Download performance season - Carver Community Cultural Center

HISTORY
CULTURE
CREATIVITY
PERFORMANCE SEASON
HISTORY CULTURE CREATIVITY
WELCOME TO THE 2014-2015 PERFORMANCE SEASON!
Welcome to the 2014-2015 Performance Season!
A fabulous and exciting season of superb artistic
programming has been created, appealing to every
individual who is passionate about the arts. Our new
slogan History  Culture  Creativity speaks to who we
are and our mission.
The Carver’s story began well over 100 years ago.
Its history is rooted in a time of segregation and its
existence is owed to a handful of community leaders
that wanted to create a gathering place for San
Antonio’s African American community. Thus was
born the Colored Community House: a library, a social
center and a place of refuge where the community
could come together in times of celebration, as well
as times of strife. Though the name has changed and
many generations have passed through our doors,
The Carver Community Cultural Center has remained
such a place throughout its long and rich history. It has
grown from those beginnings over a century ago into
the thriving cultural and educational arts center that
we know today. It is my privilege to lead this historic
and iconic institution, to be part of its history, to build
upon its legacy and ensure it remains vibrant, viable
and accessible for many generations to come.
It is with this legacy in mind that we go about our work
daily. Throughout the year, I, along with the Carver staff,
work diligently to select the perfect artists to bring to our
stages. This season’s roster of talent proves to be one of
the most exemplary yet. Each is critically acclaimed and
considered to be one of the best in their field. Each is known
for their innovation and unique interpretation of their craft.
Each possesses extraordinary talent and a deep passion
for sharing their story. Collectively, they represent many
cultures and a diverse array of genres including theatre,
contemporary ballet, world music and dance, blues, jazz,
big band and R&B. There truly is something for everyone.
Offering the best in artistic presentations is only part of our
story. The Carver has a long been known for fostering an
environment of learning and inclusion for our community by
providing dynamic and challenging educational programs
and outreach activities. It is our belief that everyone,
regardless of age, race, religion or economic resource,
should have access to the rich benefits participation in
the arts provides. We dedicate ourselves to this belief by
providing weekly visual and performing arts classes, art
exhibits, artist residencies, master classes, summer camps,
free youth performances and more…always at little to no
cost to participants.
We continue to be a gathering place, a Community
House of sorts, where people from all walks of life
attain a sense of belonging and benefit from enjoying
and participating in the arts. We look forward to
continuing our legacy of providing experiences that
inspire creativity and expression, connect people,
celebrate cultures and support the well-being of our
community.
Thank you to all our patrons, volunteers, donors
and media partners for your continued support and
encouragement. We hope this season encourages
you to once again join us at The Carver, where
History, Culture and Creativity come together.
Very sincerely yours,
YONNIE BLANCHETTE
Executive Director
DIANNE REEVES
SATURDAY, OCT. 11, 2014. 8 PM
SEASON
CARPETBAG THEATRE'S
PG 06
SPEED KILLED MY COUSIN PG 08
PEDRITO MARTINEZ
PG 10
GREGORY PORTER SATURDAY, DEC. 20, 2014. 8 PM
PG 12
FRIDAY & SATURDAY, NOV. 7 & 8, 2014. 8 PM
FRIDAY, DEC. 5, 2014. 8 PM
VIJAY IYER SATURDAY, JAN. 17, 2015. 8 PM
BILLY STRAYHORN
CENTENNIAL CONCERT SUNDAY, FEB. 8, 2015. 6 PM
COMPLEXIONS
PG 14
PG 16
TANGO BUENOS AIRES PG 20
PG 22
HERITAGE BLUES ORCHESTRA PG 24
SATURDAY, MAY 23, 2015. 8 PM
SATURDAY, JUNE 6, 2015. 8 PM
PG 18
SATURDAY, MARCH 14, 2015. 8 PM
SATURDAY, APRIL 4, 2015. 8 PM
VALERIE SIMPSON CONTEMPORARY BALLET
SATURDAY, FEB. 21, 2015. 8 PM
ROKIA TRAORÉ PG 26
A NATURAL
WONDER NOT
TO BE MISSED
diannereeves.com
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SATURDAY, OCTOBER 11, 2014. 8PM, JO LONG THEATRE
DIANNE REEVES is among the pre-eminent jazz vocalists in the world. Influenced by the sound of African, Caribbean, and Latin
American music, Dianne Reeves is a superior interpreter of lyrics. In her first studio album in five years, Reeves delivers what
is destined to become a soul-jazz classic. Beautiful Life is comprised of 12 songs that have touched Reeves’ spirit in different
ways. This debut album on the Concord Records label delivers a broad appeal to jazz and non-jazz fans alike. The four-time
Grammy Award-winning vocalist teamed with a stunning array of peers including duos with the soulful vocals of Gregory
Porter and bassist/vocalist Esperanza Spalding who contributed “Wild Rose” which she wrote for Reeves.
More recently, Reeves has toured the world in a variety of contexts including a program entitled “Sing the Truth,” a musical
celebration of Nina Simone. Adored by audiences and critics alike throughout the world, Dianne Reeves is a natural wonder
not to be missed.
This performance is made possible through generous funding from the Russell Hill Rogers Fund for the Arts.
"She has one of the most powerful, purposeful and accurate
voices of this or any time"
~ Wynton Marsalis
She roams and explores, growls and catches at notes and
phrasings. It is this audacity that makes Reeves’ voice an
awesome instrument."
~ People Magazine
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CARPETBAG THEATRE'S
FRIDAY & SATURDAY, NOVEMBER 7 & 8, 2014. 8PM, THE LITTLE CARVER
SPEED KILLED MY COUSIN is a timely, moving new play about an African American woman soldier who returns from Iraq
with post-traumatic stress disorder (PTSD). The story unfolds as Debra, the main character, drives down the Long Island
Expressway (L.I.E.) in New York. As she struggles with flashbacks and memories, she tries to talk with her father about his
experiences in the Vietnam war, and is visited by his cousin -- a Vietnam veteran who died mysteriously in a car crash shortly
after his return. She also remembers her mother, and the women she left behind in Iraq, some of whom did not survive.
