Download winner of five tony awards! peter and the

CONTACT: Cindy Moran, Public Relations Director
414-224-1761 or [email protected]
WINNER OF FIVE TONY AWARDS!
PETER AND THE STARCATCHER
The Imaginative Prequel to Peter Pan –
A Delightful, Fantastical Journey The Whole Family Will Enjoy
April 7, 2015 – [Milwaukee] – Milwaukee Repertory Theater concludes its 2014/15 Quadracci
Powerhouse Season with the charming, Tony Award-winning play Peter and the Starcatcher, the show
The New York Times described as, “the most exhilarating Broadway storytelling in decades!” Based on
the bestselling novel by Dave Barry and Ridley Pearson and written by Rick Elice with music by Wayne
Barker, Peter and the Starcatcher is the joyous prequel to the beloved story of Peter Pan. An epic origin
story that is both hilarious and inspiring – Peter and the Starcatcher has touched the hearts of young and
old as it lets their imaginations fly. This family-friendly play comes just in time for spring and runs April
21 – May 24, 2015 in Milwaukee Repertory Theater’s Quadracci Powerhouse and opens on Friday, April
24.
Directed by Blake Robison, now in his third season as Artistic Director of Cincinnati Playhouse in the
Park, the cast for Peter and the Starcatcher includes: Clinton Brandhagen, Ollie Corchado, Jamal
Crowelle, Joanna Howard, Sean Mellott, Andy Paterson, José Restrepo, Arturo Soria, Tom Story, Nick
Vannoy, and Noah Zachary, all making their Rep debuts and Andrew Carlyle, a member of The Rep’s
Artistic Intern Ensemble. Peter and the Starcatcher is a co-production with Cincinnati Playhouse in the
Park.
Join a swashbuckling, mad-cap adventure aboard the good ship Neverland! Before Peter was Pan, he
was just an orphan who didn’t like grown ups. But his future changes forever when the lost boy boards a
pirate ship, and we’re whisked away on a breathtaking adventure to answer the question: how did a boy
named Peter become The Boy Who Never Grew Up? Fun for the whole family, the five-time Tony
Award-winning show features a dozen actors playing more than 100 unforgettable characters. This
innovative, hilarious, and imaginative prequel to Peter Pan will have you HOOKed the moment you let
your imagination take flight. (Recommended for ages eight and up.)
“Peter and the Starcatcher is an innately theatrical experience – it’s very inventive yet it also has an
endearing simplicity,” said Artistic Director Mark Clements. “I liken it to Winnie the Pooh. To children,
Winnie the Pooh is a very cute character. But for adults, it takes on a deeper philosophical point of view.
Peter and the Starcatcher is like that too. When I’ve seen it, audiences have absolutely loved it. They
come out laughing, or maybe a little teary-eyed. Families leave the theater just beaming.”
Added Director Blake Robison, “Peter and the Starcatcher celebrates the art of theatrical storytelling.
It’s an ensemble piece, narrated by the entire company, in which places and effects spring to life before
your eyes through simple and evocative staging and props. A sense of joy and wonder permeates the
play. Scenically, we’ve created a simple, open space in which the actors can play. There’s a bare stage, a
big curtain, a ladder, and some trunks. From these few items, we make magic. Through the power of
language and the manipulation of stage props, the stage becomes a ship, a dungeon, the ocean, or an
island. It’s a giant theatrical playground.”
The Executive Producers for Milwaukee Repertory Theater’s production of Peter and the Starcatcher are
Greg and Rhonda Oberland. The Associate Producers are Bladen and Julia Burns. The Quadracci
Powerhouse Season is sponsored by H. Richard Quadracci Ewens and Emilio Cabrera in memory of
Harry and Betty Quadracci.
Peter and the Starcatcher Tickets
Tickets for Peter and the Starcatcher begin at $20.00. Single tickets for all of Milwaukee Repertory
Theater’s 2014/15 season productions are currently on sale and can be purchased online at
www.MilwaukeeRep.com, by calling 414-224-9490, or in person at 108 E. Wells Street. Group tickets
are also available by calling Group Sales Coordinator Morgan Halverson at 414-290-5340.
To learn more about The Rep or its productions, please visit www.MilwaukeeRep.com.
