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The Retelling of Greek Myths: Ovid’s Metamorphoses Ch. 20 Ovid Publius Ovidius Naso (43 BC – 17 AD) A sophisticated, urbane poet Wrote works that were very popular, but somewhat “scandalous” Wrote an Art of Love and a Remedy of Love as well as his famous Metamorphoses Fell afoul of the morality of the Augustan Regime and was exiled for last 10 years of his life Metamorphoses: Significant Themes “Bodies changed” – an epic poem about things changing Some of the changes are gods changing their shapes (Jupiter becoming a bull to get Europa), some are people transformed into animals (Actaeon changed to a stag) or constellations (Callisto changed into Ursa Major) Metamorphoses: Significant Themes Comic Tone Ovid is not a “serious” poet like Virgil Several of the stories are satiric The gods are often portrayed in ways that are not complimentary Jupiter and Apollo’s rage against women Minerva’s anger at losing a weaving contest Some see the portrayal of the gods as silly as subtle attack on Augustus and his court Some stories Echo and Narcissus The Four Ages The Golden Age is shown as Roman fantasy of the good old days of simple shepherds Perseus Apollo and Daphne Orpheus and Eurydice Apotheosis of Caesar Something on serious note Humans in the Metamorphoses are often the victims, or potential victims of divine actions, against which they have only one recourse – transformation into something nonhuman Apotheosis of Caesar – though Ovid was critical of Augustus, he was still a booster of Rome, the eternal city