Download AARON, F.W. 1985. Poetry in the Holocaust: Ghetto and

LIST OF SOURCES AARON,
F.W.
1985.
Poetry in
the Holocaust:
Ghetto and
Concentration Camp Poetry. Doctor of Philosophy, City University
of New York.
AARON, F.W. 1990. Bearing the Unbearable: Yiddish and Polish
Poetry in the Ghettos and Concentration Camps. Albany: State
University of New York Press.
ADELSON, A. & LAPIDES, R. 1989. Lodz Ghetto: Inside a community
under siege. New York: Viking.
AINSZTEIN, R. 1974. Jewish Resistance in Nazi-occupied Europe:
With a historical survey of the Jew as fighter and soldier in the
Diaspora. London: Paul Elek.
ALLISON, D. & ERDONMEZ, D. 1985. Proceedings of the Eleventh
National Conference of the Australian Music Therapy Association
Inc. Publication of the Australian Music Therapy Association.
ARAD, Y. 1987. Belzec, Sobibor, Treblinka: The Operation Reinhard
Death Camps. Bloomington: Indiana University Press.
ARAD, Y., et al. 1981 . Documents on the Holocaust: Selected
Sources on the Destruction of the Jews of Germany and Austria,
Poland and the Soviet Union. Jerusalem: Yad Vashem.
BERBEN, P. 1975. Dachau 1933-1945: The Official History. London:
Norfolk Press.
BERENSTEIN, T. & RUTKOWSKI, A. 1963. Assistance to the Jews in
Poland. 1939-1945. Warsaw: Polonia Publishing House.
BLACK BOOK. 1946. The Black Book: The Nazi Crime against the
Jewish People. New York: Stratford Press.
BLOCH,
M.
1979.
Viktor Ullmann:
a brief biography and
appreciation. Journal of the Arnold Schoenberg Institute. Volume
3, Number 2, pp. 150 - 177.
BRAZG,
H.
1981.
Passport
Johannesburg: Kayor.
to
Life.
Memories
and
Dreams.
BRIDGMAN, J. 1990. The End of the Holocaust: The liberation of
the camps. London: B.T. Batsford.
BUDD, M. 1985. Music and the Emotions:
Theories. London: Routledge & Kegan.
CHLADKOVA,
L.
1991.
The Terezin
Publishing House of Nase Vojsko.
Ghetto.
The
Philosophical
Terezin
Monument
DACHAU REVIEW. S. a. Dachau Review: History of Nazi Concentration
Camps: Studies, Reports, Documents: Volume I. Dachau: Verlag
Dachauer Hefte.
163
DAWIDOWICZ, L.S. 1975. The War against the Jews 1933
London: Weidenfeld & Nicolson. -
1945.
DISERENS, C.M. 1922. The influence of Music on Behaviour. Doctor of Philosophy, University of Cincinatti. DOBROSZYCKI, L. 1984. The Chronicle of the Lodz Ghetto 1941 ­
1944. New Haven: Yale University Press. DONAT, A.
Library. 1978.
The
Holocaust
DONAT, A.
Library.
1979.
Death
Camp
Kingdom.
New
York:
Holocaust Treblinka.
New
York:
Holocaust
DRIBBEN, J. 1969. And some shall live. Jerusalem: Keter Books. DWORK, D. 1991. Children with a
Europe. New Haven: Yale University Press. star:
Jewish
Youth
ECKHARD, J. 1991. Musik und Konzentrationslager.
Musikwissenschaft. Volume 48, number 1, pp. 1-36. in Nazi Archiv
fur EISEN, G. 1988. Children and play in the Holocaust: Games among the shadows. Amherst: University of Massachusetts Press. FEIG, K.G. 1979. Hitler's Death Camps: The sanity of madness. New
York: Holmes & Meier. FENELON, F.
Joseph. 1977.
