Survey
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
The State Youth Orchestra once again impressively gives evidence of its class ▄ Photo: Gerhard Kind ▄ E0408k A grandiose performance with the “Goosebumps Factor” The State youth Orchestra of Rheinland-Pfalz impressed an audience of over 600 in the Paulus Church with its extraordinary performance BAD KREUZNACH. First class music from young musicians could be experienced in the Paulus church. Once again the Foundation Kleinkunstbühne (stage for the small arts) had invited the State Youth Orchestra of Rheinland-Pfalz to present the resulted of their intensively practised work. 100 exceptional young musicians averaging 16 years old played under the leadership of Klaus Arp in the church, which was almost full to capacity with 600 people. The performed a well known, but nevertheless challenging program, which no professional orchestra could have done better. One of the most beautiful and well-known symphonies of the romantic age, the symphony No. 4 in A-major, the so-called “Italian” by Felix Mendelssohn Bartholdy was the prelude to the concert. The allegro movement was a little cautious, but already demonstrated a good feeling for the finest dynamic differences. The andante was very decent and convinced with its capable perfectly flowing quavers without rushing. The 3rd movement showed some slight weaknesses in the string section, but the final movement completely compensated for this, where the orchestra reached its highest level and transferred the fun of music playing to the public. The first high point was the concerto for violoncello and orchestra, op. 22 by Samuel Barber from the year 1945. Whilst Barber’s music is very popular in the USA, his works are less well known here. In this concerto, which is regarded as one of the most challenging in cello literature, the Polish-American soloist Cecylia Barczyk-Borowsky absolutely excelled. She understood how to work through the richness of extended facets in the three movements. Where a hard and precise stroke and unusually melodious effects dominated the 1st movement, the 2nd movement demonstrated the rather more lyrical spectrum, where she was ably supported by above all wind instruments and soloists. This resulted in a high-tension calm spreading over the concert hall. The 3rd movement was dominated by its virtuosity, which the soloist mastered seemingly effortlessly and with a great deal of empathy. The second part of the concert was totally characterized by the British composer Edward Elgar, op 36, where he was describing his friends, his wife, and finally himself. These variations are just so diverse and demanded the highest level of flexibility from the whole orchestra, extending from the quiet tones through to an explosion of sound. Particularly of note were the most well known Variations 9 and 14, which both through their volume of sound and their depth had the “Goosebumps factor”. The public rewarded the extraordinary performance on their feet with applause and would not let the artistes go without two encores: the Ritsch-Ratsch-Polka and a repeat of the 11th Enigma Variation. Once again the State Youth Orchestra has shown how well young musical talent can be promoted in Rheinland-Pfalz and what remarkable performances they can provide together. With the program worked out in the 107 and 108 double-work phase the orchestra will also travel through several states in the USA in October. Andrea Wagner