Shakespeare Productions in England 1909
... Each designer is then assessed in a separate chapter. These outline the cultural background from which they drew their inspiration and offer an analysis of their work for Shakespeare productions within this context. The productions are considered in chronological order. This facilitates an evaluatio ...
... Each designer is then assessed in a separate chapter. These outline the cultural background from which they drew their inspiration and offer an analysis of their work for Shakespeare productions within this context. The productions are considered in chronological order. This facilitates an evaluatio ...
ABSTRACT Title of Document:
... of Europe, but truly came to dominate the English-speaking world in the nineteenth century. Over time, melodramas became famous, or infamous, for their hallmark combination of simple characters, technical effects, music, and rapid storytelling. Melodrama developed its own categories and subgenres th ...
... of Europe, but truly came to dominate the English-speaking world in the nineteenth century. Over time, melodramas became famous, or infamous, for their hallmark combination of simple characters, technical effects, music, and rapid storytelling. Melodrama developed its own categories and subgenres th ...
STAGING THE PEOPLE - DRUM
... than 13,000 unemployed theatre professionals, brought some much needed emotional support to an audience of more than 30 million, and fought to provide locally relevant theatre for the people of the United States. Yet, how does a national organization create locally relevant theatre in cities and tow ...
... than 13,000 unemployed theatre professionals, brought some much needed emotional support to an audience of more than 30 million, and fought to provide locally relevant theatre for the people of the United States. Yet, how does a national organization create locally relevant theatre in cities and tow ...
MICHA News – 2006-2007
... Technique who had never before had the opportunity to experience it. There were several people who expressed interest in following up this experience with attendance at either the teachers’ workshop in January or at the summer festival. As the person who decided last year at the Amherst Festival tha ...
... Technique who had never before had the opportunity to experience it. There were several people who expressed interest in following up this experience with attendance at either the teachers’ workshop in January or at the summer festival. As the person who decided last year at the Amherst Festival tha ...
Kangaroo an examination of Japanese theatre in the 1960s and a
... recovery, but by no stretch of the imagination could it be accepted as a permanent or even a long-term arrangement.”9 Once the details of the 1951 treaty had been released, after the treaty had been signed and ratified, the left charged that the treaty itself violated Article 9 of the Constitution ...
... recovery, but by no stretch of the imagination could it be accepted as a permanent or even a long-term arrangement.”9 Once the details of the 1951 treaty had been released, after the treaty had been signed and ratified, the left charged that the treaty itself violated Article 9 of the Constitution ...
Coping with Not-knowing by Co-confidencing in Theatre Teacher
... from different cultural backgrounds and lacked a common language. The workshop was based on ideas that I had followed when planning the training program in focus of this study. The program emphasized the use of reflection as a means of teaching theatre. Although I felt that during this workshop at t ...
... from different cultural backgrounds and lacked a common language. The workshop was based on ideas that I had followed when planning the training program in focus of this study. The program emphasized the use of reflection as a means of teaching theatre. Although I felt that during this workshop at t ...
Narrative Strategies in Shakespearean Productions on 21st
... In addition to all my friends in the UK and in Germany, who have been very supportive and interested in my work over the past years, another special thank you goes to everyone at the Institute and its library (both staff and students), in particular Dr Martin Wiggins, Rebecca White, Juliet Creese an ...
... In addition to all my friends in the UK and in Germany, who have been very supportive and interested in my work over the past years, another special thank you goes to everyone at the Institute and its library (both staff and students), in particular Dr Martin Wiggins, Rebecca White, Juliet Creese an ...
Musician as Playback Actor - International Playback Theatre Network
... Playback musicians are professional performers, or music therapists. Others are not: it is perfectly possible for a Playback actor to step in and play effective music using their sense of story along with an intimate and confident knowledge of the specific instruments to hand. You have to know what ...
... Playback musicians are professional performers, or music therapists. Others are not: it is perfectly possible for a Playback actor to step in and play effective music using their sense of story along with an intimate and confident knowledge of the specific instruments to hand. You have to know what ...
The Troublesome Raigne of John, King of England
... not support this conjecture. The printers of these quartos, Simmes and Matthews, were each in business more than thirty years, and there is no record of accusations against them of piracy or false attributions. Shakespeare’s name did not appear on three of the six editions of four Shakespeare plays ...
... not support this conjecture. The printers of these quartos, Simmes and Matthews, were each in business more than thirty years, and there is no record of accusations against them of piracy or false attributions. Shakespeare’s name did not appear on three of the six editions of four Shakespeare plays ...
Study Guide - Capital Repertory Theatre
... company at many different theatres frequently presents shows of this kind regionally, nationally or even internationally over an extended period of time. What you will see at theREP or on our On-‐The- ...
