Basic Elements of Music
... large intervals called leaps. A step is for example from do to re, re to mi, and mi to fa and so on. A larger interval or leap is for example like from do to mi, do to sol, and so on. There is a variety of effects on how and when the melody tones are performed. They are called legato when they are p ...
... large intervals called leaps. A step is for example from do to re, re to mi, and mi to fa and so on. A larger interval or leap is for example like from do to mi, do to sol, and so on. There is a variety of effects on how and when the melody tones are performed. They are called legato when they are p ...
Grade 9 Band Playing Test #3 (March 2017) /32 Name: Date
... Plays with excellent sense of style, appropriate to the piece of music. (Dynamics, Articulations) ...
... Plays with excellent sense of style, appropriate to the piece of music. (Dynamics, Articulations) ...
music terminology
... Quasi: As if, almost Rallentando (Rall.): Gradually slower Ritardando (Rit.): Gradually slower Rubato: Free use of accelerando and ritardando as an expressive device Sans: Without SATB: In music, SATB is an initialism for soprano, alto, tenor, bass, defining the voices required by a chorus or choir ...
... Quasi: As if, almost Rallentando (Rall.): Gradually slower Ritardando (Rit.): Gradually slower Rubato: Free use of accelerando and ritardando as an expressive device Sans: Without SATB: In music, SATB is an initialism for soprano, alto, tenor, bass, defining the voices required by a chorus or choir ...
lhs music theory final exam review sheet
... 2. If, when connecting triads whose roots are a 5th (or a 4th) apart the common tone is NOT retained in the same voice, move all voices to the NEAREST chord tones which result in correct doubling and spacing. 3. When connecting triads whose roots are a second apart, move all the upper voices to the ...
... 2. If, when connecting triads whose roots are a 5th (or a 4th) apart the common tone is NOT retained in the same voice, move all voices to the NEAREST chord tones which result in correct doubling and spacing. 3. When connecting triads whose roots are a second apart, move all the upper voices to the ...
Popular Music Theory - The Academy Of Popular Music
... Seventh chord on the dominant: A minor 7 ...
... Seventh chord on the dominant: A minor 7 ...
Ms - cloudfront.net
... writing in complete sentences. Then, go back and write down the first things that you think of when you consider the music’s sound, modulations, pitch, etc. c. Put all of your thoughts into complete sentences, and explain how and why particular sounds make you feel a certain way. d. You must write ...
... writing in complete sentences. Then, go back and write down the first things that you think of when you consider the music’s sound, modulations, pitch, etc. c. Put all of your thoughts into complete sentences, and explain how and why particular sounds make you feel a certain way. d. You must write ...
Using Whole Tone Scales in Improvisation
... In the notes of this series the focus will be on bridging the gap between musical theory and practice. The target audience is the jazz performer who reads music and has a good understanding of chord progressions and traditional harmony. ...
... In the notes of this series the focus will be on bridging the gap between musical theory and practice. The target audience is the jazz performer who reads music and has a good understanding of chord progressions and traditional harmony. ...
Composing with Numbers: Arnold Schoenberg and His Twelve
... Analysis of Schoenberg’s Piano Suite, Op. 25 Same original or prime tone row used for basis of entire piece. In the Trio, only the six rows P-0, P-6, I-0, I-6, R-6 and RI-6 are used. The tritone interval (six half-steps) is emphasized since only n = 0 or n = 6 is utilized. The primary row begins on ...
... Analysis of Schoenberg’s Piano Suite, Op. 25 Same original or prime tone row used for basis of entire piece. In the Trio, only the six rows P-0, P-6, I-0, I-6, R-6 and RI-6 are used. The tritone interval (six half-steps) is emphasized since only n = 0 or n = 6 is utilized. The primary row begins on ...
Semitones - funmusiccoimages.com
... What note is a tone higher than A? ______ What note is a tone lower than E? ______ What note is a tone higher than B? ______ What note is a tone lower than G sharp? ______ Circle the tones in this melody: ...
... What note is a tone higher than A? ______ What note is a tone lower than E? ______ What note is a tone higher than B? ______ What note is a tone lower than G sharp? ______ Circle the tones in this melody: ...