CAST
Clinton Brandhagen (Lord Leonard Aster) makes his Milwaukee Repertory Theater debut with Peter and
the Starcatcher. A recent transplant to New York City, Brandhagen made his Broadway debut in Master
Class (starring Tyne Daly) at the Manhattan Theatre Club, reprising his performance from The Kennedy
Center in Washington, D.C. Recent credits include Harry in The Understudy and Tom in The Glass
Menagerie at Everyman Theatre and Charlie in Stones in His Pockets at Center Stage in Baltimore.
Regionally, he has appeared at Arena Stage, Ford’s Theatre, The Kennedy Center, Olney Theatre Center,
Potomac Theatre Project, Round House Theatre, Theater J, The Shakespeare Theatre, Woolly Mammoth
Theatre Company, and The Folger. Brandhagen is a member of Everyman Theatre’s resident acting
company, and is also an accomplished photographer.
Andrew Carlyle (Ted), a member of The Rep’s 2014/15 Artistic Intern Ensemble, appeared in their
annual production of A Christmas Carol this season. Other recent credits include Much Ado about
Nothing (MaineStage Shakespeare) and As You Like It (Illinois Shakespeare Festival). He recently
graduated from Illinois State University with a Bachelor’s Degree in acting.
Ollie Corchado (Grempkin/Mack/Sanchez/Hawking Clam) is a New York-based actor originally from San
Antonio, Texas. A proud member of Cincinnati Playhouse in the Park’s 2014/15 Bruce E. Coyle Acting
Intern Company, he appeared in A Christmas Carol, where he played Dick Wilkins. He also played the
Beast in the Playhouse’s Off the Hill touring production of Roses & Thorns (A Tale of Beauty & the Beast).
Other professional stage credits include: Forever 27 (New York City Downtown Urban Theatre Festival);
A Christmas Carol (Hampstead Stage Company); Treasure Island (Hampstead Stage Company); and Snow
White and the Seven Dwarfs (Berkshire Theatre Group). Television credits include Stalked: Someone’s
Watching (Investigation Discovery), and Deadly Sins (Investigation Discovery).
Jamal Crowelle (Captain Robert Falcon Scott) makes his Rep debut with Peter and the Starcatcher.
Hailing from Virginia but now based in New York, he graduated with a BA in acting from Emory and
Henry College where he minored in literature and creative writing. Regional and New York credits
include: Titus Andronicus (Aaron); For Vixens: The Musical (Theez Notes); Broadway Epic Fails with the
New York Musical Theatre Festival; The Seven (Eteocles); 155 Thru the Roof (Apollo); Letters with Anne
Frank and MLK (MLK); The Last Five Years (Jamie); Go Dog Go (MC Dog); and Hank Williams: Lost
Highway (Tee-Tot); among others. Television and film credits include: Velma Does Not Get It (College
Humor); Brain Games (National Geographic); and Pepsi PXP (CrafTV).
Joanna Howard (Molly Aster) will make her Rep debut with this production. Her most recent credits
include: Peter and the Starcatcher (New World Stages); The Crucible (Bay Street Theatre); and The
Master Builder and Another Side of the Island/The Tempest (Alpine Theatre Project). Television and film
credits include Law & Order: SVU and Andre Gregory’s most recent film project, A Master Builder.
Howard studied acting and classical voice at the University of Maryland; she began singing at the age of
five with her two older sisters, forming The Howard Sisters trio, which still performs today. As a soloist,
Howard enjoys singing oratorio and jazz concerts throughout the New York City area.
Sean Mellott (Prentiss) will be making his debut at Milwaukee Rep with this production. Credits include:
The Repertory Theatre of St. Louis (The Mousetrap); Actors Theatre of Louisville (A Christmas Carol and
two Humana Festival premieres: Oh, Gastronomy! and The Dungeons and the Dragons); Pittsburgh Irish
and Classical Theatre (House & Garden); Curious Theatre Company (End Days, Rabbit Hole and Up); and
the New Orleans Shakespeare Festival at Tulane (Romeo and Juliet and Coriolanus). New York credits
include work with The Brick Theater’s Democracy Festival and The Jam at New Georges. He holds a BA in
theater from Tulane University and is also a proud alumnus of Actors Theatre of Louisville’s acting
apprentice program.
