Clarence Alphonse Lambert, aka Lou Vernon
... Vernon'. Vernon was born Clarence Alphonse Lambert June 26, 1888 to Frenchman Louis Lambert and Eliza Colton of Newport, Wales. The birth took place in Fortitude Valley where his father ran a store in Brunswick Street. Vernon was the seventh child out of eight. There were four girls and four boys in ...
... Vernon'. Vernon was born Clarence Alphonse Lambert June 26, 1888 to Frenchman Louis Lambert and Eliza Colton of Newport, Wales. The birth took place in Fortitude Valley where his father ran a store in Brunswick Street. Vernon was the seventh child out of eight. There were four girls and four boys in ...
theatre safety committee
... Whenever a rake is to be used a formal assessment of the risks associated with its use must be undertaken. The risk assessment should be carried out at every stage of production - from design, design of costumes, rehearsals, including technical rehearsals and dress rehearsals, and postproduction. Wh ...
... Whenever a rake is to be used a formal assessment of the risks associated with its use must be undertaken. The risk assessment should be carried out at every stage of production - from design, design of costumes, rehearsals, including technical rehearsals and dress rehearsals, and postproduction. Wh ...
Lighting by Feder.
... While lighting design was integrated into most theatre curricula at the time, it was generally not taught as a distinct discipline in architecture and interior design programs. Beginning in 1980 Feder developed and offered a series of hands-on architectural lighting workshops. He was a dedicated tea ...
... While lighting design was integrated into most theatre curricula at the time, it was generally not taught as a distinct discipline in architecture and interior design programs. Beginning in 1980 Feder developed and offered a series of hands-on architectural lighting workshops. He was a dedicated tea ...
Performing the Legacy of War in Uganda
... I want to thank endlessly three key individuals without whom I would not have had enough in me to go to the journey‘s end: my invaluable academic advisor, dissertation director, and friend, Professor John Emigh; my longtime and rare friend, Willy Ewal; plus a steady friend, Dr. Janice Riley. The tri ...
... I want to thank endlessly three key individuals without whom I would not have had enough in me to go to the journey‘s end: my invaluable academic advisor, dissertation director, and friend, Professor John Emigh; my longtime and rare friend, Willy Ewal; plus a steady friend, Dr. Janice Riley. The tri ...
One-Act Play
... upholster furniture, and to launder clothing. They draw upon their knowledge of mathematics, physics, speech, art, journalism, music, English, dance, history, literature, industrial arts, psychology, homemaking, and foreign languages, and combine all these with specific training in the art of theatr ...
... upholster furniture, and to launder clothing. They draw upon their knowledge of mathematics, physics, speech, art, journalism, music, English, dance, history, literature, industrial arts, psychology, homemaking, and foreign languages, and combine all these with specific training in the art of theatr ...
Peter Saccio
... A Midsummer Night’s Dream Scope: The lecture discusses A Midsummer Night’s Dream, with an emphasis on plot construction. It shows the range of Shakespeare’s sources and the way in which Shakespeare, although drawing his materials from diverse places, unified them with analogy. Analogous actions (sim ...
... A Midsummer Night’s Dream Scope: The lecture discusses A Midsummer Night’s Dream, with an emphasis on plot construction. It shows the range of Shakespeare’s sources and the way in which Shakespeare, although drawing his materials from diverse places, unified them with analogy. Analogous actions (sim ...
Theater Playbills and Programs Collection
... Brooklyn residents across several decades. At the same time, they offer insights into prevailing attitudes and social preoccupations along with documenting changing tastes. At the Amphion Theatre, for example, a March 1900 playbill announces its current offering as The Carpet-Bagger, a "political ro ...
... Brooklyn residents across several decades. At the same time, they offer insights into prevailing attitudes and social preoccupations along with documenting changing tastes. At the Amphion Theatre, for example, a March 1900 playbill announces its current offering as The Carpet-Bagger, a "political ro ...
voices - Backstage
... Carteris said in a statement. “Ken was a great union leader, friend and mentor. He left big shoes to fill, but with the support of the national board of directors and the membership, I am committed to improving the lives of all SAG-AFTRA members.” The union additionally elected actor and voiceover p ...
... Carteris said in a statement. “Ken was a great union leader, friend and mentor. He left big shoes to fill, but with the support of the national board of directors and the membership, I am committed to improving the lives of all SAG-AFTRA members.” The union additionally elected actor and voiceover p ...
The Cambridge Companion to Shakespeare on Stage Fichier
... The Cambridge Companion to Shakespeare on Stage This Companion is designed for readers interested in past and present productions of Shakespeare’s plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early ...
... The Cambridge Companion to Shakespeare on Stage This Companion is designed for readers interested in past and present productions of Shakespeare’s plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early ...
