
bugera bc30-212 - Sound Productions
... or two 5U4s (not included) for a smooth and round response • Channel 1 features two 12AX7s creating a parallel triode circuit and an interactive EQ with amazing responsiveness • Channel 2 sports a high gain channel based on a specially selected 12AX7 valve coupled to a 6-position tone switch ...
... or two 5U4s (not included) for a smooth and round response • Channel 1 features two 12AX7s creating a parallel triode circuit and an interactive EQ with amazing responsiveness • Channel 2 sports a high gain channel based on a specially selected 12AX7 valve coupled to a 6-position tone switch ...
PC360.2 / PC650.2 PC400.4 / PC640.4 / PC1000.1 / PC740.5
... Phase Switch – This switch changes the phase of the woofer from 0 to 180 degrees. Subsonic – The Subsonic Filter protects your subwoofers from playing frequencies below the physical limitations of the woofer, or that are beyond the human hearing capabilities. The Subsonic Filter will reduce the play ...
... Phase Switch – This switch changes the phase of the woofer from 0 to 180 degrees. Subsonic – The Subsonic Filter protects your subwoofers from playing frequencies below the physical limitations of the woofer, or that are beyond the human hearing capabilities. The Subsonic Filter will reduce the play ...
Yamaha Power Amplifier White Paper
... a PWM signal is created from the input audio signal. The power supply voltage is then switched according to the pulse width, creating a high power PWM signal to drive the loudspeaker. The elements used for the switching operation require only a minimum of voltage, allowing vast improvements in effic ...
... a PWM signal is created from the input audio signal. The power supply voltage is then switched according to the pulse width, creating a high power PWM signal to drive the loudspeaker. The elements used for the switching operation require only a minimum of voltage, allowing vast improvements in effic ...
- Audio Refinement
... trust that your Pre-5 will reward you with many years of musical pleasure. ...
... trust that your Pre-5 will reward you with many years of musical pleasure. ...
User`s Guide Guitar Amplifier
... 13: POWER: Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom of the switch depressed). The switch illuminates when the amplifier is turned on. 14: POWER CORD (rear panel, not shown): The grounded power cord should only be plugged into a grounded power outlet that ...
... 13: POWER: Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom of the switch depressed). The switch illuminates when the amplifier is turned on. 14: POWER CORD (rear panel, not shown): The grounded power cord should only be plugged into a grounded power outlet that ...
ELE3103 Applied Analogue Electronics
... The concept of small signal parameters (z, y, h, and g) for analysis of two port electronic systems with the different feedback configurations (series-series, shunt-series, shunt-shunt, and series-shunt) is presented. The essential concepts and applications of two-port parameters for feedback system ...
... The concept of small signal parameters (z, y, h, and g) for analysis of two port electronic systems with the different feedback configurations (series-series, shunt-series, shunt-shunt, and series-shunt) is presented. The essential concepts and applications of two-port parameters for feedback system ...
1” Pressure Response Prepolarized Microphone
... may also be used with multi-mode preamplifiers. The 377A15 microphone is designed to be used in prepolarized set-ups but can also be used as a drop in replacement for externally polarized (200V) microphones, by turning off the polarization voltage. This makes the 377A15 an excellent choice for sound ...
... may also be used with multi-mode preamplifiers. The 377A15 microphone is designed to be used in prepolarized set-ups but can also be used as a drop in replacement for externally polarized (200V) microphones, by turning off the polarization voltage. This makes the 377A15 an excellent choice for sound ...
Digital Audio Broadcasting
... limiting, that is, reducing the amplification whenever the input level is so high that overload and clipping will be produced in later steps. • Audio levels in program material vary with the source (live microphone, taped, satellite, CD’s etc and with the skill and attention level of the operator. I ...
... limiting, that is, reducing the amplification whenever the input level is so high that overload and clipping will be produced in later steps. • Audio levels in program material vary with the source (live microphone, taped, satellite, CD’s etc and with the skill and attention level of the operator. I ...
Entertainment Technology
... • Write lighting and sound cues for all related performing arts productions; • Design lights or sound for concert, stage, and video; • Work cooperatively with colleagues; • Create a soundtrack for theatre, film, or concert performances; • Set up and operate lighting and sound control systems; • ...