Andy Paterson (Mrs. Bumbrake/Teacher), also making his Rep debut, is from the Pacific Northwest. He
has played extensively across the country and in New York City. Venues include: Pig Iron Theatre
Company, Pioneer Theatre Company, Cincinnati Playhouse in the Park, Arizona Theatre Company, The
Acting Company, Aquila Theatre Company, Great Lakes Theater Company, Baltimore’s Center Stage,
Portland Center Stage, Triad Stage, Virginia Stage, McCarter Theatre, Florida Studio Theatre, Geva
Theatre, North Shore Music Theatre, New York Classical Theatre, Yale Repertory Theatre, Indiana
Repertory Theatre, Paper Mill Playhouse, Intiman, La Mama, San Francisco Mime Troup, Shakespeare
Theatre of NJ (numerous occasions), Shakespeare Festival St. Louis, Utah Shakespeare Festival, PCPA
Theatre Festival and Montana Shakespeare in the Parks.
José Restrepo (Smee) will also make his Milwaukee Rep debut with Peter and the Starcatcher. Along
with a variety of workshops and readings of new musicals, Broadway theater credits include Sonny
LaTierri in Grease. Off-Broadway credits include: Peter and the Starcatcher (understudy: Black Stache,
Smee, Fighting Prawn, Alf, Mrs. Bumbrake); Skippyjon Jones (Alfredo Buzzito); and Fame on 42nd St. (Joe
Vegas). He has appeared in the national tours of Saturday Night Fever (Gus) and Fame – The Musical (Joe
Vegas). Regional credits include: Evita (Ché); Reefer Madness (Jack/Jesus); and Side Show (Roustabout
Theater). A Los Angeles native now living in New York, Restrepo is a graduate of American Academy of
Dramatic Arts/West. As a teacher, he has coached privately or in a class setting for more than 15 years,
having taught master classes at various performing arts colleges and studios throughout North America.
Arturo Soria (Bill Slank/Fighting Prawn) is also making his Rep debut with this production. In 2012, Soria
was recognized in The New Yorker for his portrayal of Tano in the world premiere of Hit the Wall,
produced by The Inconvenience and Steppenwolf Theatre Company in Chicago. He reprised his role in
the Off-Broadway production at Barrow Street Theatre in 2013. Other notable credits include: Elliot
in Water by the Spoonful (Studio Theatre in Washington, D.C); Creon in the Chicago premiere of Oedipus
El Rey and Sharpe in Equivocation (Victory Gardens Theater); A Few Good Men (Peninsula Players);
F*cking Men (Bailiwick Chicago); and Scorched (Silk Road Rising). In addition to acting and writing, Soria
teaches theater and improvisation with Drama Club at Horizons Juvenile Center and at The HetrickMartin Institute (HMI), the afterschool component of The Harvey Milk High School. He received a BFA in
acting from The Theatre School at DePaul University in 2009.
Tom Story (Black Stache), making his Milwaukee Rep debut with Peter and the Starcatcher, is a resident
of Washington, D.C., and a member of Shakespeare Theatre Company where he has appeared in many
productions. His other appearances in the D.C. area include Round House Theatre, Ford’s Theatre, Arena
Stage, and Folger Theatre. At Studio Theatre, Story has acted in many productions and directed two
productions. Regional credits include Seattle Repertory Theatre, Kansas City Repertory Theatre, Great
Lakes Theater, Yale Repertory Theatre, and McCarter Theatre, as well as ten seasons at Berkshire
Theatre Festival where he most recently directed Design for Living. Story is a graduate of Duke
University and The Juilliard School, where he studied with Michael Kahn. He also studied with Joy
Zinoman at Studio Theatre. Story has seven Helen Hayes nominations and is a recipient of a Fox
Foundation Fellowship.
Nick Vannoy (Alf) also makes his debut at Milwaukee Repertory Theater. Vannoy was part of Actors
Theatre of Louisville’s prestigious Acting Apprentice Company where he performed in Dracula, A
Christmas Carol, The Elaborate Entrance of Chad Deity, and the world premiere of Oh, Gastronomy at
the 2012 Humana Festival of New American Plays. He is a Lexington, Kentucky, native who studied
theater at Northern Kentucky University.
