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Group Members Kevin C Michael Jenna B Brian T Carolyn B Tim B Whitney O The “cult of nature” and Romanticism Introduction Romanticism was an artistic and intellectual movement that originated in the late 18th century of Western Europe. This movement was a way to revolt against aristocratic social and political norms of the Enlightenment period as reaction to rationalization of nature. Romanticism was attractive. Showing through photographic and artistic forms of nature and expressing a sense of divinity within nature. This nature movement was a sense of realism. Naturalism in all forms of art refers to the depiction of realistic objects and sounds through a natural setting. The “cult of nature” movement of the early 19th century advocated naturalism in reaction to the symbolized and idealized depictions of subjects in Romanticism The following are lists of those who were influenced by naturalism and those who influenced the Romantic Era through music, art and exploration: Music There was the perception that as the cities grew larger there was a ‘disconnect’ with nature. Through the artistic mediums, you could rediscover what was missing through art, poetry and music. Musicians and composers began to write songs that expressed their feelings; there was more freedom and emotion in the structure of this music, room for variations on different themes. Romanticism attempted to bring nature forward into everyday consciousness. The styles varied; symphonies, sonatas, quartets and operas were written without the rigid structure that was present in the Classical period. This was a worldwide awakening of musical thought; composers from Germany, France, Poland, Hungary, Austria and Russia are among the many countries where musicians began to create a new form and feeling in this new musical landscape. The early Romantics: Ludwig Van Beethoven (1770-1827) He was one the first composer’s to become a freelance by choice, as opposed to depending on patrons for financial security. He wrote his Symphony No. 6 often referred to as his Pastoral Symphony. This Symphony was a beginning in describing the beauty that he saw around him. Franz Schubert (1797-1828) He was influenced by the late 18th-century expression of lyric poetry and the idea of picturesque accompaniment offered by the piano. His String Quartet in G Major begins to explore a new emotional range not previously written. Composers most associated with Romanticism- (The Middle Period): Johannes Brahms (1833-1897) Driven by a romantic passion for Clara Schumann, Robert Schumann’s wife. His music took on a lyrical feeling. His most important development technique in the piano music is variation; he would adapt other composer’s works into themes. A good example of this is his Handel variations Hector Berlioz (1803-1869) the intensity of the personality is woven into the music: all his works reflect something in himself expressed through poetry, literature, religion or drama. Sincere expression was the focus of his music; he would mix forms and media. This idea is best represented in his works, La damnation de Faust, the Te Deum and L'enfance du Christ. Felix Mendelssohn (1809 – 1847) He found his inspiration in art, nature and history for his orchestral music, his most famous piece, A Midsummer’s Night Dream is dramatic and beautiful at the same time. Frédéric Chopin (1810 -1849) He has been described as an inspired improviser, he would compose as he played. He wrote simple, but expressive melodies, he perfected a looser musical form. He would incorporate rhythms and melodies from the Polish tradition into his works. A good place to begin with Chopin is Polonaises for Piano, Op. in A major the "Minute Waltz" and Mazurkas for Piano, Op. 24: no 2 in C major Franz Liszt (1811-1886) He would combine Romantic feelings with pure dread. He was an intellectual who was searching for a new voice in musical composition. His work Les préludes, the Faust-Symphonie is a good example of his extraordinary creativity. Robert Schumann (1810-1856) His writing is considered the most progressive of his time, it is said that affairs of the heart influenced a good portion of his work. He liked champagne and women. His works, Frauenliebe und -leben ('A Woman's Love and Life') and Dichterliebe ('A Poet's Love') are good examples of his passion for life. The End of Romanticism: Richard Wagner (1813-1883) a true romantic and his works clearly show this, in the recurring theme