions.
The 2012-2013 Season ranged
from classic revivals to stunning
adaptations in a breadth of genres.
From the inaugural and criticallyacclaimed Clarice Smith Repertory
Series, to our celebrated STC
Presents series of international
programming, STC advanced the
boundaries of classic theatre while
introducing audiences to modern
works influenced by the classics.
Opposite Page: Photo of the cast of The Winter’s Tale by Teresa Wood.
by William Shakespeare
directed by Jenny Lord
original direction by Michael Kahn
August 23–September 5, 2012
Sidney Harman Hall
Free For All, a beloved annual Washington
tradition, marked its fourth anniversary
in Sidney Harman Hall with a fascinating
remount of All’s Well That Ends Well. Directed
by Jenny Lord from Michael Kahn’s original
2010 production, All’s Well is a story of
adventure and romance that examines the
bounds of desire and individual will. In one of
Shakespeare’s most moving comedies, reset
for this production during the World War I
period, Helena wants Bertram, and Bertram
wants anything but marriage. With resourceful
deception and ample persistence, our heroine
overcomes one obstacle after another.
Photo of Miriam Silverman and Tony Roach by Scott Suchman.
All’s well that ends well
Many of the original cast members returned to
star in this revival, including Academy Awardnominated actress Marsha Mason, as well as
STC Affiliated Artists Ted van Griethuysen
and Miriam Silverman. STC provided audiences
from all across the Washington area with
11,778 tickets to Free For All performances,
free of charge!
Leadership Support:
12
The Real Estate
Community Partners
DC Commission on the
Arts & Humanities
Additional Support:
Friends of
Free For All
Philip L. Graham Fund
PEPCO
adapted by Jeffrey Hatcher
from the original by Nikolai Gogol
directed by Michael Kahn
September 13–November 4, 2012
Lansburgh Theatre
Nikolai Gogol’s outrageously funny satire
of provincial bureaucracy was the perfect
play at just the right time for our nation’s
capital. A mischievous civil servant is
mistaken for an incognito inspector,
sending a small town and its corrupt
officials into chaos.
Michael Kahn directed a cast of STC
favorites in this masterful comedy of
errors in which the self-deception of
corrupt provincial officials leads to
hilarious pandemonium. DC Theatre Scene
called the production “better than five
stars,” and Metro Weekly described the
piece as “an utterly giggle-worthy mix
of satire, irreverence and fuel-injected
wit,” instructing readers to “get a ticket.”
The recipient of four Helen Hayes
Award nominations, The Government
Inspector was also the first Russian play
to be produced at STC, introducing
our audiences to Russian drama for
the first time. Gogol’s play, inspired by
an anecdote by Pushkin, is now widely
recognized as a classic of the Russian
stage and a surprising influence on Tolstoy,
Dostoyevsky and Chekhov.
The Government Inspector was presented by the HRH Foundation.
Photo of the cast of The Government Inspector by Scott Suchman.
by William Shakespeare
directed by Ethan McSweeny
November 15, 2012–January 6, 2013
Sidney Harman Hall
Love, magic and wonder filled the air,
and dreams blended with reality in this
captivating staging of a Shakespeare
classic. In A Midsummer Night’s Dream,
mismatched lovers become embroiled in
a supernatural squabble in Shakespeare’s
mythical forest world and their destinies
are altered forever. Ethan McSweeny
directed Shakespeare’s magical and
surprisingly dark comedy about the
power of the imagination with endless
creativity. The original music, acrobatic
tricks of the fairies and dazzling
metamorphoses made STC’s 2012-2013
production of A Midsummer Night’s
Dream truly a feast for the senses.
The Washington Post raved about
McSweeny’s Midsummer, calling the
production “a guarantee of giddy-everafter” and “the kind of gusty storm
of a performance that satisfyingly
renews a very weathered play.”
Nominated for a 2013 Helen Hayes
Award for Outstanding Resident Play,
the production received five additional
nominations. An abridged version of
the play was also presented to younger
audiences during STC’s Family Week.
Production Sponsor:
Arlene and Robert Kogod
14
Photo of Adam Green and Bruce Dow by Scott Suchman.
Presenting Education
Sponsor
Additional Support
by Eugene O’Neill
directed by Doug Hughes
January 17–March 24, 2013
Lansburgh Theatre
Directed by Tony Award winner Doug
Hughes (Doubt), STC’s production of
Hughie transfixed audiences with the
raw force of one of Eugene O’Neill’s
most stirring character studies. One of
O’Neill’s masterful late works, Hughie is a
fascinating portrait of Erie Smith (played
by Emmy Award-winning actor Richard
Schiff), a man whose illusions of a grand
lifestyle are shattered after the death
of his best friend, the anonymous hotel
night clerk “Hughie” who validated his
larger-than-life confidence. Searching for
a new person to affirm his transparent
fantasies, Erie is forced to come face to
face with his own crushing self-pity.
The Washington Post called “Schiff’s finegrained performance—the kind you could
settle in and watch again almost as soon
as it’s over,” and praised the production
as “a deep, full evening of theater.” Schiff
won over audiences and critics alike with
his “intense performance that leaves
you pondering the character for days . . .
Hughie is a testament to the indefinable
power of theatricality” (Washingtonian).
Hughie was generously supported by
Michael R. Klein and
Joan I. Fabry.
Photo of Richard Schiff and Randall Newsome by Carol Rosegg.
Media Partner:
Performed as part of the Clarice Smith
Repertory Series with Wallenstein
by William Shakespeare
directed by David Muse
March 28–June 2, 2013
Sidney Harman Hall
Arguably Shakespeare’s most political play,
Coriolanus chronicles the conflict of man
versus the masses, of the great individual
hero against the mentality of the starving
mob. Caius Martius is a mighty hero who
earns the new name of “Coriolanus” for his
triumphs defending Rome in battle. But his
inflexible self-belief and contempt for popular
law cause him to be condemned as a traitor
and sent into exile. Desiring revenge against
the Romans who banished him, he befriends
his blood enemy, Aufidius, and launches
an assault on his beloved city. Featured as
part of the Clarice Smith Repertory Series,
Coriolanus highlights the power of political
debate, as the characters discuss, argue, form
and dissolve alliances, and maneuver among
each other for power. Celebrated director
David Muse, who “distinguished himself as a
skillful director of contemporary plays” (The
Washington Post), blurred the lines between
hero and traitor in this politically driven
tragedy about government, power and class
conflict. Metro Weekly called it “a stunning
work of urgency and clarity.” Roll Call noted
that the play was an “extraordinarily astute
reflection on the modern political landscape”
and The Wall Street Journal declared this
“Coriolanus belongs on Broadway.”
A generous gift by
Clarice Smith and
the Robert H. Smith
Family Foundation
has enabled STC
to produce three
repertories over the
next three seasons,
beginning with the
Hero/Traitor Repertory
of Coriolanus and
Wallenstein. This
support also allows for
a thematic symposium
during the run of each
production to further
educate and engage
audiences.
The Clarice Smith Repertory Series is sponsored by the
Robert H. Smith Family Foundation.
16
Photo of Patrick Page and the cast of Coriolanus by Scott Suchman.
Performed as part of the Clarice Smith
Repertory Series with Coriolanus
by Freidrich Schiller
translated and freely adapted by
Robert Pinsky
directed by Michael Kahn
March 28–June 2, 2013
Sidney Harman Hall
As the second production in the Clarice
Smith Series, Michael Kahn directed
the North American, English-language
premiere of Friedrich Schiller’s Wallenstein.
Working from Schiller’s original German
play cycle, former Poet Laureate Robert
Pinsky was commissioned by STC to
condense the original 10-hour trilogy into a
three-hour play. Wallenstein is little known
in America, despite its relevance to our
own national tradition of military leaders
turned politicians. Broadway World called
Pinsky’s script “the true star of the show.”
Wallenstein was commissioned through the generous support of The
Beech Street Foundation and production support is provided by an
award from the National Endowment for the Arts.
One of Germany’s greatest dramatic
works, Wallenstein follows the famous
general Albrecht von Wallenstein at the
height of his influence and power during
the Thirty Years’ War. Leading Europe’s
most powerful army, Wallenstein is caught
between his ambition and his Emperor’s
growing distrust. He must decide either
to stay loyal to his king and lose his power
or to betray his country for greater gain.
STC Artistic Director Michael Kahn, called
“one of the best directors in America” (DC
Theatre Scene), envisioned this epic story
of war, intrigue and loyalty tested.
Photo of Steve Pickering in Wallenstein by Scott Suchman.
17
by William Shakespeare
directed by Rebecca Taichman
May 9–June 23, 2013
Lansburgh Theatre
A celebration of the art of storytelling, The
Winter’s Tale is one of Shakespeare’s late
romances. Traveling through time, visiting
the austere court at Sicilia and the bright
sea shore of Bohemia, two generations
transcend a personal history of torment
and obsession. The Winter’s Tale tells the
tale of King Leontes, who is overcome with
jealousy when he believes his pregnant
wife Hermione and his good friend King
Polixenes are lovers.
The Winter’s Tale includes both stark,
wintry tragedy and pastoral comedy,
requiring the audience to embark on
a complex emotional journey. Director
Rebecca Taichman chose to double
the cast of nine actors, with nearly all
playing two roles in order to emphasize
the play’s themes of duality of character,
transformation and light and dark.
The Washington Post remarked that
“Taichman’s taut, visually arresting and
tenderly wrought new production…
is itself a kind of magic,” and called
Taichman’s vision “fresh and intimate” and
“completely, emotionally textured.”
Produced in association with
McCarter Theatre Center
Photo of Hannah Yelland, Heather Wood and Nancy Robinette by
18
Teresa Wood.
Sponsored by:
Artistic Leadership
Fund
Additional Support:
The Share
Fund
S TC Pre se ntatio n S e rie s
In the 2012-2013 Season, the Shakespeare Theatre Company continued to serve as a leading presenter of international performances,
showcasing four unique and moving productions from the United Kingdom and France as well as a U.S. national tour.
Black Watch
by Gregory Burke
directed by John Tiffany
September 19-October 7, 2012
Sidney Harman Hall
The National Theatre of Scotland’s Black Watch, directed by
Tony Award winner John Tiffany, returned to the Sidney Harman
Hall following 2011’s sold-out presentation. Based on interviews
with former Scottish soldiers who served in Iraq, playwright
Gregory Burke delivered a compelling and emotional work of
theatre evoking the complexities of war. DC Theatre Scene called
the work a “hypnotic spectacle of sensory theatre, by turns
poetic, abstract and exhilarating.” The Washingtonian called
it “heartbreakingly compelling.” Black Watch was nominated
for five 2013 Helen Hayes Awards and won the award for
Outstanding Non-Resident Production.
Photo of Scott Fletcher and cast by Manuel Harlan.
Sponsored by:
Dr. Paul and
Mrs. Rose Carter
Poppy Scotland
The Strange Undoing of Prudencia Hart
by David Greig
directed by Wils Wilson
November 13-December 9, 2012
site-specific work at Bier Baron Tavern
The National Theatre of Scotland also presented David Greig’s
The Strange Undoing of Prudencia Hart. This site-specific
work played at D.C.’s Bier Baron Tavern, relying on audience
participation to set the scene. Greig’s play follows Prudencia
Hart, an uptight academic who ends up at a pub on a snowy
Scottish Midwinter’s Eve after a scholarly conference. Prudencia
embarks on an unexpected supernatural journey, deep into
a world of Scottish myth and folklore. Director Wils Wilson’s
use of the Bier Baron’s unique space was characterized as
“hauntingly effective” by The Washington Post.
Photo of the cast of The Strange Undoing of Prudencia Hart by Drew Farrell.
Support for The Strange Undoing of Prudencia Hart
Media Partner:
generously provided by Dr. Paul and Mrs. Rose Carter.
19
S TC Pre se ntatio n S e rie s
Les Liaisons Dangereuses
by Pierre Choderlos de Laclos
adapted for the stage by Christopher Hampton
translated in French by Fanette Barraya
directed by John Malkovich
December 6-9, 2012
Lansburgh Theatre
Imported directly from the Théâtre de l’Atelier in Paris,
this French-language staging of Les Liaisons Dangereuses
incorporated several modern twists into the play’s story
of sex, revenge and the decadence of aristocracy. The
Washington Post called acclaimed actor John Malkovich’s
directing “fresh, contemporary” and remarked that
“the actors are wonderfully attuned to one another’s
performances.” All six of the production’s limited
engagement performances sold out during the 2012-2013
Season.
Photo from the Théâtre de l’Atelier’s production of Les Liaisons Dangereuses by Gaspard Leclerc.