... company at many different theatres frequently presents shows of this kind regionally, nationally or even internationally over an extended period of time. What you will see at theREP or on our On-‐The- ...
Field of Mars Revisited: The Opera-Installation
... Field of Mars Revisited focuses on defunct site-specific performance-opera-installation company, GAle GAtes et al. The company garnered a high level of notable reviews and funding over its lifetime, such as but not limited to: Art Forum, Art in America, The New York Times, PAJ: A Journal of Performa ...
... Field of Mars Revisited focuses on defunct site-specific performance-opera-installation company, GAle GAtes et al. The company garnered a high level of notable reviews and funding over its lifetime, such as but not limited to: Art Forum, Art in America, The New York Times, PAJ: A Journal of Performa ...
PhD thesis_Tamara Aberle
... Suharto, he noted sardonically: “Personally, I'm sad to see Suharto go. For over 20 years, he gave me inspiration. It would be very difficult to find anybody else so obnoxious in such a complex way as he” (Nano Riantiarno qtd. in Napack). These comments serve as examples of the general sense of disi ...
... Suharto, he noted sardonically: “Personally, I'm sad to see Suharto go. For over 20 years, he gave me inspiration. It would be very difficult to find anybody else so obnoxious in such a complex way as he” (Nano Riantiarno qtd. in Napack). These comments serve as examples of the general sense of disi ...
macbeth - The Shakespeare Theatre of New Jersey
... London, in the late 16th and early 17th centuries, was a bustling urban center filled with a wide variety of people and cultures. Although most life centered around making a living or going to church, the main source of diversion for Londoners was the theatre. It was a form of entertainment accessib ...
... London, in the late 16th and early 17th centuries, was a bustling urban center filled with a wide variety of people and cultures. Although most life centered around making a living or going to church, the main source of diversion for Londoners was the theatre. It was a form of entertainment accessib ...
Federico García Lorca`s `Impossible` Theatre Staged
... grappling with the conceptual, philosophical and material remains of [this] artform’8 and possible considerations for a director when approaching, in particular, his ‘impossible’ plays. With the unfinished nature of Lorca’s ‘impossible’ theatre in mind, I believe exploration into his other works and ...
... grappling with the conceptual, philosophical and material remains of [this] artform’8 and possible considerations for a director when approaching, in particular, his ‘impossible’ plays. With the unfinished nature of Lorca’s ‘impossible’ theatre in mind, I believe exploration into his other works and ...
Theatre of the Mind: Hardy the Dynasts and the Question of Form
... medium would offer him greater scope in perspective, subject-matter, and setting. Yet it must also be asked why all of Hardy's descriptions of The Dynasts are compound nouns. Hardy seems unwilling to be pinned down to any one set of generic conventions. Drama is the word which appears most frequentl ...
... medium would offer him greater scope in perspective, subject-matter, and setting. Yet it must also be asked why all of Hardy's descriptions of The Dynasts are compound nouns. Hardy seems unwilling to be pinned down to any one set of generic conventions. Drama is the word which appears most frequentl ...
diplomarbeit - E-Theses
... underwent significant changes and show how Bean’s development is reflected in his plays. His first play Toast (1999) was chosen for a closer analysis because it is the most illustrative example of Bean’s initial plays. In its structure and content it is very straightforward and it contains elements ...
... underwent significant changes and show how Bean’s development is reflected in his plays. His first play Toast (1999) was chosen for a closer analysis because it is the most illustrative example of Bean’s initial plays. In its structure and content it is very straightforward and it contains elements ...
1 Adaptation, Originality and Law: Dion Boucicault and Charles
... 1880s, when British stages resounded with adaptations from the French, dramatic adaptations from novels, commercial imitations (versions of a play doing well at rival theatres), and provincial piracies of London hits. Meanwhile, American managers ...
... 1880s, when British stages resounded with adaptations from the French, dramatic adaptations from novels, commercial imitations (versions of a play doing well at rival theatres), and provincial piracies of London hits. Meanwhile, American managers ...
URN:NBN:fi:jyu-20 - Jyväskylän yliopisto
... and Blogorola quietly vanished from Slovene newspaper market after a few months of publishing. Hence, this study would be more effective in the time, when the idea for the research question was barely initiated, at least bearing in mind the situation in Slovene blogosphere3. On the other hand, many ...
... and Blogorola quietly vanished from Slovene newspaper market after a few months of publishing. Hence, this study would be more effective in the time, when the idea for the research question was barely initiated, at least bearing in mind the situation in Slovene blogosphere3. On the other hand, many ...
