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As we discuss the conclusion to Mrs. Dalloway, let’s also ask: • What makes this text “modernist,” and how might we understand it better by thinking of it in that context? • What kinds of annotations should readers make on literary texts? We’ll start with the second question and use it to work back to the first. Which of these kinds of annotations will prove most likely to deepen your analysis of the text? • Notes that express your opinion; • Notes that summarize the plot; or • Notes that observe a stylistic choice the author makes. Consider these terms: • Modern (adjective): Related to the historical period that begins in the West with the Renaissance, around the turn of the 16th century; characterized by the rise of the nation-state as well as science and rational thought. • Modernity (noun): The set of cultural, philosophical, and economic norms that arose in the modern period: a growing emphasis on individualism, for example; the rise of participatory democracy and capitalism. • Modernism (noun): A set of artistic and philosophical movements that arose in the U.S. and Europe at the turn of the twentieth century. Let’s recall what I told you about modernism as we began Mrs. Dalloway. We can think about how Woolf innovates the literary representation of: • Character: What makes an individual distinct from the people around her? How is she connected to them but also unique? • Time: How does the novel give its reader an experience of beginning, middle, end? • Space: How does the novel divide the space it represents between public (the city) and private (the house)? • [And how does this spatial division parallel the divisions among individual characters, taking us back to the top of the list?] Remember: Instead of portraying the surface appearance of their subjects, modernist painters captured how their subjects reflected light at a single moment in time. (This is Picasso, 1907.) New skepticism about humans’ ability to see the world as it really is spread throughout Western culture. When a German physicist discovered the Heisenberg Uncertainty Principle in 1927, The New York Times reported that, “In the new mathematical universe events are more important than substances, and energy more important than matter. All mental pictures we have formed of bodies moving through space are thrown into confusion. So simple a conception as a baseball flying from the pitcher to the batter turns out to be obscure, doubtful and even ridiculous.” Try this: Use your annotations to consider how Woolf innovates the literary representation of: • Character: What makes an individual distinct from the people around her? How is she connected to them but also unique? • Time: How does the novel give its reader an experience of beginning, middle, end? • Space: How does the novel divide the space it represents between public (the city) and private (the house)? • [And how does this spatial division parallel the divisions among individual characters, taking us back to the top of the list?] Now think of The River Between. How is it different– in terms of: • Character, • Time, and • Space?