Support for Les Liaisons Dangereuses is provided by Laura Pels
Productions, La Maison Française at the Embassy of France, The French
American Cultural Foundation and Dr. Paul and Mrs. Rose Carter.
FELA!
presented by Shawn “Jay-Z” Carter, Will Smith and
Jada Pinkett Smith and Ruth and Stephen Hendel
directed and choreographed by Bill T. Jones
January 29-February 10, 2013
Sidney Harman Hall
After its sold-out run in 2011, the U.S. national tour of FELA!
returned to fill the Sidney Harman Hall with its captivating
Afrobeat rhythms in this triumphant true story of legendary
Nigerian musician Fela Kuti. DC Metro Theater Arts called
the production a “perfect pleasure for your senses,” and
“brilliantly choreographed.” DC Theatre Scene remarked
“Fun rarely feels this high-stakes—a thrilling experience that
makes FELA! not just one of the most fun musicals in recent
memory, but also one of the most important.”
Support for FELA! is provided by Dr. Paul and Mrs. Rose Carter.
Photo of Adesola Osakalumi and the cast of FELA! by Sharen Bradford.
20
S TC Pre se nt s
Sidney Harman Hall
For the fourth consecutive season, the
Shakespeare Theatre company offered
screenings of world-class productions
from the National Theatre in London. Each
presentation was filmed live in London
and broadcast in HD to the Shakespeare
Theatre Company’s Sidney Harman Hall.
NT Live presented a wide sampling of
the National Theatre’s programming;
including the highly successful new play
The Audience, starring Helen Mirren in
her Oliver Award winning performance as
Queen Elizabeth II.
NT Live programming also included the
inspiring new play The Curious Incident of
the Dog in the Night-Time, Danny Boyle’s
hit staging of Frankenstein with Benedict
Cumberbatch and Jonny Lee Miller,
Nicholas Hytner’s critically-acclaimed
staging of Shakespeare’s Timon of Athens,
James Graham’s new political play
This House and Academy Award
nominee and Tony Award® winner John
Lithgow as The Magistrate in Arthur Wing
Pinero’s uproarious Victorian farce of the
same name.
More than 7,000 STC patrons enjoyed
these screenings.
Photo of Helen Mirren by Johan Persson.
21
Photo of Sara Topham and Tim Campbell in A Midsummer Night’s Dream by Scott Suchman.
Michael Kahn Theater Hall of Fame
In January 2013, STC Artistic Director Michael Kahn was inducted into the
Theater Hall of Fame, which honors Lifetime Achievement in American
Theater. Kahn was selected for his 25+ years as the visionary leader of the
Best of D.C.
Shakespeare Theatre Company, his work as director of eight Broadway
The Shakespeare Theatre Company was named
shows and his tenure as the Richard Rodgers Director of the Drama Division
the Best Theater Company in Washington, D.C.
at The Juilliard School. This has truly been a great year for Michael who has
by the Washington City Paper 2013 Readers’
been honored so deservedly for all that he has done for American theatre.
Poll. Additionally, STC won Best Play of 2013 for
its critically acclaimed production of William
Shakespeare’s A Midsummer Night’s Dream, directed
by Ethan McSweeny.
2013 Helen Hayes Awards and
Nominations
The government inspector
THe servant of two masters
Outstanding Ensemble, Resident Play
Adam Green
The James MacArthur Award for Outstanding
Supporting Actor, Resident Play
Michael Kahn
Outstanding Director, Resident Play
Black Watch
Chuan-Chi Chan
Outstanding Lighting Design, Resident
Production
Nancy Robinette
Outstanding Supporting Actress,
Resident Play
Murell Horton
Outstanding Costume Design,
Resident Production
Outstanding Non-Resident Production
(WINNER)
Stephen Epp (WINNER)
The Robert Prosky Award for Outstanding
Lead Actor, Resident Play
Ryan Fletcher
Outstanding Lead Actor,
Non-Resident Production
3
Outstanding Resident Play
Robert Jack
Adam McNamara
Chris Starkie
Outstanding Supporting Performer,
Non-Resident Production
Ethan McSweeny
Outstanding Director, Resident Play
Lee Savage
Outstanding Set Design, Resident Production
Jennifer Moeller
Outstanding Costume Design,
Resident Production
Strange Interlude
A Midsummer night’s dream
Lee Savage
Outstanding Set Design, Resident Production
Christopher Bayes
Outstanding Director, Resident Play
Francesca Faridany (Winner)
Outstanding Lead Actress, Resident Play
The Merry Wives of Windsor
Thom Weaver
Outstanding Lighting Design,
Resident Production
WINNERS
19
NOMINATIONS
WE OPEN
OUR DOORS
We invite
artists from all disciplines into
our spaces. The Shakespeare
Theatre Company is pleased
to host many different
organizations, ranging from
local companies to international
groups. In the 2012-2013
Season, STC welcomed
more than 30 organizations
ranging from various
disciplines to our theatres.
Highlights:
VelocityDC
Presented by VelocityDC
10/18/12 – 10/21/12
Sidney Harman Hall
NEXT: Spain featuring
Company E
Presented by Washington
Performing Arts Society
11/16/12 – 11/17/12
Lansburgh Theatre
Screwtape Letters
Presented by Aruba
Productions
12/19/12 – 1/6/12
Lansburgh Theatre
L’Amour
Presented by The
Washington Ballet
2/11/13 – 2/24/13
Sidney Harman Hall
THANK YOU
The Shakespeare Theatre Company
thanks the following organizations
for hosting their events at the
Harman Center for the Arts:
Tour-de-Force: Stars
and Stripes
Presented by Washington
Ballet
2/22/13 – 2/24/13
Sidney Harman Hall
8th Annual Literary Love
Poetry Performance
Presented by Higher
Achievement
2/25/13
Lansburgh Theatre
In Concert: Le Choeur des
Armaillis de la Gruyère
Presented by the Embassy
of Switzerland and the
18th Street Singers
4/5/13
Lansburgh Theatre
AARP
AIPAC
Catalogue for Philanthropy
Celebrity Autobiography
CINE Film Festival
Columbia College
DowntownDC Business
Improvement District (BID)
Ford’s Theatre
Ford/Forlano Jewlery & Art
HIP-HOP Summit Action Network
Institute of International Design
Architects
KidsEuro Fest
National Academy of Education
Philanthropik
Planned Parenthood Foundation of America
TEDx MidAtlantic
The Creative Coalition
The Eva Longoria Foundation
The Mid-Atlantic Chapter of the
International Interior Design Association (MAC)
The NEED Project
Washington Nationals Dream Foundation
Photos of Giselle Alvaraz by Brianne Bland.
Figures and Statistics
2012–2013 Mainstage Productions
ATTENDANCE BY TYPE
ATTENDANCE BY PRODUCTION
30,000
25,000
20,000
6%
43%
45%
15,000
10,000
7%
7%
5,000
Subscribers
Single Ticket Buyers
26
The Winter’s Tale
Groups
Wallenstein
Special Package Subscribers
Coriolanus
Single Ticket Buyers
Hughie
Subscribers
A Midsummer Night’s Dream
Groups
The Government Inspector
0
Special Package Subscibers
Ticket Accessibility
The Shakespeare Theatre Company has been nationally recognized for its excellence in staging high-quality,
innovative versions of famous classical plays; exposing audiences to lesser-known classic works and reintroducing
them back into the commonly produced classical canon; and striving to reach and connect new and unlikely
audiences to classical theatre through numerous accessibility efforts. STC has great assets in its current
accessibility with 40,000+ free and subsidized tickets annually, through Free For All, ReDiscovery staged readings,
Shakespearience student matinees and Young Prose Nights (Under 35).
The District Shakespeare education program
allows every D.C. public/charter school student to
experience the classics not just on the page, but
on the stage. Combined with Shakespearience,
which provides reduced price tickets to students
in Maryland and Virginia, STC serves over 6,000
students annually.
Under 35 initiatives including subscriptions and
Young Prose nights serve over 15,000 annually.
A volunteer checks in patrons at the All’s Well Free For All. Photo by Nicole Geldart.
One-third of STC’s audience enjoys free or
subsidized pricing.
Free for All attracts 12,000 patrons annually, and
over 650,000 since its beginning in 1991.
Since 2003, ReDiscovery staged readings attract
approximately 1,500 patrons per year.
Under 35 Patrons at the Young Prose Night for The Government Inspector. Photo by
Nicole Geldart.
WE ENGAGE AUDIENCES
AND ARTISTS
Community
Engagement
is an essential foundation for the
Shakespeare Theatre Company’s
work. STC provides a cultural home
for audiences and artists alike. During
the 2012-2013 Season, patrons were
introduced to lost classics, explored
familiar plays and discovered local
artists and new work in our theatres.
Community members were welcomed
into the STC family as volunteers,
and STC staff led workshops in
neighborhoods across the D.C.
region, fortifying the relationship
between the Shakespeare Theatre
Company and its community.
Opposite Page: Photo of Edgeworks performers by Isaac Oboka.
Creative
Conversations
The Shakespeare Theatre Company’s Creative
Conversations series offers a unique opportunity
for audiences to deeply connect with the work seen
onstage. The discussions approach each production
from multiple perspectives, offering insight from
scholars, artists, cultural leaders and audience
members. By continuously introducing new discussion
formats and points of access, each Conversation strives
to incite debate about a show’s merit and relevance in
the modern world. During the 2012-2013 Season, almost
1,900 patrons participated in Creative Conversations.
Classic
Conversations
This season, Artistic Director Michael Kahn
expanded the discussion series Classic
Conversations that was inaugurated during the
25th Anniversary Season. Inviting acting legends
from the diverse backgrounds of classical stage,
Broadway and silver screen, Kahn sat down with
F. Murray Abraham, Audra McDonald and
Christopher Plummer. Nearly 1,500 people enjoyed
intimate conversations with Kahn and these
talented artists, exploring their life, work, and
stunning experiences.
Photo of Audra McDonald and Michael Kahn by S. Christian Low.
page and stage
To shed light on the creative process, these discussions
approached the productions from two perspectives.
Members of the production’s artistic team were
paired with local scholars to examine the challenges
and themes in each play. Guest scholars this season
included Georgetown University professor Marcia
Morris, The Johns Hopkins University professor
Veronika Jicinska and David Schalkwyk, editor of
Shakespeare Quarterly.
twitter night
For the second season, the Creative Conversation series
took to social media. On #STCNight, audience members
were invited to join the conversation on Twitter before
and after the play. Led by STC’s Audience Enrichment
Manager, participants learned more about the
production, shared their own thoughts and connected
with other theatregoers about performances of
A Midsummer Night’s Dream, Coriolanus
and Wallenstein.
Bookends
Post-SHOW
Discussions
After the performance, audiences got up close
and personal with the artists on stage. These free
discussions allowed patrons to ask actors about their
craft, the experience of performing, and their thoughts
on the play. These discussions were led by STC’s
Literary Associate and Audience Enrichment Manager.
AsidesLive
A new series for the 2012-2013 Season, Bookends
provided audiences with a complete enrichment
experience. Before the show, participants explored
the themes and history of the play with STC staff.
After the performance, participants joined in a
post-show discussion with cast members and staff.
Bookends provided the audience with a full evening
to consider and engage with the work on stage.
In the 2012-2013 Season, the Shakespeare Theatre
Company presented three in-depth symposia. Panel
discussions featured members of the artistic team and
prominent scholars of history and literature. Former
Poet Laureate Robert Pinsky and playwright Jeffrey
Hatcher also joined discussions about the plays they
adapted for STC’s 2012-2013 Season.
CLASSICS IN
CONTEXT
Each session allowed participants to connect the
productions to broader explorations such as Russian
politics and site-specific theatre. Panel titles included
Producing Outside the Proscenium, Laughter Through
Tears, Coriolanus: The End of Shakespearean Character
and Wallenstein: The Action of Adaptation.
Bringing together the city’s leading players from a
variety of disciplines, Classics in Context allowed
panelists and audiences to engage in lively discussions
about the season’s productions from diverse
perspectives. The season’s panelists were WAMU’s
Metro Connection host Rebecca Sheir, Howard
University Classics professor Norman Sandridge,
Washington Post columnist Clinton Yates and
Americans for the Arts’ Mitch Menchaca. STC’s
Director of Education Samantha K. Wyer led these
free conversations.
Happenings at the
Harman
STC continued to invite local residents and workers
to take an artistic respite from their busy Wednesday
afternoons to watch free presentations of dance,
theatre and music. More than 2,200 local office
workers, retirees, young parents and fans of the
arts gathered to enjoy a wide spectrum of free
performances from choral music to puppetry and
everything in between.