The Musicians of Auschwitz. London: Michael FLAM, G. 1992. Singing for Survival: Songs of the Lodz Ghetto,
1940 - 1945. Urbana: University of Illinois Press. FRIEDMAN, P. 1954. Martyrs and Fighters: The Epic of the Warsaw Ghetto. London: Routledge & Kegan. GARLINSKI, J. 1975. Fighting Auschwitz: The Resistance Movement in the Concentration Camp. London: Julian Friedmann Publishers. GILBERT, M. 1982. Atlas of the Holocaust. Oxford: Pergamon Press. GREEN, G. 1969. The Artists of Terezin. New York: Hawthorn Books. GRUBER, S. 1978. I Chose Life. New York: Shengold Publishers .
GUTMAN, Y. 1982. The Jews of Warsaw, 1939
1943:
Underground, Revolt. Sussex: The Harverster Press.
Ghetto,
GUTMAN, Y. 1984. The Nazi Concentra tion Camps: Structure and
Aims. The Image of . the Prisoner. The Jews in the Camps.
Jerusalem: Yad Vashem.
164 HEGER, H. 1980. The men with the Pink Triangle. London: Gay Men's
Press.
HILBERG, R. 1985. The Destruction of the European Jews. New York:
Holmes & Meier.
HILLESUM,
Cape.
E. 1983. Etty: A Diary 1941 - 1943. London: Jonathan
HOLOCAUST AND RESISTANCE. Pamphlet obtained from Israel i Embassy,
Pretoria.
HORWITZ, G.J. 1990. In the Shadow of Death: Living outside the
gates of Mauthausen. New York: The Free Press.
I NEVER SAW ANOTHER BUTTERFLY. 1965.
.,. I never saw another
butterfly: Children's Drawings and poems from Theresienstadt
Concentration Camp 1942 - 1944. London: Neville Spearman.
KALISCH, S. 1985. Yes, We Sang! Songs of the Ghettos
Concentration Camps. New York: Harper & Row Publishers.
and
KARAS, J. 1985. Music in Terezin 1941 - 1945. New York: Beaufort
Books Publishers.
KATSH, A.I. 1965. Scroll of Agony: The Warsaw Diary of Chaim A.
Kaplan. New York: The Macmillan Company.
KENEALLY, T. 1982. Schindler's Ark. London: Hodder & Stoughton.
KIELAR, W. 1981. Anus Mundi:
Penguin Books.
Five Years in Auschwitz. London:
LAGNADO, L.M. & DEKEL, S.C. 1991. Children of the Flames: Dr.
Mengele and the untold story of the twins of Auschwi tz. New York:
William Morrow.
LANGER, L.L. 1991. Holocaust Testimonies: The Ruins of Memory.
New Haven: Yale University Press.
LASKA, V. 1983. Women in the Resistance and in the Holocaust: The
Voices of Eyewitnesses. London: Greenwood Press.
LEVY-HASS, H. 1982. Inside Belsen. Sussex: Harvester Press.
LEWIN, A . 1988. A Cup of Tears: A Diary of the Warsaw Ghetto.
Oxford: Basil Blackwell.
LOWER DEATH TOLL WELCOMED. 1990. Pretoria News. 19 July, p. 6.
MATUSSEK, P. 1975. Internment in Concentration Camps and its
Consequences. Berlin: Springer-Verlag.
MICHEELS, L.J. 1989. Doctor 117641:
Haven: Yale University Press.
165 A Holocaust
Memoir.
New
MICHEL, J . 1979. Dora. London: Weidenfeld and Nicolson.
MIRCHUK, P. 1976. In the German Mills of Death 1941 - 1945. New
York: Vantage Press .
MULLER,
F . 1979.
Auschwitz Inferno:
The Testimony
Sonderkommando. London: Routledge & Kegan Paul.
of
a
NOMBERG-PRZYTYK, S. 1985. Auschwitz: True tales from a grotesque
land. Chapel Hill: University of North Carolina Press .
NUREMBURG TRIALS. 1947. Trial of the Major War Criminals before
the International Mili tary Tribunal. 42 Volumes. Nuremburg,
Germany.
NYISZLI, M. 1960. Auschwitz: A Doctor's Eyewitness Account. New
York: Frederick Fell.
OUWEHAND. 1992. Lex van Weren: Trumpet Player, a Survivor of
Auschwitz. "The Trumpet saved my life". Brass Bulletin. Volume
77, pp . 48-49+.