Noah Zachary (Boy) will be making his debut at The Rep with this production. Select New York credits
include: Dear Edwina (DR2 Theatre); Poster Boy (Roundabout Theatre Company); Clown Bar (Pipeline
Theatre Company); Save the Date (New York International Fringe Festival); and Once Upon a Time in
New Jersey (Prospect Theater Company). Regionally, Zachary has worked on Amazing Grace (Goodspeed
Opera House); Next to Normal and Avenue Q (Adirondack Theater Festival); Spring Awakening (Revision
Theatre); and Hair, Tommy, and Rent (Connecticut Repertory Theatre).
CREATIVE TEAM
Rick Elice (Playwright) is an actor and playwright known for such plays as Double Double, Turn of the
Century, Leonardo’s Ring, and Dog and Pony. He also wrote the book for Jersey Boys which won him the
2006 Tony Award for Best Musical and nominations for Best Original Score and Best Book of a Musical.
His first experience with theater was seeing My Fair Lady when he was three years old. From 1982 to
2000 he worked as the creative director at Serino Coyne Inc. where he produced ad campaigns for some
300 Broadway shows, from A Chorus Line to The Lion King. He served as a creative consultant for the
Walt Disney Studio from 1999 to 2009. Elice attended Cornell University and Yale School of Drama. He
teaches at Harvard and has been married to actor Roger Rees since August 2011.
Wayne Barker (Composer) is an artistic associate for new musicals at New York Theatre Workshop at the
Dramatists Guild. Broadway productions include Peter and the Starcatcher (composer, 2011 Drama Desk
Award) and Dame Edna: Back with a Vengeance (composer, co-lyricist with Barry Humphries). Regional
credits include The Great Gatsby (Guthrie Theater), and Twelfth Night and The Three Musketeers
(Seattle Repertory Theatre). For television, Barker composed A Little Curious. He did orchestrations for
Mark Bennett’s A Midsummer Night’s Dream, and has worked with Chicago City Limits, the Raymond
Scott Orchestrette and orchestras worldwide. Upcoming projects include I Heart Bob.
Music Theatre International (MTI) (Licensing Agent) is one of the world’s leading theatrical licensing
agencies, granting schools as well as amateur and professional theaters from around the world the
rights to perform the largest selection of great musicals from Broadway and beyond. MTI works directly
with the composers, lyricists, and book writers of these shows to provide official scripts, musical
materials, and dynamic theatrical resources to more than 60,000 theatrical organizations in the U.S. and
in more than 60 countries worldwide.
Blake Robison (Director/Artistic Director Cincinnati Playhouse in the Park) has directed classics,
musicals, and new plays by a wide variety of artists. Some of his favorites include: world premiere
productions of Roberto Aguirre-Sacasa’s modernized The Picture of Dorian Gray and Karen Zacarías’ How
the Garcia Girls Lost Their Accents; the American premiere of Phyllis Nagy’s The Talented Mr. Ripley; the
stage adaptation of John Irving’s A Prayer for Owen Meany; and the American premiere of Neil
Bartlett’s Camille. Classical works include: Pride and Prejudice at Utah Shakespeare Festival; The Winter’s
Tale at Folger Theatre; Hobson’s Choice at PlayMakers Repertory Company; and Romeo and Juliet for the
National Shakespeare Company. Internationally, he directed the Tennessee Williams classic Summer and
Smoke at English Theatre Berlin and has worked several times at the renowned Avignon Festival in
France. As an adapter, he created successful stage versions of Alice McDermott’s beloved novel
Charming Billy and Jay Parini’s The Last Station.