This season, STC also debuted Happenings Happy
Hours, an additional hour of free performances for the
after-work crowd. Once a month, audiences enjoyed
the talents of dynamic local artists and musicians
paired with vodka cocktails generously provided by
Svedka.
The season’s lineup featured 34 performance groups
including:
Christylz Bacon
The Sweater Set
Happenstance Theater
Furia Flamenca
The Beau Soir Ensemble
Washington Performing
Arts Society artists
including the Feder String
Competition Winners and
the Men of the Gospel
Choir
Taffety Punk
Next Reflex Dance
Collective
Happenings at the Harman is funded in part by the DC Commission on
the Arts & Humanities, an agency supported in part by the National
Endowment for the Arts.
32
Photo of a Happenings performance with Luis Garay.
4th Annual
VelocityDC Dance
Festival
October 18-21, 2012
Sidney Harman Hall
Following three highly successful years, STC was
proud to welcome the VelocityDC Dance Festival
back to Sidney Harman Hall. VelocityDC brings
together the Washington Performing Arts Society,
Dance/MetroDC and STC to present a four-day
festival of dance. Presented in partnership with
The Washington Ballet and CityDance Ensemble,
the festival showcased the artistry of Washington’s
dance community while furthering STC’s
commitment to supporting local arts.
The 2012 VelocityDC performances featured:
Alight Dance Theater
American University Dance Company
Asanga Domask
CityDance Conservatory
Christopher K. Morgan & Artists
Company| E: Y
Dissonance Dance Theater
EDGEWORKS Dance Theater
Farafina Kan
Flamenco Aparicio and Pastora Flamenco
Footworks Percussive Dance Ensemble
Janaki Rangajaran
Joy of Motion, D.C.
Rebollar Dance
Step Afrika!
The Washington Ballet
The Washington Ballet Studio Company
Urban Artistry
VTDance
Xuejuan Feng
Photo of The Washington Ballet performers, Jared Nelson and Elizabeth Gaither, by Steve Vaccariello.
33
Rediscovery
Series
2012-2013 Season
Lansburgh Theatre
This season, more than 1,100 patrons attended
readings as a part of the ReDiscovery Series.
The ReDiscovery Series—a favorite for STC and
Washington audiences—presents and explores
obscure works of theatre and literature. With a
cast of professional actors, STC provides free
staged readings of forgotten classic works,
carefully selected by Artistic Director Michael
Kahn. Several works first presented in the
ReDiscovery Series, such as The Heir Apparent
and The Government Inspector, have gone on to
grace STC’s stages as fully realized productions.
Guest scholars, translators and adaptors involved
with the evening’s reading also frequently
participate in rehearsal, performance and postperformance discussions.
This season, the ReDiscovery Series featured:
Crazy Money by Alexander Ostrovsky (translated
by Stephen Mulrine)
Wild Oats by John O’Keeffe
The London Merchant by George Lillo
Love for Love by William Congreve The ReDiscovery Series is made possible through
the generous support of Ann K. Morales and
Jean and David Grier.
34
Photo of Asanga Domask by Paul Gordon Emerson.
VOLUNTEERS
Devoted volunteers are vital to the daily
operations of the Shakespeare Theatre
Company. Volunteers worked in many of
our departments, including administrative,
marketing, artistic and education. During the
season, volunteer ushers were essential as
friendly and welcoming representatives to our
theatre patrons. This past season, STC had
more than 1,300 volunteers,including 100
new ushers. Volunteers also provided
assistance with many special events and
education programs hosted by STC, including
our Meet the Cast receptions for each
Mainstage show and SHAKESPEARIENCE
Student Matinees.
Shakespeare Theatre Company Student
Ambassadors, an initiative created during the
2010-2011 Season, continued to have great
success. Student Ambassadors represented
STC to their peers at Washington-area high
schools and universities and spread the
word on campus about STC’s productions,
budget-friendly tickets, special events and
audience enrichment programming. Student
Ambassadors also volunteered at STC’s
Free For All and other community events
throughout the season. More than 20 students
represented STC in D.C., Maryland and
Virginia high schools and universities including
American University, Catholic University and
the University of Maryland.
Photo of the cast of The Government Inspector by Nicole Geldart.
Photo of volunteers at a Meet the Cast Reception by Elayna Speight.
35
ARTISTS IN THE
COMMUNITY
In 2012-2013, Artists in the Community offered
professional development and enrichment
workshops to community groups, organizations
and companies across the D.C. metro area.
Professional development workshops were
customized to reach the goals set forth by
each host organization, teaching professional
skills through techniques used in the theatre.
For community groups, after-school programs
and service organizations, STC created
workshops and residencies to serve diverse
populations and welcomed groups to the
theatres for backstage tours. This season, the
Shakespeare Theatre Company reached nearly
900 participants through workshops provided
to organizations including the Marine Corps
Band, Sibley Memorial Hospital, the Federal
Energy Regulatory Commission and Booz
Allen Hamilton. An active contributor and
supporter of local festivals, the Shakespeare
Theatre Company engaged an additional 5,000
participants at events like the Barracks Row
Festival, Kids EuroFest and the British Embassy
Open House.
36
Photo of a Fela! Master Class.
Photo of STC Volunteer at SHAKESPEARIENCE matinee.
STC PUBLICATIONS
ASIDES
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The First Folio: Teacher and Student Resource
Guide offered educators and students an
approachable lens to each production. The
First Folio provided information about the
plays and the playwrights, including a plot
synopsis, background on the world and
the characters of the play, pre- and postperformance activity ideas, lesson plans and
questions for discussion to prepare students to
attend the performances. Nationally recognized
Common Core Standards were integrated into
The First Folio to make classroom instruction
even easier.
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ASON
To help foster a richer understanding of the
season’s plays, the Shakespeare Theatre
Company produced several publications for a
variety of audiences.
Specially created for the Free For All
production, the Free For All Play Guide gave
students of all ages the tools to understand the
Bard’s language. This season’s Play Guide for
All’s Well That Ends Well included a synopsis
of the play, words from the director, theatrerelated word games and discussion questions.
STC’s Asides magazine provided a collection
of in-depth articles that consider, contextualize
and investigate the plays on STC stages.
Featuring scholarly articles, interviews
with directors and playwrights, historical
framework and explorations of the production
concept, Asides provided audiences with a
body of knowledge to help them enjoy each
performance. Audiences could also follow
Asides Online, the digital version of Asides,
which provides bonus content including videos.
BY
37
WE TEACH THROUGH
PERFORMANCE
PARTICIPATION
PROFESSIONAL TRAINING
Photo of Young Performers by Elayna Speight.
Opposite Page: Photo of students in the Young Performers comedy class.
Education
Efforts expanded and intensified during
the Shakespeare Theatre Company’s
2012-2013 Season. Through initiatives
like District Shakespeare, Artists in the
Classroom and Young Company, the
breadth and reach of STC Education
programs increased dramatically,
connecting with children and adults,
downtown D.C. and rural Virginia, firsttime theatregoers and professional actors.
Through dynamic discussion, rigorous
training and innovative engagement
with all the arts, Shakespeare Theatre
Company Education encouraged
learners to explore the living meaning
of Shakespeare and classical theatre.
Miles Gilburne and Nina Zolt are founding sponsors
of the education programs of the Shakespeare
Theatre Company.
Leadership Support:
Presenting
Education Sponsor
DISTRICT
SHAKESPEARE
In the 2012-2013 Season, STC entered phase
two of its ambitious, multi-year initiative to
ensure that students in the District of Columbia
have access to the arts. By attempting to
establish a platform where every D.C. public
high school can send an entire grade to the
theatre each year, STC is striving to give
every D.C. student the opportunity to see
a Shakespeare play before they graduate.
After visiting each D.C. public school (DCPS)
serving grades 8-12 in the 2011-2012 Season,
this year STC invited each school to attend a
SHAKESPEARIENCE Student Matinee. For each
school, STC provided a pre-show workshop,
50 tickets and transportation to the theatre,
free of charge. In total, 42 of 53 District schools
participated, and 1,984 students attended
classical theatre for free, most for the first
time in their lives. More than 1,100 students
experienced A Midsummer Night’s Dream, while
others saw Coriolanus or The Winter’s Tale.
This season, STC also expanded the scope of
District Shakespeare to include D.C. public
charter schools. STC Affiliated Teaching
Artists visited 45 charter schools serving
grades 8-12. Interactive District Shakespeare
workshops reached more than 800 students.
District Shakespeare is made possible
through the generous support of
The Beech Street Foundation
40
W E T EA C H t h r o ug h p e r f o r m a n c e
Photo of students at a matinee.
SHAKESPEARIENCE
In the 2012-2013 Season, the SHAKESPEARIENCE
Student Matinee Program gave teachers and students
the chance to experience the thrill of live performance.
Designed to allow greater access to classical theatre and
the dramatic arts for educators and their students in
D.C., Maryland and Virginia, the program offered pricereduced tickets, preparatory materials and in-school
workshops. STC also provided supplemental materials to
all who attended, free of charge. This past season, STC
offered 13 SHAKESPEARIENCE Student Matinees and
more than 6,500 students attended A Midsummer Night’s
Dream, The Government Inspector, Coriolanus, Wallenstein
and The Winter’s Tale. Free in-school pre-performance
workshops in all schools are an essential part of the
SHAKESPEARIENCE program. STC staff and Affiliated
Teaching Artists taught 188 pre- and post-performance
workshops to a total of 4,337 students this season.
SHAKESPEARIENCE provided the opportunity for students
to engage with the Bard’s work off the page and out of
the classroom. Many students who attended were able to
experience classical theatre and live performance for the
very first time, giving students a living, breathing encounter
with Shakespeare and a thirst to attend theatre again.
Leadership Support:
Additional Support:
Marshall B. Coyne Foundation.
SHAKESPEARIENCE Student Matinees are part of
Shakespeare for a New Generation, a national program of
the National Endowment for the Arts in cooperation with
Arts Midwest.
Photo of students participating in Target Family Fun Fair.
W E T EA C H t h r o ug h p e r f o r m a n c e
41
TEXT ALIVE!
Text Alive! continued to help students unlock
Shakespeare’s plays through a performancebased curriculum. Throughout ten workshops,
students closely examined one of Shakespeare’s
texts in their classrooms with STC Affiliated
Teaching Artists. They also attended a
SHAKESPEARIENCE Student Matinee of
that play. As a culminating project, the
students designed, rehearsed and performed
a Shakespearean scene onstage at both of
STC’s theatres. Teachers also participated in
professional development workshops, which
provided them with the tools necessary to
successfully integrate the study of Shakespeare
into their classrooms. The program supported
English and Theatre standards of learning in
D.C., Maryland and Virginia. Text Alive! worked
with 28 classrooms, over two semesters,
reaching 19 teachers and 537 students.
Priority was given to public schools in the
District of Columbia and suburban schools
with high economic disadvantage rates.
During the 2012-2013 school year, 65% of the
17 participating schools were underserved.
Leadership Support:
Additional Support:
DC Commission on the Arts & Humanities, an agency supported
in part by the National Endowment for the Arts
ExxonMobil
Mark & Carol Hyman Fund
Morningstar Foundation
The Jacob and Charlotte Lehrman Foundation
42
W E T EA C H t h r o ug h p e r f o r m a n c e
Photo of A Midsummer Night’s Dream Text Alive! performance.
Students for
Shakespeare
For student groups, Students For Shakespeare
(SFS) provided advance access to tickets, reserved
seats and play guides at the annual Shakespeare
Theatre Company Free For All. Students For
Shakespeare groups enjoyed six performances
of the Free for All production of All’s Well That
Ends Well. Upon arrival at the theatre, the groups
were recognized by name from the stage before
each performance. Title I schools were eligible to
receive bus transportation or Metro passes to and
from Sidney Harman Hall. In total, 1,018 students
attended the Free For All production of All’s Well
That Ends Well.
W E T EA C H t h r o ug h p a r tici p a ti o n
43
CAMP
SHAKESPEARE
Camp Shakespeare once again expanded, this
year giving 279 students, ages 9 to 18, a magical
and intensive classical theatre experience.
In each camp, young participants played,
explored and deepened their understanding
of Shakespeare through classes in acting,
movement, stage combat and text analysis.
Students also developed and performed
a play on the Lansburgh Theatre stage,
where they showcased their knowledge and
talent for family and friends. To ensure that
all students, regardless of socio-economic
background, had a chance to be a part of
Camp Shakespeare, STC provided more than
$10,000 in scholarships. In addition to the twoweek sessions, STC offered Advanced Camp: a
rigorous session for talented teens ages 14 to 18.