Emotions in Drama Characters and Virtual Agents
... synthesized in the so-called participatory attitude in contemporary aesthetics. Even if this attitude has been questioned by some theorists (Carroll 2003), nevertheless it is broadly accepted that the audience assumes a certain point of view upon the dramatic event. Our working hypothesis is that em ...
... synthesized in the so-called participatory attitude in contemporary aesthetics. Even if this attitude has been questioned by some theorists (Carroll 2003), nevertheless it is broadly accepted that the audience assumes a certain point of view upon the dramatic event. Our working hypothesis is that em ...
STAGING THE ACTRESS: DRAMATIC CHARACTER AND THE
... presence is a reminder that the same set of evidence can yield different, even contradictory, results. Her recent essay “Women in the Theatre”13 represents the current trend in theatre historiography to rehabilitate female presence by challenging certain paradigms that have failed to recognize women ...
... presence is a reminder that the same set of evidence can yield different, even contradictory, results. Her recent essay “Women in the Theatre”13 represents the current trend in theatre historiography to rehabilitate female presence by challenging certain paradigms that have failed to recognize women ...
WE ARE ALL ACTORS IN THE PANTOMIME OF
... and uses text and illustration to demonstrate another aspect of the theatrical quality of life, the persistent presence of an audience. Section II of this article will examine Dickens's depiction of the Clown in the Memoirs. In 'The Pantomime of Life', in which Dickens demonstrates how the stock cha ...
... and uses text and illustration to demonstrate another aspect of the theatrical quality of life, the persistent presence of an audience. Section II of this article will examine Dickens's depiction of the Clown in the Memoirs. In 'The Pantomime of Life', in which Dickens demonstrates how the stock cha ...
File - Megan Monaghan
... claim the honor of being the first to embody Hedda’s contradictory qualities: Frau Clara Heese ConradRamlo, who played the title role in the first public performance at Munich’s Königliches Residenz-Theater on January 31, 1891. Ibsen was in the audience, seeing for the first time in the flesh the ch ...
... claim the honor of being the first to embody Hedda’s contradictory qualities: Frau Clara Heese ConradRamlo, who played the title role in the first public performance at Munich’s Königliches Residenz-Theater on January 31, 1891. Ibsen was in the audience, seeing for the first time in the flesh the ch ...
Topography of a New Theatre-Making Context Rebecca McFadden
... both occupied and manipulated by social agents which may be isolated individuals, groups or institutions” (1993: 29). Social agents must be understood in this context as artists, and Bourdieu notes that attempts to study the field of cultural production in this way must confront “the glorification o ...
... both occupied and manipulated by social agents which may be isolated individuals, groups or institutions” (1993: 29). Social agents must be understood in this context as artists, and Bourdieu notes that attempts to study the field of cultural production in this way must confront “the glorification o ...
A Boal Companion
... yet this does not do justice to the lifework of Brazilian theatre director Augusto Boal, its founder and innovator of over 40 years. The techniques, potent as they may be in revolutionizing participants’ experience of social relationships, point to a much greater “body”—a complex, interdisciplinary, ...
... yet this does not do justice to the lifework of Brazilian theatre director Augusto Boal, its founder and innovator of over 40 years. The techniques, potent as they may be in revolutionizing participants’ experience of social relationships, point to a much greater “body”—a complex, interdisciplinary, ...
Adapting Place, Embracing Hybridity
... make broader conclusions. In R. Radhakrishnan’s essay “Why Compare?” he connects these two practices: “Both translation and comparison foreground the problem of ‘identity’ and ‘difference.’ Whether we are translating or comparing, we come up with the theme of recognition and misrecognition, and the ...
... make broader conclusions. In R. Radhakrishnan’s essay “Why Compare?” he connects these two practices: “Both translation and comparison foreground the problem of ‘identity’ and ‘difference.’ Whether we are translating or comparing, we come up with the theme of recognition and misrecognition, and the ...
Medieval theatre
Medieval theatre refers to the theatre in the period between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D. Medieval theatre covers all drama produced in Europe over that thousand-year period and refers to a variety of genres, including liturgical drama, mystery plays, morality plays, farces and masques. Beginning with Hrosvitha of Gandersheim in the 10th century, Medieval drama was for the most part very religious and moral in its themes, staging and traditions. The most famous examples of Medieval plays are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays and the N-Town Plays, as well as the morality play, Everyman.Due to a lack of surviving records and texts, a low literacy rate of the general population, and the opposition of the clergy to some types of performance, there are few surviving sources on Medieval drama of the Early and High Medieval periods. However, by the late period, drama and theatre began to become more secularized and a larger number of records survive documenting plays and performances.