Memories and flashbacks unfold before her, and in her rear-view mirror, as she drives. Ultimately she must decide whether to
let go of the wheel, or to choose life.
Since 1969, CBT has told stories of empowerment, celebrated African American culture and revealed hidden stories. Speed
Killed my Cousin is written by Linda Parris-Bailey, directed by Andrea Assaf and features ensemble members Ashley Wilkerson,
Bert Tanner, Linda Parris-Bailey and Starr Releford.
Mature subject matter and language. Recommended for ages 16 and above.
Carver Community Cultural Center is a NPN Partner of the National Performance Network (NPN). This project is made possible
in part by support from the NPN Performance Residency Program. Major contributors include the Doris Duke Charitable
Foundation, Ford Foundation, and the National Endowment for the Arts (a federal agency).
For more information: www.npnweb.org.
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A TIMELY, MOVING
NEW PLAY
carpetbagtheatre.org
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AUDACIOUSLY
INVENTIVE
pedritomartinezmusic.com
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FRIDAY, DECEMBER 5, 2014. 8PM, JO LONG THEATRE
PEDRITO MARTINEZ, the audaciously inventive Cuban percussionist, was born Pablo “Pedrito” Martinez in Havana, Cuba. As a
bandleader, Martinez has developed a captivating sound planted firmly in Afro-Cuban rumba tradition and in the batá rhythms
and vocal chants of the music of Yorùbá and Santería but, also influenced by North American rhythmic currents, an approach
that The New York Times described as “complex, blenderized Africa-to-the-New-World funk.” In the past 12 years, Martinez
has performed, recorded and /or toured with Paquito D’Rivera, Brian Lynch, Joe Lovano, Sting (for his rainforest benefit, with
Elton John and Bruce Springsteen), and numerous others.
Pedrito has also lent his talents to over 100 records; collaborations between Paquito D’ Rivera, Conrad Herwig,
Edie Brickell are only a few. Six of these records have been Grammy nominated and one, a collaboration between
Eddie Palmieri and Brian Lynch, called Simpatico, was awarded a Grammy. With his passion and love of music
and percussion, Pedrito is sure to take Afro-Cuban sounds to greater heights.
"If anyone can move Afro-Cuban music
into greater visibility it’s Martinez."
~ The New Yorker
"…. when his drums, singing and writing
are the focus – he’s an incomparable
performer."
~ Ben Ratliff, New York Times
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SATURDAY, DECEMBER 20, 2014. 8PM, JO LONG THEATRE
GREGORY PORTER, the powerful baritone voice who writes his own music, is
deemed “The Soul Poet” by DownBeat Magazine. Porter sang gospel music in
church as a youth, worked in theater, wrote his own musical, Nat King Cole and
Me, before twenty years of artistic persistence would pay off. After appearing at
the legendary jazz club, St. Nick’s Pub in Harlem, his career took a meteoric rise.
Porter emerged with two award winning albums. Be Good and Liquid Spirit; Be
Good being awarded the best traditional R&B performance in 2012 and Liquid
Spirit a Grammy in 2014 for Best Jazz Vocal Album. The Kangol hat-wearing,
Brooklyn-based singer has been compared to Donny Hathaway, Bill Withers and
Lou Rawls. Porter's music draws heavily from blues, jazz, R&B and most especially,
gospel; his music embraces the struggle between joy and pain. His mentors were
his mother, who had an operatic voice, and the elderly east Bakersfield preachers
who oversaw the church choirs where he grew up. It was those little churches
which Porter credits with building his character and his musical foundation. With
such a gifted soul voice, he makes jazz accessible even to people that usually
cannot relate to it.
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BRILLIANT NEW
VOICE OF JAZZ
gregoryporter.com
"The brilliant new voice of jazz"
~ The Huffington Post
"Liquid Spirit is shot through with
gospel, blues and R&B
influences… the title track
pairs soulful horns with a deep,
enveloping bass line that frames the
California native’s supple tenor."
~ Wall Street Journal
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BEST IN THE
WORLD
vijayiyer.com
"One of the most interesting and vital
young pianists in jazz today"
~ Pitchfork
"One of the world’s most inventive
new-generation jazz pianists"
~ Guardian (UK)
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SATURDAY, JANUARY 17, 2015. 8PM, JO LONG THEATRE
Grammy-nominated jazz pianist, composer, bandleader and MacArthur Fellow,
VIJAY IYER is regarded by Pitchfork as “one of the best in the world at what
he does.” Iyer, a highly accomplished artist, bridges the avant-garde with the
mainstream, composes classical arrangements yet loves improvisation.
This year has been an exceptional one for Iyer. March 2014 marked the release
of Mutations, Iyer’s eighteenth album and his debut for the prestigious ECM label:
a recording for piano, string quartet and electronics, the first album to document
his works for chamber ensembles. He also began a permanent appointment
at Harvard University’s Department of Music as the Franklin D. and Florence
Rosenblatt Professor of the Arts. Other recent honors include a 2012 Doris Duke
Performing Artist Award, an unprecedented “quintuple crown” in the 2012
Down Beat International Critics Poll (winning Jazz Artist of the Year, Pianist
of the Year, Jazz Album of the Year, Jazz Group of the Year, and Rising
Star Composer categories), a “quadruple crown” in the JazzTimes
extended critics poll (winning Artist of the Year, Acoustic/Mainstream
Group of the Year, Pianist of the Year, and Album of the Year), the Pianist
of the Year Awards for both 2012 and 2013 from the Jazz Journalists
Association, and the 2013 ECHO Award (the “German Grammy”) for
best international pianist.
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THE BOSS
OF THE
ARRANGERS
billystrayhorn.com
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CENTENNIAL CONCERT
SUNDAY, FEBRUARY 8, 2015. 6PM, JO LONG THEATRE
You have heard the elegance and felt the passion of his music, recorded by artists in every generation. The genius of BILLY
STRAYHORN (1915-1967) has charmed the world for over 75 years. His compositions include “Take the ‘A’ Train,” “Johnny
Come Lately,” “Chelsea Bridge,” “Something to Live For,” and “Lush Life.” The recordings featuring his music number in the
thousands.