In Advanced Camp, participants had the chance
to rehearse and perform a full Shakespeare play.
After three weeks of rehearsal, participants
mounted a final performance of As You Like It
in The Forum in Sidney Harman Hall, complete
with full technical support.
In Kind Sponsor:
Additional Support:
The Washington Forrest Foundation
44
W E T EA C H t h r o ug h p a r tici p a ti o n
Photo of a Groundling by Elayna Speight.
ARTISTS IN THE
CLASSROOM
Artists in the Classroom experienced enormous
growth this season, with more residencies than
ever bringing the Shakespeare Theatre Company
into local schools. These customized classes were
designed in cooperation with teachers, creating
an arts-integrated workshop series led by STC
Teaching Artists tailored to each classroom.
Residencies address Common Core standards
for Language Arts and Theatre by exploring
Shakespeare’s text through performance.
Workshops aimed to challenge students to
actively engage with the language, plot and
themes as it related to their other studies. This
season, the Shakespeare Theatre Company
partnered with William E. Doar Jr. Public Charter
School for the Performing Arts to create a firstof-its-kind residency that served every grade
(pre-K through 8) in the school for the entire
school year. Nearly 420 students participated in
a total of 798 workshops at WEDJ. By the end
of the school year, 16 Artist in the Classroom
residencies reached 2,490 students from
elementary-age to high-school level.
Photo of Affiliated Teaching Artist Jim Gagne teaching a class.
W E T EA C H t h r o ug h p a r tici p a ti o n
45
Master Acting
Classes
The Shakespeare Theatre Company continued
to offer a wide variety of classes taught by
professional actors and artists. This year’s
teaching artists included Floyd King, Nancy
Robinette and Naomi Jacobson, actors often seen
on STC’s stages. Classes allowed students the
opportunity to feed their love of theatre and study
the craft in a way that is accessible to everyone.
This season, Master Acting Classes engaged 388
teens and adults from all over the Washington
metropolitan area. Classes served a diverse
student body, ranging from early career actors to
military veterans, suburban teens to government
employees. In each session STC Affiliated
Teaching Artists helped students explore a variety
of disciplines, including voice and movement,
text analysis, stage combat and Shakespeare
monologues.
46
W E T EA C H t h r o ug h t r a i n i n g
Photo of students in a Master Acting Class by S. Christian Low.
Internships and
Fellowships
This season more than 330 aspiring theatre
artists, technicians and professionals from all
over the country competed for a spot as an intern
or fellow at the Shakespeare Theatre Company.
Interns and fellows work with respected theatre
professionals and are treated as full members of
the STC staff. STC interns and fellows follow a
packed full-time schedule and receive a weekly
stipend to help offset living expenses. This
season, 25 early-career artists and professionals,
travelling from as far away as California and
Washington state, joined the Company in artistic,
administrative and production departments. Past
interns and fellows have been hired as STC staff,
and others are pursuing their careers at other top
artistic institutions. Alumni have gone on to work
or study at such notable organizations as New
York City Ballet and Yale School of Drama.
Photo of 2012–2013 Acting Fellow Jacqui Jarrold in A Midsummer Night’s Dream by Scott Suchman.
W E T EA C H t h r o ug h t r a i n i n g
47
TEEN CRITIC
In its third season, the highly successful Teen
Critic program gave young writers the chance
to sharpen their eye and their writing. Designed
for high school students interested in journalism,
the Teen Critic Program taught students how
to view theatrical productions with a critical
eye and compose their own theatre reviews.
Ten teens from schools across D.C., Virginia
and Maryland were accepted into the program
from a competitive pool of applicants. For each
production, the Teen Critics were invited to see
the show on Press Night alongside professional
journalists. To hone their writing skills, the
students participated in writing intensives and
met with top theatre critics from across the
D.C. area, including Nelson Pressley of The
Washington Post and Trey Graham of Washington
City Paper. The teens’ reviews were then shared
in school newspapers and posted on STC’s
Asides Online.
48
W E T EA C H t h r o ug h t r a i n i n g
Photo of a Teen Critic.
YOUNG COMPANY
This season, STC launched an ambitious project
for talented teens from across the Washington
metropolitan region: Young Company, a rigorous,
year-long training program in classical acting.
Developed and facilitated by STC’s Resident
Teaching Artist and Affiliated Teaching Artists,
the program ran four afternoons a week,
equipping teens with intensive training in a
variety of disciplines such as acting technique,
voice, movement, text analysis and Shakespeare
scene study. To support their physical and vocal
training, participants attended live performances
at STC and other D.C.-area theatres. More than
two dozen teens were invited to audition and in
September, 14 teens joined the Company.
During their year with STC, the Company
mounted two productions: a small, black-box
presentation of scenes and monologues in the
winter, and, in the spring, a fully designed, soldout run of Romeo and Juliet in The Forum in
Sidney Harman Hall. In July, the Company was
invited to attend the International Youth Theatre
Festival in Parla, Spain. The only English-speaking
company to participate, Young Company
members took part in multiple workshops and
tours with their Spanish counterparts, closing the
Festival with their much-acclaimed performance
of Romeo and Juliet.
Young Company is made possible in part through the
generous support of The Beech Street Foundation and
Toni A. Ritzenberg
Additional support provided by the Hattie M. Strong
Foundation
Photo of Young Company performers.
W E T EA C H t h r o ug h t r a i n i n g
49
ACADEMY FOR
CLAsSICAL ACTING
The Shakespeare Theatre Company’s oneyear Academy for Classical Acting is a unique
graduate course of study that confers Master of
Fine Arts degrees in Classical Acting through
The George Washington University. This season’s
18 member Class of 2013 marked the 13th
anniversary of the program. In all, 196 talented
graduates have gone on to grace many of the
best stages, including the Shakespeare Theatre
Company, The Kennedy Center, Folger Theatre,
Arena Stage, Guthrie Theater, Goodman Theatre,
the Oregon Shakespeare Festival and more than
200 others across the country. Every summer,
the ACA performs two classical plays in repertory
as part of the students’ final projects. In June
2013, the ACA staged Shakespeare’s Measure
for Measure, directed by Robert Richmond, and
Webster’s The White Devil, directed by Eleanor
Holdridge. ACA students greatly benefit from
the growing scholarship support of the Emerging
Classical Artists Fund. The large amount of
work—both in and outside of the classroom—that
the demanding ACA curriculum requires prevents
degree candidates from working during their
tenure at The George Washington University.
To assist in curbing the costs associated with
pursuing their MFA, the Emerging Classical
Artists Fund provides merit awards to ACA
students to support them while they earn
their degrees. The Fund endeavors to ensure
the future of classical theatre in America by
sustaining the training of the next generation of
classical actors.
50
W E T EA C H t h r o ug h p a r tici p a ti o n
Photo of the ACA production of The White Devil by Elayna Speight.
FELA! Master Acting Class.
W E T EA C H t h r o ug h p a r tici p a ti o n
51
SPECIAL EVENTS
Celebrating
the transformative power of arts and
culture in the D.C. metropolitan area, the
Shakespeare Theatre Company strives to
present opportunities for Washington’s
cultural, political, media and legal
communities to interact through special
events like the Mock Trial, Harman
Center for the Arts Annual Gala and
Will on the Hill. STC invites patrons to
experience artistic excellence, support
education and outreach opportunities,
and socialize with local and national
supporters of the arts.
Opposite Page: Photo by Margot Schulman
The Harman Center
for the Arts Annual
Gala
Shakespeare’s Timeless Characters
Monday, October 15, 2012
Sidney Harman Hall
The National Building Museum
The Harman Center for the Arts Annual
Gala celebrated STC’s continued impact
on the Washington, D.C. region. The Gala
honored F. Murray Abraham, best known
for his role in Amadeus, with the William
Shakespeare Award for Classical Theatre
and Clark Construction Group, LLC with the
Sidney Harman Award for Philanthropy in
the Arts. The Gala performances featured a
myriad of unique and exciting performances
portraying Shakespeare’s Timeless
Characters. The Paul Taylor Dance Company
opened with a dynamic performance
based on Troilus and Cressida. Broadway
singer Howard McGillin and opera singer
Lauren Flanigan sang selections from their
respective genres. Jerry Stiller, an old friend
of Abraham, toasted him and introduced
comedic actor Bill Irwin, and STC Affiliated
Artist Ted van Griethuysen’s performed a
scene from King Lear. The Q Brothers, a hiphop group from Chicago, got the audience’s
hands in the air with Othello: The Remix.
The performance ended with a surprise
performance by Abraham’s Amadeus costar, singer and actress Christine Ebersole.
44
54
Following the performance, guests walked
a candlelit path to dinner and dancing at
the National Building Museum. The young
professional guests of Gala After Hours led
the charge to the dance floor, where guests
danced the night away.
Photos: National Building Museum by Margot Schulman.
Photos from left to right: Michael Kahn and F. Murray Abraham; Trustee Melissa Moss and Jonathan Silver; Christine Ebersole; Nancy Anderson and Ethan McSweeny; Jerry Stiller,
Gordon Zacks and Jane Harman; Colleen Delaney and performer; Bill Irwin and F. Murray Abraham. Photos by Kevin Allen and Margot Schulman.
55
Will on the Hill
Toil and Trouble
written by Peter Byrne
May 6, 2013
Sidney Harman Hall
One of Washington, D.C.’s most anticipated
events is Will on the Hill. Washington’s
political and media elite are brought
together to celebrate the work of
Shakespeare. A sold-out crowd filled
Sidney Harman Hall, contributing more than
$400,000 for the Theatre’s year-round
education and community engagement
programs. Toil and Trouble, written by
Peter Byrne, took us to the Washington
studios of a national news network where
two anchors try to hold onto their audience
in anticipation of a major statement
by the White House by bringing on a
series of guests. Unfortunately, the only
guests available are attending a nearby
Shakespearean costume ball!
This season’s event featured VEEP star
Anna Chlumsky as well as STC favorite
Todd Scofield. Fellow cast members
included ABC News’ Rick Klein, NBC’s Chris
Matthews, the Honourable Ian LiddellGrainger MP and nearly 20 members
of Congress. The show “warmed our
bipartisan-craving hearts” (Roll Call),
creatively incorporating good-natured
jabs at contemporary political issues as
the play centered around the theme of
working across the aisle, and the power of
Shakespeare triumphing in the end.
Media Sponsor:
56
Executive Sponsors:
From top: Photo Sen. Patrick Leahy (D-VT); Anna Chlumsky and Todd Scofield; Rep. Charles Rangel (D-NY) and Rep. Peter
Roskam (R-IL); Rep. Gerry Connolly (D-VA), Rep. Jim McDermott (D-WA) and Senator Susan Collins (R-ME) All photos by
Kevin Allen.
The Bard Association
Mock Trial
The Pen vs. The Sword
Monday, May 13, 2013
Sidney Harman Hall
The Shakespeare Theatre Company’s
annual Mock Trial is one of the most
anticipated legal events in Washington,
D.C. For nearly 20 years, Supreme
Court Justices have presided over
theatrically-inspired cases for this
exciting event. This year, advocates
took on a libel case entitled The Pen vs.
The Sword, inspired by Shakespeare’s
political drama Coriolanus.
After Coriolanus’s untimely death, his
mother Volumnia, the executor of her
son’s state, believed that if it were not for
the malicious defamation of Coriolanus’s
campaign by the Roman tabloid,
The Latin Tribune, Coriolanus would
have had a highly successful political
career. The defamation thus caused
Coriolanus monetary injury for which
the estate should receive damages.
Photos (from top) of Lisa Blatt, Seth P. Waxman; Justice Stephen Breyer, Justice Ruth Bader Ginsburg,
Justice Samuel Alito, Judge Douglas Ginsburg and Judge Brett Kavanaugh by Kevin Allen.
As is tradition at the event, a panel
of Washington’s legal luminaries and
the nation’s most esteemed judges
assembled to hear the libel case in
front of a packed house. Supreme
Court Justices Ruth Bader Ginsburg,
Samuel A. Alito and Stephen G. Breyer
presided over this year’s once-again
sell out event. Judges Merrick B.
Garland, Douglas Ginsburg, Brett M.
Kavanaugh and David S. Tatel came
well prepared with clever one-liners
and references to current events to
sprinkle throughout the proceedings.
57
Shakespeare
and the Law
Tuesday, November 13, 2012
The Forum in Sidney Harman Hall
This season marked the third year of
Shakespeare and the Law, which included
a panel discussion series that examined
legal issues through a Shakespearean lens.