James Kronzer (Scenic Designer) resides in Washington, D.C. where he has designed shows for The John
F. Kennedy Center for the Performing Arts, The Shakespeare Theatre Company, Round House Theatre,
Signature Theatre, and Woolly Mammoth Theatre Company, among others. Recent work in that area
includes the scenic adaptation of the new musical Diner at Signature Theatre. His work has been seen on
Broadway with Glory Days; Off-Broadway with Opus and Under the Bridge; and regionally at The
Repertory Theatre of St. Louis, Arden Theatre Company, Portland Center Stage, The Denver Center for
the Performing Arts, Pioneer Theatre Company, Barrington Stage Company, and Weston Playhouse. His
numerous national tours include The Wizard of Oz and Seussical the Musical. Kronzer has been the
design coordinator for the national tours of Spamalot for Phoenix Productions and Anything Goes,
Shrek, The Drowsy Chaperone, The Producers, and Annie for NETworks. Kronzer has received eight Helen
Hayes Awards (D.C.) and two Barrymore Awards (Philadelphia).
David Kay Mickelsen (Costume Designer) has designed more than 300 regional productions at theaters
including Guthrie Theater, The Denver Center for the Performing Arts, Arizona Theatre Company,
Pioneer Theatre Company, Geva Theatre Center, Ford’s Theatre, The Old Globe, The Pasadena
Playhouse, Geffen Playhouse, The Laguna Playhouse, Cleveland Play House, Hampton Playhouse, Timber
Lake Playhouse, Oregon Shakespeare Festival, Colorado Shakespeare Festival, Illinois Shakespeare
Festival, Berkeley Repertory Theatre, Seattle Repertory Theatre, South Coast Repertory, Tennessee
Repertory Theatre, Missouri Repertory Theatre, and San Diego Repertory Theatre, among others. New
York work includes The Irish Repertory Theatre, Ensemble Studio Theatre, Jean Cocteau Repertory
Theatre, and The Open Eye Theater. Originally from Canby, Oregon, Mickelsen received his BA from
Western Oregon University and MFA from California Institute of the Arts.
Kenton Yeager (Lighting Designer) has designed, produced, or directed more than 600 productions for
theater, dance, music, industrials, festivals, architecture, youth audiences, and touring productions, both
nationally and internationally. Theater design credits include work for The Repertory Theatre of St.
Louis, Milwaukee Repertory Theater, Round House Theatre, Pioneer Theatre Company, Folger Theatre,
Virginia Stage Company, Arden Theatre Company and Syracuse Stage, among others. He has designed
concerts for Suzanne Vega, Dave Matthews, John Prine, They Might Be Giants, George Winston, The
Kronos Quartet, Bobby McFerrin, The Roches, and Stephane Grappelli. As an educator, Yeager heads the
Master’s program in entertainment lighting design at the University of Tennessee, Knoxville, and has
taught more than 100 master classes at more than 40 universities and workshops abroad in Germany,
The Czech Republic, Austria, Mexico, France, Wales, and Holland. His newest endeavor is the creation of
Yeagerlabs, a company specializing in innovative ways of teaching theater in the classroom.
Matthew M. Nielson (Sound Designer/Orchestrations) currently runs Sound Lab Studios, a recording
studio and production house. Off-Broadway credits include The Public Theater’s New York Shakespeare
Festival. Regional credits include: Round House Theatre (Helen Hayes Award, A Prayer for Owen Meany)
Catalyst Theatre Company (Helen Hayes Award, 1984); Forum Theatre (Helen Hayes Award, The Illusion)
Woolly Mammoth Theatre Company, Signature Theatre, Olney Theatre Center, The John F. Kennedy
Center for the Performing Arts, Delaware Theatre Company, Philadelphia Theatre Company, Barrington
Stage Company, Contemporary American Theater Festival, the Smithsonian, Ford’s Theatre, and Arena
Stage. Film and television credits include Death in Time, Elbow Grease, Blue, Epix Drive-In, From Hell to
Here, The Good Ways of Things, and The Long Road. Nielson is a founding member of audio theater
company The Audible Group and creator of the series Troublesome Gap.
Casey Sams (Movement Coach) is a resident artist at the Clarence Brown Theatre in Knoxville,
Tennessee, where she works as a director and choreographer. She is also head of undergraduate studies
and an associate professor of theater at the University of Tennessee at Knoxville. This is Sams’ first
production with Milwaukee Repertory Theater. Credits include: PlayMakers Repertory Company, Round
House Theatre, Virginia Stage Company, Vermont Stage, Utah Shakespeare Festival, Great River
Shakespeare Festival, North Carolina Stage Company, and Knoxville Opera, among others. Sams has also
written plays for young audiences that have been produced across the Southeast. Her undergraduate
and graduate degrees are both from Pennsylvania State University, and she is a Certified Laban
Movement Analyst from the Laban/Bartenieff Institute of Movement Studies in New York.
