Understanding Microphone Sensitivity - Digi
... microphones. The microphone’s acoustic input levels in dB SPL are always rms measurements, regardless of the type of microphone. The output of analog microphones is referenced to 1 Vrms, as rms measurements are more commonly used for comparing analog audio signal levels. However, the sensitivity and ...
... microphones. The microphone’s acoustic input levels in dB SPL are always rms measurements, regardless of the type of microphone. The output of analog microphones is referenced to 1 Vrms, as rms measurements are more commonly used for comparing analog audio signal levels. However, the sensitivity and ...
2005_Digital_ Reference_ Manual_Rev_A
... volume and hear cymbals sounding like fingernails on a blackboard? That’s because the amplifier simply wasn’t fast enough to accurately reproduce the high frequency tonality of the cymbals. A higher slew rate means a faster amplifier, which means crystal clear high frequency reproduction. ZAPCO amps ...
... volume and hear cymbals sounding like fingernails on a blackboard? That’s because the amplifier simply wasn’t fast enough to accurately reproduce the high frequency tonality of the cymbals. A higher slew rate means a faster amplifier, which means crystal clear high frequency reproduction. ZAPCO amps ...
Zapco_Reference DC
... volume and hear cymbals sounding like fingernails on a blackboard? That’s because the amplifier simply wasn’t fast enough to accurately reproduce the high frequency tonality of the cymbals. A higher slew rate means a faster amplifier, which means crystal clear high frequency reproduction. ZAPCO amps ...
... volume and hear cymbals sounding like fingernails on a blackboard? That’s because the amplifier simply wasn’t fast enough to accurately reproduce the high frequency tonality of the cymbals. A higher slew rate means a faster amplifier, which means crystal clear high frequency reproduction. ZAPCO amps ...
User Guide B32 Vancouver Mix Bus
... The philosophy of BURL Audio is to provide the best possible recording devices, in modular,v outboard units, to all levels of recording engineers at a reasonable price. All BURL Audio products are designed to improve your recording, mixdown, and mastering significantly. BURL Audio’s products are des ...
... The philosophy of BURL Audio is to provide the best possible recording devices, in modular,v outboard units, to all levels of recording engineers at a reasonable price. All BURL Audio products are designed to improve your recording, mixdown, and mastering significantly. BURL Audio’s products are des ...
Audio Streamer Board Release
... adopted in security systems, supermarkets, transport, nurse/warden call systems and other application ...
... adopted in security systems, supermarkets, transport, nurse/warden call systems and other application ...
COMPARISON OF LINEAR AND SWITCHING DRIVE AMPLIFIERS
... Series linear topology amplifier. This amplifier is an offthe-shelf laboratory power amplifier designed to drive piezoelectric actuators. It is able to drive different capacitive loads (then different piezoelectric actuator). The output waveform of this amplifier tracks the input reference waveform ...
... Series linear topology amplifier. This amplifier is an offthe-shelf laboratory power amplifier designed to drive piezoelectric actuators. It is able to drive different capacitive loads (then different piezoelectric actuator). The output waveform of this amplifier tracks the input reference waveform ...
new push-pull tube amplifiers - Next-Tube
... life? The simple reason is that the sound quality becomes amazingly clean and stable when compared to lower quiescent-current settings. The shorter tube life (about 1600 - 2000 hours compared to 6000 hours at 45mA) might be a very acceptable sacrifice. The choice is up to you. You need to deal with ...
... life? The simple reason is that the sound quality becomes amazingly clean and stable when compared to lower quiescent-current settings. The shorter tube life (about 1600 - 2000 hours compared to 6000 hours at 45mA) might be a very acceptable sacrifice. The choice is up to you. You need to deal with ...
Why do concert halls sound different – and how can we
... – Diffusing elements can cause the D/R to also vary with frequency in ways that improve direct sound audibility. – The best halls (Boston, Amsterdam, Vienna) all have ceiling and side wall elements with box shape and a depth of ~0.4m. • These elements tend to send frequencies above 1000Hz back towar ...