Produced by the Shakespeare Theatre
Company and the Bard Association, this
fourth installment engaged panelists,
who hailed from different areas of law,
media and government, in a discussion
that explored the prevalence of corruption
today and during Shakespeare’s time.
“Corruption wins not more
than honesty”: Shakespeare
and Corrupt Practices
Moderated by Abbe David Lowell, Esq., Partner, Chadbourne & Parke LLP
with
Judge Paul L. Friedman,
U.S. District Court of the District of Columbia
Neil H. MacBride,
U.S. Attorney for the Eastern District of Virginia
Stephen M. Ryan, Esq.,
McDermott Will & Emery LLP
Nina Totenberg, National Public Radio
And Shakespeare experts:
Michael Evans, K&L Gates
Drew Lichtenberg, Literary Associate for the
Shakespeare Theatre Company
58
PATRICK PAGE and DIANE D’AQUILA
Emery Battis Award
for Acting Excellence
Sidney Harman Hall
Named for beloved Shakespeare Theatre Company actor Emery Battis, this
annual honor recognizes two actors whose work in a Mainstage production
demonstrated outstanding classical technique. The award, funded by an
anonymous donor, includes a cash prize. The selection committee carefully
considered each performance of the 2012-2013 Season to choose the two most
deserving awardees.
This season’s awardees were both from STC’s Mainstage production of
Coriolanus. Patrick Page was honored for his portrayal of the title character and
Diane D’Aquila for her performance of Volumnia.
Photo of Patrick Page, Hunter Zane and Diane D’Aquila in Coriolanus by Scott Suchman.
Une Soiree
franÇaise:
les liasions
dangereuses
Thursday, December 6, 2012
Lansburgh Theatre
Family Week Festival: A Mini-Summer
Night’s Dream
December 11-16, 2012
Sidney Harman Hall
Family Week is a programming series of kid-friendly events in conjunction with
a Shakespeare Theatre Company Mainstage production. STC created Family
Week to encourage younger audiences to experience Shakespeare, in the belief
that his words speak to all ages. This season’s Family Week Festival presented A
Midsummer Night’s Dream, where audiences were transported into an evening of
magic and laughter with a re-imagined version Shakespeare’s beloved romantic
comedy. Children and families had the opportunity to explore the play creatively
through hands-on activities and crafts in the lobby before performances.
This season the Shakespeare Theatre
Company hosted an exclusive event
for audiences to see the American
premiere of John Malkovich’s Les
Liasions Dangerereuses, which
offered a fresh, modern take on
the steamy story. The exciting
performance was followed with an
exclusive soirée hosted by the French
Ambassador where guests sipped on
champagne and enjoyed delicious
hors d’oeuvres.
Support for Une Soirée Française
provided by:
Sponsored by:
59
This ScepterEd Isle:
Michael Kahn’s CBE
British Investiture
Ceremony
Tuesday, April 23, 2013
The British Ambassador’s Residence
An unexpected highlight of the Shakespeare Theatre
Company’s recent season was a celebration of Michael
Kahn’s Investiture as an Honorary Commander of the Most
Excellent Order of the British Empire (CBE), awarded by
Her Majesty Queen Elizabeth II. The award is a national
order of chivalry for British nationals and people who
impact the United Kingdom and recognizes distinguished
service to the arts and sciences, public services outside
the Civil Service and work with charitable and welfare
organizations of all kinds.
Kahn said, “I am very grateful and humbled by this honor
from the British government and most particularly since it is
being given to an American for their work on Shakespeare.”
Mr. Kahn was honored in recognition to his more than 25
years of service to the Shakespeare Theatre in Washington,
and the significant contributions he has made to the
cultural ties that the U.K. and U.S. share. The Shakespeare
Theatre Company has introduced the iconic playwright
to thousands of American schoolchildren and has also
created numerous opportunities for British directors and
actors in the U.S. Following the Investiture Ceremony
the British Embassy hosted a charming reception at the
British Ambassador’s Residence with approximately 200
of the Shakespeare Theatre Company’s loyal companions
and generous supporters. The evening’s celebration also
featured performances by Franchelle Stewart Dorn, Stacy
Keach and Patrick Page.
Photos (from left): Michael Kahn and British Ambassador Sir Peter Westmacott; Stacy Keach, Franchelle
Stewart Dorn and Patrick Page; Michael Kahn; Stacy Keach, Michael Kahn, Patrick Page and Franchelle
Stewart Dorn. Photos by Kevin Allen.
Photo of the cast of A Midsummer Night’s Dream by Scott Suchman.
STATEMENT OF
FINANCIAL POSITIONS
FY2013 and FY2012
Assets
Cash and cash equivalents
Restricted Cash
Investments
Pledges receivable, net
Accounts receivables, net
Prepaid expenses and deferred costs
Deposits and other assets
Property and equipment, net
Deferred financing costs, net
Total assets
2013
2012
770,728
504,551
152,517
152,008
4,065,674
3,929,543
5,564,122
5,514,335
171,465
498,955
655,854
505,103
265,680
86,349
69,112,932
70,798,474
264,391
357,282
81,023,363
82,346,600
Liabilities and Net Assets
Accounts payable
1,872,935
1,521,927
205,473
53,579
Deferred revenue
3,797,797
3,493,738
Notes payable
16,881,169
13,817,137
Accrued salaries and benefits
546,301
99,671
Other liabilities
Capital lease payable
41,275
51,404
Total liabilities
23,344,950
19,037,456
53,908,397
59,540,749
Net Assets
Unrestricted
Temporarily restricted
1,883,954
1,882,333
Permanently restricted
1,886,062
1,886,062
57,678,413
63,309,144
82,346,600
82,346,600
Total net assets
Total liabilities and net assets
The financial highlights presented
in this report are derived from the
audited financial statements. A
copy of the financial report and
auditor’s statement are available
on request.
62
EXPENSES
8%9%
REVENUE
11%
15%
6%
26%
43%
44%
66%
85%
Program Services
Administration
Fundraising
46%
41%
Contributions
Ticket Sales
Other Earned Income
63
SUPPORT BY TYPE OF DONOR
8%
5%
11%
44%
20%
Individuals
Corporations
Foundations
Special Events
In-Kind Gift
Government
64
48
12%
ANNUAL FUND SUPPORTERS
The Shakespeare Theatre Company thanks the following
individuals, corporations, foundations and public agencies that
supported the work of the 2012-2013 Season.
$100,000 AND ABOVE
Michael R. Klein
and Joan I. Fabry
D.C. Commission on the Arts
& Humanities
The Harman Family Foundation
T
Robert H. Smith Family Foundation
T BA
The Robert P. and Arlene R. Kogod
Family Foundation
Suzanne and Glenn Youngkin T
HRH Foundation
$50,000–$99,999
Anita M. Antenucci
The Beech Street Foundation
Afsaneh Beschloss
T
T
The Morris & Gwendolyn Cafritz
Foundation
Dr. Paul and Mrs. Rose Carter T
Dr. Mark Epstein and
Amoretta Hoeber T
The Philip L. Graham Fund
National Capital Arts & Cultural
Affairs Program/U.S. Commission
of Fine Arts
John and Meg Hauge T
National Endowment for the Arts
Mr. Jerry Knoll
Robert and Martha Osborne
Abbe David Lowell and
Molly A. Meegan T BA
Estate of Suzy Platt 1616
Mr. and Mrs. Andrew Florance
T
Jacqueline B. Mars
T
The Shubert Foundation
T
$25,000–$49,999
Anonymous (3)
The Erkiletian Family Foundation
Steve and Diane Rudis
The Margaret Abell Powell Fund
Mr. and Mrs. Robert Falb
Vicki and Roger Sant 1616
Anne and Ronald Abramson
James A. Feldman
and Natalie Wexler
Nick and Marla Allard
Stephen E. Allis
T BA
Nina Zolt and Miles Gilburne T
Arts Midwest Mr. and Mrs. Landon Butler
$10,000 to $14,999
Anonymous
Peter A. Bieger
CBRE Group Inc
Chlopak, Leonard, Schechter and
Associates
Computer and Communications
Industry Association
DirecTV
Douglas Development Corporation
E. and B. Family Trust
66
Clarice Smith
Fredda Sparks
and Kent Montavon
Jeffrey M. Kaplan
George P. Stamas
Helen Kenney
Bill Walton
Laura Pels Productions
Tom and Cathie Woteki
T
T
T
Community Foundation for the
National Capital Region
$15,000 to $24,999
Anonymous (2)
Esthy and Jim Adler
Altria Group
The Theodore H. Barth Foundation
Brown-Forman Corporation
Clark Construction Group, LLC
Dallas Morse Coors Foundation for the
Performing Arts
Deloitte LLP
Nina Laserson Dunn and Eric C. Rose BA
Trygve and Norman Freed
Gould Property Group
Catherine Held
Hogan Lovells US LLP
Humana Inc.
Jerry and Isabel Jasinowski T
Margot Kelly
The Jacob and Charlotte Lehrman
Foundation
M Powered Strategies, Inc.
MARPAT Foundation, Inc.
Ann K. Morales
Laura Pels Productions
Toni A. Ritzenberg
Pauline A. Schneider T BA
May and Stanley Smith Charitable Trust
The Hattie M. Strong Foundation
Share Fund
Mr. and Mrs. Stephen A. Hopkins T
T
Paul M. Angell Family Foundation
Turner & Goss
T
EagleBank
Miguel and Patricia Estrada
Arthur and Shirley Fergenson ACA
Samuel Freeman Charitable Trust
French-American Cultural Foundation
Helen Clay Frick Foundation
David and Jean Grier
Grossberg Yochelson Fox Beyda
Norman D. Jemal T
J.M. Zell Partners, LTD.
Scott Kaufmann T
The Honorable Eugene Ludwig
and Dr. Carol Ludwig
In memory of Marilyn J. Lynch
Kathleen Matthews
Eleanor Merrill T
Mr. and Mrs. Howard P. Milstein
Hazel C. Moore
Kristine Morris
Melissa Moss T
Nissan North America, Inc.
Parsons Corporation
PhRMA
Raytheon
Stephen and Lisa Ryan T BA
Judi Seiden AMB
Victor Shargai and Craig Pascal
Doug and Gabriela Smith
Sovereign Strategy Limited
Solon E. Summerfield Foundation
Venable LLP
Walker & Dunlop LLC
Andrea and Stephen Weiswasser BA
Lynn and Jonathan Yarowsky
$5,000 to $9,999
Anonymous (4)
AFLAC
Mark Tushnet and Elizabeth Alexander
Alston & Bird LLP
Alan and Marsha Paller
Peter and Joan Andrews
Linna Barnes and Chris Mixter
Kyle and Alan Bell
Barbara Bennett
Sheila and Kenneth Berman BA
The BGR Foundation, Inc.
In memory of Evan Hale Bliss
Ambassador Julia Chang Bloch
and Stuart Bloch
Robert Crawford Carlson
Shawn J. Chen and Alexis K. Albion
Mary and Armeane Choksi
The Honorable Joan Churchill
and Mr. Anthony Churchill BA
Compass Point Research & Trading LLC
Louis Delair, Jr.
Beverly and Richard Dietz
Craig Dunkerley and Patricia Haigh ACA
Ernst & Young LLP
ExxonMobil Corporation
Ambassador and
Mrs. Richard Fairbanks
The Financial Services Roundtable
Forest City Washington
Gibson, Dunn & Crutcher LLP
Tim and Susan Gibson AMB
Mr. and Mrs. Kenneth W. Gideon
Scott and Lauren Gilbert BA
In memory of Angelique Glass 1616 ACA AMB
Janet W. Solinger
and Jacob K. Goldhaber
The Greczmiel Family
William Stein and Victoria Griffiths BA
H&R Block
Stephen Hauge
Kevin T. Hennessy AMB BA
Lynne and Joseph Horning
Mike and Gina House T BA
The Mark & Carol Hyman Fund
The International Union of Bricklayers
and Allied Craftworkers
Marcel LaFollette and Jeffrey Stine
Jackson Lewis LLP
Elaine Economides Joost
K&L Gates LLP
Daniel F. Katz BA
Kovler Fund of the Community
Foundation of the National Capital
Region
Dr. Mark T. Lewellyn
Heidi and Bill Maloni
MedStar National Rehabilitation
Network
Hilary B. Miller and
Dr. Katherine N. Bent BA
Rita Mullin
Theodore B. Olson
and Lady Booth Olson BA
James and Wanda Pedas
Theodore and Lea Pedas
The Prince Charitable Trusts
Property Capital LLC
Public Strategies Washington
Willam Pugh and Lisa Orange
Gerri and Murray Rottenberg 1616
Ron and Sharon Salluzzo
The Honorable Robert E. Sharkey
and Dr. Phoebe Sharkey AMB
Studios Architecture
Terra Nova Title and Settlement
Services, LLC
Time Warner, Inc.