Document
... The interval between adjacent upper voices should not exceed and 8ve Step-wise motion should predominate in leading voices from one chord to another Melodic leaps of an A2 or A4 should be avoided Consecutive P1, P4,P5, or P8 are forbidden 3. Write the alto and tenor for the second chord in e ...
... The interval between adjacent upper voices should not exceed and 8ve Step-wise motion should predominate in leading voices from one chord to another Melodic leaps of an A2 or A4 should be avoided Consecutive P1, P4,P5, or P8 are forbidden 3. Write the alto and tenor for the second chord in e ...
Document
... C, C#, D, D#, E, F, F#, G, G#, A, A#, B Note that C7dim is the same as D#7dim, F#7dim and A7dim. This is an ambiguous chord and can resolve into many possible chords. There are only 4 diminished 7th chords. ...
... C, C#, D, D#, E, F, F#, G, G#, A, A#, B Note that C7dim is the same as D#7dim, F#7dim and A7dim. This is an ambiguous chord and can resolve into many possible chords. There are only 4 diminished 7th chords. ...
Document
... Year 11 Music - Key vocabulary linked to the given composition stimulus of popular music. ...
... Year 11 Music - Key vocabulary linked to the given composition stimulus of popular music. ...
Non-Chord Tones
... by step in the same direction. • Neighboring tone (n)- Approached by step and left by step in the opposite direction. • Suspension (s)- Approached by same tone and left by a step down. • Retardation (r)- Approached by the same tone and left by a step up. ...
... by step in the same direction. • Neighboring tone (n)- Approached by step and left by step in the opposite direction. • Suspension (s)- Approached by same tone and left by a step down. • Retardation (r)- Approached by the same tone and left by a step up. ...
Baroque-Era Algorithmic Composition Kevin Deisz 1st Step – Keys
... Cadence points are points in the music that the motion can momentarily cease to give a sense of resolution Currently, for simplicity, music is divided into four-bar phrases ...
... Cadence points are points in the music that the motion can momentarily cease to give a sense of resolution Currently, for simplicity, music is divided into four-bar phrases ...
Sequential Chorus Curriculum for grades 6-8
... Discuss the historical and cultural background of the works performed by the ensemble. Identify similarities and differences in the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and differences of music from different time periods: Renaissanc ...
... Discuss the historical and cultural background of the works performed by the ensemble. Identify similarities and differences in the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and differences of music from different time periods: Renaissanc ...
Non-Harmonic Tones Harmonic Tones
... Have you ever looked at music and wondered why there may be notes which don’t appear to belong to a chord? Notes that are not part of a chord are called Non-Harmonic Tones and are usually found melodically between two harmonic tones (notes that belong to a chord). Most may appear on the beat or in b ...
... Have you ever looked at music and wondered why there may be notes which don’t appear to belong to a chord? Notes that are not part of a chord are called Non-Harmonic Tones and are usually found melodically between two harmonic tones (notes that belong to a chord). Most may appear on the beat or in b ...
AUGMENTED SIXTH CHORDS Definition
... The Gr6 in major may be spelled with a doubly augmented fourth instead of a perfect fifth to show the resolution of the pitches in the direction of the inflection (see partwriting below). A6 chords are most often built on the note a half step above the dominant (b6) of the scale in both major and mi ...
... The Gr6 in major may be spelled with a doubly augmented fourth instead of a perfect fifth to show the resolution of the pitches in the direction of the inflection (see partwriting below). A6 chords are most often built on the note a half step above the dominant (b6) of the scale in both major and mi ...
Scales, Modes, and Chord/Cluster Concepts for 20th
... All whole steps (only 7 notes in an octave) Octatonic Scale (in C D Eb F Gb Ab A B C The most common ones alternate whole-step/half-step or halfjazz, this is called a C Db Eb E F# G A Bb C step/whole-step to create 9 notes in an octave "Diminished" Scale) (in jazz, these are the two options for a "d ...
... All whole steps (only 7 notes in an octave) Octatonic Scale (in C D Eb F Gb Ab A B C The most common ones alternate whole-step/half-step or halfjazz, this is called a C Db Eb E F# G A Bb C step/whole-step to create 9 notes in an octave "Diminished" Scale) (in jazz, these are the two options for a "d ...
