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James P. Hart Jr.
712-3 College Lane
Salisbury, Maryland 21804
C 410-251-9926
W 410-543-6227
[email protected]
Education
Masters of Fine Arts—Lighting Design, 1993
Bachelor of Arts—Theatre, 1990
University of South Carolina, Columbia, SC
Whittier College, Whittier, CA
Academic Rank History
Instructor
Assistant Professor
Visiting Instructor
Adjunct Lecturer
Salisbury University
University of Central Florida
Kent State University
Whittier College
Fall 2005 to present
Fall 1997 to Fall 2004
Summer 1997
Spring 1996
Membership/Affiliations (Past and Present)
 United States Institute of Theatre Technology
 Alpha Psi Omega
 Southeastern Theatre Conference
 Florida Theatrical Association
 American College Theatre Festival
Employment History
Lighting Designer/Technical Director/Instructor
Fall 2005 to present
Salisbury University, Department of Theatre, Salisbury, Maryland
Teach two three unit courses and supervise a one unit practicum course. Collaborate with the
design team to provide the lighting design for all departmental shows, three per year. As Technical
Director, prepare all needed drawings and lead student build crew in the execution of scenery,
properties, lighting, and sound elements. Train all run-crew; order all necessary tools and supplies.
Production Manager
August 2004 to August 2005
Assistant Professor/Production Manager
August 2001 to August 2004
Assistant Professor/Technical Director
August 1997 to August 2001
Theatre UCF –University of Central Florida, Orlando, Florida
Teach two courses per semester. Oversee all technical aspects of ten to fourteen shows yearly.
Collaborate with the design team and all shops in the execution of all scenic, costume, property,
sound and lighting designs for all productions. As Technical Director, prepare all needed drawings,
lead build and change-over crews of one to three staff members and up to thirty students per day.
As Production Manager, create and maintain master production calendar and the production
budget; liaise with all production areas; and hire extra personnel. Provide academic advising for
twenty five stage managers per semester. Fall 2001: Program Coordinator of Stage Management.
Those duties include the assignment of stage managers and assistant stage managers to all
productions; the mentoring of those stage managers during their productions; and representing the
Stage Management program in department administrations.
Employment History (continued)
Visiting Instructor/ Technical Director
Summer 1997
Porthouse Theatre –Kent State University, Kent, Ohio
AEA-LOA
Collaborate with the scenic designers and the artistic staff in the construction of all scenery for
three main stage productions in a ten week build. Prepare all needed draftings, maintain budgets,
and hire extra personnel. Direct build and change-over crews of one staff and eight intern crew in
an eleven day change-over.
Technical Director/Resident Lighting Designer
September 1996 to May 1997
Pirate Playhouse, Sanibel Island, Florida
AEA-SPT6
Collaborate with the scenic designer in the construction of all scenery for seven main stage
productions in an eight month season. Lead build and change-over crews of three apprentices and
up to six volunteers. Responsible for the lighting design of three of the six shows. Create all
needed draftings, light plots, and paperwork. Assist with the hang, circuit and trouble shooting
process. Responsible for maintenance of theatre, order all necessary tools and supplies.
Designer/Technical Director/Instructor
Spring 1996
Whittier College, Department of Theatre, Whittier, California
Sabbatical replacement. Teach one three unit course (Stagecraft 2 and supervise a one unit course
(Theatre Practicum). Responsible for the design and execution of all technical aspects for two
main stage productions. Lead build crew of eight work-study students and student load-in of
twenty. Train all run-crew; order all necessary tools and supplies.
Designer/Technical Director
September 1995 to June 1996
Buena Park High School, Fine Arts Department, Buena Park, California
Collaborate with the director in the creation and execution of designs for all technical aspects for
all drama and Dance productions. Direct volunteer student build crews. Function as the in-house
Technical Director for all incoming productions and functions in the school's performing arts
center. Train all run crew, order and maintain all necessary tools and supplies.
Technical Director/Lighting Designer
September 1994 to June 1995
Burt Reynolds Institute for Theatre Training, Tequesta, Florida
AEA-LOA
Collaborate with the scenic designer in the construction of all necessary scenery for six main stage
productions in nine month season. Collaborate with the director to produce all lighting designs.
Responsible for the installation of all lighting designs. Lead change-over crews of up to sixteen
apprentices. Work closely with designers to insure a high level of artistic integrity. Train all light
board and follow-spot operators, maintain budgets, and order all necessary tools and supplies.
