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Download Terms for Review: Exam #3 (Powerpoint)
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Format of Exam #3 •5 Listening IDs: Composer, Title, Period •3 Baroque vs Classical IDs: For a work you have never studied, state whether it is a more likely to be a Baroque- or Classical-era composition and justify your answer. •2-3 Binary Other Listening: Listening excerpts that test your knowledge and ability to hear concepts from class. •Objective Questions (approx ½ reading; ½ class) •Essay: Choice of 2-3 essays (answer one) Sample terms to know for Exam #3 Monody Basso continuo concerto grosso Ripieno Recitativo accompagnato sonata da chiesa Messiah Well-Tempered Clavier Walking bass Opera buffa Coda Double exposition form Exposition Rounded binary form Sonata Da capo aria Mozart The Creation Surprise Symphony Brandenburg concertos Marriage of Figaro cori spezzati The Four Seasons Opera figured bass notation concertino ritornello subject sinfonia Florentine Camerata oratorio French Overture classical era development trio chorale Lutheran Church cantata string quartet Surprise return polychoral motet Enlightenment Alberti bass aria chorale libretto Esterhazy family Caccini Stile rappresentativo Peri recitativo secco sonata da camera minut and trio cadenza cantata opera seria rounded binary form recapitulation finale concertato style da Ponte variations retransition The Seasons rondo form dance suite baroque London Symphonies Così fan tutte Köchel number Format of Exam #3 •5 Listening IDs: Composer, Title, Period •3 Baroque vs Classical IDs: For a work you have never studied, state whether it is a more likely to be a Baroque- or Classical-era composition and justify your answer. •1 listening based on Mozart “A Little Night Music,” I and sonata form. •Objective Questions •Essay: Choice of 2-3 essays (answer one)
