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Revivalism Architecture and Early American Skyscrapers of the late 19th C & early 20th C Reviving styles from the past as a way to provide a high culture look to growing industrial centers. Styles included the following: Neo-Baroque, Neo-Classical, Neo-Gothic & Neo-Renaissance Early American skyscrapers turned to cast-iron construction to build upward. Revivalism Architecture Neo-Baroque Looking at these two images and the next slide, how would you describe the Neo-Baroque style? Charles Garnier Casio Theater, Monte Carlo 1890s Charles Garnier L’ Opera House, Paris 1861-74 Revivalism Architecture Neo-Baroque Stokes, Graham & Duboy Ansonia Hotel, NYC 1899-1904 Lyceum Theatre, London mid 19th C Revivalism Architecture Neo-Baroque Bertram Goodhue & Carleton Winslow Casa de Balboa Balboa Park 1915 Revivalism Architecture Neo-Gothic rose window National Cathedral Washington, D.C. 1907-90 Our country’s national cathedral took 83 years to complete, even with modern technology because the designer wanted to follow the traditional hand-cut stone quality of the original cathedrals in Europe. John Roebling Brooklyn Bridge, NYC 1869-83 Revivalism Architecture Neo-Gothic Patrick Keely Holy Name Cathedral, Chicago 1874 James Gable Rogers Yale University, New Haven, CT 1921 Even though a “gothic” style would reference cathedrals and churches, other types of structures could be designed in a Neo-Gothic style. Revivalism Architecture Neo-Classical Apotheosis of George Washington U.S. Capitol Building Washington, D.C. 1793-1830 Crypt under rotunda Revivalism Architecture Neo-Classical New York Stock Exchange 1903 Corinthian columns with carved figures in the pediment representing Integrity Protecting the Works of Man Revivalism Architecture Neo-Classical Arthur Brown Jr. Bakewell & Brown San Francisco War Memorial Opera House 1932 San Francisco City Hall 1915 Fifth largest dome in the world Early American Skyscrapers / Cast-iron construction Due to the weight of cast-iron, architects designed these early skyscrapers with an atrium center to help lighten the load or weight of the building. These buildings may appear as solid floors from the exterior, yet interior lobbies could be quite spectacular and surprising upon entering. H.H. Richardson Marshall Field Department Store Chicago 1851 Interior atrium Revivalism Architecture Neo-Renaissance William Burnet Tuthill Carnegie Hall 1891 Revivalism Architecture Neo-Renaissance Richard Morris Hunt, architect with Jules Allard & Sons and James Codman, Jr., interiors Cornelius Vanderbilt II The Breakers Newport, Rhode Island 1893-1895 Great Hall Library Early American Skyscrapers Architects and engineers in Chicago developed the skyscraper. Chicago, to this day, remains at the cutting edge of architectural designs and innovative ideas. Early American Skyscrapers Louis Sullivan was one of several architects to design early skyscrapers in Chicago. Other cities, such as New York and St. Louis quickly followed. The saying or dictum “Form follows Function” was coined from Sullivan’s statement below. The principle is that the shape of a building or object should be primarily based upon its intended function or purpose. Louis Sullivan: It is the pervading law of all things organic and inorganic, Of all things physical and metaphysical, Of all things human and all things super-human, Of all true manifestations of the head, Of the heart, of the soul, That the life is recognizable in its expression, That form ever follows function. This is the law. 1896 Louis Sullivan Wainwright Building St. Louis, Missouri 1890-1891 Early American Skyscrapers The Rookery Building interior was redesigned in 1905 by then assistant architect to Louis Sullivan, was Frank Lloyd Wright. This is Wright’s only work within a downtown cityscape. Burnham & Root Rookery Building Chicago 1885-1888 Early American Skyscrapers Baumann & Huehl Chamber of Commerce Building Chicago 1888-1890 Daniel Burnham Monadnock Building Holabird & Roche Chicago Chicago Building 1891 Chicago 1904-1905 Early American Skyscrapers Daniel Burnham Flatiron Building or The Fuller Building Madison Square, New York City 1903 A famous and uniquely designed skyscraper, built on a triangular piece of land, which is why it was able to rise higher than most cast-iron constructions. Early American Skyscrapers As skyscrapers became taller and were built to the edge of sidewalks, cities require a set-back on the buildings after so many floors. This 1916 Zoning resolution paved the way for unique “wedding-cake style” tops on early skyscrapers. The set-back was design for better air circulation at the street level and to not block out to much sunlight. Ralph Walker Barclay-Vesey Telephone Building, NYC 1926 Rapp & Rapp Paramount Building, NYC 1926