Download Phonological Features of AAVE

AfricanAmerican
Vernacular
English:
Phonology,Syntax,Speech Acts
by: Alessia Biasibetti, Fang Lan, Aldo Ostwald
Contents:
1. General Remarks
2. Phonology
3. Syntax
4. Speech Acts
What is AAVE?
- Variety of GA, spoken by African-Americans
- Origin: unclear
- Creole theory
- Dialect theory
- Range of intensity
- No regional variety, but often found in urban
areas
- Political implications: Oakland Debate 1997
What is AAVE?
http://en.wikipedia.org/wiki/Image:Census-2000-Data-Top-US-Ancestries-by-County.jpg
What is AAVE?
- Variety of GA, spoken by African-Americans
- Origin: unclear
- Creole theory
- Dialect theory
- Range of intensity
- No regional variety, but often found in urban
areas
- Political implications: Oakland Debate 1997
Phonology
The "Rainbow Passage":
When the sunlight strikes raindrops in the air, they act as
a prism and form a rainbow. The rainbow is a division of
white light into many beautiful colors. These take the
shape of a long round arch with its path high above and
its two ends apparently beyond the horizon. There is,
according to legend, a boiling pot of gold at one end.
People look, but no one ever finds it. When a man looks
for something beyond his reach, his friends say: he is
looking for the pot of gold at the end of the rainbow.
Text and sound file from: http://www.ku.edu/~idea/
Consonant Features
Reduction of word-final consonant clusters
‘hand’
: /h@nd/
→ /h@n/
'desk'
'gold'
'and'
: /desk/
: /gould/
: /@nd/
→ /des/
→ /goul/
→ /@n/
Consonant Features
Reduction of word-final consonant clusters
'man'
'cat'
'bad'
: /m@n/
: /k@t/
: /b@d/
→
→
→
/m@/
/k@/
/b@/
Reduction of /r/ to //
'throwdown'
: /'roudaun/ → /'oudaun/
Consonant Features
Devoicing of word-final stops after vowels:
'bad ':
/bd/ →
/bt/
Reduction of // to /n/ in gerunds and participles:
'walking':
/'wki/
→
/'wkin/
Consonant Features
Substitution of /f/ or /t/ for //:
'thin':
/In/
'bath':
/b/
→
/tIn/
→
/bf/
Substitution of /v/ or /d/ for //:
'then'
'brother'
/en/
→
/brr/ →
/den/
/brv/*
*also /r/ - deletion
Consonant Features
Deletion of /r/ after vowels:
'sister'
'four'
'whore'
/sistr/ →
/fr/
→
/hr/ →
/sist/
/f/, /fou/
/h/, /hou/
Metathesis of adjacent consonants:
'ask'
'wasp'
/sk/
/wsp/
→
→
/ks/
/wps/
Vowel Features
Diphthongs are realized as monophthongs:
'I'
'boy'
/a/
/bo/
→
→
/a/
/bo/
Merging of /i/ and /e/ before nasals:
'pin'
/pn/
'pen'
/pen/
→
→
/pn/
"
Vowel Features
Realization of // as //:
'thing'
'think'
//
/k/
→
→
//
//
Stress shift:
'police'
/i/ → /oi/
'hotel'
/he/ → /he/
Syntax in AAVE
Alessia Biasibetti
Hauptstudium TN
Outline
1.
2.
3.
4.
5.
Verbs
Negation
Referential it and dey
Summary
Exercises
1. Verbs
a)
Auxiliaries: they are often left out
in statements:
‘They Ø walking too fast’
‘He Ø be there in a minute’
‘Sometimes he Ø be already sleeping’
…and in questions:
‘Ø Bob there?’
‘Ø Bob left?’
‘Ø You married?’
[are]
[will]
[would]
[is]
[has]
[are]
1. Verbs
b)
Neutralization of singular and plural persons:
‘You don’t love me’; ‘She don’t love me’
‘They haven’t run’; ‘Tom haven’t run’
‘She was eating’; ‘You was eating’
→ the letter ‘s’ is usually added to the verb to indicate that the
action happens habitually:
‘Every morning I sits and rides’
‘The devil haves us in a state of sin’
‘That’s the way it bes’
1. Verbs
c) Aspectual Markers or Verbal Markers:
 ‘Be’
[=habitual or repeated action]
* always in its inflected form!
1.‘Bruce be running’
[=Bruce is usually running]
(‘Bruce Ø running’ =Bruce is running now/these days)
2. ‘I be in my office by 7:30’
[=I’m usually in my office by 7:30]
3. ‘The boys’ socks be that dirty’
always that dirty’]
[=The boys’ socks are
1. Verbs
 ‘BIN’
[=the activity/state was held for a long time]
* Always stressed (not like been, which is unstressed)
1.‘She BIN running’
[=she has been running for a long time]
(unlike ‘She been running’ =she has been running)
2.’The police ain’t going bad. They BIN bad’ [=the police aren’t
going bad. They have been bad for a long time]
1. Verbs