of redemption through a woman's love in his opera cycles throughout his career. Most notable are his works, Das Rheingold and Die Walküre The works offer reflections on every aspect of the human condition. Antonin Dvorak – (1841-1904) His works display the influences of folk music, mainly Czech, (his homeland). He wrote dramatic music that could be spirited with a richness of eloquence. His music was appealing to the public, especially his New World Symphony and his Slavonic Dances and Rhapsodies. Art: Nature during the Romantic Period, many artists painted landscapes that usually showed either nationalism in painting and sketching the land near them, or the exoticism and adventure of far-away places. Also, artists often used nature to convey emotions. Jacques-Louis David 1748-1825 Jacques-Louis David, a French painter who introduced the neoclassical style in France, was a leading exemplar from the time of the French Revolution to the fall of the French Emperor Napoleon. Jacques-Louis David. Sorrow. 1773. Colored chalks on paper. 53.5 x 41 cm. Ecole Nationale Superiere des Beaux-Arts, Paris, France. Eugene Delacroix 1798-1863 He was considered the artist that led the Romanatic Movement. Eugène Delacroix. The Lion Hunt. 1861. Oil on canvas. The Art Institute of Chicago, Chicago, IL, USA. Thomas Gainsborough 1727-1788 Thomas Gainsborough was an English painter, and considered to be one of the great masters of landscape painting and portraiture. Thomas Gainsborough. William Poyntz. Exhibited S.A. 1762. Oil on canvas. Earl Spencer, Althorp, UK. Exploration: The Romantics "were the language of ordinary men." The "kind" 18th century people became known as the "Romantics". Romantic values included: imagination, intuition, emotion, inspiration, and even passion. They wanted art to demonstrate sympathy with nature. Influence of American landscapes on romantics began with drawings by Antonio de Ulloa, and Jorge John. They explored around the equator. The Andean settings they recorded remained the source of the most powerful romantic images of America. Explorers: Baron Alexander von Humboldt was a great scientist who explored America. He tried to climb Mount Chimborazo, thought to be the highest mountain in the world, he had to turn back though because of the severe conditions at the high altitudes. (September 14, 1769, Berlin – May 6, 1859, Berlin), was a Prussian naturalist and explorer, and the younger brother of the Prussian minister, philosopher, and linguist Wilhelm von Humboldt. Humboldt's quantitative work on botanical geography was foundational to the field of biogeography. Between 1799 and 1804, von Humboldt traveled to South and Central America, exploring and describing it from a scientific point of view for the first time. His description of much of this journey was written up in an enormous set of volumes over a 21-year span. He was one of the first to propose that the lands bordering the Atlantic were once joined (South America and Africa in particular). Late in life, in his five-volume work Kosmos, he attempted to unify the various branches involved in knowledge of the world. Humboldt supported and worked with other scientists, among them Joseph-Louis Gay-Lussac, Justus von Liebig, Louis Agassiz, and Matthew Fontaine Maury. Heres a picture of him: http://en.wikipedia.org/wiki/Alexander_von_Humboldt Jean-Jacques Rousseau: taught the superiority of natural passions over cultivated refinement.(June 28, 1712 – July 2, 1778) was a Geneva-born philosopher of the Enlightenment whose political ideas influenced the French Revolution, the development of socialist theory, and the growth of nationalism. Rousseau also made important contributions to music both as a theorist and as a composer. With his Confessions and other writings, he practically invented modern autobiography and encouraged a new focus on the building of subjectivity that would bear fruit in the work of thinkers as diverse as Hegel and Freud. His novel Julie, ou la nouvelle Héloïse was one of the bestselling fictional works of the eighteenth century and was important to the development of romanticism. Heres a picture of him: http://en.wikipedia.org/wiki/Jean-Jacques_Rousseau Books to look at: The Arts Entwined: Music and Painting in the Nineteenth Century (Critical and Cultural Musicology) by Marsha Morton The Sense of Music (Paperback) by, Raymond Monelle The Norton / Grove Concise Encyclopedia of Music (W.W. Norton) Film Resources: BBC Great Composers Narrated by, Kenneth Branagh