Patrick Sulken (Music Supervisor/Pianist) is a New York-based music director making his Milwaukee
Repertory Theater debut. He is especially excited to return to Peter and the Starcatcher, having recently
conducted the show’s first national tour. Recent credits as music director include: Dani Girl (Exit,
Pursued by a Bear); Met by Moonlight (The Music Theatre Company); and Call My Name: The AIDS Quilt
Project (Smithsonian). He also contributed to the music departments of Gigi (The John F. Kennedy
Center for the Performing Arts), Titanic (Avery Fisher Hall), Little Miss Sunshine (2econd Stage Theatre)
and Broadway’s upcoming Something Rotten!. For film, he served as John Mellencamp’s music copyist
for the upcoming feature Ithaca, directed by Meg Ryan. Additionally, he is a songwriter and music
director for Story Pirates, a nationally recognized education and media organization founded to
celebrate the words and ideas of young people. Sulken is a proud Northwestern University graduate.
Stephanie Klapper (Casting Director) returns to Milwaukee Repertory Theater for this production after
casting The Color Purple earlier this season. Select Off-Broadway productions include The Pearl Theatre
Company’s A Winter’s Tale; New York Classical Theatre’s As You Like It; Bikeman (for the 9/11 Museum);
Eve Ensler’s Emotional Creature; and, for Primary Stages, where she is also the resident casting director,
Theresa Rebeck’s Poor Behavior and Billy Porter’s new play While I Yet Live. Regional credits include
Adirondack Theatre Festival, The Alley Theatre, Arena Stage, Asolo Repertory Theatre, Baltimore Center
Stage, Berkeley Repertory Theatre, Capital Repertory Theatre, Commonwealth Theatre Company,
Delaware Theatre Company, and Hartford Stage, among many others. Select film credits include Theresa
Rebeck’s Poor Behavior, Alice Jacobs Is Dead, Feast of the Goat, Roberta and Sidewalk Stories and, for
television, Lazytown. Klapper is a member of the Casting Society of America and the League of
Professional Theatre Women.
Sarah Hoffmann (Stage Manager) is The Rep’s Production Stage Manager. In her time at The Rep, she
has worked on numerous wonderful projects including The Color Purple, The History of Invulnerability,
and Ragtime, and has celebrated seven holiday seasons in the Pabst with A Christmas Carol. Elsewhere,
she has spent time with American Players Theatre, Renaissance Theaterworks, Northern Sky Theater
(formerly American Folklore Theater), Riverside Theatre in the Park (Iowa City, Iowa) and First Stage,
where she was the Production Stage Manager for three years.
Anne Jude (Assistant Stage Manager), returns to The Rep after assistant stage managing Harvey earlier
this season. She recently relocated to Milwaukee after spending three years on the road with the
national tours of Mary Poppins and Elf. Previous credits include five seasons at the Fulton Theatre,
Maine State Music Theatre, Goodspeed Opera House, Walnut Street Theatre, and First Stage. Originally
from Minnesota, Jude received her BFA in Arts Administration from Viterbo University in La Crosse,
Wisconsin.
Audra Kuchling is the Stage Management Intern for this production.
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FACT SHEET
WHAT: Peter and the Starcatcher
PLAY BY: Rick Elice
NOVEL BY: Dave Barry and Ridley Pearson
MUSIC BY: Wayne Barker
DIRECTED BY: Blake Robison
THEATER: Quadracci Powerhouse
DATES: April 21, 2015 – May 24, 2015
DESCRIPTION:
Join a swashbuckling, mad-cap adventure aboard the good ship Neverland! Before Peter was Pan, he was just an
orphan who didn’t like grown ups. But his future changes forever when the lost boy boards a pirate ship, and
we’re whisked away on a breathtaking adventure to answer the question: how did a boy named Peter become
The Boy Who Never Grew Up? Fun for the whole family, the five-time Tony Award-winning show features a dozen
actors playing more than 100 unforgettable characters. This innovative, hilarious, and imaginative prequel to
Peter Pan will have you HOOKed the moment you let your imagination take flight.
