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Exodos (or Epilogue and Exodus) Suggested Journal Topics Modern critics warn us against boiling down a work of literature to a moral axiom, but the chorus does just that in the last five lines of the play. What might be a better theme statement than the one that ends this play? Aristotle reportedly said that this play did not fit his definition of a tragedy. Many people observe that Antigone did not learn anything from her experiences and claim that Creon was too mean to be a fit tragic hero. If Antigone is the heroic protagonist of the play, in what sense is she heroic? Is she saintly, or does she have flaws? Does a protagonist have to be free of flaws for us to admire her? Read the article about Antigone’s tragic flaw before you respond. The article, entitled "Antigone's Flaw," is located under the link entitled Antigone Resources. Is Creon a tragic figure? Do you feel sympathy for him at the end as someone who initially tried to do good yet was overwhelmed by circumstance, or do you believe that he is a bullying, misogynistic control-freak who gets what he deserves? Why does Antigone commit suicide? The German philosopher Hegel stated that the Antigone represents the tragic collision of right against right, with both sides equally justified. Do you agree with this interpretation? Why or why not? Describe the moral positions of Antigone and Creon and point to the scenes and dialogues which reveal them. Does Sophocles take a stand in favor of either side? How? What vision of life, morality, and the gods' relationship with men emerges from this play? Antigone challenges Creon by breaking his law. Is it ever appropriate to break the law? Talk about civil disobedience. What does it mean? Is it possible to peacefully coexist when you have radically different points of view about life? Develop an ethical stance by drawing conclusions about when it is acceptable to break a law. Explain your reasons.