Billy Strayhorn’s achievements grew from a classical background formed in his music classes at Westinghouse
High School in Pittsburgh. His career as an arranger, composer and pianist has been written about by David
Hajdu in his bestselling biography, Lush Life. Billy Strayhorn charted new and sophisticated directions in the jazz
world and beyond. His career started and ended with Duke Ellington but his impact went beyond the shadow of
this collaboration. Today his music is known and performed from classical orchestras to rumba dance bands.
Billy Strayhorn stands on his own as a musical master of the 20th century who is still an influence in the 21st.
A full program of his music is performed live by John Magaldi and the Primetime Orchestra.
"Billy Strayhorn wrote Multicolored Blue. Billy
to me is the boss of the arrangers"
"All those sevenths --- man, I never heard
anything like those things until him."
~ Quincy Jones
~ Dizzy Gillespie
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CONTEMPORARY BALLET
SATURDAY, FEBRUARY 21, 2015. 8PM, JO LONG THEATRE
Over the past twenty years COMPLEXIONS CONTEMPORARY BALLET has awed
audiences with a mix of styles and cultures that was created to combine a new
idea of human movement and exciting vision. The company’s vision is that dance
should be about removing boundaries and not reinforcing traditions of a single
style, period, venue or culture. Complexions will reflect the movement of the world
and all its constituent cultures as a connected whole and not a separate being.
"Brilliant! Flowing with undeniable
power."
~ Los Angeles Times
"It’s a gorgeous troupe of dynamic
dancers possessed of dazzling strength,
androgynous elegance, funky style, and
first-rate contemporary ballet technique.
These dancers can do anything."
~ Backstage
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Having previously been with the Alvin Ailey American Dance Theater, Co-Artistic
Directors, Dwight Rhoden and Desmond Richardson created Complexions as an
institution of embodiment, “where those passionate about dance can celebrate
its past while simultaneously building its future.” Complexions has continued to
be a witness to a fluid and more interchangeable world since its birth in 1994 and
has won numerous awards including the New York Times “Critics Choice” award.
The company has appeared in numerous dance festivals throughout the U.S. and
Europe. In the 20 years since its inception, the company has witnessed a world
that is becoming more fluid, more changeable, and more culturally interconnected
than ever before.
FLOWING WITH
UNDENIABLE
POWER
complexionsdance.org
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"...repeatedly crafted swirling, fast-paced
tapestries of movement, laced with proud
postures and sensual couplings."
~ The Washington Post
"Argentine tango is one of the most
electrifying of dance traditions, and
Tango Buenos Aires presents it with
blazing artistry."
BLAZING
ARTISTRY
~ Sacramento Press
cami.com
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SATURDAY, MARCH 14, 2015. 8PM, JO LONG THEATRE
TANGO BUENOS AIRES has become one of Argentina’s great cultural exports, known throughout the Americas, Europe and the
Far East as the most authentic and uncompromising representative of the tango. The Argentine Tango has a mixture of African
and Spanish antecedents and also a strong influence from the Argentine milonga which is sung by Guachos, the Argentine
“cowboys.” In its beginnings, the tango was an ill-famed dance, being very fashionable in dance halls and cabarets and also
because the choreography called for the couple to hold each other very close. Tango choreography allows for a lot of creativity,
requiring breaks in the rhythm and perfect coordination between the dances.
The tango’s constant companion is the piano, although it has been accompanied by the violin, guitar and flute. Nowadays, the
most typical instrument is the bandoneón which is an accordion similar to the concertina.
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SATURDAY, APRIL 4, 2015. 8PM, JO LONG THEATRE
One of the most inventive female singer/songwriters in Africa today is ROKIA
TRAORÉ. Her breakthrough came when she was hailed as the “African Discovery
of 1997” by Radio France Internationale after playing at the Angoleme Festival
in France. Traoré is known for her powerful and emotional voice but also for the
sheer variety of her work. She shows three different aspects of Malian music
culture by using the acoustic Damou (Dream), the bluesy Donguili (Sing), and
the rock-influenced Donke (Dance). Traoré explains that she does not intend to
imitate styles of other musicians and wants to create something extraordinary.
In 2003, she was awarded the prestigious BBC Radio 3 World Music Award. Her
2009 album Tchamantche, reflected her new fascination with the Gretsch electric
guitar which won her a a Victoires De La Musique (French equivalent of a U.S.
Grammy).
"She remains a real original."
~ The Observer (UK)
A REAL
ORIGINAL
rokiatraore.net
"The Malian singer Rokia Traoré has a gentle
voice with a steely core, one that’s revealed
more clearly than ever on Beautiful Africa."
~ New York Times
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SATURDAY, MAY 23, 2015. 8PM, JO LONG THEATRE
Listen to The HERITAGE BLUES ORCHESTRA and what awaits you is a musical intermingling of sounds and styles so typical
of the group. At the heart of it is a broad spectrum of the New Orleans sounding blues combined with remnants of Southern
gospel and European sounds. This musical blending between America and Europe brings together African-American music,
modern jazz and western European harmony into one unforgettable sound that gives Heritage Blues Orchestra its authenticity.
The group consists of a core trio of Junior Mack and Bill & Chaney Sims (father and daughter). Junior and Bill play guitar,
and all three trade-off vocal duties. The Heritage Blues Orchestra is driven by its musicians: Grammy-awarding winning
blues drummer Kenny “Beedy Eyes” Smith, Frenchman Vincent Bucher, and Bruno Willheim which are some of New York
City’s heaviest horn players, having worked with everyone from Wynton Marsalis to Sting and Springsteen. Signed to
Raisin Music as of 2012, the band released its debut album, And Still I Rise which features traditional blues material with a
modern twist to its sound. The result is magnificent!
"And Still I Rise, the debut album from
the Heritage Blues Orchestra, whose
ambitious name reflects its intention
to make up-to-the-minute music that
draws upon the glorious past of AfricanAmerican genres."
