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Press Kit Mauricio Cespedes Rivero, Violist Contact Information Address: 1401 Blumberg Blvd 404 Winter Springs, Fl 32708 phone: 850 445 9694 email: [email protected] web: http://orlandophil.org/musicians/principal-musicians/mauricio-cespedesrivero/ Mauricio Cespedes unique performances bring music from different backgrounds and genres. His specialty is the performance of Music for solo viola and chamber music by 20 century Bolivian Composers. Mauricio's statement with his music is clear “I want to be the first viola player who brings South American sounds into great classical venues.” Mauricio is the first viola player from Bolivia who is fully dedicated to bring a new musical message that include a combination of Bolivian melodies and rhythms with a 20 century “sound.” During past years, Mauricio has brought Latin American music to stages in Europe: Franzosische Dom in Berlin, Casa de America in Madrid, Simon Boliviar Hall in London, and The Italian Hall in Paris. Stages in South America: Cities of Peru, Bolivia, Venezuela, and in the US: Tallahassee (Florida State University), premiere of Jorge Ibanez's Sonata for solo Viola, and Gerardo Yanez's Meditation for Solo Viola and Electro. Also, important performance of Latin American repertory at Aspen Music festival, Mimir Festival, and Blue Lake Fine Arts Festival. Mauricio's recording of the distinguish Bolivian Composer Gustavo Navarre” String Quartet has been cataloged as “great recording that showcases Bolivian music in an international level.” (Gustavo Navarre Jr.) Significant Highlights of Mauricio Cespedes Mauricio was born in Cochabamba-Bolivia, started the violin, and later the viola with his father Fredy Cespedes (Concertmaster of the Bolivian Symphony orchestra) and his mother Maria Eugenia Rivero (Principal Cello Bolivian Symphony Orchestra). He holds degrees from New World School of the Arts, Michigan State University, and Florida State University where he is completing his Doctorate degree. Mauricio serves as principal viola of the Orlando Philharmonic Orchestra, and he served as Principal Viola in the Bolivian National Symphony Orchestra, Sinfonicum Europae Orchestra at the Millennium Concert at Avery Fisher Hall in Lincoln Center-New York where he served as assistant principal viola to Cynthia Phelps. He also served as principal of the Florida State University Symphony Orchestra, where he is completing his Doctoral Degree in music performance. His teachers include Richard Fleishman, Robert Dan, Charles Pikler, Sylvia Rosenberg, John Graham, Anton Nel, Masao Kawasaki, James Dunham and Pamela Ryan. As a chamber musician, Mauricio participated in the Mimir, and Aspen Advance Quartet Programs. Participation at the Michigan Chamber Music Society. Tours to Latinamerica, Europe and Asia. Mauricio has been a winner of the 2002 NWSA Concerto Competition, Ibero American Symphony Competition, 2005 Ozaka International Chamber Music Competition, sponsored by the Japan Chamber Music Foundation. His solo performances include concerts with the New World School of the Arts Symphony Orchestra, National Symphony Orchestra of Bolivia, La Paz Symphony Orchestra, International Festival Orchestra in Bolivia, El Festival del Sol Symphony Orchestra, Camerata Concertante of Cochabamba, the National Conservatory of Bolivia Symphony Orchestra. During the summer, Mauricio serves as a member of the Faculty at Blue Lake Fine Arts Camp in Michigan. Besides music, Mauricio holds a degree in Environmental Engineering with an emphasis in Management of Protected Areas in Bolivia. Mauricio has two younger sisters, Adriana who plays Bass, and Wara who plays violin. Performance Reviews “......In both concerts, the audience was totally absorbed by the development of the program, and the enjoyment of the pure melodic and perfect equilibrium with perfect coordination of the performance.” Maria Teresa Rivera de Stahlie, Madrid, March 2007 “ One upcoming project for instance, is a commission to record the quartet of the late Bolivian Composer Gustavo Navarre, work like this is as essential for bringing people together trough music.” The Aspen Times, USA 2006 “ The standing ovation of the audience in response to the great performance and the perfect ensemble of the Latin American composer Carlos Gardel: Por Una Cabeza...... a standing ovation was celebrated the performance of the young ensemble.” Boliviscopio, Mario D. Rios Castelu “ the artist created a harmony of a new time trough the universal language of music...... The interesting program included outstanding South American composers Teresa Carreno and Gustavo Navarre that was received with an ovation of the audience here in Berlin.” Venezuelan Embassy in Berlin, Zulema Centeno Mauricio Cespedes Rivero