Technical Director
Summer Season 1993 through March 1994
Flat Rock Playhouse, The State Theatre of North Carolina, Flat Rock, NC
AEA-CORST Y
Lead staff of six and intern/apprentice crews of up to ten in the construction of scenery for eight
main stage and various second stage performances in a sixteen week season. Maintain budgets,
order all necessary materials, tools and equipment, coordinate 36 hour change-over period,
collaborate with designers to insure a high level of artistic integrity. Facilitate the operations of the
children’s theatre program i.e.: build scenery, parade floats, and touring shows.
Hart Vita 2
Courses Taught
Salisbury University
Technical Production
THEA 221
General Ed Humanities Option
Required for all Theatre Majors
This class is a four hour lecture with a lab attachment. This class gives a general overview of
theatrical design and production. The main topics covered are design basics; theatre architecture;
scenic construction techniques; scenic, costume and lighting design; as well as lighting and sound
production.
University of Central Florida
Stagecraft II
TPA 2204 and TPA 2211
Required of All BFA
Except Musical Theatre BFA
This class is a three hour lecture with a lab attachment. This class is a continuation of Stagecraft I.
This course takes the theory of set construction and applies it to hands-on projects. It applies and
teaches intermediate scenic construction skills. When taught to BFA Performance students, it
includes units on the major design disciplines scenery, costumes, lighting, and sound.
Stagecraft III
TPA 3390/3216
Required of Design BFA
Required Stage Management BFA
This class is a three hour lecture with a lab attachment. This class is a continuation of Stagecraft II.
This course furthers the application of set construction knowledge using advanced hands-on
projects. This course also covers properties acquisition, properties construction, welding, and
theatrical sound production techniques.
CAD for Theatre
TPA 3250
Required of Design BFA
This class is a two hour lecture. This class teaches the use of AutoCAD, a computer program for
mechanical drawing. This course teaches computer aided drafting (CAD) by means of hands-on
projects and lecturing. It is a source of constant course preparation. Program upgrades have forced
us to keep this curriculum current.
Advanced CAD for Theatre
TPA 3251
Required of Design BFA
This class is a two hour lecture. This class is a continuation of CAD for Theatre. It teaches
advanced techniques in AutoCAD. It covers any recent upgrades and guides the students towards 3Dimensional drafting applications, and computer rendering.
Stage Lighting
TPA 2220
Required of Stage Management BFA
Required of Design BFA
This class is a three hour lecture with a lab attachment. This class is the prerequisite to lighting
design. This course teaches basic electrical skills including lighting equipment, electrical theory,
master electrician skills, color mixing, designer relations, and coverage.
Hart Vita 3
Courses Taught (continued)
University of Central Florida (continued)
Technical Theatre Production
THE 2261
Required for BA
Required BFA Musical Theatre
This class is a three hour lecture with a lab attachment. This class gives a general overview of
theatrical design and production. The main topics covered are design basics; theatre architecture;
scenic construction techniques; scenic, costume and lighting design; as well as lighting and sound
production.
Theatre Survey
THE 1020
General Education Program
This class is a three hour lecture. This course gives a general overview of the theory and practice of
theatre. Topics covered in survey format include the following: theatre history, theatre architecture,
theatre styles of the world, dramatic literature, and theatre production practices. The course requires
the student to read a theatre text and eight plays; see video of classic productions; and see at least
four live theatre productions.
Theatre Studio Design/Tech
TPA 3195
Theatre Elective
This class is entirely hands-on. It puts the student in the position of a company member at a real
functioning summer theatre. It instructs and guides them through the rigors of theatre work in all
encompassing, totally immersive conditions. This course gives the student an experience equivalent
of a job in a summer stock theatre company. The company produces four shows, open to the public,
in a ten week season, two weeks per show with a four day turn over between shows.
Stage Management
TPA 3601
Required of Stage Management BFA
This class is a two-hour lecture with a lab attachment. This course teaches basic Stage Management
skills including promptbooks, scheduling, rehearsals, director relations, blocking/choreography
notation, backstage etiquette, and calling show cues.
Theatre Careers
TPA 3401
Required of SM BFA
This class is a three-hour lecture. This course teaches the student how to prepare for the job market.