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~ NPR Music
“The musicians are talented, the
arrangements are done with imagination
and great care, and the music is
sublime.”
~ Pittsburgh Post-Gazette
THE MUSIC
IS SUBLIME
heritagebluesorchestra.com
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SATURDAY, JUNE 6, 2015. 8PM, JO LONG THEATRE
Known for her partnership with Nikolas Ashford in one of the most celebrated songwriting duos of all
time, “Ashford and Simpson,” VALERIE SIMPSON has remained an iconic singer and songwriter beside
Ashford since the mid-1960s. Writing and composing well known songs such as Whitney Houston’s “I’m Every
Woman,” Marvin Gaye’s “Ain't Nothing Like the Real Thing,” and “Ain't No Mountain High Enough,” sung by
Dianna Ross, Ashford and Simpson are most known for their duet “Solid As a Rock,” which reached the top of
international music charts in 1984.
After loosing her husband Nikolas to cancer in 2011, Simpson returned “solid as a rock” to the stage with the positively
reviewed album Dinosaurs are Coming Back. Even though it took 11 years to release, Simpson explains it’s what her husband
would have wanted. The album is about coming to terms with certain feelings -- loss, desire, unrequited love, positivity, and
self-acceptance. Valerie Simpson is a member of ASCAPs board of directors and also serves on the ASCAPs Foundation where
she assisted in establishing an award to aid struggling songwriters called "Reach Out and Touch." The award was created to
honor her deceased husband, and hopefully make the world a better place.
“Valerie Simpson has got a solid solo act.
She sounded strong and sultry”
- San Francisco Examiner
“Simpson has since realized that the
music she and her husband created is
now a legacy”
- Examiner.com
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AN ICONIC SINGER
AND SONGWRITER
valerie simpson.net
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CARVER GALLERY
SCHEDULE
The Gallery is an essential part of the Carver identity,
providing local and regional artists with gallery space to
present engaging, avant-garde artwork. The Carver strives
to showcase work that the community will find relevant and
meaningful, while simultaneously pushing the boundaries
of conventionality. We invite interested artists who want to
take advantage of this opportunity to contact us to schedule
a gallery exhibition.
OCTOBER 2014
Margarita Benavides, Connie Armbruster & Livia
Istrate: Baby Boomers at Work
Three talented women artists came together through their
love of art. This is a collection of their newest art pieces.
NOVEMBER 2014
Texas Pastel Society: Texas Treasures
The Texas Pastel Society hosts its second regional show
featuring original pastel paintings done by over thirty Texas
artists. Adjudicating artist is Kathleen Cook.
DECEMBER 2014
Laura Thompson: Inner City Expressions
A photo exhibit of inner city SAISD elementary school
children doing what they love: reading! The artist has
captured thousands of photos of children reading out in the
community, sharpening their reading skills, acquiring a love
for literacy, and becoming a positive light in the community.
JANUARY & FEBRUARY 2015
Martin Luther King Jr. Exhibit
This annual exhibit features some of San Antonio’s finest
artists. Each artist using their own style and mediums will
create works celebrating and inspired by the life and legacy
of Dr. Martin Luther King, Jr.
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MARCH 2015
Sarah Brooke Lyons
From Africa to Brazil to New York to the Hill Country, Sarah
Brooke Lyons strives to capture the essence of a culture
through photography.
APRIL 2015
Spare Parts presents Fiesta Wreaths
Fiesta Wreaths reflects the vibrant aesthetic of San Antonio's
celebration and tradition while confronting our city's messy
side. Wreaths exhibited are made from creatively reused
and beautifully repurposed materials that will challenge
one's perspectives about what our community discards
daily.
MAY 2015
Carver School of Visual and Performing Arts
Students of all ages who study in the various visual arts
programs of the Carver School of Visual & Performing
Arts will exhibit their works in painting, drawing, collage,
ceramics and other mediums.
JUNE 2015
Katrina Gorman: More than My Words Can Say
Since 2001, Katrina Gorman has created art through the
medium of fabric that not only tells a story, but draws
attention with the feeling of a connection more than words
can say. Her work has been featured on HGTV and received
exposure at the National Black Arts Festival in Atlanta.
JULY & AUGUST 2015
Texas Artist Connection
Six professional artists from Houston and Austin have
been paired with six UTSA art students. Over a year-long
artist mentorship program, these artists will work together
in creating professional development skills as well as
collaborative projects. Work will include drawings, paintings,
sculpture, installations and new media works. Artists
include: Nathaniel Donnett, Robert Hodge, Matt Manalo,
Eduardo Portillo, Tony Parana, Michael Anthony Garcia,
Sarah Fox, Kallie Pfeiffer, Alan Serna, Jose Cardenas, Justin
Korver, and Adrienne Cullins. Curated by Raul Gonzalez,
founder of the Texas Artist Connection.
SEPTEMBER 2015
The Women of San Antonio Photography Exhibition
When asked what they want to be when they grow up, young
women tend to say, “a princess,” because it is the image
most commonly seen in their movies and books. A young
teenage woman will say they want to be a mother because
this is who they see daily and look up to. San Antonio is
the home of women healers, artists, revolutionaries,
mothers, politicians, teachers, philanthropists, health care
professionals, athletes and forward-thinkers. This exhibit
documents these women in all of their glory with stunning
photography that captures their spirit and energy, seen
through the photographic and personal lens of women
photographers. The vision of this exhibition is to capture,
liberate and inform her viewers of the “her” in San Antonio
history. Co-curated by Anel I. Flores and Sarah Castillo.
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MASTER CLASSES AND RESIDENCIES
Master Classes and Residencies at The Carver are
designed to make the artists we present each season more
accessible to the community. Educational opportunities
abound, from simply learning more about the artist’s work,
to demonstrations and workshops held on site and at public
schools around San Antonio.