PAWELCZYNSKA, A. 1979. Values and Violence in Auschwi tz: A
Sociological Analysis. Berkeley: University of California Press.
PERRIS, A . 1985. Music as propaganda:
control. Westport: Conn Greenwood Press.
PERL, G.
1948.
I was a doctor
International Universitas Press.
in
Art
to
persuade
Auschwitz .
New
and
York:
POLLER, W. 1961. Medical Block, Buchenwald: The personal
testimony of inmate 996, Block 36. London: Souvenir Press.
RASHKE, K. 1984. Escape from Sobibor. London: Sphere Books.
RUBIN, R. 1963. Voices of a People: Yiddish Folk Song. New York :
Thomas Yoseloff.
RUDASHEVSKI, Y. 1973. The Diary of the Vilna Ghetto. Har Zion:
Shamgar Press.
SCHOEN, M. 1922. The Effects
Trench, Trubner & Company.
of Music.
London:
Kegan
Paul,
SCOTT. C . 1958. Music: Its secret influence throughout the ages.
New York: Samuel Weiser.
SHELLEY, L. (ed.) 1986. Secretaries of Death: Accounts by former
prisoners who worked in the Gestapo of Auschwi tz. New York:
Shengold Publishers.
SHOSKES, H. 1945 . No Traveler Returns. New York: Doubleday, Doran
& Company.
STEHLE, B.F. 1988 . Another Kind of Witness. Philadelphia: Jewish
166 Publication Society.
SUZMAN, A & DIAMOND, D. 1978. Six Million Did Die:
shall prevail. Johannesburg: L.E. Joseph & Company. The truth TILLION, G. 1975. Ravensbruck. New York: Anchor Press. TOERIEN, W.A. 1990. Die rol van musiek gedurende die Tweede Engeland,
Frankryk,
Pole,
die
Wereldoorlog in Duitsland,
Verenigde Sta te van Amerika en Rusland. B Mus (Hons) thesis,
University of Pretoria.
TOPAS, G. 1990. The Iron Furnace: A Holocaust Survivor's Story.
Lexington: University Press of Kentucky. TORY, V. 1990. Surviving the Holocaust: The Kovno Ghetto Diary. Cambridge: Harvard University Press. TRUNK, I. 1977. Judenrat: The Jewish Councils in Eastprn Europe
tlnder Nazi Occupatiull. New York: Stein & Day. TUSHNET, L. 1972. The Pavement of Hell. New York: St. Martin's Press. WALSH, M. 1993. For them, time ran out. Time. Volume 141, Number 23, June 7, pp. 71-72. WATSON, D. 1991. Chambers music quotations. Edinburgh: Chambers. WEISS, G. 1984 . ... And so he survived. Johannesburg: Galayo. WELLS, L.W. 1963. The Death Brigade: The Janowska Road. New York: Holocaust Library. WORTSMAN, P. 1978. Aleksander Kulisiewicz: A Singer from Hell.
Sing Out! Volume 26, Number 3, pp. 14-15. ZYLBERBERG,
M.
1969.
Vallentine, Mitchell. A
Warsaw
167 Diary.
1939-1945.
London: GLOSSARY ARYAN - A term frequently misused in connection with World War
II when implying that only the German race was Aryan or the so­
called Master Race. The word actually refers to any white non­
Jewish person.
ELDERS - This is a term used as a title or rank within the Jewish
form of self-government that existed within the concentration
camps and, to a lesser extent, the ghettos. In the concentration
camps there was the Camp Elder, as head of the self-government,
and several Block Elders,
each of
them in charge of
blocks or living quarters in the camp.
certain
In the ghettos the head
of the self-government was sometimes referred to as
the Camp
Elder. The title more frequently used for this position in the
ghetto was Chairman of the Judenrat (governing body) .
GENERAL-GOVERNMENT - When Germany successfully invaded Poland in
1939, Polish territory was divided into two sections. The Eastern
half was annexed by the U.S.S.R. and the other half belonged to
Germany, who divided its area into two parts, one being governed
by Germany itself, while the other was granted a form of self­
government under direct control of Germany. This area of General­
Government included the Warsaw,
Lublin, Radom,
Czestochowa and
Cracow ghettos, and concentration camps like Treblinka, Sobibor,
Majdanek and Belzec. A map showing the location of this area
appears on the next page.
