stage crew positions
... After reading the play and meeting with the Director and Technical Director, prepares all necessary sounds (music, sound effects, background etc.) for the show including any required pre-show, intermission or post show music mixes. Once approved prepares a CD of all sounds for sound crew and assists ...
... After reading the play and meeting with the Director and Technical Director, prepares all necessary sounds (music, sound effects, background etc.) for the show including any required pre-show, intermission or post show music mixes. Once approved prepares a CD of all sounds for sound crew and assists ...
Music - Mother Seton
... the diameter of a strand of human hair are imbedded in the CD or DVD – The short pits corresponding to 0. – The long pits corresponding to 1. • When the beam falls on a short pit, it is reflected directly into the player’s optical system and registers a 0. • When the beam is incident upon a passing ...
... the diameter of a strand of human hair are imbedded in the CD or DVD – The short pits corresponding to 0. – The long pits corresponding to 1. • When the beam falls on a short pit, it is reflected directly into the player’s optical system and registers a 0. • When the beam is incident upon a passing ...
Hewitt/Lyons/Suchocki/Yeh, Conceptual Integrated Science
... the diameter of a strand of human hair are imbedded in the CD or DVD – The short pits corresponding to 0. – The long pits corresponding to 1. • When the beam falls on a short pit, it is reflected directly into the player’s optical system and registers a 0. • When the beam is incident upon a passing ...
... the diameter of a strand of human hair are imbedded in the CD or DVD – The short pits corresponding to 0. – The long pits corresponding to 1. • When the beam falls on a short pit, it is reflected directly into the player’s optical system and registers a 0. • When the beam is incident upon a passing ...
Checklist (WORD) - RoHS Exemptions
... loudspeaker. The MM-4XP has a Dynamic Range 100 dB vs. MM-4 Dynamic Range 115 dB. The specific issue our self powered loudspeakers encounter is that loudspeakers are at the end of an audio sound reinforcement production chain, and require a greater audio dynamic range than the components coming befo ...
... loudspeaker. The MM-4XP has a Dynamic Range 100 dB vs. MM-4 Dynamic Range 115 dB. The specific issue our self powered loudspeakers encounter is that loudspeakers are at the end of an audio sound reinforcement production chain, and require a greater audio dynamic range than the components coming befo ...
Harman Kardon High Current
... Ohm resistor makes very slight demands for current, and with a 40 Volt output working into it, will permit the generation of 100 Watts of power with less than 3 Amperes of current. The problem is that we listen to loudspeakers, not resistors. Loudspeakers are typically inefficient devices with numer ...
... Ohm resistor makes very slight demands for current, and with a 40 Volt output working into it, will permit the generation of 100 Watts of power with less than 3 Amperes of current. The problem is that we listen to loudspeakers, not resistors. Loudspeakers are typically inefficient devices with numer ...
Decibel Reading #1
... Signal-to-noise ratio is the ratio of the signal power at a certain reference point in a CIRCUIT to the noise power which would exist there if the signal were removed. This ratio is expressed in DECIBELS. For instance, if a tape recorder has a signal-tonoise (S/N) ratio of 50 dB, the signal power at ...
... Signal-to-noise ratio is the ratio of the signal power at a certain reference point in a CIRCUIT to the noise power which would exist there if the signal were removed. This ratio is expressed in DECIBELS. For instance, if a tape recorder has a signal-tonoise (S/N) ratio of 50 dB, the signal power at ...
ma 2.2 true class a microphone amplifier. users manual.
... Ensure the MA 2.2 has adequate ventilation. The Class A circuitry does generate a fair amount of heat and the box will get warm. Avoid racking next to high heat generating devices. ...
... Ensure the MA 2.2 has adequate ventilation. The Class A circuitry does generate a fair amount of heat and the box will get warm. Avoid racking next to high heat generating devices. ...
Amplifier Class FAQ
... Class AB, the output stage’s supply voltages are varied according to the signal level. This is because music’s peak to mean amplitude ratio is quite high – typically 3 to 1 – so the full power supply voltage is only rarely needed. If the 100W output stage above is usually only run at say +/- 20V rat ...
... Class AB, the output stage’s supply voltages are varied according to the signal level. This is because music’s peak to mean amplitude ratio is quite high – typically 3 to 1 – so the full power supply voltage is only rarely needed. If the 100W output stage above is usually only run at say +/- 20V rat ...
