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MARCH 3 (A) AND MARCH 4 (B) Switch your homework poems. Mark each other’s iambic pentameter. SHAKESPEARE An Introduction to Shakespearean Language Quick-Write Write a short scene of a play about any topic of your choosing. The short scene should contain 4 lines (or more) of dialogue between two characters. SKIP LINES (We will be revising.) The content is less important than the words and sentences themselves! Be sure your sentences are grammatically correct. The following activity will be easiest if you keep to short, simple sentences! Shakespearean Langua ge Differences from Modern English we use today • Meter, esp. iambic pentameter • Inverted Sentence Structure • Interrupting Phrases • Word Omission • Pronouns • Verb Inflection • Coined Words All examples in this presentation are taken from Romeo and Juliet. Inver ted S entence S tr uctur e Modern English: Subject – Verb – Object I ate the sandwich. Shakespearean Language: Object – Subject – Verb The sandwich I ate. Note: This inverted structure can also occur with predicate adjectives and nouns. Or: Subject – Object – Verb I the sandwich ate. Inver ted Sentence Str ucture People in Shakespeare’s time did not really speak this way. Why, then, did Shakespeare write this way? • Create a specific poetic rhythm • Emphasize a certain word • Give different characters different speech patterns (method of characterization) • Create rhyme scheme Inver ted Sentence Str ucture Label the sentence structure of the following lines from Romeo and Juliet. Then, rewrite the sentences to fix the inverted word order. A glooming peace this morning with it brings. In the instant came the fiery Tybalt. Black and portentous must this humor prove. Of honorable reckoning are you both. Look back to your short scene. Label the subject (S), verb (V), and object (O) for each sentence that has a transitive verb. You will invert the structure later. Inter r upting Phrases Separated Sentence Elements and Long Interrupters Sometimes subjects will be separated from their verbs or verbs will be separated from their objects by long, delaying interruptions Again, Elizabethans did not speak like this. So, why do it? Interruptions often provide important background details Separation of basic sentence elements requires the reader to attend to those supporting details Inter r upting Phrases What is the true subject and verb of the following lines? Underline all that interrupts it. Three civil brawls bred of an airy word By thee, old Capulet, and Montague, Have thrice disturbed the quiet of our streets. Look back to your short scene. Pick one line to add more details to by adding an interrupting phrase between a subject and verb or between a transitive verb and its direct object. Word Omissions For the sake of the rhythm and rhyme, Shakespeare often left out letters, syllables, and whole words. We do the same thing in our informal speech every day. Formal English: Have you been to class yet? Formal English: What is up with that? Informal English: Been to class yet? Informal English: Wha’sup wi’that? A few examples of Shakespearean omissions/ contractions… ‘tis = it is i’ = in e’en = even ope = open e’er = ever ne’er = never o’er = over oft = often a’ = he Word Omissions What words do you think are being omitted from the following lines? Were you ‘by? And gladly shunned who gladly fled from me. Look back to your short scene. Make the following omissions: • At least one word • At least one letter (add an apostrophe as Shakespeare would have Pronouns Pronouns Subject Modern English You “You are my friend” Shakespearean Language Thou “Thou art my friend.” Object You “I give you my love.” Your “Here is your sword.” Yours “This medal is yours.” You (you all) “You are all mighty lords.” Thee “I give thee my love.” Thy “Here is thy sword.” Thine “This medal is thine.” Ye “Ye are mighty lords.” Possessive Adjective Possessive Noun Plural Subject Pronouns Replace the pronouns in the following lines with its Modern English counterpart. …Upon thy life I charge thee, Whate’er thou hearest or seest, stand all aloof And do not interrupt me in my course. Look back at your short scene. Replace all pronouns accordingly. Verb Inf lection Shakespeare conjugated verbs by adding an “-est” or “-st” suffix with 2nd person pronouns (you). Occasionally, a “-th” ending would replace an “s”. Modern English: You lie. Shakespearean Language: Thou liest. Modern English: What did you see? Shakespearean Language: What didst thou see? Modern English: Why can’t you see the difference? Shakespearean Language: Why canst thou not see the difference? Verb Inf lection Underline the verbs in the following lines: And yet no man like he doth grieve my heart. If though art moved, thou runnest away. Look back at your own skit. Inflect any action verbs that come after “you.” Shakespeare’s Words Shakespeare is credited with inventing over 1700 new words. He used several strategies to make this happen: 1. 2. 3. 4. Adding a prefix of suffix on to a pre-existing word Combining two pre-existing words into one, new compound word Changing the part of speech of pre-existing words Creating it from scratch! Invented Words: Words Shakespeare Coined-Folger Shakespeare Library Coined Words Guess which two words in the following lines from Romeo and Juliet were coined for the first time here: Look back at your And yet, I warrant, it had upon its brow short scene. Add at A bump as big as a young cockerel’s stone least three new words you created. Add a footnote. For And in his needy shop a tortoise hung, each word’s footnote, An alligator stuff'd, and other skins state the definition and the strategy used to create your words. And shake the yoke of inauspicious stars. Sure wit, follow me this jest now till thou hast worn out thy pump Revise Your Script Re-write your scene completely applying all relevant elements of Shakespearean Language, including: • Iambic pentameter • Inverted Sentence Structure • Interrupting Phrases • Word Omission • Pronouns • Verb Inflection • Coined Words Just for Fun: Idioms! Many of our common idioms come from Shakespearean plays. Here are some examples from Romeo and Juliet. How many do you recognize? What do they mean? Star-crossed lovers Parting is such sweet sorrow A plague on both your houses Violent delights have violent ends What's in a name? A rose by any other name would smell as sweet. Wild-goose chase Romeo and Juliet: The Prologue Read the prologue aloud together. Complete the worksheet individually. Use everything you have learned up to this point to help you complete the questions on the worksheet. From Shakespeare in Love: From Romeo and Juliet (1968): From Romeo + Juliet (1996): Romeo and Juliet: Synopsis and Character Chart