JUDENRAT - The Judenrat was the self-government that was allowed
by the German authorities in the ghettos. They were responsible
for the making of laws and had a say in the everyday life in the
ghettos.
The
president
of
this
body was
usually
called
the
Chairman of the Judenrat.
KAPO - This is another of the ranks or titles given to members
of the self-government in the concentration camps . Inmates with
this
rank
were
responsible
for
168 the
organisation
of
working
parties. They very often exceeded the camp guards in cruelty.
Figure 10: Map of Europe showing the General-Government area
(Garlinski 1975:15)
' \ L A T v ~~'"",J.
\....
r'~
1 A
/
........
.
'.J
;'
•
I
J
;
i.
t'
.
.r/
.I'.--'
\
j
{
."'1."0
/
i
"
l
j
.'"
.I
j
/
i
\
( ......J
\"
j
I
I
I
;'
/..i
\
.'/
._ --.1
....
.
TERRITORY
TERRITORY
.J
\
\.........-­
~
I
I
ANNEXED
j
'''.t.... ay GERMANY
, ~----~~~------" '­
.OJ
.
(\
"')} ","oct. .....
~
.- .)
.....
. ... ,........
Lye ... " ..
", .-',\
.
°i.
""I.
r
::i
H
u
N
169 G
A
R
;'
('
/
OPERATION REINHARD CAMPS - These three concentration camps were
the so-called "pets" of Heinrich Himmler,
head of the SS. The
camps were named after Himmler's deputy Reinhard Heydrich. They
were Treblinka, Sobibor and Belzec. All three were situated in
the General-Government area of Poland.
PENAL CAMP - The penal camps during World War II were often much
worse than concentration camps as the inmates were treated like
slaves. Out of many of these camps came penal companies who had
to fight for Germany under the worst conditions possible.
POW
-
An abbreviation of Prisoner of War.
Prisoners of war,
especially those of the Western countries, like France, England
and the USA, were generally treated well in the camps.
SONDERKOMMANDO - Some inmates belonged to this organisation in
the concentration camps. These Kommandos were given all the dirty
work in the camp,
like the transporting of the dead,
for which
they enjoyed special favours, like extra food rations. They also
preyed on food and other valuables taken from their dead inmates,
and so managed to survive longer.
German
SS
abbreviation
of
Schutzstaffel,
which
was
an
organisation originally used as bodyguards for Hitler. Later one
of
the
sub-divisions
of
the
SS
was
used
as
guards
in
the
concentration camps.
TAMMUZ - One of the months of the Hebrew calendar.
YESHIVA - This is the same as a Talmudic Academy,
Jewish institution for higher religious studies.
170 which is a
APPENDIX A
MUSICIANS IN THE CONCENTRATION CAMPS AND GHETTOS
These are the musicians who were actively involved In musical
activities in the concentration camps and ghettos. Where "others"
are mentioned, it signifies that they took part in an unspecified
capacity, or if they had already been mentioned previously, that
they took part in some other unknown way. Where only one name is
given it can be assumed to be their last name, or surname, with
the exception of the names at Birkenau, which are generally first
names .