... – Diffusing elements can cause the D/R to also vary with frequency in ways that improve direct sound audibility. – The best halls (Boston, Amsterdam, Vienna) all have ceiling and side wall elements with box shape and a depth of ~0.4m. • These elements tend to send frequencies above 1000Hz back towar ...
Amplifi er Application Guide 1
... frequencies or RF in the input signal. Although high RF levels may not pose a threat to the amplifier, they can burn out tweeters or other loads that are sensitive to high frequencies. Extremely high RF levels can also cause your amplifier to prematurely activate its protection circuitry, resulting ...
... frequencies or RF in the input signal. Although high RF levels may not pose a threat to the amplifier, they can burn out tweeters or other loads that are sensitive to high frequencies. Extremely high RF levels can also cause your amplifier to prematurely activate its protection circuitry, resulting ...
Class D Audio Amplifiers
... A straightforward analog implementation of an audio amplifier uses transistors in linear mode to create an output voltage that is a scaled copy of the input voltage. The forward voltage gain is usually high (at least 40 dB). If the forward gain is part of a feedback loop, the overall loop gain will ...
... A straightforward analog implementation of an audio amplifier uses transistors in linear mode to create an output voltage that is a scaled copy of the input voltage. The forward voltage gain is usually high (at least 40 dB). If the forward gain is part of a feedback loop, the overall loop gain will ...
A vector signal generator
... With the advent of digital communications systems, it is no longer possible to adequately test these systems with traditional analog signal generators. This has led to the development of vector signal generators, also known as digital signal generators. These signal generators are capable of generat ...
... With the advent of digital communications systems, it is no longer possible to adequately test these systems with traditional analog signal generators. This has led to the development of vector signal generators, also known as digital signal generators. These signal generators are capable of generat ...
How to install and operate the 24 V amplifier DLS CAT31
... One center speaker connects to the left channel, but often at a lower level compared to the main speaker. The other center speaker connects likewise to the right channel. The two speakers together will thus play the sound of Left + Right. This will fill in what you can call the gap in the soundstage ...
... One center speaker connects to the left channel, but often at a lower level compared to the main speaker. The other center speaker connects likewise to the right channel. The two speakers together will thus play the sound of Left + Right. This will fill in what you can call the gap in the soundstage ...
BassPro OM - ustas.skorynina.by
... sufficient air circulation for the amplifier to cool itself. When mounting the amplifier under a seat, ensure that it is clear of all moving seat parts and does not affect the seat adjustments. Mount the amplifier so it is not damaged by the feet of backseat passengers. Make sure that the amplifier ...
... sufficient air circulation for the amplifier to cool itself. When mounting the amplifier under a seat, ensure that it is clear of all moving seat parts and does not affect the seat adjustments. Mount the amplifier so it is not damaged by the feet of backseat passengers. Make sure that the amplifier ...
MC1000 POWER AMPLIFIER
... Mclntosh Laboratory, the company who introduced in 1949 the world's first amplifier that could be called "High Fidelity", has created a new power amplifier without compromise. It is the Model MC1000. All the most advanced circuit design concepts are utilized in this amplifier. A continuous average p ...
... Mclntosh Laboratory, the company who introduced in 1949 the world's first amplifier that could be called "High Fidelity", has created a new power amplifier without compromise. It is the Model MC1000. All the most advanced circuit design concepts are utilized in this amplifier. A continuous average p ...
RSH-462 Operation Manual - Community Professional Loudspeakers
... in general order of significance, concern damage or degradation to the enclosure, the drivers, hardware, and internal components such as crossovers. The RSH-462 has been designed to be highly weather-resistant. The RSH-462 enclosure is fabricated entirely of hand-laminated fiberglass, making it virt ...
... in general order of significance, concern damage or degradation to the enclosure, the drivers, hardware, and internal components such as crossovers. The RSH-462 has been designed to be highly weather-resistant. The RSH-462 enclosure is fabricated entirely of hand-laminated fiberglass, making it virt ...