TPG Capital
Mr. and Mrs. Jay Velasquez
Vulcan Materials Company Foundation
The Washington Post Company
Marvin F. Weissberg
Wells Fargo Philanthropy
Carolyn L. Wheeler BA
Gerry Widdicombe
Alan and Irene Wurtzel
Chris and Carol Yoder
Judy and Leo Zickler
$2,500 to $4,999
Anonymous (4)
Mr. Derek Thomas
and Mr. Ernesto Abrego
Ernest and Dianne Abruzzo
Robert N. Alfandre
Sunny and Bill Alsup
Mr. Decker Anstrom
and Ms. Sherron Hiemstra
Stephen P. Anthony BA
Celia and Keith Arnaud
Arnold & Porter
Drs. Hilda and William O. Bank
BB&T
Kim Bollen
Dr. Bill and Evelyn Braithwaite
Mr. and Mrs. Jere Broh-Kahn ACA
Claudyne Y. Brown BA
The Family of Marion
and Charles Bryce 1616 AMB
Mr. and Mrs. I.T. Burden, III
Burson Marsteller
C2 Group, LLC
Desiree Campbell
Dawn and James Causey
Rita A. Cavanagh and Gerald A. Kafka
Chadbourne & Parke, LLP BA
Audrey Chang and Michael Vernick
Joan Choppin
The Clearing House
Richard H. Cleva
Linda and John Cogdill
Mary Cole AMB
Jeff and Jacky Copeland
Marshall B. Coyne Foundation
Douglas W. Crandall
Kenneth W. Crow
Jeffrey P. Cunard BA
DAI
Ralph Voltmer and Tracy Davis BA
William C. and Sandra Davis
The Charles Delmar Foundation
Carol Der Garry
The Dimick Foundation
Ms. D. Chris Downey
Helaine G. Elderkin BA
Elmendorf Ryan
Michael Evans
Expedia, Inc
Bob, Kathy and Lauren Fabia
Rob and Anne Faris
Barbara and Ralph Ferrara
Leo Fisher and Sue Duncan
Barry and Marie Fleishman
Gensler & Associates
Burton Gerber
Josh Goldfoot
Sue and Leslie Goldman
Amy Howe and Tom Goldstein
Richard A and M. Theresa Gollhofer
Alice and John Goodman
Mr. and Mrs. Woolf P. Gross
Catherine MacNeil Hollinger
and Mark Hollinger
David H. Holtzman
Homes, Lowry, Horn & Johnson, LTD
Maxine Isaacs
Erick Jaffe and Christine Mahoney
Larry and Georganne John
John Edward Johnson
Jones Lang LaSalle
Lou and Irene Katz
Jody Katz and Jeffrey Gibbs
Mr. and Mrs. David E. Kendall
Thomas and Bridget Kluwin
Dr. Richard M. Krause 1616
Barry Kropf
Kristi and Scott Kubista-Hovis AMB
David A. Lamdin AMB
Bill Lands and Norberta Schoene
Richard Levi and Susan Perry
LEVICK BA
Marjorie and John Lewis
James M Loots, Esq.
and Barbara Dougherty Loots, Esq. BA
Nick and Alyssa Lovegrove
Mr. and Mrs. Eric Luse
Patricia Magno
Linda Matthews
Margerie and Theodore Mayer
Mary McCue AMB
John and Connie McGuire BA
Mehlman Vogel Castagnetti
Rajesh and Radhika Murari
Patricia Sherman and Terry Murphy
National Association of Realtors
Navigators Global
Louisa and Bill Newlin
Melanie and Larry Nussdorf
James Oldham
and Elizabeth Conahan BA
Oracle America Corporation
Mr. and Mrs. Kenneth Oscar
Mr. and Mrs. David Osnos
Theda Parrish
Philip B. Nelson and Anne Parten
Peck, Madigan, Jones & Stewart, Inc.
Mr and Mrs Carl F. Pfeiffer
Sydney M. Polakoff
and Carolyn Goldman
Lutz Alexander Prager
Mary and Gene Procknow
Mr. and Mrs. Gerald Rafshoon
The Honorable Molly Raiser
Lloyd and Claudia Randolph 1616 BA
Molly and Joe Reynolds BA
Greg Roemer
Mrs. Stanley J. Sarnoff 1616
Steven and Beverly Schacht
SCOTUSblog BA
Kannon and Victoria Shanmugam BA
Linda and Stanley Sher
Adele Z. Silver
Richard Simpson BA
Mark Sucher and Jane Lyons
ThinkFoodGroup
Lars and Yvonne Thunell
Kathy Truex
Thomas and Molly Ware AMB
Washington Forrest Foundation
In memory of Dorothy B. Watkiss BA
Laura and Paul Weidenfeld BA
Rob Wilder T
$1,500 to $2,499
Anonymous (6)
Mr. James Adduci II BA
Miriam and Robert Adelstein
Gisela and Thomas Ahern
Sanford K. Ain, Esq. BA
Douglas and Jane Alspach
Tony Anderson and Kevin Lorei
Association of Performing Arts
Presenters
Julie, Tina, June and Vince Auletta
Galen and Carolyn Barbour
Robert B. Barnett and Rita Braver BA
Danielle L.C. Beach BA
David and Kate Bell
Judge James A. Belson
Brent J. Bennett
Elaine and Richard Binder
Mr. and Mrs. John H. Birdsall
Cathleen Blanton
Martha Blaxall and Joe Dickey
Thomas C. Brennan
British Council
Roger and Nancy Brown
Elizabeth Buchbinder
Cambria Solutions
Cheryl and Matthew Chalifoux
Ellen MacNeille Charles
Antonia B. Ianniello
and George M. Chuzi
Matthew and Sharon Coffey
Ryna and Melvin Cohen Family
Foundation
Mr. and Mrs. Louis Cohen
Mr. and Mrs. Anthony C. Collins
Julia and Francis Creighton
Mr. and Mrs. Mark Darnell
Tom and Krista Di Iaconi BA
Mary Dickie and Leslie Dach
David and Kenna Dorsen BA
Philip Dufour
Claudia and Dennis Dulmage BA
Joy Dunkerley
Claire Dwoskin
Becky and Alan Dye
Fynnette Eaton and James E. Miller
Donna Z. Eden
Elizabeth and Randolph Elliott
Ms. Catherine B. Elwell
Garrett Epps BA
Raymond S. Eresman
and Diana E Garcia
Marietta Ethier
F. Joseph Feely III
Julie M. Feinsilver 1616
Joseph and Jeri Fellerman
Anne and Burton Fishman BA
Julian W. Fore and Beverly A. Sauer
Claire Frankel
Paige Franklin and David Pancost
David Frederick BA
Rhona Wolfe Friedman
and Donald J. Friedman
Brenda and David Friend
Charles and Amy Gardner
Mr. Randall Bevins
and Ms. Monica A. Gaw
Dr. Laura J. George AMB
JoAnne Glisson
Donald H. Goodyear, Jr.
Rebekah Goshorn
Tamra and Edward Gotchef
Mr. John Graves
Mr. and Mrs. David L. Gray
Ms. Pat Gray ACA
Bettina L. Gregory and Diana Flannery
Lisa Grosh and Donald Names
Thomas Gustafson
Corbin and Pam Gwaltney
Merle Haberman
Robert and Mary Haft
Kenneth G. Hance
James T. and Vicky Sue Hatt
Karen L Hawkins
Robert and Margaret Hazen 1616
Michael S. Helfer and Ricki Tigert Helfer
Jean and Stephen Hersh
John W. Hill T
Cheryl R. Hodge
Charlotte Hollister and Donald Clagett
Linda Holmes BA
Ms. Ann Homan
William L. Hopkins,
Richard B. Anderson 1616
Ms. Carolyn Hoskinson
James and Marissa Huttinger
Robert Ingram
Mr. Steven Janssen
John, Pam and Kim Jaske
Birdie Johnson
Michael Kades and Mary Giovagnoli
67
Lawranne Stewart and Mark Kantor
Candace and Hadrian Katz
Joel and Mary Keiler
Judge Gladys Kessler
Donald and Yvonne Klenk
Mary Hughes Knox
Dana and Ray Koch
Amy Schwartz and Eric Koenig
Polly Kraft
Mr. Sanjiv Kumar
and Ms. Mansoora Rashid
Lafarge Corporation
L. L. Lanam
Sheldon and Kathleen Leggett
Diane Lindquist BA
Freddi Lipstein and Scott Berg 1616 AMB
Mr. and Mrs. Robert L. Livingston
David Lloyd, Realtor
Christopher and Lane Macavoy
Amanda Machen
Dan and Susan Mareck
Mars Foundation
Dr. and Mrs. James E. Martin
In memory of Robert M. McAllister
The McGwin/Bent Family
Lily St. John McKee
Mr. and Mrs. Thomas McLarty, III
Tom and Ingrid McPherson Foundation
Dorothy and Bill McSweeny 1616
Melrose Trust
James Mendelsohn
Dr. Jeanne-Marie A. Miller
Ben Miller
Nancy and Herbert Milstein
Dee Dodson Morris BA
Ralph and Gwen Nash
Madeline Nelson
Michelle Newberry
Mr. and Mrs. Lawrence O’Connor
Mrs. Jean Oliver
Mr. and Mrs. Gerald W. Padwe
Barbara A. Patocka and Everett Mattlin
Penelope Payne
Pamela Peabody
Scott Pearson and Diane Farrell BA
Robert and Lillian Philipson
Foundation BA
Robert and Nan Ratner
Steven and Anne Reed
Retail Litigation Center BA
Bill Wears and Ted Richards
Vicki Rosenberg
Steve and Diane Rothman AMB
Mr. and Mrs. Miles Rubin
Hattie Ruttenberg and John Molot
Patricia Sagon
Kimberly and Norman Sandridge BA
Linda B. Schakel
Richard and Rochelle Schwab
Christine Scott
68
Shaffer Family
Shakespeareances.com BA
Dickstein Shapiro
Margaret Sheer BA
Kelly S. Shoop BA
Mark J. and Joan B. Siegel
Patricia L. Sims, Esq.
and David M. Sims, Esq. BA
Ed and Andy Smith
Gary and Libby Stanley
Paul Schott Stevens BA
Alan Asay and Mary Sturtevant
Susan and Brian Sullam
Ann and Trevor Swett BA
Louisa and Daniel Tarullo
Jeff Thamkittikasem
Alice W. Thomas
Mr. Dale E. Thompson
Sarah Valente
Trina Y. Vargo
John H. Vogel BA
Sally and Richard Watts
Ms. Judith Weintraub
Carla Weiss BA
Richard K. Willard
Mr. Alan F. Wohlstetter
Julian Yap BA
Fred and Sandra Young
The Honorable Dov S. Zakheim
and Mrs. Deborah Bing Zakheim
$1,000 to $1,499
Anonymous (6)
Ashley Allen
Dean Amel and Terry Savela
American Association of
University Women
Mr. and Mrs. Gregory Ballentine
Mr. and Mrs. Albert H. Barclay Jr.
