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A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel GARCÍA LANDA
(University of Zaragoza, Spain)
SAM SHEPARD
(US dramatist and film actor, m. Jessica Lange)
Works
Shepard, Sam. The Tooth of Crime. Drama. 1972.
_____. Seven Plays. New York: Bantam, 1981.
_____. Seven Plays. New York: Bantam Books, 1986.
_____. Fool for Love and Other Plays. New York: Bantam, 1984.
1988.
_____. Motel Chronicles and Hawk Moon. London: Faber, 1985.
_____. Crónicas de un motel. Stories. Barcelona: Anagrama, 1985.
Filmed by Wim Wenders as Paris, Texas.
_____, screenplay and dir. Far North. Film. 1988.
_____. Buried Child. Drama. Pulitzer Prize 1979.
_____. Cruzando el paraìso. Stories. spanish ed. 1997.
_____. Estados de shock. Play and 2 screenplays Spanish ed. 1997.
Criticism
Bank, Rosemarie. "Self as Other: Sam Shepard's Fool for Love and A
Lie of the Mind." In Feminist Rereadings of Modern American
Drama. Ed. June Schlueter. London: Associated UPs, 1989.
Bigsby, Christopher. "Sam Shepard: Imagining America." In Stvdia
Patriciae Shaw oblata. Oviedo: Servicio de Publicaciones de
la Universidad de Oviedo, 1991. 3.65-79.*
Blatanis, Konstantinos. “Cowboys as Theatrical Props and Dramatic
Devices: Sam Shepard’s Cowboys #2 and Geography of a
Horse Dreamer.” Gramma 2 (1994): 7-20.
Bottoms, Stephen J. The Theatre of Sam Shepard: States of Crisis.
New York: Cambridge UP, 1998.
Brienza, Susan. “Sam No. 2: Shepard Plays Beckett with an American
Accent.” In Beckett Translating / Translating Beckett. Ed. Alan
Warren
Friedman,
Charles
Rossman,
and
Dina
Sherzer.University Park: Pennsylvania State UP, 1987. 18196.*
Callens, Johan. From Middleton and Rowley’s CHANGELING to Sam
Shepard’s BODYGUARD: A Contemporary Appropriation of a
Renaissance Drama. (Studies in Comparative Literature, vol.
7). Lewiston: Edwin Mellen, 1997.*
Favorini, Attilio. Memory in Play from Aeschylus to Sam Shepard.
Palgrave Macmillan, 2009.
Hart, Lynda. "Sam Shepard's Spectacle of Impossible
Heterosexuality: Fool for Love." In Feminist Rereadings of
Modern American Drama. Ed. June Schlueter. London:
Associated UPs, 1989.
Innes, Christopher D. “From the Margins to the Mainstream.”
(O’Neill, Ionesco, Shepard, festivals). In Innes, Avant Garde
Theatre 1892-1992. London: Routledge, 1993. 214-33.*
Marranca, Bonnie. American Dreams: The Imagination of Sam
Shepard. New York: PAJ, 1981.
McCarthy, Gerry. “New Mythologies: Mamet, Shepard and the
American Stage.” Connotations 6.3 (1996/97): 354-68.*
Orr, J. Tragicomedy and Contemporary Culture: Play and
Peformance from Beckett to Shepard. Macmillan.
Oumano, Ellen. Sam Shepard: The Life and Work of an American
Dreamer. London: Virgin Books, 1986.
Schvey, Henry I. "A Worm in the Wood: The Father-Son
Relationship in the Plays of Sam Shepard." Modern Drama
36.1 (1993): 12-25.
Sessums, Kevin. "Sam Shepard: Geography of a Horse Dreamer."
Inteview 18/9 (1988).
Tarancón de Francisco, Juan. “Myths Stay at the Holiday Inn: Sam
shepard, Identity, and Contemporary US Society.” In Actas del
25º Congreso AEDEAN, Granada 2001. CD-ROM. Granada: U
de Granada: Departamento de Filología Inglesa, 2002.*
Vanden Heuvel, Michael. "The Landlocked Geography of a Horse
Dreamer: Performance and Consciousness in the Plays of Sam
Shepard." In Vanden Heuvel, Performing Drama /
Dramatizing Performance. Ann Arbor: U of Michigan P, 1991.
193-230.*
Wilcox, Leonard. "Modernism vs Postmodernism: Shepard's The
Tooth of Crime and the Discourses of Popular Culture."
Modern Drama 30.4 (1987): 560-73.
Zabalbeascoa, Juan Antonio. "Identidad y personaje en el teatro de
Sam Shepard." In Actas del VII Congreso de la Asociación
Española de Estudios Anglo-Norteamericanos. Madrid:
Ediciones de la UNED, 1986. 245-52.