‘Dən’
[=the event has already ended]
* Always unstressed, unlike done, which is stressed.
1.‘I dən done all you told me to do’
[=I have done all you told me to do]
2.’I dən already finished that’
[=I have already finished that]
1. Verbs

•
•
‘Finna’
[=the event will happen in the immediate future]
Other variants: fixina, fixna, fitna
Always followed by a non-finite verb (no tense/agreement
marking)
1.’They finna do something’
[=they’re about to do something]
2.’She was finna move the mattress herself when I got there’
[=she was getting ready to move the mattress when I got there]
1. Verbs

•
‘Steady’ [=the activity is carried out in an
intense or consistent manner]
Always followed by progressive verb form (-ing form)
‘They want to do they own thing, and you steady talking to them’
[=they want to do their own thing, and you’re continuing to talk to
them]
1. Verbs

‘Come’
[=expresses the indignation
or anger of the speaker]

Always followed by progressive verb form
1.‘Don’t come acting like you don’t know what happened’
[=don’t try to act as if you don’t know what happened]
2.’You the one come telling me it’s hot. I can’t believe you got
your coat on’
[=you’re the one who had the nerve to
tell me that it’s hot. I can’t believe you’ve got your coat on]
2. Negation
Multiple Negation
= negation is marked more than once on auxiliaries and
indefinite nouns (anybody/nobody and anything/nothing)
1.’I didn’t see nothing’ [=I didn’t see anything]
2.’Bruce don’t want no teacher telling him nothing about no
books’
[=Bruce doesn’t want any teacher telling him anything about any book]
3. ‘I ain’t never seen nobody preach under announcement’
[=I’ve never seen anyone preach while they’re giving announcements]
3. Referential ‘it’ and ‘dey’


1.
2.
3.
4.
5.
6.
‘it’ and ‘dey’ are used to indicate that
something exist
The following six sentences can be used to mean
‘There is some coffee in the kitchen’:
‘It’s some coffee in the kitchen’
‘It got some coffee in the kitchen’
‘It have some coffee in the kitchen’
‘Dey some coffee in the kitchen’
‘Dey got some coffee in the kitchen’
‘Dey have some coffee in the kitchen’
4. Summary
In which way the syntactic patterns in AAVE differ
from those of General American English?
a) in the person/number agreement
b) in the use of aspectual markers such as be, BIN,
finna, etc. which give an additional meaning to
the sentence
c) in the multiple negation
d) in the use of ‘it’ and ‘dey’ instead of ‘there is/are’

5. Exercises
1.’It be too many cars in that parking lot’
-There are always too many cars in the parking lot.
2. ‘It don’t be nobody on that corner’
- Usually there is nobody on that corner.
3. ‘They be finna go to bed when I call there’
- They are usually about to go to bed when I call there.
4. ‘Them students be steady trying to make a buck’
- Those students are always working diligently to make money.
Speech Events and Rules of Interaction in
AAVE
Overview of speech events
1.Signifying
-“the verbal art of insult in which a speaker humorouslz puts down, talks about,
needles-that is, signifies on-the listener“
2.Playing the dozens
-“The dozens is a mean game because what you try to do is totally destroy
somebody else with words...“
-it consists of set responses in versified form, ususally ? coupiets. Some refer
to varous sexual acts committed with “you momma“.
3.Rapping
-casual talk
--which include exchange between a male and female, in which the
male tries to win the favors of a female by using verbal expertise
--in which someone provides another with information
-highly stylized
4.Marking
-the speaker imitates the words and perhaps the actions of a person
and makes some comment about him or her.
5. Loud-talking
-occurs when a speaker delivers a line that was intended for someone
else loud enough for people outside to the conversation to hear
6.Woofing
-A strategy in which boasting is used to intimidate an opponent, thus
avoiding violent confrontation.
7.Toasts
-Tributes, usually poetic, to the grandeur of some character.
-they are narrated in first person and feature a hero who is “fearless,
defiant, openly rebellious and full of braggadocio about his
masculinity, sexuality, fighting ability, and general badness”
-women also deliver toasts about their extraordinary power
e.g. “ I can read your thoughts right now, everyone from A to Z”
Chaka Kahn “I’m Every Woman”
“I’m a Woman.”
musical “Black and Blue”
Verbal Strategies