Barrett and Beauchamp
Symantec
Vaughn and Marian Bishop
Dr. Donna W. Blake
and Bruce E. Eckstein
Mary C. Blake
John Blandford
Michael Boyd
Elizabeth Boyle
The Honorable Susan G. Braden
and Thomas M. Susman
Jill and Jay Brannam
Dr. Chris H. and Mr. James D. Bridgeman
Michael L. Burke and Carl W. Smith
John and Linda Byington
Thomas Calhoun and Thelma Triche
Capitol Hill Community Foundation
Joanna and Alan Capps
Frederick Wolff and Catherine Chura
Barbara and John Cochran
William and Sara Coleman
JoEllen and Michael Collins
John W. Cooper
Ms. Tia Cudahy and Mr. Redmond Walsh
Thomas Damisch
Emma R. Dolly Dieter
Richard and Patricia Draper
Col. and Mrs. Charles Feldmayer
Gary and Naomi Felsenfeld
Alan and Lois Fern
Louise A. Fishbein
Sandy and Jim Fitzpatrick
Ms. Elizabeth Galvin
The Honorable
and Mrs. Joseph B. Gildenhorn
Dr. Douglas E. Gill
Ruth Bader Ginsburg
Angela and Dan Goelzer
Robert Groshon and Randa Mudarris
Sue Henry and Carter Phillips
Dr. and Mrs. John Hillen
Hines Interests Limited Partnership
Mr. Henry H. Holcomb
Fran and William Holmes
Myra Holsinger
In memory of Daniel Honig
Donald M. and Barbara S. Hoskins
Mr. and Mrs. Timothy Howard
Stephanie Kanwit
Daniel Kaplan and Kay Richman
Gift Fund
Rick Kasten
Thomas R. and Laurie S. Kelly
Dr. Andrea and Mr. Joseph Kerr
Melinda Kimble
William and Susan Kirby
Lynne Stephens and Kenneth Larson
Karen Leider
James J. Lombardi
Steven M. Rosenberg
and Stewart C. Low III
Bruce and Virginia MacLaury
Hardee Mahoney and Juan Vegega
Alice Mandanis
David Marin
David and Martha Martin
Aileen M. May
Mr. and Mrs. Gregory May
Belinda and Jon McKenzie
Brian Meighan
Brenda Metzger
Carl Stephens and Catherine Moore
Michael Nannes and Nancy Everett
Ms. Beth Nolan and Mr. Charles Wright
The OB-C Group, LLC
Cheryl B. Owen
Mr. and Mrs. P. David Pappert
James D. Parker
The Penzance Companies
Gary and Trudy Peterson
The John and Marcia Price Family
Foundation
Ms. Elise Rabekoff
and Mr. Christopher Gladstone
Red Hat
Peter S. Reichertz
Sister Strength, LLC
Roger Roberts
Linda O. Rosenfeld
Peter Rosenstein
David and Samantha Ross
Runyan Public Affairs
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Richard Scott
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Christina M. Smith
The Smith-Free Group LLC
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Richard and Judith Sugarman
Linda Griggs and Bill Swedish
Al and Nadia Taran
David and Sarah Tate
Steven and Alison Thompson
David Tone
Carole and John Varela
Patricia Arnold
In memory of Mary Weathers
Weinreich Family
Sonia and Dale West
Penny Younce
$500 to $999
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George and Polla Abed
Actors’ Equity Foundation, Inc.
Vickie and David Adamson
Mr. and Mrs. John Allen
Thomas and Kathleen Altizer
Stewart Aly
Eric Amick
Richard and Rosemarie Andreano
Ms. Jerrilyn Andrews
and Mr. Donald Hesse
Cherrill Alfou Anson
Susan Anthony
M. Antoun
Judy Areen and Richard Cooper
Jean W. Arnold
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John Ausink
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Rev. John P. Beal, III
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Paul R. Berger and Janice Lower
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Sue E. Berryman
Bethesda MRI & CT
Sam Blackburn and Laura Bunker
William D. Blair Charitable Foundation
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Robert and Lucy Bremner
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Liz and Cornelius Bronder
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Dana E. Brown
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Maurice and Ruth Burg
Col. and Mrs. Lance J. Burton
Marianne M. Callahan
Dianna Campagna
Ann Cardoni
James M. Carr
Nicholas and Mary Jeanne Carrera
Cash America International, Inc.
Ann Castiglione-Cataldo
Sarah and William Cavitt
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Meryl and Michael Chertoff
Elaine H. Christ
Elaine Church
John Clark and Ana Steele Clark
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Tim Cole and Kathy Galloway
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William and Carol Conrad
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Marsha E. Swiss and Ronald Costell MD
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Anthony and Nancy DeCrappeo
Osborne Mackie and Morgan Delaney
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Melissa Gould
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Robert Warren and Jane Grayson
Judy and Sheldon Grosberg
Margaret S. Grotte
Bruce and Georgia Sue Guenther
Jack E. Hairston Jr.
Dr. Sara Hale Henry
and Mr. Austin Henry
Frona Hall
Kathryn Halpern
John R. Harpold
Mr. and Mrs. Harr
Donald Harrison
Dr. James A. Heath
Terry and Jenny Heiland-Luedtke
Mark Heimann
Andrea L. Heithoff
Margaret Hennessey
Jane and David Heppel
Susan McNabb and Brent Hillman
Melissa Hodgman and Peter Strzok
Stanley and Vicki Hodziewich
David Hofstad
Paul and Carol Honigberg
Silvia M. Hoop and Alfred Kammer
Mike Hopkins
Lois Howlin
Michael Hughes
and Linda Wiessler-Hughes
Ken Hunter
Susan C. Immelt
Dale Rubenstein and Loring Ingraham
Eric R. Jablow
Mr. Kurt Jaeger
Rachel R. Jaffe
Lorna Jaffe
Dr. and Mrs. Casey Jason
Mary Frances Jetton
In loving memory of
Mary Roberta Jones
Catherine Jordan
Kathleen Karr
Preston and Lois Kavanagh
Dr. Ashok Kaveeshwar
Msgr Francis Kazista
Mark Kearney
Barbara Keller
Joe and Joanne Kelly
Ms. Kay Kendall
Sally and Joseph Keyes
Robert Kimmins
Prudence Kline and Paul Kimmel
Ray Kogut
Kraft Foods Global
Sara and Stephen Kraskin
Howard Krauss
Karen E. Krueger
Roger W. Langsdorf
Robert L. Larke
Diana M. Lee
Frances and Emery Lee
Mr. and Mrs Tracy Leigh
Lisa and Chris Leinberger
Maryellen Trautman and Darrell Lemke
Lee Leonhardy
Mrs. Sandra Levenbook
Shirley J. and William S. Levine
Bianca and Michael Levy
Mr. Steven Lieberman
George Linnemeier
Marcia Litwack
Hamilton and Bonnie Loeb
Joan Lorr
Roye Lowry
Marilyn Lund
Donald and Julianna Mahley
David and Claire Maklan
Jack Malgeri
Mrs. Maureen Malone
In honor of Sidney Moore Margolis
Estelle Marlor
John and Liza Marshall
Patrick Martyn
Winton E. Matthews, Jr.
Mr. Michael S. Maurer
and Ms. Rachel L. Sher
Catherine McClave
Cynthia and Richard McConnell
Matthew and Caitlin McCormick-Brault
Susan Milligan and Philip McGuire
Bernard McKay
David and Sarah McMeans
W. Bruce McPherson
Beverly Melani and Bruce Walker
Starke Meyer
Lisa Mezzetti
Roger and Robin Millay
Mr. and Mrs. Edward Miller
Scott and Margaret Minton
Daniel Mintz and Ellen Elow-Mintz
Lester and Bonnie Miyaoka
Andy and Janice Molchon
Mr. and Mrs. Timothy P. Mulligan
Carl and Undine Nash
Linda S. Neighborgall
Elizabeth and John Newhouse
D.W. and Martha Newman
Ms. Dana J. Nielsen
Ms. Kathleen J. Norvell
Paul D. O’Brien
John O’Donnell
Mr. James Olander
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and McGennis Williams
Francis O’Malley
and James Ellzy
A. Orza
Osterman family
Tim O’Toole
Mary Ann Palka
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Victoria Phipps
Ann and Walter Pincus
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Sheldon Pratt
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David A. Quick
Blair and Stephen Raber
Alice Rand
Julie and Sam Rea
The Honorable Joe R. Reeder
Lee P. Reno
69
Sheldon and Barbara Repp
Drs. Jeanne and Markley Roberts
Gail A. Robinson
Philip and Peggy Rodokanakis
Thomas and Victoria Rollins
The Honorable John T. Rooney
Loretta Rosenthal
Lynn and Don Rothberg
Burton Rothleder
Peggy and Bud Rubin
Suzonne Sage
Mr. Charles B. Saunders, Jr.
Eugene & Alice Schreiber Philanthropic
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Dr. and Mrs Frank and Susan Schuster
Joyce and Richard Schwartz
Matteson and Kathleen Scott
Elizabeth and Carl Seastrum
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Phil Sharp
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and Jonathan Taylor
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Robert and Virginia Stern
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Maureen Sullivan
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John Taylor
Peter Threadgill
Lynn Trundle
Michael Tubbs
Mr. and Mrs. Alvin Tucker
David S. Turner
Dr. Kazuko Uchimura
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Tessa van der Willigen and Jon Walters
Joan and Lyman Van Nostrand
Dwight and Carrie Vaughn
Steve Verna
Ann Volk
Martin and Susan Wald
Libby and Herb Ware
Ms. Catherine Webb
Mr. and Mrs. Rosanne Weber
70
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Robert and Isabel Wein
Jack and Ruth Ellen Wennersten
Sean Whelton
Dr. Edward Whitman
DeAunn and Jeffrey Wilder
Dr. Marjorie Williams ACA
Virginia and Wayne Williams
Caroline Willis
Laurel Wingate
C. Lawrence Wiser
Marty Woelfle
Deborah Yaffe
Margot and Paul Zimmerman
Ms. Jackie E. Zins
$250 to $499
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Jean Abinader
Mr. and Mrs. Elias Aburdene and
Annette Aburdene
Donald Adams and Ellen Maland
Jeffrey Ahl and Toby Port
Helen Alexander and Roland Weiss 1616
Mr. and Mrs. Charles T. Alexander
Maqbool Aliani
Mr. and Mrs. Theodore E. Allison
The Honorable and Mrs. Frank
Almaguer
Michael Alt
Mr. Jerome R. Andersen
and Ms. June Hajjar
Kirsten Anderson and Jeff Harris
Edward M. Andrews
and John H. McCrary
Ms. Bonnie Angelo
Keith L. Babb
James H. Babcock
Mary Anne and Charlie Bacas
Leonard Bachman
Sheila Eddy Baker
Mr. and Mrs. J. I. Ballestero
Margaret and Gordon Bare
Ms. Melissa L. Barrett
Michael and Lissa Barry
Edward and Nancy Barsa
Charles and Linda Bartlett
Mr. and Ms. Robert W. Barton
Christy Schmidt and Tony
and Peter Bayne
Nan Beckley
Anne Bellinger
Jane C. Bergner
Sharon L. Bernier
David Bernstein
Maya A. Bernstein, Esq.
Claire and Tom Bettag
Thomas Beyer
Paul H. Bickart
Mr. Bowen Billups
Julie Bitzer
Mary Josie and Bruce Blanchard
Alisa M. Goldstein and Lee Blank
Robert Bleimann and Dr. May Chin
John W. Blouch
Arthur Spitzer and Elisabeth Boas
Donald J. and Carol L. Bobby
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Andrew and Kaye Boesel
Constance Bohon, M.D.
Joanne Bollhofer-White
Mark Ziomek and Gary Bowden
Douglas Bowers and Martin Beadle
The Bowie Family
Cindy and Dennis Brack
Paul S. Bridge
Michael and Taylor Brogan
Henry J. Brothers, II
Steve Broughman
Mr. and Mrs. Douglas Brown
In memory of Arthur J. Brown, Esq.
Perry L. Brown
Candice C. Bryant
Buckley/Palmore/Hind Family
Janet Burchard
Jeffrey and Josephine Burton
Susan and Dixon Butler
Cesar A. Caceres MD
Kim and Glenn Campbell
Robert Campbell
Peggy Canale
Alan Cantor
Margaret Capron
Patrick and Katharine Carney
Bruce Gregory and Paula Causey
Marta Cehelsky
Wallace W. Chandler
Frances Chang and Martin Hrivnak
Nancy J. Chesser and J. Michael Rowe
Edward Chmielowski
Lily L. Chu and Gerald W. Weaver II
Ray Clark, Rhonda Starkey and Alex
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Mrs. Nancy B. Clark
Dave Clifford
Barbara Cobb
Anna Cochrane
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Robert W. Cover
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Edward E. Cragg
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John Cuddy
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Marjorie Deutsch, Ph.D
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Alan and Susan Dranitzke
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William J. Tito and Debra J. Duncan
Dutch and Brenda Dunham
David Dunn
Mr. and Mrs. Timothy Dyk
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Stuart and Joanna Edwards
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Michelle B. Eisenberg
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Joseph Eyles
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James Fitzwilliam
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Richard L. Forstall
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Carole Green Gelfeld
Carl R Gerber
Dennis Gerrity
Frank H. Gibson
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Virginia Giroux-Rollow
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Burton Goldberg
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Eldon and Emily Greenberg
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Robert J. Herbert
Louis Hering
Laura Roulet and Rafael Hernandez
Dr. Roger E. Herst
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Donald H Hooker Jr
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Alden and Judy Irons
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George and Ayah Johnson
Jason Johnson
Fred Jones
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Ms. Rita Jupe
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Timur Kanaatov
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Patricia Karhause
Susan and Jeremy Karpatkin
Nancy Kasler
Arthur Katz and Sima Osdoby 1616
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Caroline E. Kenney
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Lori Ketcham
Bill and Marion Kettering
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Michael and Carolyn Kirby
Frank D. Kistler
Stephen Kitchen
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Jeffrey and Barbara Kohler
Daniel Kohlhepp
W. Gary Kohlman and Lesley Zork
Michael W. Kolakowski
Pamela Kopp
Robert Kopp
Ana Kothe
KP and Phoebe Tsolainos
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J. Robert Kramer, II
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Dennis and Lori Kruse
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David B. Levine and Judith H. Katz
Lars P. Hanson, CDR, Ret. & Rosanne M.