Vitalizer Mk2-T
... 1. Press the Active switch. You will yet hear no audible change in the sound. 2. Slowly move the Process control in from the extreme left. You will find that starting from the 9 o'clock position all frequencies above 3.5kHz (initial setting Mid-Hi Tune) are becoming more intense. Freqencies below th ...
... 1. Press the Active switch. You will yet hear no audible change in the sound. 2. Slowly move the Process control in from the extreme left. You will find that starting from the 9 o'clock position all frequencies above 3.5kHz (initial setting Mid-Hi Tune) are becoming more intense. Freqencies below th ...
sr 2-125 two-channel amplifier
... companion for the SONARRAY SR1 satellite and subwoofer system. The SR 2-125 is a 125-watt stereo amplifier with DSP presets easily accessed through dials on the back of the amplifier. Whether the outdoor installation is hardscape or softscape, the amplifier presets optimize the best sound and perfor ...
... companion for the SONARRAY SR1 satellite and subwoofer system. The SR 2-125 is a 125-watt stereo amplifier with DSP presets easily accessed through dials on the back of the amplifier. Whether the outdoor installation is hardscape or softscape, the amplifier presets optimize the best sound and perfor ...
OWNER`S MANUAL
... NOTE: Always turn off and disconnect the amplifier from mains voltage before making audio connections. Also, as an extra precaution, have the attenuators turned down during power-up. Cooling System and Requirements. CA Series amplifiers use a twin-tunnel forced-air cooling system to maintain a low, ...
... NOTE: Always turn off and disconnect the amplifier from mains voltage before making audio connections. Also, as an extra precaution, have the attenuators turned down during power-up. Cooling System and Requirements. CA Series amplifiers use a twin-tunnel forced-air cooling system to maintain a low, ...
AMPLIFIER MANUAL
... adjustment in volume is very slight and the end user will most likely never hear it (less than 2dB), this puts the amplifier in an operating range that allows the amplifier to continue to play. The amplifier will monitor its own temperature and adjust its power output, so it will continue to play ev ...
... adjustment in volume is very slight and the end user will most likely never hear it (less than 2dB), this puts the amplifier in an operating range that allows the amplifier to continue to play. The amplifier will monitor its own temperature and adjust its power output, so it will continue to play ev ...
Chapter 5 Low-Noise Design Methodology
... signal-to-noise ratio requirements. Amplifier designers can elect one of 2 paths: • The wrong approach is to worry about the gain and bandwidth first and later in the design power they check for the noise. • Alternatively, one can design the system with initial emphasis on noise performance. • Altho ...
... signal-to-noise ratio requirements. Amplifier designers can elect one of 2 paths: • The wrong approach is to worry about the gain and bandwidth first and later in the design power they check for the noise. • Alternatively, one can design the system with initial emphasis on noise performance. • Altho ...
Computer Music Synthesis
... Fan-out and merging • Unlike message objects, audio signal fan-out and fan-in have no negative effects • Audio block are sent in connection creation order • Patches may be easier to understand when signals are summed with the signal addition (+~) object ...
... Fan-out and merging • Unlike message objects, audio signal fan-out and fan-in have no negative effects • Audio block are sent in connection creation order • Patches may be easier to understand when signals are summed with the signal addition (+~) object ...
Sound reinforcement system
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In some situations, a sound reinforcement system is also used to enhance the sound of the sources on the stage, as opposed to simply amplifying the sources unaltered.A sound reinforcement system may be very complex, including hundreds of microphones, complex audio mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of a single microphone connected to an amplified loudspeaker for a singer-guitarist playing in a coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.Some audio engineers and others in the professional audio industry disagree over whether these audio systems should be called sound reinforcement (SR) systems or PA systems. Distinguishing between the two terms by technology and capability is common, while others distinguish by intended use (e.g., SR systems are for live event support and PA systems are for reproduction of speech and recorded music in buildings and institutions). In some regions or markets, the distinction between the two terms is important, though the terms are considered interchangeable in many professional circles.