6560117th_music_terms_glossary_(annotated).
... rhythm……………….…….The beat of the music; sound in time ritardando (rit.)…………….Gradually decrease tempo; get slower round…………….………….2 or more people singing the same song starting at different times sharp #………………….….Raises the pitch a half step; sing or play a bit higher. Looks like tic-tac-toe. sopran ...
... rhythm……………….…….The beat of the music; sound in time ritardando (rit.)…………….Gradually decrease tempo; get slower round…………….………….2 or more people singing the same song starting at different times sharp #………………….….Raises the pitch a half step; sing or play a bit higher. Looks like tic-tac-toe. sopran ...
Project In - Milarianne
... player's face. To create different pitches, the flutist presses down keys on the instrument. Modern flutes are about two feet long, and come apart into three pieces for convenience. Theobold Boehm, a jeweler, engineer, and flutist in the 1800s, created a model of the flute that has hardly been impro ...
... player's face. To create different pitches, the flutist presses down keys on the instrument. Modern flutes are about two feet long, and come apart into three pieces for convenience. Theobold Boehm, a jeweler, engineer, and flutist in the 1800s, created a model of the flute that has hardly been impro ...
Document
... Melodic leaps of an A2 or A4 should be avoided Consecutive P1, P4,P5, or P8 are forbidden 3. Write the alto and tenor for the second chord in each case without change in structure. ...
... Melodic leaps of an A2 or A4 should be avoided Consecutive P1, P4,P5, or P8 are forbidden 3. Write the alto and tenor for the second chord in each case without change in structure. ...
presentation
... Harmony usually split into four voices, each with distinct vocal ranges: soprano, alto, tenor, and bass The “leading tone” (ti, or 7) must resolve to 1/do in the soprano ...
... Harmony usually split into four voices, each with distinct vocal ranges: soprano, alto, tenor, and bass The “leading tone” (ti, or 7) must resolve to 1/do in the soprano ...
Vocal Music Intermediate Baseline Assessment Section One
... 2. An alternative way of identifying a time signature where there are 4 beats in a measure and the quarter note receives the beat is _____. a. common time b. cut time c. triple time 3. _____: A muscular portion located in the back of the roof of the mouth that separates the oral cavity from the nasa ...
... 2. An alternative way of identifying a time signature where there are 4 beats in a measure and the quarter note receives the beat is _____. a. common time b. cut time c. triple time 3. _____: A muscular portion located in the back of the roof of the mouth that separates the oral cavity from the nasa ...
Unpacking Outcomes - NESD Curriculum Corner
... with age and musical experience Distinguish among diverse voice types, styles, and forms of vocal expression Sing, play and create music that demonstrates a variety of techniques and styles Demonstrate focused listening Change the feel, style, or add another part to an existing piece of musi ...
... with age and musical experience Distinguish among diverse voice types, styles, and forms of vocal expression Sing, play and create music that demonstrates a variety of techniques and styles Demonstrate focused listening Change the feel, style, or add another part to an existing piece of musi ...
Voice & Vocal Concepts - Deans Community High School
... (in between soprano •Tenor – High & alto) •Baritone (in between Tenor & Bass) •Alto - Low •Bass - Low ...
... (in between soprano •Tenor – High & alto) •Baritone (in between Tenor & Bass) •Alto - Low •Bass - Low ...
1306 Study guide I.doc
... Sharp: A pitch that is to be played 1/2 step higher Flat: A pitch that is to be played 1/2 step lower Contour: Shape or outline of a melody formed by its notes Tune: A melody that is easily recognized, memorized, and sung. Scale: An ascending or descending pattern of half and/or whole steps. Key: Th ...
... Sharp: A pitch that is to be played 1/2 step higher Flat: A pitch that is to be played 1/2 step lower Contour: Shape or outline of a melody formed by its notes Tune: A melody that is easily recognized, memorized, and sung. Scale: An ascending or descending pattern of half and/or whole steps. Key: Th ...
Four-Part Harmony
... voice is named according to the standard choral model from top to bottom: Soprano on the treble clef Alto Tenor on the bass clef Bass Stems for the soprano and tenor always point up. Stems for the alto and bass always point down. This helps to make it clear which notes to follow when two parts share ...
... voice is named according to the standard choral model from top to bottom: Soprano on the treble clef Alto Tenor on the bass clef Bass Stems for the soprano and tenor always point up. Stems for the alto and bass always point down. This helps to make it clear which notes to follow when two parts share ...
music - Jerome Miranda
... • Texture- refers to the number of tones we are asked to comprehend simultaneously. • Form- is also called structure which is as necessary to a work. • Color- it is the result of the difference in timbre in the various instruments and voices. . . • Style- it reflects the composer’s personal idiom w ...
... • Texture- refers to the number of tones we are asked to comprehend simultaneously. • Form- is also called structure which is as necessary to a work. • Color- it is the result of the difference in timbre in the various instruments and voices. . . • Style- it reflects the composer’s personal idiom w ...
a cappella Choral music performed without instrumental
... piano The Italian term for "soft", indicated in the musical score by the marking "p". quadruple meter Basic metrical pattern of four beats to a measure; also common time. range Distance between the lowest and highest tones of a melody, an instrument or a voice. This span can be generally described a ...
... piano The Italian term for "soft", indicated in the musical score by the marking "p". quadruple meter Basic metrical pattern of four beats to a measure; also common time. range Distance between the lowest and highest tones of a melody, an instrument or a voice. This span can be generally described a ...