Download Clementi Sonatina Analysis - Peggy Taylor Piano Studio

Survey
yes no Was this document useful for you?
   Thank you for your participation!

* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project

page
1
page
2
page
3
page
4
page
5
page
6
page
7
page
8
page
9
page
10
page
11
page
12
page
13
page
14
page
15
page
16
page
17
page
18
page
19
page
20
page
21
page
22
page
23
Document related concepts
no text concepts found
Transcript 
Form
Form p. 2
C Major Triad, Meas. 1-2
C Major 5 Finger Pattern, m. 2-3
G & C Five Finger Patterns, m. 3-4
Modulation – G Scale
Alberti Bass
G Major Scale on B
Meas. 15-16
Development – Minor Key
L.H. Melody
Recap – Octave Lower
Melody Change, Meas. 28
Double 3rds, Meas. 30
Beethoven, Les Adieux
G & C Five Finger Patterns, Meas. 3-4
Czerny Etude
Czerny Etude with Comments
Kabalevsky Waltz, Op. 39
Kabalevsky Waltz, Op. 39 w/ Comments
Shostakovitch Waltz
Shostakovich Waltz w/Comments
Beethoven – compare harmonic structure of first four measures with measures 7-10, when opening melody repeats.
Even though the first three notes of the melody are the same, the harmony is quite different.
Teaching items in this section: Augmented 6th chord, suspensions, secondary dominants, diminished seventh chords
Kabalevsky Waltz – This piece moves through a harmonic progression that our ears do not expect to hear. The music
begins sounding aeolian, the first section ends sounding like it is in a minor, and the piece ends with an authentic
cadence in d minor.
Czerrny Etude – See comments on music. Karen liked this one. You may find other good theory elements.
Shostakovich Waltz – This is modal (listed in Clarice Lincoln’s article) – aeolian mode both on a and on g.
Related documents