Survey
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
Development of musical theatre wikipedia , lookup
Improvisational theatre wikipedia , lookup
Theatre of the Absurd wikipedia , lookup
Medieval theatre wikipedia , lookup
History of theatre wikipedia , lookup
Augsburger Puppenkiste wikipedia , lookup
Theatre of the Oppressed wikipedia , lookup
English Renaissance theatre wikipedia , lookup
Annexure ‘CD – 01’ Course Title: DIRECTING THE ACTOR Course Code: N.A. Credit Units: THREE L T P/ S SW/TW TOTAL CREDIT UNITS 3 0 0 0 3 Course Objectives: Participation in this course should enable students to: Experience and develop curiosity, interest and enjoyment in their own creativity and that of others Acquire and develop skills needed for guiding actors Use the language, concepts and principles of performing arts Communicate their thoughts and ideas through body, language and action Reflect on, appreciate and evaluate their work and the work of others Develop receptiveness to visual and performing art forms across time, place and cultures, and perceive the significance of these art forms as an integral part of life. Prerequisites: The student should have aptitude for acting, reading and writing Student Learning Outcomes: Plan and organize effectively to define and set goals, solve problems, negotiate and make decisions Experiment and explore through both spontaneous and structured activities Use body and language confidently as a form of expression and communication while demonstrating a range of technical skills Demonstrate an ability to find original and inventive solutions Apply skills specific to acting studied to elaborate an idea, a theme or a composition to a point of realization Present work through formal or informal performance and exhibition. Course Contents/Syllabus: Weightage (%) Module I – Art Perception & Creation 30 ARTISTIC PERCEPTION Processing, Analyzing, and Responding to Sensory Information Through the Language and Skills Unique to Theatre Development of the Vocabulary of Theatre Use the vocabulary of theatre, such as genre, style, acting values, theme, and design, to describe theatrical experiences. Comprehension and Analysis of the Elements of Theatre Research, analyze, or serve as the drama for a play in collaboration with the director, designer, or playwright Identify the use of metaphor, subtext, and symbolic elements in scripts and theatrical productions. CREATIVE EXPRESSION Creating, Performing, and Participating in Theatre Students apply processes and skills in acting, directing, designing, and scriptwriting to create formal and informal theatre, film/videos, and electronic media productions and to perform in them. Development of Theatrical Skills Make acting choices, using script analysis, character research, reflection, and revision to create characters from classical, contemporary, realistic, and nonrealistic dramatic texts. Creation/Invention in Theatre Improvise or write dialogues and scenes, applying basic dramatic structure (exposition, complication, crises, climax, and resolution) and including complex characters with unique dialogue that motivates the action. 40 Module II – History, Culture & Aesthetics Understanding the Historical Contributions and Cultural Dimensions of Theatre Students analyze the role and development of theatre, film/video, and electronic media in past and present cultures throughout the world, noting diversity as it relates to theatre. Role and Cultural Significance of Theatre Identify and compare how film, theatre, television, and electronic media productions influence values and behaviors. Describe the ways in which playwrights reflect and influence their culture in such works as Raisin in the Sun, Antigone, and the Mahabarata. AESTHETIC VALUING Responding to, Analyzing, and Critiquing Theatrical Experiences Students critique and derive meaning from works of theatre, film/video, electronic media, and theatrical artists on the basis of aesthetic qualities. Critical Assessment of Theatre Compare a traditional interpretation of a play with a nontraditional interpretation and defend the merits of the different interpretations. Derivation of Meaning from Works of Theatre Report on how a specific actor used drama to convey meaning in his or her performance Module III – ACTING Acting Fundamentals Acting Improvisation Exercises Acting Exercises with a Text Actor and Director Prepare a Scene Handling an actor by a Director 30 Connecting and Applying What Is Learned in Theatre, Film/Video, and Electronic Media to Other Art Forms and Subject Areas and to Careers Students apply what they learn in theatre, film/video, and electronic media across subject areas. They develop competencies and creative skills in problem solving, communication, and time management that contribute lifelong learning and career skills. They also learn about careers in and related to theatre. Connections and Applications Create projects in other school courses or places of employment, using tools, techniques, and processes from the study and practice of theatre, film/video, and electronic media. Careers and Career-Related Skills Manage time, prioritize responsibilities, and meet completion deadlines for a production as specified by group leaders, team members, or directors. Demonstrate an understanding of the professional standards of the actor, director, scriptwriter, and technical artist, such as the requirements for union membership. Pedagogy for Course Delivery: The objective of this course is to take the students outside the four walls of the classroom and make them feel the importance of learning with nature. The classes are discussion and demonstration based with various games and activities involving the mind and the body will be done. The students will be initiated and facilitated to think out of the box and will be groomed to be better story tellers. Lab/ Experiments Workshops For body movement , gestures Workshop on dance movements and expression Role play One act play Assessment/ Examination Scheme: Theory L/T (%) Lab/Practical/Studio (%) TOTAL 100 100 Theory Assessment (L&T): End Term Examination Continuous Assessment/Internal Assessment Components (Drop down) Weightage (%) CT Assignment 10 Project Attendance 10 5% 5 Text: 1. Carlson, Marvin (2003) , Performance: A Critical Introduction Routledge publications 2. Hodge.Alison (2010), Sec. Ed , Actor Training Routledge Publications, USA 70%