Survey
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
Masterpiece: Young Hare by Albrecht Durer Pronounced: AHL-BREKT DOO-RUHR Keywords: implied texture and real texture Grade: K - 3 Activity: Applying texture to animal drawing Meet the Artist: Born in Nuremberg, Germany on May 21, 1474. He was 1 of 18 children born to the goldsmith Albrecht Durer the Elder, a very fine craftsman and scholar. His father carefully trained him in the craft of making jewelry, but Albrecht decided at an early age to pursue a career as a painter. His earliest known oil painting, completed in 1490, was a portrait of his father. When he was only 13 years old, he drew a self-portrait in which his genius and skill for detail are already evident. After traveling to Italy to study, in 1494, Albrecht’s work became greatly influenced by the growth of the Renaissance spirit. (The word renaissance comes for the French word, which means rebirth.) His love for knowledge was as intense as his love for painting. A life long student, Durer was well educated in Math, Geometry, Latin and Literature. He died in 1528. Possible Questions: 1. The title for this work is Young Hare. Do you know what a hare is? (a kind of rabbit) 2. What colors has the artist used in this painting? 3. If you could touch the hare, how would it feel? Why do you think so? 4. Does this picture show the hare in its environment? (No, the artist has not painted anything but the hare) 5. Why do you think he painted this picture with a plain background? (Define background if necessary) 6. How has the artist made this hare look real? (By using many short lines to create its fur; by including many details; by showing the hare sitting close to us) 7. Where might you see a hare like this? 8. What else do you notice in the painting besides the hare? (Numbers and “AD” the artists initials) 9. What do you think 1502 means? (The year the work was painted) 10. How has the artist signed his painting? How is this different from the way other artists sign their paintings? 11. How would you sign your artwork? Activity: Applying texture to animal drawing Materials needed: White construction paper with either sheep or porcupine pre-printed on it. Glue Cotton balls Toothpicks Markers, or crayons (optional) Process: 1. Explain that Durer was able to imply texture by the careful way he painted his hare. This is called implied texture since, if you were to touch the actual painting, the rabbit wouldn’t feel soft and furry. It would feel like paint on canvas. 2. Pass out the copied templates of a sheep, horse, porcupine, fish or bird. Allow the children to pick which one they would like to work on in this lesson. 3. Have the students first draw a landscape for these animals – where are they? Potentially they can draw a horse in a barn, or a fish in the ocean. 4. The second step is to add real texture to these drawings by gluing either cotton balls (sheep), yarn (horse), toothpicks (porcupine), sequins (fish), or feathers (bird). Real texture is just that – it is something that can be felt by touch so they will be able to feel the soft fluffy sheep “wool” or the hard, prickly spines of the porcupine. 5. Have students sign their masterpiece Albrecht Dürer Young Hare Albrecht Durer was a German painter, printmaker, mathematician, engraver, and theorist from Nuremberg. He has been conventionally regarded as the greatest artist of the Northern Renaissance ever since. The rabbit in Young Hare is rendered with almost photographic accuracy and was particularly challenging because the hare's fur lay in different directions and the animal was mottled with lighter and darker patches all over. Despite the technical challenges presented in rendering the appearance of light with a multi-colored, multi-textured subject, In Art Masterpiece today, your child learned about real and implied texture by adding texture to an animal drawing of their choice.