Carpetbag Theatre
RESIDENCY: NOVEMBER 2-8, 2014
The Carpetbag Theatre, Inc. (CBT), founded in 1969, is
a professional, multi-generational ensemble company
dedicated to the production of new works. Their mission is
to give artistic voice to the issues and dreams of people who
have been silenced by racism, classism, sexism and other
forms of oppression. CBT serves communities by returning
their stories to them with honesty, dignity, and concern for
the aesthetic of that particular community. During their
weeklong residency, CBT will conduct story circles, digital
storytelling workshops and other outreach activities with
veterans, active military and the larger community. The
week will culminate in the performances of the original
theatrical work, Speed Killed My Cousin.
Carver Community Cultural Center is a NPN Partner of the National
Performance Network (NPN). This project is made possible in part by support
from the NPN Performance Residency Program. Major contributors include
the Doris Duke Charitable Foundation, Ford Foundation, and the National
Endowment for the Arts (a federal agency). For more information: www.
npnweb.org.
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Jazz Reach
MASTER CLASS: MAY 18, 2015 AT 6:00PM - $15
RESIDENCY: MAY 18-22, 2015
Established in 1994, JazzReach is a nationally recognized
New York city-based nonprofit organization dedicated
to the promotion, performance, creation and teaching
of jazz music. Through the presentation of innovative,
widely acclaimed live multi-media educational programs
for young audiences, captivating main-stage concerts for
general audiences and informative clinics and masterclasses for student musicians and ensembles, JazzReach
is steadfastly dedicated to fostering a greater appreciation,
awareness and understanding of this rich, vital, everevolving American art form. Their dynamic, innovative
programs have triumphantly served over 255,000 young
people nationwide in partnership with many of America’s
most prominent performing arts presenters.
Carver Community Cultural Center is a NPN Partner of the National
Performance Network (NPN). This project is made possible in part by
support from the NPN Performance Residency Program. Major contributors
include the Doris Duke Charitable Foundation, Ford Foundation, and the
National Endowment for the Arts (a federal agency). For more information:
www.npnweb.org.
SUMMER CAMPS
School may be out, but The Carver is full of youthful energy
each summer as children from around San Antonio and
South Texas make it a tradition to attend our fine arts camps.
Through the support of the Carver Development Board and
community partners, children get the opportunity to learn and
enjoy multicultural art forms under the direction of professional
artists from across Texas, all at a tremendous value!
Summer Theatre Camp
(ages 6-18)
With The Renaissance Guild
JUNE 8-26, 2015 (M-F; 8 AM – 4 PM)
The three-week theatre camp offers elementary through
high school students an opportunity to develop and
strengthen acting, choreography, and vocal skills. The
camp features two concurrent camps for different age
groups, both culminating in a final performance on the
Carver Jo Long Theatre stage.
TUITION : $175 For the Complete Theatre Camp (3 weeks)
Summer Dance Intensive (ages 8-18)
With the Dallas Black Dance Theatre
JULY 13-24, 2015 (M-F; 8 AM – 4 PM)
Every summer, over 40 students aged 8-18, participate in
a two-week dance intensive led by the legendary Dallas
Black Dance Theatre. Students explore modern, jazz, ballet,
hip-hop, and African dances, resulting in a performance on
the Carver Jo Long Theatre stage.
TUITION: $175 For the Complete Dance Intensive (2 weeks)
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SCHOOL OF VISUAL & PERFORMING ARTS
African Drumming (ages 5 through adults)
The Carver School of Visual and Performing Arts (CSVPA)
provides community-based arts classes, summer camps,
educator workshops, master classes, and artist residencies,
which offer children and adults an opportunity to work with a
variety of media – art, dance, music, theater, and more. As the
sole caretakers of African and African-American arts in South
Texas, the Carver Community Cultural Center is in a unique
position to provide arts experiences celebrating various cultures
throughout the Carver School of Visual and Performing Arts.
COMMUNITY CLASSES
CSVPA Community Classes provide exposure to cultural
traditions and legacies and expand opportunities students
have to enhance their artistic talents. Classes are offered
for all ages and are eight weeks long.
FALL SESSION:
October 4, 2014 – November 22, 2014
WINTER SESSION:
January 10, 2015 – February 28, 2015
SPRING SESSION:
March 21, 2015 – May 16, 2015
SUMMER SESSION:
June 13, 2015 – August 8, 2015
Tuition is $50.00 per session. Semesters are eight (8) weeks
long. To register or for more information, please visit our
website at www.theCarver.org or call Philip Castillo, Education
Coordinator, at 210.207.2719.
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SATURDAYS 12 PM – 1 PM
Students will explore the amazing rhythms and drumming
techniques of the djembe drum from West Africa, conga
drums, bongo drums, Dum-Dum drums, shakers, ago-go
bell, and more. Students are welcome to bring their own
hand drum.
Art for Children (ages 7+)
SATURDAYS, 9:30 AM – 10:30 AM
From painting, drawing, origami, puppet making, to jewelry
making, and more, children participating in our art class
will explore various art techniques, all the while infusing
culture and their own creativity.
Beginning Ballet I (ages 3-4)
SATURDAYS, 10 AM – 11 AM
Children new to the art of ballet will learn basic terminology,
stretching techniques, postures, and dance positions.
Barre work and technique are also taught.
Beginning Ballet II (ages 5-7)
SATURDAYS 11 AM – 12 PM
Classic techniques and instruction from Ballet I are covered
in this class. Barre work, technique, and choreography are
more complex.
Intermediate Ballet (ages 8-14)
SATURDAYS, 12 PM – 1 PM
Classic techniques and instruction from both Ballet I &
II are covered in this class. Barre work, technique, and
choreography are more complex.
Capoeira I (ages 5 through adults)
SATURDAYS, 10 AM – 11 AM
Perfect for beginners and fun for the whole family, this
energetic, rhythmic dance from Brazil combines martial
arts, gymnastics, and Brazilian musical traditions.
Capoeira II (ages 7 through adults)
SATURDAYS, 11 AM – 12 PM
Graduates of Capoeira I and those with previous experience
are invited to explore this amazing tradition at a deeper
level.