- ERA - University of Alberta
... art remained an institution. In the theatre, the domination of Realism and the primacy of the written text remained, especially in North America. By mid-century, the most influential theatre maker and critic was Bertolt Brecht, whose previously mentioned technique of historicization was part of his ...
... art remained an institution. In the theatre, the domination of Realism and the primacy of the written text remained, especially in North America. By mid-century, the most influential theatre maker and critic was Bertolt Brecht, whose previously mentioned technique of historicization was part of his ...
Assembly Hall Theatre Seasonal Guide
... can spot him? This all new family show charts Danger Mouse from his early years before he became the famous crime busting crusader right up to 2010. When the then retired secret agent – upholder of justice, lover of small puppies, helper of old ladies across the road and all round nice guy who’d hel ...
... can spot him? This all new family show charts Danger Mouse from his early years before he became the famous crime busting crusader right up to 2010. When the then retired secret agent – upholder of justice, lover of small puppies, helper of old ladies across the road and all round nice guy who’d hel ...
a version for tablet or ipad here
... places and politics. They worked in theatres and on the land; they walked city streets, made celebrations and invented rituals. There were numerous scattered productions, but did they constitute an emerging field of work? And how might more work be encouraged? In the late 1990s, the Ashden Trust com ...
... places and politics. They worked in theatres and on the land; they walked city streets, made celebrations and invented rituals. There were numerous scattered productions, but did they constitute an emerging field of work? And how might more work be encouraged? In the late 1990s, the Ashden Trust com ...
NB James Hook pantomime at Richmond Theatre
... Euripidean version of the sacrifice at Aulis was also replayed consistently in the performance arts, from the Hellenistic tragic stage and concert hall to the Roman balletic dance medium of chorally accompanied pantomime.2 Yet, since the Renaissance, the career of Iphigenia in Aulis has been extreme ...
... Euripidean version of the sacrifice at Aulis was also replayed consistently in the performance arts, from the Hellenistic tragic stage and concert hall to the Roman balletic dance medium of chorally accompanied pantomime.2 Yet, since the Renaissance, the career of Iphigenia in Aulis has been extreme ...
LANGUAGE FOR DEVELOPMENT THROUGH DRAMA AND
... restoring hope in situations characterised by hopelessness and despair. Descriptive research design was used in the study because it allowed the researcher to dig much deeper into the subject. Data from respondents was gathered through the use of questionnaires, interviews and content/textual analys ...
... restoring hope in situations characterised by hopelessness and despair. Descriptive research design was used in the study because it allowed the researcher to dig much deeper into the subject. Data from respondents was gathered through the use of questionnaires, interviews and content/textual analys ...
Accepted version
... This thesis theorizes that human beings possess innate neurobiological systems that interact with culturally specific concepts, conditions and knowledge in such a way that when deployed appropriately, these innate neurobiological systems can be a platform for human cognition and for the designing of ...
... This thesis theorizes that human beings possess innate neurobiological systems that interact with culturally specific concepts, conditions and knowledge in such a way that when deployed appropriately, these innate neurobiological systems can be a platform for human cognition and for the designing of ...
The Performance of Gender with particular reference to the plays of
... invented by his fellow Shakespeare the used new and were actors. The convention of only men being actors was one which had dictated the representation of humans on stage throughout the documented history of English performance'. ...
... invented by his fellow Shakespeare the used new and were actors. The convention of only men being actors was one which had dictated the representation of humans on stage throughout the documented history of English performance'. ...
fife comedy circuit
... i am delighted to introduce our new autumn season programme – packed with music, drama, comedy, exhibitions and children’s events. our pantomime production team have an amazing professional cast for both the magical Peter Pan and the hilarious Mother Goose. i have had a sneak peek at the spectacular ...
... i am delighted to introduce our new autumn season programme – packed with music, drama, comedy, exhibitions and children’s events. our pantomime production team have an amazing professional cast for both the magical Peter Pan and the hilarious Mother Goose. i have had a sneak peek at the spectacular ...
Asolo Rep Press Releases - Online Grants and Applications
... the school as dean and principal, while the fairies are represented by rebellious teens who would rather hang out in the woods near the academy than go to class," said director Jen Wineman. "While Midsummer deals heavily with magic, my hope is that students will be able to connect with the very huma ...
... the school as dean and principal, while the fairies are represented by rebellious teens who would rather hang out in the woods near the academy than go to class," said director Jen Wineman. "While Midsummer deals heavily with magic, my hope is that students will be able to connect with the very huma ...
Daniele Finzi Pasca
... Finzi Pasca was sentenced to a short stay in prison for acting as a conscientious objector, and during that time, he put the finishing touches on his trilogy dedicated to “escape”. One part of this trilogy was Icaro, a monologue for an audience of one. The part was played by Finzi Pasca, and perform ...