From dozens to snaps
-history goes back to African communities and slavery
-linked to African cultures on the basis that it is the most plausible
view
-participants play the game with person they know or who are in their
circle of acquaintances
-exaggerated statements that do not, in reality, characterize the
opponent's family members and family life
-today as popular as it was years ago
-girls also play the dozens and signify
-Snaps and Double Snaps by Percelay et al.
Some examples







Your mother is so stupid, she thought a lawsuit was something you
wear to ?
Your mother’s ears are so dirty, I can pull out enough wax to make
candles.
I went to your house, stepped on a cigarette, and your mother
screamed, “ Who turned off the heat?”
Your mother is so old, she took her driving test on a dinosaur.
snaps from the Percelay et al.
Shirley: Get a job! (Looks at man on telephone in disgust)
Male: A job? Won’t you learn how to cook!
Shirley: Yo mama!
comedy “What’s happening?”

-
-
Loud-talking
“a loud-talker breaches norms of discretion, his strategy
is to use the factor of audience to achieve some desired
effect on the addressee.”
Involves a louder than normal( or necessary) pitch on
the part of the addresser and often an expression of
embarrassment by the addressee, it is easy to observe.
Speaker B kept asking A where they should have dinner that night, but Adidn’t
have any suggestions. After some time had elapsed, A and B had the
following conversation:


A:I figured it out. Let’s go to that place where I had that good veggie
burger.
B: Oh yeah, American Café! That’s a great idea.
A, B and others get ready to go to dinner.
 A: (A walks over to B and delivers the line quietly wih disvreion and with
hands on her hips.) I know I have great ideas, but it takes time for me to
come up with them, so don’t rush me.
 B: (B looks at A and delivers the line so that the other four people in the
room can hear him.) Now see, see what I have to go through!
A retreats to the door, out of sight, and wait for the others.
 She running to the door. She shame now. Don’t told me off, now she
wanna go in the dark.
 Everyone laughs.
Expressions in nonverbal communication:
eye movement and giving dap

Eye Movement
1.Cut-eye:
-a derogatory eye gesture that is intended to convey feelings of
“ hostility, displeasure, disapproval, or a general rejection of the
person at whom it is directed.”
-4 stages
--a look or short stare at the target
--followed by a gaze over the target
--then a sharp look or ‘cut’ of the eyes by closing the eyelids and
opening them
--turning the head away from the target in disgust or disgust or
disapproval
2.Rolling eyes
-a person who is believe to think that she is
superior to others or who displays an attitude
that may not be accepted by a particular group
may the target.
-also a person may roll her eyes in response to a
statement that doesn’t make any sense or that
is inaccurate
Other forms of nonverbal communication
Handshakes
-may change as often as the types of lexical and slang items
-most commonly used as forms of, or in conjunction with, greetings and salutations
Giving a dap
-used to express agreement about some issue in the conversation or to show soldering.
Pound
-a process in which the person (often male) getly pounds the top of the receiver’s
vertical?.
Chest-touching
-symbolizes the type of meaning associated with the high?, is often the response to a
score or tight (very nice) play.
-seems to have crossed racial/ethnic boundaries, as it is used more and more by
athletes in general
Sources
- Green, Lisa J 2002: African American English: A
linguistic Introduction. Cambridge: Cambridge UP
- Mufwene, Salikoko; Rickford John R.; Bailey, Guy; ed.
Baugh, John 1998: African American English: Structure,
History and Use. London: Routledge
- Fillmore, Charles J.: ‘A Linguist Looks at the Ebonics
Debate’ <http://www.cal.org/ebonics/ebfillmo.html>
1997 (13 January 2005)
That's all, folks!
Thank you for your attention!