Ceramics (ages 12 through adults)
SATURDAYS, 10:30 AM – 12:30 PM
Students will create a variety of sculptural forms utilizing
basic handbuilding techniques. Students will also be
introduced to glazing techniques.
Guitar for Beginners (ages 8 through adults)
Theatre for Children (ages 6-18),
SATURDAYS, 10 AM – 11:30 AM
Our theatre classes focus on teaching basic acting, vocal,
and dance techniques. These classes are geared towards
beginners and seasoned performers alike. Students create
work along with our instructors in a creative process style
to nurture imaginative play.
West African Dance (ages 7 through adults)
SATURDAYS, 11:30 AM – 12:30 PM
Blending traditional technique with modern and
contemporary dance elements, participants in this highly
energetic and aerobic class will explore the different
cultural aspects of West African dance as well as build an
understanding of how these dances have influenced other
dance styles, such as hip hop and jazz.
The above schedule is subject to change based on
enrollment and interest in additional classes.
SATURDAYS, 10 AM – 11 AM
Bring your acoustic guitar for this basic introduction that
covers music reading and theory, chords, notes in first
position, jazz, and rhythm guitar playing through familiar
songs.
Praise Dance (ages 15+)
SATURDAYS, 9 AM –10 AM
Praise Dance is an expression of joy, interpreted from
traditional, modern ballet, to lyrical and hip-hop dancing
utilizing praise music.
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YOUTH MATINEE SERIES
Anuradha Naimpally presents
Moving Myths of India
The Carver Youth Matinee Series is dedicated to bringing
the excitement and stimulation of these free professional
productions into the lives of young people in our community.
All matinees are geared at school age children; however,
they are open to the public and will be enjoyable for all ages.
Ile Bahia Capoeira
OCTOBER 17, 2014 @ 11 AM
Capoeira, brought to Brazil by African slaves, is a unique
art form that combines elements of martial arts, dance
and acrobatics performed to the background of Brazilian
instruments and music. Students will not only be thrilled
by the agility, precision and power of the dancers and
movements, but will also explore the rich historical
significance of the 500 year old art form.
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NOVEMBER 14, 2014 @ 11 AM
In this beautiful interactive performance, audiences of all
ages learn about India with the telling of traditional stories
through live music and dance. Ms Naimpally, appearing
in colorful costume, explains the origins of the dance and
continues with hand gestures, rhythms, customs, and
language. Audience members participate by clapping
out beats, creating scenes through hand symbols, and
speaking key words from the stories. Each unique musical
instrument is introduced and demonstrated to show how
they create their distinct sound. Experience India through
its delightful stories, music, and movement!
Mad River Theater Works presents
Freedom Bound
JANUARY 21, 2015 @ 11 AM
Freedom Bound is an original play with music that tells
the tale of the most important incident in the history of the
Underground Railroad in Ohio. The show follows the story
of Addison White, a slave who escaped from Kentucky
and traveled the Railroad north to the small town of
Mechanicsburg, OH. There, he was befriended by a farmer
named Udney Hyde. He lived in Hyde’s barn, working for his
meals by day and learning to read and write with the help
of Hyde’s daughter, Amanda, by night. Freedom Bound
uses drama and music, as well as riddles and rhyme, to
create characters that emerge from the past and bring the
Underground Railroad to life right before your eyes.
Lannaya Drum and Dance Ensemble present
The Renaissance Guild presents
The Rhythm and Movement of West Africa
More African Folktales
FEBRUARY 13, 2015 @ 11 AM
Throughout the course of this exciting program, Lannaya
performers demonstrate and explain the origins of a variety
of traditional West African instruments, including the
djembé drum, djun djun and that the style of an instrument,
along with materials used, are dependent on the local
environment. Within African culture, as in many other
cultures, rhythm and music are a large part of daily life.
Songs and dances complement living---from the mundane
to the major. Ancient, traditional stories are characterized
via live drumming and dance to recognize and celebrate
occasions and milestones, including: courtship and
marriage, children’s rites of passage, childbirth, nature,
planting and harvesting crops, hunting, and the sheer joy
of creative movement.
Guadalupe Dance Company presents
Viva Mi Cultura
MARCH 20, 2015 @ 11 AM
Viva Mi Cultura is a one-hour lecture demonstration
featuring members of the Guadalupe Dance Company
presenting the traditional dances, costumes and music
of Mexico. The lively performance gives audiences the
opportunity to interact with the dancers while emphasizing
the cultural value of traditional Mexican dance. Audiences
are invited to participate in a question and answer session,
and will also have the opportunity to join in with a mini
dance class.
April 10, 2015 @ 11 AM
The art of storytelling is an ancient and rich tradition
throughout the continent of Africa. It was through these
stories that beliefs, mythology, cultural identity, history,
and community values were passed down through
generations and preserved. The Renaissance Guild will
engage the imagination as they bring to life some of the
most loved traditional folktales, which celebrate the rich
history of various African countries and the Americas, as
well as explore how many of these stories are reimagined
throughout history and other cultures.
JazzReach presents
ELLINGTON!
MAY 21, 2015 @ 11 AM
ELLINGTON! is a highly engaging, interactive live multimedia educational program that aims to illuminate the
rich, vital legacy of the great American composer, pianist
and bandleader, Duke Ellington. One of the most prolific,
celebrated musicians in music history, Duke Ellington's
canon comprises a timeless, highly personal aural account
of both, the human condition and African-American
experience of the 20th century.
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THE CARVER HISTORY
AT THE TURN OF THE CENTURY, when the public library
system was segregated, a Colored Library Association
was organized by east side civic leaders to provide library
services for the east side African-American community.
The Association managed the Colored Community House,
which was a library, social center and refuge from flooding
that plagued the area. In 1905, J. A. Grumbles, president
of the Colored Library Association, successfully petitioned
the War Services Board for funds to construct an assembly
building that could be used by African-American soldiers
and civilians in San Antonio.
The new facility, built next to the Community House, soon
became a thriving cultural and educational center for the
African-American community. When Grumbles died in the
early 1920s, the City of San Antonio retired outstanding
notes on the property and became its owner. The Colored
Library Association continued to manage both the library
and the assembly hall.