It covers research and job-hunting techniques. It includes resume and cover letter preparation. It
forces the student to prepare a quality portfolio both hard copy and digital. Mock interviews with
faculty members and professionals hone the students’ interview skills
Theatre Production/
Performance I-VII
TPA 2290, TPA 2291, TPA 4293,
TPA 4294, TPA 4295, TPA 4296
Required
Every BFA student must participate in two departmental productions per semester. Each of these
classes is a one credit class taken by Design/Technical Theatre and Stage Management BFA
students. These classes grade their hands-on production work. They take these classes when they
are not already enrolled in a class that has a specific production lab attachment.
Independent Study
I have offered independent studies in several topics: Technical Direction, Production Management,
DMX512, AutoCAD Projects and Theatre Work Off-Campus (interning)
Hart Vita 4
Courses Taught (continued)
Kent State University
Summer Theatre Design/Tech
Summer 1997
Theatre Elective
This class is entirely hands-on. It puts the student in the position of a company member at a real
functioning summer theatre. It instructs and guides them through the rigors of theatre work in all
encompassing, totally immersive conditions. This course gives the student an experience equivalent
of a job in a summer stock theatre company. The company produces three shows, open to the
public, in a fourteen week season, four weeks per show with an eleven day turn over between
shows.
Whittier College
Stagecraft II
Spring 1996
Theatre Elective
This class is a three hour lecture with a six hour lab attachment. This class is a combination of two
separate units--Hand Drafting and Stage Management. The basic elements of reading and creating
mechanically drawn plates are taught. Basic stage management skills are taught including prompt
books, scheduling, rehearsals, director relations, blocking/choreography notation, backstage
etiquette, and calling show cues.
Theatre Practicum
Required
Spring 1996
Every student must participate in a departmental production each year. This class is a one credit
class taken by all students and is repeatable for credit. This class grades their hands-on production
work. They take this class when they are not already enrolled in a class that has a specific
production lab attachment.
Hart Vita 5
Other Teaching
Hands-On Instruction
While universities and colleges teaching methods are well formulated and regimented, the
average regional theatre has a teaching component in the form apprentice or internship program.
Flat Rock Playhouse had both an apprentice program and an internship program. Pirate
Playhouse had an intern program. Burt Reynolds Institute for Theatre Training was a school for
actors but they were to do technical work when they were not acting. And though I taught no
formal classes at Buena Park High School, students learned and worked with me on a constant
basis. At all of the non academic venues, and beyond the classroom during college and
university employment, my interest has always been the furthering of knowledge of those around
me, be they students or employees.
Panels and Workshops
American College Theatre Festival (ACTF) Region VII, Spring 2001
Gave a Workshop on Director Designer Relations
Southeastern Theatre Conference, Spring 2001
Panel Discussion “Collaboration—Feast or Famine”
Guest Lectures
“Portfolio Presentation” for Theatre Careers Class, Fall 1998 and 1999
“Standard Operating Guidelines” for Stage Management, Spring 2001 and Spring 2002
“Review of Death of a Salesman” for Stage Management, Spring 2002
I have been to several High Schools for various lectures, mostly “How to Work Stage
Equipment,” “How to build a Flat,” “How to Build a Platform,” “Shop Safety,” “Basic Lighting
Techniques,” “Basic Sound Techniques”
Consulting Work

Sapsis Rigging--Performed an onsite inspection of a church/performance space in Port Richie,
Florida. Performed inspection of the space, took detailed specifications and measurements.
Drafted the space in AutoCAD and wrote a short analysis. Winter 1998

Oak Ridge Playhouse--Performed a full inspection of the space with regards to safety and
specific needs of the theatre with an eye towards renovation and expansion. Took detailed
specifications and measurements, wrote a report detailing the findings, and made suggestions
and recommendations. Winter 1993
Other


Theatre and Arena Rigging Seminar
Jay Glerum and Harry Donovan, Instructors
Attended and completed a nationally recognized 4 day seminar on Theatrical and Arena
Rigging.
ABC’s of Diversity
Attended a seminar in cultural diversity
Hart Vita 6
Service
United States Institute for Theatre Technology
National Convention Committee, Transportation Coordinator, 2000
This committee supervises all planning, scheduling and organization of yearly national conference.
Transportation Coordinator supervises all transportation issues and decisions for yearly national conference.