Auschwitz I concentration camp:
Flute: Nora Micheels
Trumpet: Lex van Weren
Vocalist: Emilio Jani
Conductor: Adam Kopecinski
Others : Herman Rosner, Leon Rosner
Auschwitz II (Birkenau) concentration camp:
Accordion: Lili
Cello: Marta
Cymbals: Danka
Double Bass: Yvette
Flute: Frau Kroner
Guitar: Lotte
Mandol in: Anny
Percussion: Helga
Piano: Fania Fenelon, Anny, AlIa, Sonia
Reedpipes: Karla
Violin: Alma Rose, Pani Irena, Wisha Irena, Ewe Benedek,
Irene,
Jenny, Halina, Ibi, Elsa, Julie, Rachel, Hilde, Florette, Zocha
Vocalists: Fania Fenelon, Clara, Ewa, Lily, Betty, Liza
Arranging: Fania Fenelon
Conductors: Pani Tchaikowska, Alma Rose, Sonia
Others: Pani Founia, Ewa, Flora, Hilde, Marisha, Marila, Renate,
171 Irene, Lili, Koja, Wish, Zocha, Rachela, Musha, Margot, Sylvia,
Lotto, Ruth
Belzec concentration camp:
Composer: Mordechai Gebirtig
Bialystok ghetto:
Vocalist: Liza
Borgermoor concentration camp:
Composer: Rudi Goguel
Buchenwald concentration camp:
Violin: Maurice Hewitt, Jaroslav Pekelsky
Conductor: Vlastimil Louda
Cracow ghetto:
Composer: Mordechai Gebirtig, Julius Hofman
Others: Herman Rosner, Leon Rosner
Flossenburg concentration camp:
Piano: Josef Kyselka
Violin: Zdenek Kolarsky
Furstengrubbe concentration camp:
Piano: Gideon Klein
Kovno ghetto:
Piano: David Helerman
Violin: S Hofmekler, Stupel
Vocalist: Frau Ratchka, Zaks
Composer: Geist
Conductor: S Hofmekler
Lipa concentration camp:
Violin: Karel Frohlich
Vocalist: Karel Berman
172
-
Lodz ghetto:
Guitar/Zither: Karol Rosencwajg
Piano: Teodor Ryder, Leopold Birkenfeld
Viola: E Wachtel
Violin:
Bronislawa
Rotsztat,
Kantor,
Dawid
Bajgelman,
Karel
Rosencwajg
Vocalists:
Bandler,
Nikodem Sztajman,
Frau Ala Diamant,
Rotenberg,
Minia Ber,
Dov Beygelson,
Yankele Hershkowitz,
Dasao,
Rudolf
Yaakov
Itka Slodowsky, Miriam Haren
Composers: Jerzy Jurandot,
Isaiah Spiegel, Emanuel Hirschberg,
Dawid Bajgelman, Yankele Hershkowitz, Shimeon Janowski,
Herman
Yablokoff, Miriam Haren
Conductors: Teodor Ryder, Dawid Bajgelman
Other: Mr Steinman
Lvov ghetto:
Cello:
Leon
Eber,
Leon
Zak,
Schatz,
Jozef
Herman,
Edward
Steinberg, Hildebrand, Breyer, Aron Dobszyc, Priwes
Piano : Leopold Muner, Mark Bauer, Artur Hermelin, Pollak
Vocalists:
Feller, Fiszer, Szrange, Buxbaum
Composers:
Leonid Striks,
Maks Striks,
Jozef
Frenkel,
Willem
Kristal, Skolka
Conductors: Alfred Stadler, Marceli Horowitz, Jakob Mund
Janowska labour camp:
Composers: Schatz, Schlechter
Conductors: Leonid Striks, Jozef Mund
Others: Jezef Mund, Jozef Herman, Eduard Steinberger, Schatz
Mechelen concentration camp:
Cello: L Micheels
Flute: Nora Micheels
Plaszow concentration camp:
Vocalists: Tosia Lieberman
Others: Herman Rosner, Leon Rosner
173
Radom ghetto:
Vocalist : Bina Landau
Ravensbruck concentration camp:
Composer: Germaine Tillion
Sachsenhausen concentration camp:
Vocalist: Alex Kulisiewicz
Composers: Alex Kulisiewicz, Rosebury d' Arguto (Martin Rosenberg)
Conductor: Rosebury d'Arguto
Sobibor concentration camp:
Mandolin: Shabayev (known as Kalimali)
Composer: Dunayevskiy
Terezin ghetto:
Accordion: Kurt Maier, Wolfi Lederer
Bass (most probably tuba): Fasal
Dauber,
Cello:
Lucian
Horwitz,
Dr
Erich
Klapp,
Paul
Kohn,
Friedrich Mark, Swab
Clarinet: Langer,
Fritz Weiss