... • Write lighting and sound cues for all related performing arts productions; • Design lights or sound for concert, stage, and video; • Work cooperatively with colleagues; • Create a soundtrack for theatre, film, or concert performances; • Set up and operate lighting and sound control systems; • ...
Take Home Midterm Exam
... 4. Show large positive gain single stage CMOS amplifier circuits with least number of transistors. ...
... 4. Show large positive gain single stage CMOS amplifier circuits with least number of transistors. ...
technology - Maxx by Waves
... for all practical purposes they really don’t play much lower then an octave above low E on a bass guitar (41.2 Hz.) The speaker in line was “missing”. I restarted the track and this example has an Xmax of 8mm which turned it on and the bass line was clearly audimakes it at the higher end side of spe ...
... for all practical purposes they really don’t play much lower then an octave above low E on a bass guitar (41.2 Hz.) The speaker in line was “missing”. I restarted the track and this example has an Xmax of 8mm which turned it on and the bass line was clearly audimakes it at the higher end side of spe ...
Sound and Music Technology
... Associate in Science Degree (CIP# 1650091300) The Sound and Music Technology A.S. Degree program prepares students for careers in Sound Production and Audio. The Audio Engineering Technology specialization prepares students for careers as sound recording engineers, audio electronics specialists, sou ...
... Associate in Science Degree (CIP# 1650091300) The Sound and Music Technology A.S. Degree program prepares students for careers in Sound Production and Audio. The Audio Engineering Technology specialization prepares students for careers as sound recording engineers, audio electronics specialists, sou ...
Sound and Music Technology
... 18 college-level credits. Within the first 18 college credit hours, you will be required to take ENC1101 (3 credits), and if applicable, SLS 1122 (3 credits) and a mathematics course appropriate to your selected meta-major (3 credits). The remaining courses will be chosen from the General Education ...
... 18 college-level credits. Within the first 18 college credit hours, you will be required to take ENC1101 (3 credits), and if applicable, SLS 1122 (3 credits) and a mathematics course appropriate to your selected meta-major (3 credits). The remaining courses will be chosen from the General Education ...
1 X 600Watt Class D Audio Amplifier Board – TAS5630 User`s Guide
... 2.5 Gain Setting You may also adjust the gain by setting the DIP switch SW1,SW2.The gain is factory pre-set to low. This can prevent chip from permanent damage caused by overheat when input signal amplitude is over range. On the other conditions of gain setting, it is recommended that the output sig ...
... 2.5 Gain Setting You may also adjust the gain by setting the DIP switch SW1,SW2.The gain is factory pre-set to low. This can prevent chip from permanent damage caused by overheat when input signal amplitude is over range. On the other conditions of gain setting, it is recommended that the output sig ...
• P1500 data sheet
... power MOSFET output devices. It shall be constructed on a 16 gauge steel chassis utilizing convection cooling and be technician friendly using modular construction. Each channel shall be rated for a minimum of 75 watts into an 8 ohm load and 85 watts into a 4 ohm load with both channels driven. In b ...
... power MOSFET output devices. It shall be constructed on a 16 gauge steel chassis utilizing convection cooling and be technician friendly using modular construction. Each channel shall be rated for a minimum of 75 watts into an 8 ohm load and 85 watts into a 4 ohm load with both channels driven. In b ...
Sound reinforcement system

A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In some situations, a sound reinforcement system is also used to enhance the sound of the sources on the stage, as opposed to simply amplifying the sources unaltered.A sound reinforcement system may be very complex, including hundreds of microphones, complex audio mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of a single microphone connected to an amplified loudspeaker for a singer-guitarist playing in a coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.Some audio engineers and others in the professional audio industry disagree over whether these audio systems should be called sound reinforcement (SR) systems or PA systems. Distinguishing between the two terms by technology and capability is common, while others distinguish by intended use (e.g., SR systems are for live event support and PA systems are for reproduction of speech and recorded music in buildings and institutions). In some regions or markets, the distinction between the two terms is important, though the terms are considered interchangeable in many professional circles.