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Letter of Agreement This Letter of Agreement (“Agreement”) is between the composer and the buyer. This letter governs how and what music is to be provided to the buyer, what ownership rights to the music are transfered to the buyer and how buyer is to pay the composer for the music. The type of this agreement is type of agreement. This agreement MAY be altered or voided with consent of all involved parties. For reference, the ID code of this agreement is HWMUSICAGR0001. Involved parties. Composer – personal info here. Buyer – personal info here. Obligations. Composer: Provide original music, which characteristics are, to the best of composer’s ability, aligned with characterstics the buyer stated on e-mail when requesting this particular piece of music. (Composition and production agreement) Provide recorded, mixed and mastered track, which is based on composition/arrangement provided by the buyer and the characteristics are, to the best of composer’s ability, aligned with characteristics the buyer stated on email when requesting this particular piece of music. (Production agreement) Provide mastered version of the track, provided by the buyer for mastering. (Mastering agreement) Provide mixed and mastered track from buyer’s provided studio recordings. (Mixing agreement) Alter provided music per buyer’s request up to 3 times per music track. Buyer can buy additional alterations for a price, listed in Appendix A. Provide music in time agreed on by both parties on e-mail plus 3 business days. Provide music in any of the formats included in Appendix B per buyer’s request. Obligations. Buyer: Pay any amount, requested by the composer, which is in price range listed in Appendix A, depending on the type of agreement. Price is expressed in dollars per track minute ($/min). Pay for additional alterations to already provided music (3 alterations are free). Price is listed in Appendix A and expressed in dollars per alteration. Provide a thourough explaination of the music style and characteristics of the tracks buyer wants composer to provide, preferably illustrating it with musical example. Use the provided music only in a way that is agreed upon in this agreement. Any third parties that may get ahold of the music via the buyer are obliged to follow the rules of this agreement. Music in question. The names of files and files themselves in question are attached (either as link or a file attachment) to the e-mails between the composer and the buyer. Buyer’s rights to the music. Buyer may only use this music in a video game called game name here. Composer may allow the buyer to use this music elsewhere by explicitly stating so in an e-mail between the buyer and the composer. Composer may NOT allow any third parties to use this music in their projects without buyer’s consent. Composer’s rights to the music. If the provided music is not decided to be released as the official soundtrack of the game via buyer’s channels, composer is free to put the album on sale himself. Buyer MUST mention composer’s name in the credit list of the game under section “Music” or “Soundtrack”. Violation of this contract may be handed to any of the involved parties’ countries’ of residence National Courts for investigation. Appendix A Agreement type Composition and production agreement Production agreement Mastering agreement Mixing agreement Price range ($/min) $20-$40 $15-$30 $5-$10 $10-$20 Each additional revision of already provided tracks (after three free revisions) costs $20. Appendix B Available formats: MP3, 16-bit 44100Hz 128kbps. MP3, 16-bit 44100Hz 192kbps. MP3, 16-bit 44100Hz 256kbps. MP3, 16-bit 44100Hz 320kbps. MP3, 24-bit 44100Hz 128kbps. MP3, 24-bit 44100Hz 192kbps. MP3, 24-bit 44100Hz 256kbps. MP3, 24-bit 44100Hz 320kbps. MP3, 32-bit 44100Hz 128kbps. MP3, 32-bit 44100Hz 192kbps. MP3, 32-bit 44100Hz 256kbps. MP3, 32-bit 44100Hz 320kbps. FLAC, 16-bit 44100Hz. FLAC, 24-bit 44100Hz.