Popular Music Theory - The Academy Of Popular Music
... The B Natural Minor Scale contains the notes B, C#, D, E, F#, G, A and B. The triad of B minor is: B, D and F# (1, 3 and 5 of the natural minor scale). ...
... The B Natural Minor Scale contains the notes B, C#, D, E, F#, G, A and B. The triad of B minor is: B, D and F# (1, 3 and 5 of the natural minor scale). ...
TONE VS. MODE by Stan Takis More than once I have been
... the pitches. However, mode is usually used in the sense of scale applied only to the specific diatonic scales found below. The use of more than one mode is polymodal, such as with polymodal chromaticism. While all tonal music may technically be described as modal, music that is called modal often ha ...
... the pitches. However, mode is usually used in the sense of scale applied only to the specific diatonic scales found below. The use of more than one mode is polymodal, such as with polymodal chromaticism. While all tonal music may technically be described as modal, music that is called modal often ha ...
WHY study music? 1. Musician 2. Advertising 3
... of sound waves)= tones (440 cycles per second) distance between two tones is interval ( i.e. 440 to 460) tones that are doubled or half are called octave (i.e 220 to 440 to 880) In western music octave is divided into twelve tones Nonwestern can have more. Definite pitch (piano, guitar, trumpets, ke ...
... of sound waves)= tones (440 cycles per second) distance between two tones is interval ( i.e. 440 to 460) tones that are doubled or half are called octave (i.e 220 to 440 to 880) In western music octave is divided into twelve tones Nonwestern can have more. Definite pitch (piano, guitar, trumpets, ke ...
Music Glossary
... alternation (back and forth; taking turns) with other contrasting themes (ABACA) round – a song in which the melody is performed by different groups starting at different times round—a song in which the melody is performed by individuals and/or groups starting and ending at different times scale—a s ...
... alternation (back and forth; taking turns) with other contrasting themes (ABACA) round – a song in which the melody is performed by different groups starting at different times round—a song in which the melody is performed by individuals and/or groups starting and ending at different times scale—a s ...
Sound Performing Media
... causes a felt-covered hammer to hit a string (the harder the pianist strikes the key, the louder the sound); releasing the key causes a felt damper to come down on the string and end the tone. Piano Facts: • 88 keys • Broad dynamic range • Pianist can play many notes at one time. ...
... causes a felt-covered hammer to hit a string (the harder the pianist strikes the key, the louder the sound); releasing the key causes a felt damper to come down on the string and end the tone. Piano Facts: • 88 keys • Broad dynamic range • Pianist can play many notes at one time. ...
Tone cluster
A tone cluster is a musical chord comprising at least three adjacent tones in a scale. Prototypical tone clusters are based on the chromatic scale and are separated by semitones. For instance, three adjacent piano keys (such as C, C♯, and D) struck simultaneously produce a tone cluster. Variants of the tone cluster include chords comprising adjacent tones separated diatonically, pentatonically, or microtonally. On the piano, such clusters often involve the simultaneous striking of neighboring white or black keys.The early years of the twentieth century saw tone clusters elevated to central roles in pioneering works by ragtime artists Jelly Roll Morton and Scott Joplin. In the 1910s, two classical avant-gardists, composer-pianists Leo Ornstein and Henry Cowell, were recognized as making the first extensive explorations of the tone cluster. During the same period, Charles Ives employed them in several compositions that were not publicly performed until the late 1920s or 1930s. Composers such as Béla Bartók and, later, Lou Harrison and Karlheinz Stockhausen became proponents of the tone cluster, which feature in the work of many twentieth- and twenty-first-century classical composers. Tone clusters play a significant role, as well, in the work of free jazz musicians such as Cecil Taylor and Matthew Shipp.In most Western music, tone clusters tend to be heard as dissonant. Clusters may be performed with almost any individual instrument on which three or more notes can be played simultaneously, as well as by most groups of instruments or voices. Keyboard instruments are particularly suited to the performance of tone clusters because it is relatively easy to play multiple notes in unison on them.