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Andrea Molino Andrea Molino, composer and conductor, was born in Turin and studied in Turin, Milan, Venice, Paris and Freiburg. He lives in Zurich. With the Pocket Opera Company in Nuremberg he realized the smiling carcass (1999) and Those Who Speak in a Faint Voice (2001), about the death penalty (both in collaboration with Oliviero Toscani), first examples of his commitment to innovative, multimedia-oriented music theatre. From 2000 to 2006 Andrea Molino was Artistic Director of Fabrica Musica. His multimedia music theatre CREDO, on ethnic and religious conflicts, was premiered in April 2004 at the Badisches Staatstheater Karlsruhe and then performed at the Stazione Termini in Rome with the Orchestra del Maggio Musicale Fiorentino for the World Summit of Nobel Peace Laureates. In 2005 it opened the Queensland Music Festival in Brisbane, Australia. WINNERS, on “winners and losers”, was premiered in 2006 at the Brisbane Festival; the European Premiere followed at the Grande Salle of the Centre Pompidou in Paris. His multimedia staged concert un Temps vécu, ou qui pourrait l’être was premiered in 2008 at Le Fresnoy, in Lille, where he was “Invited Artist”. In 2009, as Artistic Director of the World Venice Forum, he curated the Festival The Garden of Forking Paths. At the Basilica dei Frari he conducted the Orchestra della Fenice in his multimedia concert Of Flowers and Flames, for the 25th anniversary of the Bhopal disaster. Three Mile Island, on the nuclear accident in Pennsylvania, was first performed in 2012 at the ZKM in Karlsruhe; the Italian Premiere followed at the Teatro India in Rome. The project received the Music Theatre Now Award. His last opera, - there is no why here -, was premiered at the Teatro Comunale di Bologna in 2014 and will be presented next May in Antwerp at deSingel for the Flemish Opera (Opera XXI Festival). As a conductor, he opened the 2014 Melbourne Spring Season and the 2015 Sydney Summer Season for Opera Australia respectively with Puccini's Tosca and La Bohème; the latter was also the NYE Gala at the Sydney Opera House. In Sydney he had already conducted Verdi's A Masked Ball (directed by La Fura dels Baus) and Macbeth among others. He opened the 2010 concert season of the Teatro La Fenice in Venice with the world premiere of Maderna’s Requiem; in the Fenice he had opened the Music Biennale 2005 with Goebbels’ Surrogate Cities and conducted Mosca’s Signor Goldoni and Ambrosini's Il Killer di Parole. He conducted the Orchestra del Maggio Musicale Fiorentino, the Bochumer Symphoniker, the Badische Staatskapelle Karlsruhe, the Dresdner Sinfoniker, the BBC SSO Glasgow, the OSL Nancy, The Queensland Orchestra, at the Edinburgh Festival, Vienna Konzerthaus, Sydney Festival, Berliner Festspiele in the Philharmonie in Berlin, Queensland Music Festival, Brisbane Festival, Teatro Comunale in Bologna, Teatro dell'Opera in Rome, Opéra national de Nancy, Staatstheater Darmstadt, RomaEuropa Festival, Schauspielhaus Zurich (with Goebbels' Industry and Idleness), Musik der Jahrhunderte Stuttgart, Zagreb Biennale, Hellerau Dresden. His recordings are published on CD and DVD by Stradivarius, Milan, ECM, Munich, Naïve, Paris and Dynamic, Genoa. His compositions are published by RAI Trade, Nuova Stradivarius and Ricordi. (3.2015)