TALKS AND EVENTS
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Rep In Depth – get an insider’s look at the production from a cast member with a discussion that begins
45 minutes prior to every performance.
Lunch Matinee, Wednesday, May 13, 11:30am – InterContinental Hotel – Join us for lunch with a
member of The Rep Staff who will discuss all the elements you will see in Peter and the Starcatcher. Cost
is $15 per person. Please RSVP by Monday, May 4 to Catharina Matthews at 414-291-4790 or by emailing her at [email protected].
Talkbacks – Wednesday, April 29, May 6, 13, and 20 after the 7:30pm performance – Join artistic staff
and members of the cast in a post-show discussion.
ACCESS SERVICES
Audio-Described Performance, Tuesday, April 28, 6:30pm – the show will be described for patrons who are blind
or have low vision.
American Sign Language Interpreted Performance, Thursday, May 7, 7:30pm – the show will be signed for
patrons who are deaf or have low hearing.
Captioned Theater Performance, Sunday, May 17, 2:00pm – the show will include captions.
PERFORMANCES:
Tuesday, 4/21/15 – 7:30pm – Preview/Pay What You Can
Wednesday, 4/22/15 – 7:30pm – Preview/Pay What You Can
Thursday, 4/23/15 – 7:30pm – Preview
Friday, 4/24/15 – 8:00pm – Opening
Saturday, 4/25/15 – 4:00pm/8:00pm
Sunday, 4/26/15 – 2:00pm/7:00pm
Tuesday, 4/28/15 – 6:30pm – Audio-Description/Early Bird
Wednesday, 4/29/15 – 7:30pm – Talkback
Thursday, 4/30/15 – 7:30pm
Friday, 5/1/15 – 8:00pm
Saturday, 5/2/15 – 4:00pm/8:00pm
Sunday, 5/3/15 – 2:00pm/7:00pm
Wednesday, 5/6/15 –1:30pm/7:30pm – Talkback
Thursday, 5/7/15 – 7:30pm – American Sign Language
Friday, 5/8/15 – 8:00pm
Saturday, 5/9/15 – 1:30 pm (Please note change in matinee time; Rep Gala is scheduled for Saturday evening,
no evening performance scheduled. )
Sunday, 5/10/15 – 2:00pm/7:00pm
Wednesday, 5/13/15 – 1:30pm/7:30pm – Talkback
Thursday, 5/14/15 – 7:30pm
Friday, 5/15/15 – 8:00pm
Saturday, 5/16/15 – 4:00pm/8:00pm
Sunday, 5/17/15 – 2:00pm – Captioned Performance /7:00pm
Tuesday, 5/19/15 – 7:30pm
Wednesday, 5/20/15 – 7:30pm – Talkback
Thursday, 5/21/15 – 7:30pm
Friday, 5/22/15 – 8:00pm
Saturday, 5/23/15 – 4:00pm/8:00pm
Sunday, 5/24/15 – 2:00pm/7:00pm – Closing
TICKET PRICES: Prices begin at $20.00.
TICKETS/INFORMATION: 414-224-9490 or buy tickets online at www.MilwaukeeRep.com
TICKET OFFICE LOCATION: 108 E. Wells Street in Milwaukee’s Downtown Theater District
TICKET OFFICE HOURS: Monday – Sunday, Noon – 6:00pm*
*On days with performances the Ticket Office will stay open until fifteen minutes after curtain.
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Milwaukee Repertory Theater is a nationally-recognized company that presents compelling dramas, powerful
classics, award-winning contemporary works, and full-scale musicals, housed in its three unique performance
venues – the Quadracci Powerhouse, Stiemke Studio and Stackner Cabaret. The Rep also produces an annual
production of A Christmas Carol at the beautiful and historic Pabst Theater. Under the leadership of Artistic
Director Mark Clements and Managing Director Chad Bauman, The Rep is committed to creating plays that are
meaningful and relevant to the society we live in – plays that are challenging, visceral, and engage the community
through the issues they explore, demonstrating how a theater deeply rooted in its locality can also enjoy a richly
influential and resonant national voice.