College of Arts and Sciences Service—University of Central Florida
Teaching Incentive Program Award (TIP)—Selection Committee, Spring 2000
Responsibilities: Serve as chair of Subcommittee #4. Read and assess faculty portfolios, lead subcommittee
discussions, and tally subcommittee votes and report to chair of committee.
Departmental Service—University of Central Florida 1997 to present
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Program Coordinator—BFA Stage Management, Fall 2001 to present
Coordinated Theatre Department Move (Spring through Summer 2002)
Faculty Advisor for Alpha Psi Omega (National Dramatics Fraternity), Fall 2001 to present
Advising
o Evaluate students for continuation in the BFA Design/Tech and BFA Stage Management track
o Serve as theatre academic advisor to between 18 and 45 students per semester
o Serve as mentor to all majors but specifically BFA Design/Tech and Stage Management majors
o Assist with faculty new to advising
Curriculum
o Assist with curriculum changes, development and recruitment
o Assist in development of new classes
o Assist in the annual assessment and refinement of the Design/Tech and Stage Management tracks
o Oversee the assignment of student production duties
Departmental Policy
o Assist in clarifying and implementing policies within the Design/Tech and Stage Management areas
o Assist in review of all candidates in new or replacement positions
o Assist adjuncts teaching Stagecraft and Stage Management courses
o Aid in Season Selection
Recruitment/Retention
o Attend both the Thespian conference and the Florida Theatre Association conference annually with the sole
purpose of recruitment
o Participate in recruitment efforts dealing with Design/Tech and Stage Management
o Enforce strict adherence to probation policy
o Assist in scheduling all auditions/interviews both in house and BFA
o Attend many of the Saturday interviews of students applying to the Design/Tech and Stage Management
tracks
o Give departmental tours and speak and correspond with families and students interested in the Design/Tech
and Stage Management tracks
MFA Program
o Assisted in the writing and editing of the original MFA program proposal
o Assisted in the development of the Design MFA
o Assisted in the writing of curriculum and wrote several sample syllabi
o Supervise duties of Graduate Design Assistantship students
Other
o Head the committee that provides production assignments 200-300 students every semester
o Oversee and maintain the Master Production Assignment List
o Assist in awarding scholarships and assigning duties to scholarship recipients
Committees
o Design/Tech Area Committee
o Season Selection Committee
o Curriculum Committee
o MFA Planning Committee
o Many Search Committees
o MFA Curriculum Committee
o Civic Planning Committee
o Downtown Performing Arts Center Committee
Hart Vita 7
Show List
Whittier College—Whittier, California
Flat Rock Playhouse—Flat Rock, NC
1986-87
1991
1987-88
1988-89
1989-90
Tomfoolery
Shop Assistant
Rise and Rise of Daniel Rocket
Shop Assistant
A Midsummer Nights Dream
Shop Assistant/Cast
Little Murders
Shop Assistant/Cast
Auntie Mame
Shop Assistant/Cast
Of Mice and Men
Shop Assistant/Cast
Rehearsal for Murder
Shop Assistant/Cast
Company
Load In Crew/ Followspot Operator
The Bacchae
Load In Crew/ Cast
Getting Out
Load In Crew
Bleacher Bums
Load In Crew/ Cast
Baby with the Bath Water
Student Technical Director
The Good Woman of Setzuan
Student Technical
Director/Cast
Scapin
Student Technical Director
On The Verge
Student Technical Director
‘Night Mother
Production Designer/Technical Director
(Student Production)
Spring Sing 1990
Lighting Designer
1992
1993
Summer Repertory ’90, University of South Carolina—
Columbia, South Carolina
1990
The Mystery of Irma Vep
Driving Miss Daisy
Cocktail Hour
Alice in Wonderland
Assistant Stage Manager/
Shop Technician
Shop Technician
Properties/Shop Technician
Sound Op/Shop Technician
University of South Carolina—Columbia, South Carolina
(Graduate Assistant)
1990-91
1991-92
1992-93
Tracers and Waiting For The Parade
Shop Technician
Booth (World Premier)
Assistant Technical Director
Seasons Greetings
Shop Technician
The Three Penny Opera
Shop Technician
Six Characters In Search
Of An Author
Lighting Designer/Shop Technician
The Frogs (Musical Comedy)
Master Electrician/
Shop Technician
Hard Times
Master Electrician/Shop Technician
Breaking the Code
Asst. Lighting Designer/
Master Electrician
Ondine
Master Electrician/Shop Technician
The Lark
Master Electrician/Shop Technician
Reckless
Lighting Designer/Master Electrician
Misalliance