In 1929, new facilities were constructed with a $75,000
appropriation from a city bond issue. Mayor C. C.Chambers
dedicated the building as the Colored Library Auditorium
at its opening in April 1930. The building was renamed the
Carver Library Auditorium, in honor of George Washington
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Carver, in 1938. Until the late 1950s, the center was a focal
point for educational, cultural, political and social activities
for San Antonio’s African-American community. Nationallyacclaimed artists, such as Ella Fitzgerald, Lionel Hampton,
Paul Robeson, Louis Armstrong, Charlie ‘Bird’ Parker, Dizzy
Gillespie, Benny Carter, Cab Calloway and Billy Eckstein,
performed at the center. Debutante balls were held, plays
performed, political forums organized and high school
graduations celebrated. The African-American community,
prevented from joining San Antonio’s mainstream social,
cultural and educational life by segregation, created its own
cultural center.
Desegregation, changing housing patterns and inadequate
maintenance of buildings led to closure of the library in the
late 1960s. During the next decade, a number of east side
civic, social and political leaders would appear before City
officials to encourage restoration of the building. The City’s
attempt to demolish it in 1973 resulted in a group of clients
and employees of the United Citizens Project Planning and
Operating Committee (UCPPOC) led by its director, Ms.
Norva Hill, to lie down in front of bulldozers until the mayor
rescinded the demolition order. After negotiations, the
building lease was awarded to Hill and the UCPPOC and
renovation finally began.
The newly renovated building opened in 1976 as the Carver
Community Cultural Center, with the City of San Antonio
again assuming its ownership and management. City
officials expanded the center’s mission, mandating that the
Carver would be a multiethnic and multicultural performing
and visual arts center. A secondary mandate made for
the provision of affordable rental facilities for community
activities.
The Carver Community Cultural Center’s
mission includes educational and community
outreach for the City’s east side and the
broader San Antonio area. In 2007, the
Center was placed on the National
Register of Historic Places.
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RENTAL INFORMATION
Nestled on the east side just minutes from the heart of our
historic downtown San Antonio, the Carver Community
Cultural Center plays host to weddings, private parties,
concerts, plays and recitals. With two unique and
beautiful venues, the Carver Community Cultural Center
can accommodate an array of social and cultural events
and will work to meet your specific needs.
THE JO LONG THEATRE FOR THE
PERFORMING ARTS
A 650 seat proscenium theatre offers comfortable seating
in an intimate and inviting setting. With excellent acoustics
and sightlines, the Jo Long Theatre houses a stage 38’
wide and 30’ deep. Three individual dressing rooms, two
large chorus rooms, green room, dance studio, scenic shop
and full kitchen, The Jo Long Theatre has everything you
need to bring the vision for your event to life.
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Both The Jo Long Theatre and The Little Carver offer high
production values, in-house sound and lighting equipment,
box office services and other excellent amenities. The
professional and helpful staff and very affordable rental
rates make either venue an ideal setting for your event.
For more information, please visit The Carver’s website at
www.thecarver.org
To schedule a tour or inquire about date availability, rental
policies and rates, please contact Leticia Velazquez at
(210) 207-7215 or [email protected].
THE LITTLE CARVER CIVIC CENTER
This intimate, multi-purpose, adaptable space offers a
beautiful backdrop to any smaller event. With a maximum
capacity of 150, The Little Carver can be configured in a
myriad of ways…from a black box theatre to cabaret
seating to banquet tables to meeting configurations. The
options are limitless! The Little Carver is ideally suited for
smaller theatricals and concerts, receptions, banquets and
meetings.
WE LOOK FORWARD TO WORKING
WITH YOU ON CREATING THE
EVENT OF YOUR DREAMS!
39
CARVER DEVELOPMENT BOARD
BOARD OFFICERS
MISSION
Melanie Cowart, Chair
The mission of the Carver Community Cultural Center is
to celebrate the diverse cultures of our world, nation, and
community, with emphasis on its African and African-American
heritage, by providing challenging artistic presentations,
community outreach activities, and educational programs.
The Carver Development Board is a 501©3 organization
whose mission is to undertake fundraising activities and to
provide financial, programming, and advisory support to the
Carver Community Cultural Center.
Mark Wittig, Vice Chair
Sarah McLornan, Secretary
Seymour Battle III, Treasurer
Jelynne LeBlanc Burley, Immediate Past Chair
MEMBERS
Robert Clemons
Ruth Dalrymple
Janice Dolliole
Yasan Gooding
Danielle Hargrove
Larry Jackson
Kenneth Matthews
Marques Mitchell
Valerie Taylor
Pamula J. Thomas
PRESIDENT EMERITUS
Betty Green
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VENUE LOCATION
FROM IH-37, take the Commerce Street exit and
head east on Commerce Street. Take a left on North
Hackberry.
Center St
U.S. 281
& IH-37
N Mesquite St
The Carver Community Cultural Center is located on
the right at the corner of Center Street and North
Hackberry. The Little Carver Civic Center is behind
the Carver Center.
E Crockett
Paso Hondo St
FROM NORTHEAST SAN ANTONIO, travel IH-35
South, exit New Braunfels Ave, at New Braunfels turn
left. Travel through 2 traffic lights. The third light is
Houston. At Houston turn right. travel through 1 light.
The second light is Hackberry, turn left. Carver is 2
blocks down on left.
Gibbs St
Robinson Pl
E Com
m
erce
St
N Olive St
FROM THE CENTRAL BUSINESS DISTRICT, travel
east on Market to Hackberry,at Hackberry, turn left. Go
through light at Commerce. Carver is 2 blocks down
on the Right. OR Travel east on Houston to Hackberry,
at Hackberry, turn right. Carver is two blocks down
on the Left.
FROM NORTHWEST SAN ANTONIO, travel Loop
410 west to the Hwy 281 exit (same as Mc Allister
Frwy), travel south on Hwy 281 and continue to the
Commerce exit. Left on Commerce. the second street
light is Hackberry, at Hackberry turn left, Carver is 2
blocks down on the right.