... Finzi Pasca was sentenced to a short stay in prison for acting as a conscientious objector, and during that time, he put the finishing touches on his trilogy dedicated to “escape”. One part of this trilogy was Icaro, a monologue for an audience of one. The part was played by Finzi Pasca, and perform ...
A-level Drama and Theatre Studies Mark scheme Unit 03
... Mark Scheme – General Certificate of Education (A-level) Drama and Theatre Studies Unit 3: Further Prescribed Plays including Pre-Twentieth Century – June 2013 Middleton/Tourneur: The Revenger’s Tragedy – 02 As a director, discuss what effects you would wish to create for the audience through your ...
... Mark Scheme – General Certificate of Education (A-level) Drama and Theatre Studies Unit 3: Further Prescribed Plays including Pre-Twentieth Century – June 2013 Middleton/Tourneur: The Revenger’s Tragedy – 02 As a director, discuss what effects you would wish to create for the audience through your ...
Problems of heritage assessment
... be mentioned that dates of events are important for, as will be seen, some events were taken out of sequence in order to provide a more convincing “spin” to denigrate those who, for one reason or another, wished to retain the theatre building. Establishing heritage significance of the former Atheniu ...
... be mentioned that dates of events are important for, as will be seen, some events were taken out of sequence in order to provide a more convincing “spin” to denigrate those who, for one reason or another, wished to retain the theatre building. Establishing heritage significance of the former Atheniu ...
stiffy and mo - Australian Variety Theatre Archive
... minor and infrequent changes being made to the principal ensemble and ballet. By the early 1920s, however, a few new faces began to appear in the troupe. Notable, for example, were Mike Connors and Queenie Paul, Keith Connolly, Ida Merton and Gladys Shaw, who all joined the troupe in 1922. The indiv ...
... minor and infrequent changes being made to the principal ensemble and ballet. By the early 1920s, however, a few new faces began to appear in the troupe. Notable, for example, were Mike Connors and Queenie Paul, Keith Connolly, Ida Merton and Gladys Shaw, who all joined the troupe in 1922. The indiv ...
In American Drama: The Bastard Art, Susan Harris Smith looks at the
... dramatic literature, which, in my view, is marked by the extensive degree to which it has been marginalized, excluded, or "disciplined" in the culture in general and the university in particular. Although the use of "disciplined" necessarily invokes the historian Michel Foucault and his analyses of ...
... dramatic literature, which, in my view, is marked by the extensive degree to which it has been marginalized, excluded, or "disciplined" in the culture in general and the university in particular. Although the use of "disciplined" necessarily invokes the historian Michel Foucault and his analyses of ...
Searching for the Muse: Changing Inspiration
... The changing nature of the muse over time might despoil the image of the ancient Greek Muses whose nine sisters inspired art, science and history through their musedom. As the daughters of Zeus and Mnemosyne the nine “embody the art and inspire creation with their graces through remembered and impro ...
... The changing nature of the muse over time might despoil the image of the ancient Greek Muses whose nine sisters inspired art, science and history through their musedom. As the daughters of Zeus and Mnemosyne the nine “embody the art and inspire creation with their graces through remembered and impro ...
Theatrical Practice and Cultural Context.
... architectural solutions proposed by Nugent Monck’s Maddermarket Theatre, Tyrone Guthrie’s Festival Stage at Stratford, Ontario, and the new Globe. The success of these endeavors has been, to some extent, a victory over cinema. “It shows,” says Rory Edwards who played Orleans in the Globe’s 1997 pro ...
... architectural solutions proposed by Nugent Monck’s Maddermarket Theatre, Tyrone Guthrie’s Festival Stage at Stratford, Ontario, and the new Globe. The success of these endeavors has been, to some extent, a victory over cinema. “It shows,” says Rory Edwards who played Orleans in the Globe’s 1997 pro ...
Medieval theatre
Medieval theatre refers to the theatre in the period between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D. Medieval theatre covers all drama produced in Europe over that thousand-year period and refers to a variety of genres, including liturgical drama, mystery plays, morality plays, farces and masques. Beginning with Hrosvitha of Gandersheim in the 10th century, Medieval drama was for the most part very religious and moral in its themes, staging and traditions. The most famous examples of Medieval plays are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays and the N-Town Plays, as well as the morality play, Everyman.Due to a lack of surviving records and texts, a low literacy rate of the general population, and the opposition of the clergy to some types of performance, there are few surviving sources on Medieval drama of the Early and High Medieval periods. However, by the late period, drama and theatre began to become more secularized and a larger number of records survive documenting plays and performances.