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“Skye Waulking Song” Capercaillie Area of Study 4 Capercailllie Sound The song combines folk and rock instruments. The (amplified) instruments associated with rock music are: Synthesiser Wurlitzer piano Bass drum kit The (acoustic) instruments associated with folk music are: Violin (fiddle) Accordion Pipes Bouzouki Song Structure Section Bar Numbers Intro 1-8 (0:00 – 0:33) Verse 1 9-11 (0:33 – 0:51) Break 12-15 (0:51 – 1:03) Verse 2 16-20 (1:03 – 1:24) Verse 3 21-24 (1:24 – 1:41) Verse 4 25-28 (1:41 – 1:58) Verse 5 29-32 (1:58 – 2:14) Verse 6 33-36 (2:14 – 2:31) Instrumental 37-43 (2:31 – 3:01) Verse 7 44-48 (3:01 – 3:21) Verse 8 49-52 (3:21 – 3:38) Outro 53 – end (3:38 – 4:38) Analysis Section one (bars 1 - 24) Feels very traditional, with just a simple beat In E minor - chords change between Em & G Quite quiet, calm and peaceful - almost sounding subdued None of the instruments really stand out in the focus is on the singer Section two (bars 24 - to end) Full rhythm section (drums and bass part) In G major (relative major of E minor) Generally much louder, there is a quieter section when the drums and bass guitar stop A pipe solo that uses some of the vocal melody line as it improvises There are harmonised backing vocals Important points to note 'Chuir m’thair mise dhan taigh charraideach' - translates into English as 'My father sent me to the house of sorrow'. Harmony in this style of music is less important than melody and rhythm The harmony is very simple The chord changes highlight the change of section and mood The melodic lines are played in the folk style Instruments improvise around the melody simultaneously, sometimes playing a very similar melody in slightly different ways -heterophonic texutre Improvised counterpoint - around the melody and scale – G major The vocal part is sung using the scale of E minor pentatonic or G major pentatonic throughout The traditions of “Waulking Song” can be heard in the use of nonsense, syllables between each sung line and repetition of each line of the verse The backing vocals join in for the vocalising of the nonsense syllables in between each line of lyrics Glossary relating to Set work Oral Tradition – a tradition which is passed on by word of mouth or imitation Protest songs – folk songs with political lyrics Fusion – a mingling, or blending together, of more than one musical style or culture to create a new ‘fused’ sound Heterophonic texture – two or more parts playing the same melodic line simultaneously with small variations between the parts Pentatonic scale - a five note scale Vocables - nonsense syllables Scots Gaelic Strophic structure - Melody in each verse is the same Bouzouki - A string instrument a bit like a mandolin