Double Bass: Pavel Libensky
Flute: Viktor Kohn
Guitar: Goldschmidt
Harmonium: Wolfgang Lederer
Harpsichord:
Renee
Gartner-Geiringer,
Hans
Krasa,
Rafael
Schachter
Percussion: Dr Kurt Bauer
Juliette
Piano:
Brammer,
Dr
Aranyi,
Paul
Frau
Eppstein,
Bach-Fischer,
Renee
Karel
Berman,
Gartner-Geiringer,
Dr
Helena
Herrmannova, Prof Bernard Kaff, Franz Eugen Klein, Gideon Klein,
Otto
Konig,
Dr
Ilona
Beatrice Pimentel,
Kral,
Hans
Tella Polak,
Krasa,
Leval,
Karel Reiner,
Kurt
Maier,
Truda Reisova ­
Solarova, Martin Roman, Rafael Schachter, Elsa Schiller, Vlasta
Schonova, Edith Steiner-Kraus, Carlo S Taube, Prof Ferencz Weiss
Saxophone: Langer, Fritz Weiss
Trombone: Mautner
174
Trumpe t: Voge I
Viola:
Karel
Ancerl,
Karel
Frohlich,
Viktor
Kohn,
Parkus,
Snyders, Romuald Sussmann
Violin: Block, Fritz Brunner, Freudenthal, Karel Frohlich, Paul
Herz,
Pavel
Kling,
Leydensdorff,
Adolf
Kraus,
Mandl,
Otto
Tomas
Egon
Ledec,
Sattler,
Prof
Adolf
Herman
Schachter,
Schneider, Julius Stwertka, Heini Taussig, Otto Zucker
Vocalists:
Blum,
Otto Abeles,
Truda
Borger,
Eisenschimmel,
Fuchsova,
Hilde Aronson-Lindt,
Bedrich
Borges,
Karel Berman,
Anka
Dub,
Dr
Nella
K Eisinger, Karel Freund, Anny Frey, J Fried, R
Kurt Gerron,
Machiel Gobets,
Jakob Goldring,
Hedda
Grab-Kernmayer, David Grunfeld, Harry Hambo, Gerta Harpmann, Ada
Hecht,
Rafael
Hoffmeister,
Muhlstein,
Herz-Sornmer,
Frau
Hofer,
Kohn-Schlesskov,
Zdenek Ornest,
Schwarz - Klein,
Hans
Lisl
Fritz
Hofer,
Greta
Konigsgarten,
Pinta
Marion Podolier,
Alexander Singer,
Karel
M Singer,
Eva
Polak,
Stein,
Ada
Marta
Tamara-Zucker, Hanus Thein, H Tomkova, Franta Weissenstein, Kurt
Weisz, Walter Windholz, Emmy Zeckendorf
Fritz Weiss,
Other instrumentalists:
Hans Selig,
Pavel
Kohn,
Fredy Mautner, Tedy Berger, Franta Goldschmidt
Composers: Heinz Alt, Karel Ancerl, Karel Berman, Peter Deutsch,
Frantisek Domazlicky, Schul Grunfeld-Z, Franz Eugen Klein, Gideon
Klein,
Reiner,
Viktor Kohn,
Hans Krasa,
Antonin Roubicek,
Taube, Viktor Ullmann,
M Kron,
Egon Ledec,
Zikmund Schul,
Karel Svenk,
Dr Karel
Carlo S
lIse Weber
Conductors: Heinz Alt, Karel Berman, Robert Brock, Peter Deutsch,
Karl Fischer,
Pavel Haas,
Franz Eugen Klein, Wolfgang Lederer,
Leo Pappenheim, Karel Schachter, Rafael Schachter
Music critics: Dr Kurt Singer, Viktor Ullmann
Vilna ghetto:
Vocalist: Lyube Levitska
Composers:
L Rosenthal,
Alek Volkovinsky,
Abraham Slep,
Landau
Conductors: Avrom Slyep, A Slieff, David Mashkin
Music teacher: Gershteyn
175 Bina
Warsaw ghetto:
Clarinet: Sztromberg
Piano: Pearl Richter Feldschuh
Violin: Ludwik Holeman, Marion Neuteich, Bernard Lewinson
Vocalists:
Marysia
Ajzensztadt,
Savenka
Margo,
Dutlinger,
Menachem Kipnis, Clare Cukier, Sholem Cukier, Helena Ostrowska,
Vera Grun, Pola Braun
Composers: Wladyslaw Szlengel, H Broyda, David Ajzensztadt
Conductors: Szymon Pullman (Pulver),
Israel Fajwiszys,
J
Zaks,
David Ajzensztadt, Jacob Gladstein, Joseph Gladstein, Anna Osser,
A Kaminski-Gurdas, Zygmunt Szklar, Adam Furmanski, Sztromberg
Wulzberg concentration camp:
Composer: Ervin Schullhof
176
-----~~----------
APPENDIX B WORKS COMPOSED IN THE CONCENTRATION CAMPS AND GHETTOS This list comprises works known to be composed in the concen­
tration
composed,
camps
and
ghettos .
