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Some Slides to Memorize Early Medieval Art Book of Kells Godescalc Evangelistary Utrecht Psalter Etc. Book of Matthew, chapter one, verse eighteen from The Book of Kells late 8th or early 9th century oxgall inks and pigments on vellum Note the influence of Celtic design motifs on Early Medieval Illumination •animal style •ribbon interlace •interlace patterns Page with Mark the Evangelist Book of Mark, Godescalc Evangelistary 781-783 ink, gold, colors on vellum Note the influence of a Roman visual vocabulary on this representation of Mark the Evangelist. What is Mark doing? Why is Mark speaking to a lion? Why does the lion have a halo? Does Mark’s body make “sense?” Page with Christ in Majesty Book of Mark, Godescalc Evangelistary 781-783 ink, gold, colors on vellum Note the influence of a Roman visual vocabulary on this representation of Christ in Majesty. What is Christ doing? Why does the wall behind Christ represent? On what is Christ sitting? What is Christ holding--probably? What does the “strange” wide-eyed stare signify? The Annunciation c. 1020 Illumination What is the annunciation? York Psalter Expulsion from Paradise c. 1170 Illumination on parchment What is the argument presented in these two images? detail from Utrecht Psalter ca. 850 Christ Washing the Feet of His Disciples Aachen Gospels of Otto III c. 1000 What does the architectural form behind Christ represent? The Kiss of Judas Aachen Gospels of Otto III c. 1000