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Herman D. Levy
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Elizabeth Lewis and Thomas Saunders
Carol A. Lewis
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Erik Lichtenberg and Carol Mermey
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Dr. Frances Litrenta
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Dr. Karl Western and Aileen
Worthington
Ashley M. White
Mr. Donald White
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Kevin R. Gowen and Robert P. Wilkinson
Michael Williams
Paul Wilson
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George E. Wishon
Ellis Wisner
Neville Withington and Kerry Kingham
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Phillip and Diane Savage
Bob and Patricia Schieffer
Jennifer Schlener
Mrs. Helene Schlossberg
Lorie Schmidt
Steve and Rhonda Schonberg
Laurence and Susan Schor
Geane and Richard Schubert
Jane Schubert and Robert Woolfolk
Don G. Scroggin and Julie L. Williams
Joan Searby
Jeffrey and Patricia Sedgwick
Ellen Seidman and Walter Slocombe
Miss Jennifer L. Burke
Dean V. Shahinian
Howard and Harriet Shapiro
Louise I. Shelley
Catherine M. Sheppard
In honor of Claire Shipman
Brian Shoot
Judith L. Shulman
E. Leo Slaggie
Sherwood Smith
Nick and Robbie Snow
Susan Snyder
Steve and Diane Sockwell
Lt. Gen. and Mrs. Soyster
Richard Spear and Athena Tacha
Ms. Nellie Pena and in memory of
Mr. C. Donald Speer
Eleanor and John Spoor
James and Sue Sprague
Helene and Michael Stein
Ms. Terry N. Steinberg
Harold and Lana Steinberg
Betsy and Ralph Stephens
Janice Sterling
George and Jennifer Sushinsky
The Honorable
and Mrs. James W. Symington
Barbara Taff
Elizabeth A. Taylor 1616
David DeBruin and Elizabeth Taylor
Miller and Virginia Taylor
John A. Terry
Carol Thayer
Heidi Thibodeau
Grant P. and Sharon R. Thompson
Jill and Scott Thompson
Elizabeth Trangsrud
Mr. William H. Truettner
MAKE-UP
WINE
COSTUME AND GARMENT CARE
SHOE REPAIR
Key To Symbols
T Members of The Board of Trustees
1616 Members of The Society of 1616,
The Theatre’s Planned Giving Society
BA Members of The Bard Association
ACA Supporters of The Academy for
Classical Acting
AMB Ambassadors of the Theatre
Every effort has been made to
accurately recognize your support. If
your name is misspelled or omitted,
please accept our apologies and inform
the Development Department.
Photo of the cast of The Winter’s Tale by Teresa Wood.
STAFF
as of 7/31/2013
Artistic Director
Michael Kahn
Managing Director
Chris Jennings
Executive Assistant to the
Artistic Director and Managing Director Ray Bracken
ARTISTIC
Associate Director
Alan Paul
Resident Assistant Director
Jenny Lord
Head of Voice and Text
Ellen O’Brien
Resident Casting Director
Daniel Neville-Rehbehn
Literary Associate
Drew Lichtenberg
Artistic Fellow
Jacob Janssen
Assistant Director
Gus Heagerty
Affiliated Artists
Keith Baxter, Avery Brooks,
Helen Carey, Veanne Cox, Aubrey Deeker,
Colleen Delany, Franchelle Stewart Dorn,
Cameron Folmar, Adam Green, Edward Gero,
Philip Goodwin, Jane Greenwood,
Michael Hayden, Tana Hicken, Simon Higlett,
Christopher Innvar, Stacy Keach, Floyd King,
Andrew Long, Ethan McSweeny,
Jennifer Moeller, David Muse, James Noone,
Patrick Page, Robert Perdziola, Nancy Robinette,
David Sabin, Miriam Silverman, Derek Smith,
Walt Spangler, Tom Story,
Rebecca Bayla Taichman, Ted van Griethuysen,
Adam Wernick
ADMINISTRATION
Director of Administration
James Roemer
Associate Director of Administration
Anne S. Kohn
Human Resources Manager
Lindsey Morris
Human Resources Coordinator
Danielle Mohlman
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Accounting Manager
Mary Margaret Finneran
Accounting Assistant
Marco Dimuzio
Company Manager
Jeanne Hosler
Company Management Intern
Shelly Cohen
Receptionist
Ursula David
Director of Operations
Timothy Fowler
Operations/IT Assistant
Melissa Adler
Theatre Building Engineer
Dave F. Henderson
Theatre Monitors
Milton Garcia, Jeff Whitlow
Maintenance Technician
Al Sanders
Custodian
Trent Holland
Harman Porters
Dennis Fuller, Roderick Proctor, Jorge Ramirez
Lansburgh Porters
Mirna Guzman, Agustin Hernandez
Director of
Information Technology
Brian McCloskey
Systems Administrator
David Harvey
Database Administrator
Brian Grundstrom
IT Help Desk Deanna Gonzalez
DEVELOPMENT
Chief Development Officer
Ed Zakreski
Associate Director of Development
Amy Gardner
Individual Campaigns Officer
Emily Lynn
Individual Campaigns Coordinator
Norah Quinn
Special Events Manager
Eric C. Bailey
Associate Director of Development Operations
Meridith Young
Development Operations Coordinator
Kristina Williams
Corporate Giving Manager
Ali Peterson
Major Gifts Officer
Tony Wagener
Membership Coordinator
Katie Burns-Yocum
Manager of Foundation and
Government Relations
Meghann Babo
Development Intern
Alison Goldberg
MARKETING AND COMMUNICATIONS
Marketing Director
Martin Drobac
Associate Director of Marketing
Austin Auclair
Marketing Manager
Becca Gurganious
Audience Services Manager
Joy Johnson
Sales Supervisor
Danielle Cox, Tim Helmer
Sales Associates
Zindzi Ali, Benjamin Chase, Evelyn Chester,
Holly Cobb, Hannah Folger, Eric Frederic,
Heather Hart, Michel Higgs, Christopher Hunt,
KC Johnson, Jessica Kaplan, Jennifer Ketcham,
Emmy Landskroener, Andre McBride,
Katherine McCann, Izetta Mobley, Kristin Nam,
Pat Nixon, Christopher Pearson, Monica Powell,
Carmelitta Riley, Marie Riley, Charles W. Rohlfs,
Crystal Stewart, Julia Thompson,
Michael Wharton, Genevieve Williams
Call Center Director
Monte Hostetler
Teleservices Associates
Thomas Brennan, Kelly Carson,
Nicholas Feeney, Rockwell Flint, Eric Garvanne,
Cheryl Kempler, Jill McAfee, Sohna Millar,
Joanna Morgan, Burton Napper, Colin O’Bryan,
Cynthia Perdue, Jasmine Simon, George Sitter,
Amy Sloane, Kirk Sobell, Nancy Tyson
Theatre Services Manager
Dora Hoyt
House Manager
Amanda Loerch
Assistant House Managers
Melissa Adler, Quintin Cary, Julia Curry,
Kurt Elfmann, Addie Gayoso, Kirsten Gregory,
Aaron Lewis, Stephanie McLean,
Carissa Milliken, Laura H. Moore, Ali Peterson,
Bach Polakowski, Marie Riley, Kelly Rubin,
Justin Silverman, Caitlin Staebell
Retail Manager
Christopher Levy
Assistant Retail Manager
Sue Fraser
Harman Reception
Meaghan McFadden
Associate Communications Director
Diane Metzger
Publicist
Lindsay Tolar
Web and Media Programmer
Brien Patterson
Senior Graphic Designer
Chris Low
Junior Graphic Designer
Elayna Speight
Graphic Design Intern
Chris Booth
Photographers
Kevin Allen, Margot Schulman,
Scott Suchman
EDUCATION PROGRAMS
The Academy for
Classical Acting Director Gary Logan
Academy Program Coordinator
Sloane A. L. Spencer
Director of Education
Samantha K. Wyer
Associate Director of Education
Dat Ngo
Audience Enrichment Manager
Hannah J. Hessel
Community Engagement Manager
Marcy Spiro
School Programs Manager
Vanessa Hope
Training Programs Coordinator Sara Jameson
Education Coordinator
Laura Henry Buda
Education Intern
Kevin Collins
Resident Teaching Artist
Jim Gagne
Affiliated Teaching Artists
Carolyn Agan, Wyckham Avery, Dan Crane,
George Grant, Paul Hope, Rachel Hynes,
Naomi Jacobson, Mark Jaster, Jessica Jung,
Matthew Kacergis, Casey Kaleba, Floyd King,
Jessica Lefkow, Andrew Long, Sabrina Mandell,
Nafeesa Monroe, George Page, Matthew Pauli,
Victoria Reinsel, Lorraine Ressegger,
Melissa Richardson, Nancy Robinette,
Amie Root, Oran Sandel, Brent Stansell,
Craig Wallace, Eva Wilhelm
PRODUCTION
Director of Production
Deborah Vandergrift
Associate Production Manager
Tim Kaufmann
Bookings Production Manager
Genevieve Cooper
Production Administrator
Tim Bailey
Resident Production Stage Manager
Joseph Smelser
Assistant Stage Managers
Elizabeth Clewley, Hannah R. O’Neil
Production Assistants
Christopher Kee Anaya-Gorman, Maria Tejada
Stage Management Interns
Staci Battista, Jessica Skelton
Costume Shop Director
Wendy Stark Prey
Resident Design Assistant
Lynda Myers
Drapers
Denise Aitchison, Randall Exton,
Sally Kessler, Tonja Petersen
First Hands
Jennifer Biehl, Tessa Lew,
Sandra Thomas, Sara Trebing
Stitchers
C. Layton Kuchinski, Michele Ordway,
Jennifer Rankin, Donna Sachs,
Alaina Venditti, Pamela Wilcox
Lead Crafts Artisan
Joshua Kelley
KC/ACTF Costume Design Intern
Caitlin Rain
Costume Interns
Jenny O’Donnell, Edwin Schiff
Wardrobe Supervisors
Jeanette Lee Porter, Monica Speaker
Wig Master
Dori Beau Seigneur
Overhire Design Assistant Erin Nugent
Overhire Crafts Artisan
Kathleen Stack
Overhire Stitchers Claire Cantwell, Sandy Smoker-Dureas
Overhire Wardrobe
Alina Gerall
Technical Director
Mark Prey
Assistant Technical Directors
Michael Bagley, Kelly Dunnavant
Scene Shop Administrator
Margaret Tratta
Carpenters
Carrie Cox, Kevin Oleksy, Matt Wolfe
Charge Scenic Artist
Sally Glass
Scenic Artist
Jose Ortiz
Overhire Scenic Painters
Jamie Kumpf, Sam Shelton, Jessica Wade
Prop Shop Director
Chester Hardison
Associate Props Director
Eric Reynolds
Lead Props Artisan
Chris Young
Props Artisan
Eric Dixon
Props Painter/Sculptor
Eric Hammesfahr
Hand Props Artisan
Jaime Bagley
Soft Goods Artisan
Rebecca Williams
Props Intern
Hillarie Shockley
Master Electrician
Sean R. McCarthy
Assistant Master Electrician Lauren A. Hill
Harman Electrician
Erin Teachman
Lansburgh Electrician Jacob Moriarty-Stone
Electrician Micah Manning
Electrics Intern
Jeremy Owens
Assistant to the Lighting Designer
Brian Jones
Audio/Video Supervisor
Jason Tratta
Resident Sound Engineer
Jessica Murphy
Live Mix Engineer
Brian Burchett
Lansburgh Board Operator
Andrew Smith
Audio/Video Engineer
Geoff Moore
Stage Operations Supervisor
Louie Baxter
Assistant Stage Operations Supervisor
Mic Murphy
Stage Carpenters
Nick Custer, Katherine Lucibella
Run Crew
Laura Downes, Catherine Russell
SPECIAL THANKS
Laura Henry Buda
Yolanda Jackson
Anne Kohn
Drew Lichtenberg
Freddy Mancilla
Diane Metzger
Elayna Speight
Chris Taylor-Low
Samantha K. Wyer
Meridith Young
Thank you for helping make this
Annual Report possible.
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