Lighting Designer/Master Electrician
Tooth of Crime
Shop Technician
Twelfth Night
Shop Technician
Our Town
Shop Technician
Romeo and Juliette
Shop Technician
1994
Pirate Playhouse—Sanibel, Florida
1994
1996-97
Workshop Theatre—Columbia, South Carolina
1992
25th Anniversary Gala Celebration
Joseph and the
Amazing Technicolor Dream Coat
Wally’s Cafe
Technical Director
Twelfth Night
Technical Director
Taking Steps
Lighting Designer/Technical Director
Born Yesterday
Technical Director
Prelude to a Kiss
Lighting Designer/Technical Director
Miracle Worker
Technical Director
The Importance of Being Earnest
Lighting
Designer/Technical Director
Forever Plaid
Technical Director
Abundance
Lighting Designer
Lighting Designer
1998
Lighting Designer
Burt Reynolds Institute for Theatre Training
The Shakespeare Theatre—Washington, DC
1993
Eleemosynary
Carpenter
Rumors
Carpenter
Lend Me A Tenor
Carpenter
Lettice & Lovage
Carpenter
Lucky Guy
Carpenter
Man of La Mancha
Carpenter
Other People's Money
Carpenter
The Price of Fame
Carpenter
Once Upon A Shoe (Children’s Theatre)
Carpenter
Gilligan's Island: The Musical
Carpenter
Smoke and Mirrors
Carpenter
When Pigs Fly
Carpenter
Guys And Dolls
Carpenter
Vaudeville
Carpenter
Nuptials
Carpenter
I Hate Hamlet
Carpenter
An Unexpected Evening with June Havoc
Carpenter
James & the Giant Peach (TYP)
Carpenter
To Forgive, Divine
Technical Director
Smoke on The Mountain
Technical Director
Rockers
Technical Director
City Of Angels
Technical Director
Don't Dress For Dinner
Technical Director
Hello, Dolly
Technical Director
A Few Good Men
Technical Director
Breaking Legs
Technical Director
Glass Menagerie
Lighting Designer/Technical Director
Children’s Theatre Spring Festival (9 plays)
Technical Director
Fairy Tale Spoofs (7 plays Children’s Theatre)
Technical Director
Fun & Frights (Children’s Theatre)
Technical Director
Pump Boys & Dinettes
Production Manager
Anybody for Murder
Production Manager
Lucky Guy
Production Manager
Damaged Gooods
Production Manager
My Fair Lady
Production Manager
Running In the Red
Production Manager
Harvey
Production Manager
Lost In Yonkers
Production Manager
Candy Store Window
Production Manager
Comedy of Errors
Scenery and Lighting crew
Mother Courage and Her Children—
Properties
Research/Construction
Assistant Lighting Designer
Lighting Designer--Howell Binkley
Arden of Faversham (Director’s Showcase)
Lighting
Designer
1994-95
Was He Anyone?
The Fantastiks
The Glass Menagerie
The Dining Room
Heidi Chronicles
Chicago
—Tequesta, Florida
Lighting Designer/Technical Director
Lighting Designer/Technical Director
Lighting Designer/Technical Director
Scenic & Lighting Designer/Technical
Director
Lighting Designer/Technical Director
Technical Director
Hart Vita 8
Show List (continued)
Buena Park High School—Buena Park, California
University of Central Florida (continued)
1995-96
2001-02
Our Town Scenic & Lighting Designer/Technical Director
Picnic
Scenic & Lighting Designer/Technical Director
Pajama Game
Scenic and Lighting Designer
/Technical Director
Whittier College—Whittier, California
1996
Eleemosynary
Scenic & Lighting Designer/Technical
Director
Beggar’s Opera
Scenic & Lighting Designer/Technical
Director
Porthouse Theatre—Kent, Ohio
1997
The Foreigner
Twelfth Night
Man of La Mancha
Technical Director
Technical Director
Technical Director
UCF--Orlando Shakespeare Festival—Orlando, Florida
1999
MacBeth
2002-03
Lighting Designer
University of Central Florida—Orlando, Florida
1997-98
1998-99
99-2000
2000-01
2001-02
Noises Off
Technical Director
Quilters
Technical Director
Laughter on the 23rd Floor
Technical Director
No Place to Be Somebody
Technical Director
The Best Little Whorehouse in Texas
Technical Director
Extremities
Lighting Designer/Technical Director
Taffetas
Technical Director
A Shot in the Dark
Technical Director
Cardigans
Technical Director
Run for Your Wife
Technical Director
Lend Me a Tenor
Technical Director
Our Town
Technical Director
The Butterfingers Angel
Technical Director
To Be Young, Gifted, and Black
Technical Director
Taffetas (Disney Institute)
Technical Director
Big River
Technical Director
A Piece of My Heart
Technical Director
Little Shop of Horrors
Technical Director
Equus
Technical Director
Odd Couple
Technical Director
Sabrina Fair
Technical Director
Importance of Being Earnest
Technical Director
Side by Side by Sondheim
Technical Director
Amadeus
Technical Director
A Soldier’s Play
Technical Director
Anything Goes
Technical Director
Toys in the Attic
Scenic Designer/Technical Director
Tintypes
Technical Director
Orphans
Technical Director
Ready When You Are, C.B.!