N Hackberry St
DIRECTIONS
THE CARVER COMMUNITY
CULTURAL CENTER
226 N. Hackberry, San Antonio, TX 78202
The Little Carver Civic Center
PARKING
Parking is available in the Carver Administration,
Carver Academy and St. Paul UMC parking lots. Additional
parking is available along Center Street.
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BE A PART OF THE CARVER FAMILY
SEAT CAMPAIGN
PRUDENCE CURRY
Since 1929, people have taken a seat at the Carver to
witness everything from their loved ones’ high school
graduations to their children’s first play – not to mention the
best of the performing arts. We need your help in making
those seats, and the entire Carver Community Cultural
Center, available to our community forever. In recognition
of your tax-deductible participation in the Carver Seat
Campaign, a plaque with your name will be permanently
and prominently displayed on one of the 650 seats of the
Jo Long Theatre. Help us restore the jewel of San Antonio’s
east side – the beloved Carver Community Cultural Center.
Prudence Curry was the librarian of the original Colored
Community House and of the Carver Library Auditorium. In
a time of official segregation, Mrs. Curry’s leadership and
courage helped to ensure that young African Americans
found hope through the world of books. Nearly three
generations of San Antonians were inspired by her love of
learning and her commitment to help the young succeed.
Membership in the Prudence Curry Society will help the
Carver Development Board (CDB) meet the expenses
related to the Carver’s educational programs.
For your sponsorship of $1,000, you will receive:
• Plaque with name of sponsor on the seat
• Sponsors will be mentioned in all program booklets
• 100% tax-deductible contribution
For more information, call (210) 207-7211
or visit thecarver.org/donation to donate online.
42
The Carver Development Board welcomes tax deductible
gifts of any size:
• Corporate/Organization - $500 to $10,000
• Individual $1000 to $1,500 and above
Your contribution is 100% tax deductible.
For more information, call (210) 207-7211
or visit thecarver.org online.
SEASON SUBSCRIBER INFO
BOX OFFICE INFO
By becoming a season subscriber, you can get even
more out of your experience at the Carver! Not only do
subscribers enjoy great savings of up to 20% off season
tickets, they also receive many other benefits, including
preferred handling when purchasing tickets for season
events, guaranteed seat locations, and an opportunity to
order tickets to all shows before the general public.
Box Office Hours: Monday-Friday, 8 AM – 4 PM
and 2 hours before show times (in-person sales
only)General inquiries, call the Box Office Manager
at (210) 207-2234
For internet and phone sales call Ticketmaster
at 1-800-745-3000 or ticketmaster.com
As dedicated patrons of the Carver, we make season
subscribers a priority, offering them ticket exchange
privileges and lost ticket insurance. In addition, subscribers
receive invitations to exclusive events, such as postperformance receptions and artist “meet and greets.”
It is our mission to insure that you get the most out of your
experience with the Carver, and by becoming a season
subscriber, you certainly will! Should you be unable to
attend a show in your season subscription, you may either
exchange your tickets for another event (with two weeks
notice and subject to availability) or return them for a tax
donation.
Season subscriptions and accessible seating can be
ordered with any major credit card by calling our box office
at (210) 207-2234 or by completing the order form and
faxing it to: (210) ) 207-8929. Visit our box office at 226 N.
Hackberry and make your subscription purchase.
43
The Carver Community Cultural Center
226 N. Hackberry
San Antonio, TX 78202
NON-PROFIT ORG.
US Postage
PAID
San Antonio,TX
Permit No. 3317
Akin Gump Strauss Hauer & Feld LLP; Americus Diamond Charitable Giving Program; Antioch Baptist Church; AT&T Foundation; Bank of America;
Bethel A.M.E. Church; City Council District 2, Keith A. Toney; City of San Antonio, Center City Development Office; City of San Antonio, Convention &
Visitors Bureau; City of San Antonio, Department of Convention and Sports Facilities; City of San Antonio, Department of Culture and Creative
Development; City of San Antonio, Department of Human Services; Clear Channel Communications; Elizabeth Huth Coates Charitable Foundation;
Combined Federal Campaign – San Antonio, Texas; CPS Energy; Doris Duke Charitable Foundation; Escamilla & Poneck; Frost Bank – Charitable
Foundation; Grand Hyatt San Antonio; Greehey Family Foundation; H.E.B. Helping Here; Haworth; Jaster Quintanilla; Johnson Controls; JP Morgan
Chase; Kempner Foundation; Marcia and Otto Koehler Foundation; KONO FM; KRTU FM; Lifshutz Foundation; Macy’s; Claudette Mayfield Consulting,
Inc.; Minnie Stevens Piper Foundation; Muñoz & Company; Myra Stafford Pryor Foundation; National Endowment for the Arts; National Performance
Network; New Covenant Missionary Baptist Church; NuStar Energy; Oppenheimer Foundation; Genevieve and Ward Orsinger
Foundation – San Antonio Area Foundation; Prudence Curry Society; David Robinson Foundation; RRGP Services, Inc.; RSCR, Inc
Consulting Engineers; Russell Hill Rogers Fund for the Arts; San Antonio Conservation Society; San Antonio Current; San Antonio
Express-News; San Antonio Ivy Educational Fund, Inc.; San Antonio Metropolitan Area Campaign; San Antonio Spurs Foundation;
Second Baptist Church; South Texas Center For Pediatric Care; St. Phillip's College; St. Philip’s Episcopal Church; Target; Texas
Commission on the Arts; theFund; The Brown Foundation, Inc.; The Mighty Group; Time Warner Cable; Trinity University; Turner
Construction Company; USAA Foundation A Charitable Trust; Valero Energy Corporation; VIA Metropolitan Transit; Reverend
Clifford S. Waller; Wittig’s Office Interiors
The Carver Community Cultural Center is a special project of the City of San Antonio, Convention & Sports Facilities Dept
Administration: 210.207.7211
Fax: 210.207.8929
thecarversa
Box Office: 210.207.2234
the carversa
thecarvercenter
www.thecarver.org
thecarversa