Many
more
works
were
probably
but only these were referred to in sources on the
subject.
B6rgermoor concentration camp:
Rudi Goguel: Song: Borgermoorlied
Cracow ghetto:
Mordechai Gebirtig: Songs: Es Brent, Minutn fun Bitokhn
Janowska labour camp:
Schutz: Song: Tango of Death
Lodz ghetto:
Dawid Bajgelman: Songs: Tsigaynerlid, Makh Tsu di Eygelekh, Nisht
keyn Rozhinkes mit Mandlen, Wiegenlied, A yidish lidl
Revue: Shoe Ressort
Others:
Chor
der
Derwische,
Concerto
fantasies,
Variations on popular Jewish themes
Jankele Herszkowicz: Songs: Es geht a yeke mit a teke, Rumkowski,
Chaim,
Lebn
zor prezes Khaim,
kaydankes kaytn,
Geto,
getunya,
Ikh fur kayn palestine,
tien yidn?, A pensjonat
Jerzy Jurandat: Musical comedy: Libe zukt a dire
Isaiah Spiegel: Several Lullabies
Terezin ghetto:
Karel Berman: Voice and Piano: Poupata, Three Songs
Solo Piano: Terezin
Frantisek Domazlicky: Choir: May Song
Chamber group: Song without words
177
S' iz
Vus zol men
Pav el Haas : Choir: Al S'fod
Voice and Piano:
Four Songs
to the tex t
of Chinese
Poetry
String orchestra: Study
Gideon Klein: Chamber group: Trio,
Fantasia and Fugue
Solo Piano: Sonata
Choir: Old Folk Poetry
Vocal Group: Madrigal
(2)
Viktor Kohn: Chamber group: Praeludium
Hans Krasa: Opera: Brundibar
Chamber group:
Passacaglia and Fugue,
Dance,
Theme
wi th Varia tions
Voice and chamber group: Three Songs
Egon Ledec: Chamber group: Gavotte
Zikmund Schul: Voice and chamber group: Schicksal
Chamber group: Duo, Two Chassidic Dances
Choir and Vocal Solo: Finale from Cantata Judaica
Carlo Taube: Voice and Piano: Ein Judisches Kind
Viktor Ullmann: Piano Solo: Sonatas no.'s 5,6 and 7
Chamber group: Third String Quartet
Opera: Der Kaiser von Atlantis
Voice and Piano: Three Songs, Der Mensch und sein Tag,
Two
Chinese
Wendla
Songs,
im Garten,
H6lderlin
Lieder,
Abendphantasie,
Immer in
Chansons des Enfants Fran9aises
Voice and chamber group: Herbst
Men's choir: Three Songs
Women's choir: Three Songs,
Two Songs
Children's choir: Three Songs
Mixed choir: Two Songs
11se Weber: Voice and Piano: Seven Songs
Treblinka concentration camp:
Artur Gold: Camp Song: Treblinka Anthem
Vilna ghetto:
Bina Landau: Song: Zog Nit Keyn Mol
178
Brezulinka,
Mi tten,
L. Rosenthal: Song: One, Two,
Three
Alex Volkovinski: Song: Stile, Stile
Warsaw ghetto:
Songs by Szlengel, Broyda and David Ajzensztadt
179