Technical Director
Out of Order
Technical Director
You Can’t Take It With You
Technical Director
Something’s Afoot
Technical Director
Glen Gary, Glen, Ross
Technical Director
A Raisin In The Sun
Technical Director
Crazy For You
Technical Director
Luann Hampton Laverty Oberlander
Technical Director
I Love My Wife
Technical Director
When Ya Comin’ Back Red Rider
Technical Director
Sylvia
Technical Director
The Nerd
Technical Director
Arsenic and Old Lace
Production Manager
Diviners
Scenic Designer/Technical Director/
Production Manager
Ain’t Misbehavin’
Production Manager
2003-04
2004-05
Picasso at the Lapin Agile
Technical Director/
Production Manager
Under Fire
Production Manager
Death of a Salesman
Production Manager
The Dining Room
Props Master/Production Manager
Damn Yankees
Production Manager
Lips Together, Teeth Apart
Production Manager
Look Homeward Angel
Lighting Designer/
Production Manager
Nunsense
Production Manager
Bus Stop
Lighting Designer/Production Manager
Laundry and Bourbon / Lone Star
Production Manager
The Lady’s Not For Burning
Lighting Designer/
Production Manager
Ah, Wilderness
Production Manager
Waiting for Godot
Lighting Designer/Production Manager
Fame! The Musical
Production Manager
Impossible Marriage
Production Manager
The Merry Wives of Windsor
Production Manager
Ceremonies in Dark
Old Men
Scenic Designer/Production Manager
50 Years of the Best of
Black Theatre
Scenic Designer/ Production Manager
Nora
Production Manager
The Mikado
Production Manager
Balcony Scene
Lighting Designer/Production Manager
The Fifth of July
Lighting Designer/Production Manager
Is There Life After High School
Production Manager
Something's Missing (World Premiere)
Scenic Designer/
Lighting Designer, Production Manager
Crimes of the Heart
Production Manager
Gin Game
Production Manager
Misalliance
Production Manager
The Laramie Project
Lighting Designer/
Production Manager
Assassins
Production Manager
Steel Magnolias
Production Manager
The Marriage of Bette and Boo
Production Manager
What the Butler Saw
Production Manager
All in the Timing
Scenic Designer/Production Manager
Once on this Island
Production Manager
True West
Lighting Designer/Production Manager
God’s Country
Production Manager
Leader of the Pack
Production Manager
Picnic
Production Manager
Bedroom Farce
Lighting Designer/Production Manager
Blithe Spirit
Lighting Designer/Production Manager
The Woman Who Fell From the Sky
Production Manager
Three Sisters
Production Manager
Dancing at Lughnasa
Production Manager
A Chorus Line
Production Manager
Lysistrata
Production Manager
The Visit
Production Manager
Scapin
Production Manager
Guys and Dolls
Production Manager
Pippin
Production Manager
Six Women with Brain Death
Production Manager
The Wizard of Oz
Production Manager
Salisbury University—Salisbury, Maryland
2005-06
Mother Courage and Her
Children
Lighting Designer/Technical Director
Antigone
Lighting Designer/Technical Director
Once Upon a
Mattress
Lighting Designer/Technical Director
Hart Vita 9