Emperor - Looptrotter
... the sidechain signal, so the EMPEROR can act more transparently and naturally on bass and signals with lots of low frequency information (eg. kick drums, bass guitars, drum loops etc.) With this option set to ON, processor's behaviour would be less affected by low frequencies, allowing you to give y ...
... the sidechain signal, so the EMPEROR can act more transparently and naturally on bass and signals with lots of low frequency information (eg. kick drums, bass guitars, drum loops etc.) With this option set to ON, processor's behaviour would be less affected by low frequencies, allowing you to give y ...
ECE311 Lab 3 Setup
... 2) Select resistors found in the preliminary and measure/record their resistance. Additionally, select 2 additional equal resistors for the inverting amplifier (RA,B) shown in Figure 1. The inverting amplifier is used to generate a difference signal by inverting a 500mV, 1kHz sinusoidal signal taken ...
... 2) Select resistors found in the preliminary and measure/record their resistance. Additionally, select 2 additional equal resistors for the inverting amplifier (RA,B) shown in Figure 1. The inverting amplifier is used to generate a difference signal by inverting a 500mV, 1kHz sinusoidal signal taken ...
PowerPoint
... This shows how the input signal is split, one half attenuated to 20% of its original height, and the other half delayed. The two are then combined to produce the signal that can be seen at the CF Monitor. ...
... This shows how the input signal is split, one half attenuated to 20% of its original height, and the other half delayed. The two are then combined to produce the signal that can be seen at the CF Monitor. ...
Reference 6 - Audio Research
... Almost from its very beginning, Audio Research has had a reputation for designing and creating some of the finest preamplifiers ever produced. The new Reference 6 line stage preamplifier continues this tradition in the constant pursuit of High Definition music playback. Founded in 1970 by William Z. ...
... Almost from its very beginning, Audio Research has had a reputation for designing and creating some of the finest preamplifiers ever produced. The new Reference 6 line stage preamplifier continues this tradition in the constant pursuit of High Definition music playback. Founded in 1970 by William Z. ...
Vintage Guitar Review - May 2015
... Bass. And those knobs are indeed tiny (our sole criticism), although you can’t fault what they do. Bias controls the voltage to the circuit, which dramatically alters the wah’s voice. Tweak the bias to add more juice and brighten the tone, or notch it down to make it sound like the McCoy running on ...
... Bass. And those knobs are indeed tiny (our sole criticism), although you can’t fault what they do. Bias controls the voltage to the circuit, which dramatically alters the wah’s voice. Tweak the bias to add more juice and brighten the tone, or notch it down to make it sound like the McCoy running on ...
Elicit
... control system, comprising of a digitally controlled analog switched resistor network volume control, with a class A discrete low noise FET line amplifier. The signal switching is routed by high quality loss-less relays. High quality Evox and ICEL film capacitors have been used in sonically critical ...
... control system, comprising of a digitally controlled analog switched resistor network volume control, with a class A discrete low noise FET line amplifier. The signal switching is routed by high quality loss-less relays. High quality Evox and ICEL film capacitors have been used in sonically critical ...
VNM 2016 Festival - Vancouver New Music
... Anne-F Jacques’ performance-installation continuous sliding is a of collection of contraptions and devices, in which mundane found objects and tired motors interact with each other. The inherent fragility and inconsistency of the electronics generate irregular musical and mechanical fluctuations and ...
... Anne-F Jacques’ performance-installation continuous sliding is a of collection of contraptions and devices, in which mundane found objects and tired motors interact with each other. The inherent fragility and inconsistency of the electronics generate irregular musical and mechanical fluctuations and ...
Sound reinforcement system
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In some situations, a sound reinforcement system is also used to enhance the sound of the sources on the stage, as opposed to simply amplifying the sources unaltered.A sound reinforcement system may be very complex, including hundreds of microphones, complex audio mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of a single microphone connected to an amplified loudspeaker for a singer-guitarist playing in a coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.Some audio engineers and others in the professional audio industry disagree over whether these audio systems should be called sound reinforcement (SR) systems or PA systems. Distinguishing between the two terms by technology and capability is common, while others distinguish by intended use (e.g., SR systems are for live event support and PA systems are for reproduction of speech and recorded music in buildings and institutions). In some regions or markets, the distinction between the two terms is important, though the terms are considered interchangeable in many professional circles.